This pocket-sized cyberdesk built inside Altoids Tin is a portable workstation for geeks

What do you do with your Altoids tins after devouring the mints? Maybe for keeping your coins, hand it over to your mom for storing the sewing accessories, for keeping handy a first aid, or perhaps keep the watercolor paint for your little niece. DIYer “Exercising Ingenuity,” however, has a very unique use for the aluminium container.

The inventive YouTuber wanted to build a fully functional Cyberdesk inside of the Altoids tin. Sounds bizarre? Surely it is, given the size of the thing. In his video, he asked himself, “That looks like a tiny computer?” It was clear from the outset that the assembly would require the utmost level of detail and sourcing all the hardware inside the tiny housing. While it might not be the most powerful machine you can own, it surely is ultra-portable and quite nice nonetheless.

Designer: Exercising Ingenuity

Normally, Cyberdesks are built inside ammo cans, rugged Pelican cases, or anything that has a boxy form factor. The machines piqued in popularity during the 1980s after the science fiction novel Neuromancer. Altoid tins have all these attributes, just the smaller size makes them a very odd proposition in the Cyberdesk world. That said, he set out anyway on putting together the hardware. For the CPU, he used the Raspberry Pi Zero W he had lying around, and a 2-inch LCD from another unfinished project. The power comes from a 750mAh lithium-ion polymer battery.

The real challenge was to find the tiny mechanical keyboard and fit it inside the small space. According to him, this was the most enjoyable part of the project, even though the video suggests it was a difficult one. It required learning how to construct the diode matrix for configuring the input, along with the assembling and soldering methodology of each of the keys. The final step here involved painting the keys with a white ink pen. Once this bit was taken care of, the DIY headed into the moderate level difficulty (at least for us). The next step was to create a 3D-printed frame to keep all the components inside the tin in place.

Wiring had to be kept to a minimum, and soldering of other components had to be done efficiently, as space was a premium. As a last step to make more room for components like the UPS HAT board and the display, the original hinge was extended with another Altoids tin hinge for a makeshift, slightly bigger replacement. Once all the hardware components were secured properly inside the tin, it was just a matter of running the system using the software. To make the thing look and feel like a vintage desktop computer, the DIYer painted the front panel beige.

The post This pocket-sized cyberdesk built inside Altoids Tin is a portable workstation for geeks first appeared on Yanko Design.

Alberto Essesi Just Designed the Lamp That Celebrates Mistakes

If you’ve ever assembled furniture, built a shelf, or wired anything with your own two hands, you know the feeling. You step back, you look at your work, and then you see it. That one thing. The screw facing the wrong way. The panel installed backwards. The “how did I miss that?” moment that you either have to fix or quietly learn to live with. Alberto Essesi, an L.A.-based industrial designer, decided to immortalize exactly that feeling, and then turned it into a lamp.

The Oops lamp is precisely what it sounds like. A hanging fixture that, at first glance, looks like something went sideways during installation. The design inverts the expected, which is Essesi’s own phrasing, and it delivers on that premise with clean, understated confidence. It doesn’t shout. It doesn’t over-explain itself. It just makes you look twice, register the joke, and then probably smile.

Designer: Alberto Essesi

Look at it long enough and the concept becomes delightfully clear. A slender, glowing rod descends from a ceiling mount, warm light running its full length like a lit fuse. At the very bottom sits a polished chrome globe, round and reflective, the universal shape of a light bulb. Except the globe isn’t glowing. The rod is. The light is coming from exactly where you wouldn’t expect it, and the bulb, the part that’s supposed to be the whole point, is just sitting there at the bottom looking beautiful and slightly confused. That’s the joke. That’s also, somehow, the most elegant part of the entire object.

The chrome finish on the globe isn’t incidental. It picks up the amber warmth of the glowing rod above it and bounces it softly into the room, so the globe contributes light without technically being a light source. It’s a small design decision that could have easily been an afterthought, but it ends up being one of the most considered details in the whole piece. The lamp works as a room object even before you process the humor in it.

Essesi has said this idea has been rattling around in his head for years. “This has been an idea I’ve had for a few years and always laugh when I think about it,” he shared when unveiling the design. That kind of creative patience is rare, and it shows in the final execution. The Oops lamp doesn’t feel rushed or gimmicky. It feels like exactly the right amount of thought went into it, no more, no less. Sometimes a concept just needs time to ripen before it’s ready to exist in the world.

Design humor is genuinely hard to pull off. Most attempts either try too hard or land too soft. The joke gets buried under layers of irony, or it gets explained to death until any charm it originally had is long gone. The Oops lamp sidesteps all of that. The humor is baked into the form itself. You don’t need a placard or a press release to get it. You just get it. That’s the mark of a strong design concept: the idea communicates itself without any assistance.

Essesi didn’t reach for something ornate or architecturally complex to subvert. He took the most ordinary object and made one small, deliberate deviation from it. That restraint is what makes the whole thing work. The joke only lands because the rest of the design plays it completely straight. The rod is precise. The globe is perfectly spherical. The ceiling mount is minimal and clean. Every element is serious, which makes the absurdity of the overall form land even harder.

A large version has also been added to the mix, which tells me Essesi is taking this seriously as a product concept and not just a portfolio piece. No production plans have been officially confirmed yet, but that feels like a matter of when rather than if. A design this instantly readable and this universally relatable has a built-in audience. People are genuinely tired of objects that require context. They want things that communicate the moment they enter a room.

That’s the real conversation the Oops lamp is opening. It’s a small but clear reminder that good design doesn’t have to be earnest all the time. It can have a point of view. It can be a little funny. A lamp named Oops, made by a designer who let the idea sit for years until it was truly ready, might be the most quietly optimistic object to come out of this year.

The post Alberto Essesi Just Designed the Lamp That Celebrates Mistakes first appeared on Yanko Design.

The iPhone Ultra Fold: Apple’s New 2nm A20 Chip Makes it a Pocket-Sized MacBook

The iPhone Ultra Fold: Apple’s New 2nm A20 Chip Makes it a Pocket-Sized MacBook The new Apple iPhone Ultra Fold displaying its 7.8-inch inner screen.

Apple is preparing to make a significant impact in the foldable smartphone market with its highly anticipated iPhone Ultra Fold. Rumored to launch in September alongside the iPhone 18 Pro, this device is expected to combine advanced technology with practical usability. By addressing common issues in foldable designs and introducing innovative features, Apple aims to […]

The post The iPhone Ultra Fold: Apple’s New 2nm A20 Chip Makes it a Pocket-Sized MacBook appeared first on Geeky Gadgets.

Posted in Uncategorized

Hario’s V60 Gets Its First Real Upgrade in 20 Years for $23

The original Hario V60 is the kind of object that earns its own mythology. Released in 2004, it became the face of the third-wave coffee movement: a simple cone of heat-resistant glass (or ceramic, or plastic, depending on how serious you are) that turned the morning cup into a ritual of patience and precision. Baristas loved it. Coffee nerds obsessed over it. And somewhere along the way, it became as recognizable as a kitchen object can get without appearing on a museum shelf.

That legacy makes the V60 Dripper NEO an interesting proposition. Hario could have left well enough alone. Instead, they spent two years quietly engineering a redesign that touches the one part of the V60 nobody talks about but everyone deals with: the ribs.

Designer: Hario

The original V60’s spiral ribs are the reason it works the way it does. They create space between the paper filter and the cone wall, allowing air to escape as water flows through. The result is a controlled extraction, but one that demands attention. Get your grind wrong, pour too fast, let your focus wander, and the brew either stalls or races past the point of no return. The V60 has always been a beautiful, slightly unforgiving thing.

The NEO changes that equation with a genuinely clever structural update. Instead of a single spiral rib pattern, it introduces 72 ultra-fine vertical ribs along the upper walls of the cone, which then converge into 9 deeper ribs near the base. This dual-zone design guides water evenly down the entire wall before accelerating it through the outlet. The effect is a faster, more uniform extraction that minimizes bitterness from water lingering too long in contact with the grounds. The cup you get out the other end is cleaner, sweeter, and more vibrant, with a balanced acidity that doesn’t tip into sourness.

Two years of testing went into getting this right. Hario’s engineers ran exhaustive trials on rib counts, angles, and flow dynamics before landing on this configuration. The fact that they filed a utility model patent on the structure suggests they believe it is genuinely novel, not just cosmetically different.

The material choice is also worth noting. The NEO is made from Tritan resin, a lightweight, high-clarity plastic that handles heat retention better than standard plastic alternatives. It keeps the brewing temperature more stable from the first pour to the last, which matters more than people think. Temperature consistency is one of those variables that separates a good cup from a great one, and the NEO addresses it without requiring you to do anything differently.

For anyone already embedded in the V60 ecosystem, the compatibility factor is a quiet win. The NEO works with all existing V60 switch bases, so you don’t have to rebuild your setup from scratch. It comes in two sizes, both made in Japan, and retails for around $23.50, which is an accessible price point for a piece of equipment that functions this thoughtfully.

Not everyone is convinced, though. Since hitting the market, the NEO has sparked a genuinely divided response from the coffee community. Users describe the brew as cleaner and more tea-like, which sounds appealing until you realize that some people loved the original V60 precisely for its acidic punch and intensity. One Reddit user put it plainly: the NEO presents coffee “differently,” not necessarily better. For experienced brewers who spent years dialing in their pour technique to coax specific flavors from the classic cone, the NEO’s smoother, more forgiving nature feels less like an upgrade and more like a personality change. That’s a fair criticism. Hario didn’t make a bad V60. They made a different one, and that distinction is exactly what has the coffee internet divided.

Pour-over coffee has always had a slight gatekeeping problem. The ritual appeals to people who love it precisely because it requires care, but that same learning curve turns off anyone who just wants a good cup without turning their kitchen into a science experiment. The V60 NEO doesn’t eliminate that ritual. It just makes the margin for error a little more forgiving, which means more people get to enjoy the result without years of practice behind them.

The original V60 deserved its legacy. The NEO earns its own, just a slightly different one.

The post Hario’s V60 Gets Its First Real Upgrade in 20 Years for $23 first appeared on Yanko Design.

How Gemini Remy Uses 3.2 Flash Thinking to Redefine AI Reasoning

How Gemini Remy Uses 3.2 Flash Thinking to Redefine AI Reasoning Google Gemini Remy interface showing 3.2 Flash Thinking capabilities

Google’s Gemini Remy, powered by the 3.2 Flash Thinking models, introduces a new approach to AI-driven workflows. According to Universe of AI, one notable feature is the experimental “Agentic Mode,” which autonomously handles task management to streamline complex development processes. This mode, combined with the model’s focus on speed and precision, highlights its potential for […]

The post How Gemini Remy Uses 3.2 Flash Thinking to Redefine AI Reasoning appeared first on Geeky Gadgets.

Posted in Uncategorized

The MacBook Neo 2 Leak That Has Windows Laptop Makers Worried

The MacBook Neo 2 Leak That Has Windows Laptop Makers Worried MacBook Neo 2

  The MacBook Neo 2, the highly anticipated successor to the popular MacBook Neo, is making waves with rumors of significant internal upgrades. While its external design is expected to remain largely unchanged, the enhancements under the hood could make it a compelling option for users seeking a budget-friendly, portable laptop with improved performance. Here’s […]

The post The MacBook Neo 2 Leak That Has Windows Laptop Makers Worried appeared first on Geeky Gadgets.

Posted in Uncategorized