A Cluster of Volcanic Cabins Rises From Inner Mongolia’s Fragile Steppe

Somewhere in the vast Baiyinkulun Steppe of Inner Mongolia, where dormant volcanoes have shaped the earth for millennia, a new hotel settles quietly into the land it hopes to heal. Designed by PLAT ASIA, the Volcano-In Hotel of Arrivals spans 1,634 square meters across an ancient volcanic field roughly 150,000 years in the making. Rather than imposing itself on this remote terrain, the resort scatters a constellation of compact, sphere-fronted cabins across the landscape, each one placed with surgical intention over patches of degraded sand where vegetation has long struggled to take root.

That placement is the project’s central gesture. By positioning guest suites directly atop eroding sand depressions, the architects aim to arrest soil loss and give the steppe a chance to regenerate beneath and around the structures. It’s an unusual proposition — architecture as ecological bandage — and one whose success will only reveal itself over years of careful observation.

Designer: PLAT ASIA

Each cabin presents a striking silhouette against the open grassland. Reddish metal panels wrap the rounded facades, nodding to the volcanic geology underfoot, while aluminum roofing caps the forms with a clean, reflective edge. The units are raised slightly off the ground, a deliberate lightness that limits their footprint. Curved retaining walls serve double duty, acting as wind buffers and snow screens against the harsh seasonal conditions that sweep through the region. Construction leaned heavily on prefabrication, with components arriving ready to assemble on site, keeping heavy machinery and deep excavation to a minimum, a pragmatic choice for a landscape this sensitive.

Inside, the cabins are compact but considered. A sleeping area, a relaxed living zone, a bathroom, and a private outdoor terrace compose each suite. The most memorable detail is overhead: an oval skylight positioned directly above the bed, turning the Mongolian night sky into a personal planetarium. A slim horizontal window extends the experience outward, framing the volcanic horizon in a single unbroken line.

On a nearby hilltop, an earlier prototype cabin stands alone — smaller, simpler, and a remnant of the resort’s experimental beginnings. It reads almost as a sentinel, watching over the cluster that followed. Stone-paved pathways thread the cabins together, grounding the experience in a tactile, unhurried movement through the site. The hotel forms one piece of the larger Baiyinkulun Steppe & Volcano Tourism Resort, which also includes the Volcano-In Visitor Center. Whether the steppe ultimately reclaims the ground beneath these cabins remains an open question. But as a proposition, that tourism infrastructure might double as land rehabilitation, the Volcano-In Hotel offers a compelling, quietly ambitious model worth watching.

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Hand-carved cork furniture collection evokes the raw beauty of black volcanic stone

More often than not, furniture design is meant to feelings of warmth, comfort, or even joy, emotions that you’d want to experience inside a home, office, or even waiting area. After all, you will be using these pieces of furniture, including sitting on some of them, so it’s only natural to expect them to be more welcoming, at least visually. There are some more artistic designs that have provoking aesthetics, meant more to be seen rather than used. This furniture collection stands somewhere in the middle, projecting an image of dark and unpolished volcanic rocks that turn out to be comfortable, stable, and even charming in its own rough way.

Designer: ( ae ) offices

A volcano is full of ironies. It is both magnificent and terrifying, and its eruptions are equally destructive and mesmerizing. While the ash, lava, and rocks that volcanoes throw out inflict damage, they can also be used as materials to build and create things that have their own unique beauty despite their horrifying source. That’s the kind of juxtaposition that the DOL furniture delivers, providing a unique visual and tactile experience for every chair or table.

DOL takes its inspiration from the black volcanic stones found on Jeju Island in South Korea. These stones are being used as the foundations for different structures on the volcanic island, reusing what Mother Nature has thrown at them to build stronger architecture. The stones themselves have a raw and uneven appearance born of natural elements that give each piece a unique character. That’s the imagery that’s replicated in this low chair and low table, but using a material that’s the complete opposite of hardened volcanic rock.

The furniture uses the outer bark of the cork oak tree, a material that’s best known for being lightweight, impact-absorbing, and insulating. Each “stone” in this composition is crafted by hand, resulting in an equally unique look for each piece. Of course, cork isn’t the most rigid material for furniture, so it’s supplemented by wooden profiles that give it more structure. Layers of wood oil and waxes add the finishing touch that gives the cork a texture and character that will confuse the mind because of its dark roughness yet soft mass.

The use of cork also adds an element of sustainability, as cork bark undergoes a renewal process every nine years and is completely recyclable. It’s a fitting tribute to a stone that starts its life from the destructive explosion of a volcano before finding its way into people’s homes, buildings, and lives before returning to the earth once again to repeat the cycle.

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