What if your coding assistant didn’t just execute commands but actually remembered your preferences, workflows, and project details? Imagine a tool that could seamlessly pick up where you left off, even weeks later, without requiring you to re-explain or reconfigure anything. Enter Deep Agent CLI, an open source coding assistant that redefines productivity by integrating […]
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Customizing your Samsung Galaxy phone’s home screen can transform it into a personalized, efficient, and visually appealing workspace. With tools like Samsung’s Good Lock suite, particularly the Home Up module, you gain access to advanced features that go beyond the default settings. Whether you’re adjusting layouts, integrating widgets, or experimenting with wallpapers, the awesome video […]
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DJI may be the big dog in drones, but it plays third fiddle to GoPro and Insta360 in the action cam market. To better stand out, the company has launched the Osmo Action 6 with a pair of innovative features. The first is a big, square sensor that boosts video quality in low light, while making it easy to output both horizontal and vertical video. The second is a variable aperture for flexible shooting in both bright and dark conditions.
As DJI’s new flagship non-360 action cam, the Action 6 goes up against GoPro’s Hero 13 and the Insta360 Ace Pro 2. Both of those can capture higher resolution footage, so they’re better for most users in daylight conditions. However, if you shoot a lot in dim or contrasty light, DJI’s Action 6 may be your best option.
I’ve already gone through the Osmo Action 6’s specs in my earlier news post, so check that to see the full details. As for what’s new, the first key feature is the variable f/2.0-f/4.0 aperture — the first ever in an action cam. This allows for brighter video and improved stabilization when shooting at night compared to the fixed f/2.8 aperture on the Action 5 Pro. It also offers shallower depth of field and more flexibility on sunny days.
The first thing I noticed with this feature was the lack of full manual control. You can only set it to fixed f/2.6, f/2.8 and f/4.0 “starburst” modes, or automatic settings ranging from f/2.0-f/4.0 up to f/2.8-f/4.0. That means f/2.0 isn’t available as a fixed aperture, which is too bad as that would be ideal for portraits.
Still, variable aperture is a highly useful feature. In auto mode, it ramps from one setting to another in fine steps (f/2.1 to f/2.2, for example), so I never saw any exposure jumps. In low light, I could dial the ISO range down to avoid excessive noise, giving me higher video quality. However, I’d love to see full manual control in a future update.
Another key feature is the new 1/1.1-inch (0.56 inch diagonal) square sensor that allows a wide range of resolutions and aspect ratios. The Action 6 supports vertical and horizontal resolutions up to 4K, in either 16:9 or 4:3 aspect ratios for the latter orientation. The best new setting, though, is Custom, which lets you shoot 3,840 x 3,840 square video.
At 60 fps (a standard frame rate for action videos), GoPro’s Hero 13 maxes out at 5,312 x 2,988 pixels, while the Insta360 Ace Pro 2 can hit 3,840 x 2,880 pixels. That makes the Osmo Action 6 the only current action cam with 4K vertical resolution at 60 fps.
The benefit is that you can film for both horizontal and vertical video platforms like YouTube and TikTok, respectively, with no need to rotate the camera and no loss in resolution. If that sounds familiar, it’s the same reason Apple adopted a square sensor on the iPhone 17’s front camera.
I tested the Custom aspect ratio in DaVinci Resolve Studio and it made exports a breeze. First, I created and exported a standard 4K horizontal timeline, then simply copied the contents to a vertical timeline. After reframing a few shots to keep the action centered, I was able to immediately export a 4K TikTok video. That’s a big time saver for busy editors.
With a 30 percent larger sensor, the Action 6 is better for night or interior shooting using 6,400 ISO and up. Compared to the Action 5 Pro, I found nighttime video from the Action 6 to be considerably cleaner. DJI also improved the Night setting itself: video is cleaner, noise reduction is applied less aggressively and everything looks more natural.
The new sensor and variable aperture also help DJI’s Rocksteady 3.0 digital stabilization in low light. If you’re filming from a bicycle at night, for instance, the Action 6 will use a higher shutter speed than the Action 5, so video will be sharper. That helps the stabilization algorithm produce a better result with less pixelation and tearing.
In daylight conditions, the Action 6 delivers sharp, color-accurate video that can be used straight out of the camera — just like the Action 5. However, in contrasty scenarios like a sun-dappled forest trail, the Action 6 has a slight advantage. When I engaged the 10-bit D-LogM setting to boost dynamic range, I noticed that dark shadow areas had more detail and less noise than they did in footage from the Action 5 Pro or GoPro Hero 13.
However, the GoPro Hero 13’s extra resolution is an advantage if you mostly use YouTube and other horizontal formats. With up to 5,312 x 2,988 pixels at 60 fps, it offers sharper 4K video after supersampling and more room to reframe shots in post production without any loss in quality.
If you like shooting wide but hate the distortion, DJI’s Natural Wide field of view is a nice addition. The regular Wide setting tends to distort vertical lines, but Natural Wide keeps everything nice and straight while providing a greater field of view.
Finally, I tested the Action 6’s new Film Tone feature that borrows a trick from Fujifilm’s simulations. It’s a way to get some fun looks straight out of the camera, like “pristine and cool tones” or “classic negative film type.”. The results are great for anyone who doesn’t want to fiddle with color in post-production, though DJI needs to add a few more options like black and white or sepia.
With its bigger sensor the Osmo Action 6 is slightly larger than the Action 5 Pro in all dimensions, but around the same weight at 5.26 ounces. As before, it can connect to up to two DJI wireless microphones at once, including the Mic 2, Mic 3 and Mic Mini. And it comes with DJI’s new dual-latch Quick-Release Adapter Mount that can be attached in either direction, but supports all of DJI’s past accessories.
Unlike its competition, the Osmo Action 6 comes with 50GB of internal memory (up from 47GB before) along with a microSD card slot. That means you won’t be screwed if you forget a memory card, as most of us have done at one point or another. DJI also doubled the Wi-Fi transfer speeds to 80MB/s and boosted USB-C transfer rates to 800MB/s.
As before, the Action 6 is waterproof to 20 meters (66 feet) by itself, or nearly 200 feet with DJI's waterproof case. And on top of voice control, the Action 6 supports gestures as well, so you can now wave at the camera to start and stop video (like you can with the new Neo 2 drone). With the same 1,950mAh Extreme Battery Plus as before, shooting time between charges is four hours at 1080p and two hours at 4K.
Finally, DJI has introduced two removable lenses for the Action 6, given DJI some competition in that regard. The first is a macro lens with a minimum focal distance of just 4.3 inches, making it ideal for closeup work and portraits. The other is an FOV expansion lens that boosts the field of view from 155 to 182 degrees.
With a bigger sensor and larger aperture than the competition, DJI’s Action 6 is now the best action cam on the market for night shooting, delivering clean, sharp video with better stabilization than rivals. It’s also ideal for users who output to both YouTube and TikTok.
For regular daytime shooting, though, the extra resolution offered on GoPro’s Hero 13 might be preferable for some users. All that aside, it may come down simply to the price. DJI’s Action 6 starts at $369 ($439 with extra batteries and a charger), compared to $309 for the Hero 13 Black and $420 for Insta360’s Ace Pro 2. These are all great choices, but if low-light capability is more important than resolution, choose the Osmo Action 6.
This article originally appeared on Engadget at https://www.engadget.com/cameras/dji-osmo-action-6-review-an-action-camera-that-excels-in-low-light-143027343.html?src=rss
You know that feeling when you see something that completely flips your expectations? That’s exactly what happens when you encounter Ronan Bouroullec’s Ancora tables. Here’s a material we typically associate with parking garages and brutalist architecture, yet somehow this French designer has coaxed concrete into becoming downright graceful.
The Ancora collection, now in production by Italian furniture maker Magis, includes rectangular and round dining tables along with low tables and side tables. What makes them special isn’t just that they’re made from concrete (though that’s certainly part of it) but how Bouroullec has reimagined what this humble material can actually do when treated with a little finesse.
Designer: Ronan Bouroullec x Magis
Let’s talk about that name for a second. “Ancora” means “anchor” in Italian, and once you know that, you can’t unsee it. The base of each table features this ingenious curved edge that flows into a structural rib, creating a shape that genuinely resembles an anchor. It’s one of those design moves that’s both practical and poetic, balancing the need for stability with an aesthetic that feels almost nautical in its elegance.
What really gets me about these tables is how they challenge our assumptions about concrete. We’re so used to thinking of it as heavy, cold, and industrial. And sure, concrete is heavy by nature, but Bouroullec’s design makes it appear surprisingly light and airy. The way the base tapers and curves, the proportions of the anchor-shaped support, it all works together to create visual lightness despite the material’s obvious heft.
The collection offers flexibility too. You can get the rectangular table in a generous 220 by 90 centimeter size, perfect for those dinner parties where everyone actually wants to sit together and talk. The round version clocks in at 130 centimeters in diameter, ideal for smaller spaces or creating a more intimate dining situation. And because these are designed for both indoor and outdoor use, you’re not stuck making that impossible choice between keeping your beautiful furniture pristine inside or actually enjoying your patio.
Material choices matter here. The bases are concrete (obviously), but you get options for the tops. Tempered glass in clear or smoked finishes gives you that contemporary look and lets the sculptural base really shine through. If you prefer something warmer, there’s MDF veneered in oak, which adds a organic element that plays nicely against the concrete’s industrial vibe.
There’s something almost subversive about what Bouroullec is doing with these pieces. Concrete has this long history in Italian design and architecture, particularly through masters like Pier Luigi Nervi who showed how structural elements could be beautiful. Bouroullec taps into that tradition but pushes it somewhere new, somewhere more refined and residential. He’s taken a material that shouts and taught it to whisper.
The beauty of Ancora lies in its simplicity. There are no unnecessary flourishes, no look-at-me details. The design is essentially sculptural, letting the form speak for itself. That anchor-shaped base does all the heavy lifting (literally and figuratively), creating visual interest without needing any decorative additions. It’s the kind of confident design that comes from really understanding your material and what it wants to do.
What strikes me most about these tables is how they fit into our current design moment. We’re collectively moving away from the mid-century modern pieces that have dominated for the past decade and looking for something with more substance, more presence. Concrete delivers that weight and permanence we’re craving, but Bouroullec ensures it doesn’t feel oppressive or dated. These tables feel contemporary without trying too hard to be trendy.
For anyone interested in design that pushes boundaries while staying practical, Ancora represents that sweet spot. These aren’t art pieces you need to tiptoe around. They’re built to be used, indoors or out, for everyday meals or special occasions. The fact that they happen to be absolutely gorgeous is just the bonus.
The post Concrete Never Looked This Good: Ronan Bouroullec’s Ancora Tables first appeared on Yanko Design.
What if you could uncover the hidden stories behind your conversational AI agents, without spending hours manually combing through data? Imagine pinpointing recurring user concerns, identifying agent errors, and tracking performance trends, all in just a few clicks. That’s the promise of LangSmith’s Insights Agent, a tool designed to take the guesswork out of agent […]
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Black Friday deals are officially upon us. We've seen loads of great deals popping up around the Internet, including some serious discounts on headphones. The Beats Studio Pro set is available for a whopping 51 percent off on Amazon. That means you can grab the high-end Beats model for just $170 instead of its usual $350 price tag. This matches the cost we've seen for the Studio Pro headphones during other peak shopping times earlier this year, so this might be your last chance to pick them up for this price.
The Beats brand last updated this wireless over-ear headset in 2023, but it's still a solid choice for a workhorse pair of headphones. The current model improved audio quality and added a useful Transparency mode, so that you can listen to your tunes and still be aware of the world around you, which is great for settings such as public transit and the gym. The other option is a more immersive active noise-canceling mode. Beats Studio Pro also support lossless audio when wired on a USB-C cable. The official specs say the battery life for the headphones lasts up to 40 hours, or 24 hours when the active noise canceling mode is engaged. If you need to eke more life out of these Beats, they do offer a fast-charging mode that promises four hours of activity from just ten minutes of recharge.
There are several color options for the Beats Studio Pro, so if there's a particular hue you want to be sporting, this might be a deal to hop on quickly before the supplies run out or the deal expires. Also on sale in the Beats realm for Black Friday is the Beats Solo 4, which is 35 percent off and down to $130.
The OnePlus 15 and Oppo Find X9 Pro stand out as two of the most compelling options in the competitive Android flagship market. Both smartphones deliver innovative performance, robust battery life, and advanced camera systems, making them attractive to tech enthusiasts and everyday users alike. However, the OnePlus 15 has sparked significant debate due to […]
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So it turns out Meta isn't a monopoly, at least according to a federal judge. In this episode, we dive into Meta's victory in the FTC's antitrust case, which it seems to have won mainly thanks to TikTok's existence. Also, we chat about the Cloudflare issue that took down a huge portion of the web this week, as well as Roblox's plan to collect kids' selfies for age verification. We also carve out some time to chat with the audience and answer your pressing tech questions.
Meta won its antitrust case, will keep control of Instagram and WhatsApp – 2:30
Chat with the Livestream: Flickr’s repository of aughts memories and who uses Facebook anymore – 23:59
The Cloudflare issue that took down a lot of the web? It was a database error – 32:49
Google’s new Gemini 3 model is now available – 34:57
Roblox wants tens of millions of kids to send them a selfie for age verification – 38:27
TikTok’s screen time management function now includes an…affirmation journal? – 41:30
Around Engadget – 43:47
Working on – 50:36
Pop culture picks – 52:27
Host: Devindra Hardawar
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien
Square Enix loves to remaster, remake and reheat its RPGs. The latest title to get the treatment is the critically acclaimed Final Fantasy spin-off, Final Fantasy Tactics.
Tactics has undergone its own remakes before, with War of the Lions bringing the game to the PlayStation Portable and, eventually, iOS and Android. However, now across all the major consoles, Final Fantasy Tactics: The Ivalice Chronicles is a different remake again – and even dismisses some of the characters and additions in War of the Lions. I never finished either version, and two things are apparent: I have missed out, and this is hard.
Originally released just a few months after Final Fantasy VII, which introduced polygon characters, FMV and more, Tactics’ sprite aesthetic seemed quaint in comparison. With compact isometric levels, turn-based battles are closer to Tactics Ogre and Disgaea than the lineup and strike battles of mainline Final Fantasy games of the time. The game was a critical hit, even if it didn’t match the popularity of Cloud et al.
Tactics is far less forgiving. Battle dynamics lean heavily on random number generation; your squad is often outnumbered, and you can easily be undone when resurrection spells and defensive magic fail to land. The first time my revival spell failed, I audibly swore at my Switch 2. But the taste of defeat? It’s usually seasoned just right. It’s gaming umami.
I wanted more, even at the notorious difficulty spike in a battle against knight-gone-wrong Wiegraf. In this fight, I faced him, a far more powerful fighter, solo, and proceeded to die roughly 20 times in a row. On standard difficulty, you rarely have to do this, but I had to craft a specialized version of the protagonist that could hit hard, heal himself, and generally just stay alive long enough for the second stage of this fight.
The Ivalice Chronicles can be played in two ways. The modern version features high-resolution sprites, backgrounds, and effects, while retaining the original’s isometric view, which can be rotated and tilted for the best view of the action. There’s an HD-2D nod with a thick depth of field blur to add a more modern feel.
If you want your Tactics pixelated, you can play the original version, although you can’t transition between the two, which seems like a missed opportunity. (You can toggle your saves across the versions in other RPGs with similar dual versions, like Dragon Quest XI S.)
More than the graphical downgrade, though, you’re missing out on polished voice acting, which not only elevates the diorama cutscenes and political intrigue but also peppers battles when you field main characters and they unleash certain job class attacks.
Talking of jobs, Tactics’ system remains the same, with base jobs like knight, white knight and freelancer giving way to dragoons, summoners and, much later, bizarre-but-powerful roles like arithmetician (the power of math!) and ninja.
The difficulty curve of Tactics is very much here. It was embarrassing how much I struggled to overcome spikes in difficulty, but then again, I never finished the original. (And, like a true hero, I refused to research broken job builds or easy grind spots.)
You can grind, raise levels of your characters, rake in money, and pick up crucial job points. But the wiser method is figuring a battle loop where your characters repeat actions. When the character attacks, heals, steals and generally does anything besides just moving or staying put, it earns Job Points. These are the most crucial parts of growing your squad, as abilities and passive skills can be ported between jobs; it’s how you can customize your entire party to demolish certain kinds of enemies. Lots of archers? A skill called archer’s bane means they’ll struggle to get a hit. Lots of slow-moving enemies in a tight space, rain hell with your summoner, but with an ability to regain MP as they move around.
At times, it still feels like a slog to repeat battles and garner enough JP for that skill you know will turn the tide of a challenging fight. Fortunately, a new battle speed toggle makes them a little less dull.
It's funny to feel nostalgic about a game I never played the first time around. But there’s something familiar and cosy to Final Fantasy Tactics. I’m surprised at the depth of what seems at first to be a pretty simple fighting system.
While the voice acting and additional quality-of-life upgrades are great, it’s a shame that Square Enix didn’t include extra jobs (and characters) introduced in other iterations, like the PSP version. Still, it's another great tactical RPG for the Nintendo Switch, increasingly the best place to play the genre. Fortunately, however, it's available across PS5, PS4, Xbox Series X/S, and PC as well.
What if the next big leap in artificial intelligence wasn’t locked behind corporate walls but freely available to everyone? Enter the MiniMax M2, a new open source AI model that’s rewriting the rules of innovation. Backed by tech giants Alibaba and Tencent, this model challenges the dominance of proprietary systems like GPT-5 and Claude Sonnet […]
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