Tag Archives: Media

Disney+ may add cable-style streaming channels focused on Marvel and Star Wars

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Disney is reportedly planning to add linear cable-style streaming channels to Disney+. According to The Information, the company wants subscribers to spend more time in the app and, by offering more viewing options, it may entice users to stick around. In addition, by running ads on these channels, Disney could boost its bottom line.

There are already a bunch of free, ad-supported streaming (FAST) services such as Roku, Pluto TV and Tubi. Last year, Warner Bros. Discovery brought FAST channels featuring its shows and movies to Roku and Tubi. Disney itself has some FAST channels inside the ABC.com app, including ones dedicated to General Hospital and 20/20. But none of those are inside a subscription service.

The report suggests that Disney may offer channels based on tentpole franchises such as Star Wars and Marvel, along with others showing animated movies from Pixar. Many folks have FAST channels on as background noise while cleaning and so on, and given the high brand affinity for Disney, this makes sense for the company to explore.

Beyond Marvel and Star Wars, Disney has a deep well of shows and movies to pull from for its linear streaming channels. There's absolutely a market for a channel that shows The Simpsons 24/7. There's probably an audience out there that would love to have Boy Meets World or Scrubs on in the background as they go about their day, and of course Disney has a large library of animated kids shows in its locker. A DuckTales channel seems like a no-brainer.

Disney is trying to make Disney+ a one-stop shop for consumers. It recently folded in Hulu and it reportedly plans to do something similar with ESPN when the sports network's standalone streaming service arrives next year. Adding linear streaming channels to the mix could help Disney pull eyeballs away from the likes of Roku and Pluto TV as well.

That said, Disney+ wouldn't be the first subscription streaming service to go down this path. Paramount+ added a Live Channels feature in 2021 to highlight some of the platform's most popular movies and shows. Along with genre-based channels (such as offerings for kids and reality competition fans), others are based on hit franchises such as Paw Patrol, Star Trek and RuPaul's Drag Race.

Another major streaming platform has explored different strategies too. At one point Netflix is said to have considered offering the option to subscribe to and watch other streaming services from within its app, much like Amazon does with Prime Video Channels. The Information notes that while Netflix hasn't moved forward with that plan, the company hasn't ruled it out as it too tries to get users to spend more time in its app.

Update 4/16 11:35AM ET: Added context about the Paramount+ Live Channels.

This article originally appeared on Engadget at https://www.engadget.com/disney-may-add-cable-style-streaming-channels-focused-on-marvel-and-star-wars-180035875.html?src=rss

The Morning After: Meta crams its AI chatbot into your Instagram DMs

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Instagram got a surprise visitor. Meta AI, the company’s AI-powered chatbot that can answer questions, write poetry and generate images with a simple text prompt, is up in your DMs. Meta warned that Meta AI was coming and has spent the last few months adding the chatbot to products like Facebook Messenger and WhatsApp. We all knew Instagram would be next.

“Our generative AI-powered experiences are under development in various phases, and we’re testing a range of them publicly in a limited capacity,” a Meta spokesperson told Engadget. For some of us at Engadget, the feature appeared in Instagram’s Direct Messaging inbox.

We could tap it to start a conversation with Meta AI, where it could give definitions of words, suggest headlines and… generate images of dogs on skateboards.

Ah, the future.

— Mat Smith

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TCL’s first original movie is this terrible-looking AI-generated love story

Stop reading this and just watch.

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TCL

TCL, maker of many TVs, is to release its first special — a short romance movie — on TCLtv+ this summer. Minimizing effort (and artistic license), it’s using generative AI, and the result is as creepy, dreamy and blurry as all the other generative AI video we’ve seen so far. Watch the protagonists’ faces contort and blur. Marvel at the tone and color profiles switching for no apparent reason. You have to watch it: a rare laugh on a Monday morning.

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Apple claims Epic is trying to ‘micromanage’ its business

The company is asking a judge to deny Epic’s recent motion.

Last month, Epic Games filed a motion asking a California judge to hold Apple in contempt for what it claims are violations of a 2021 injunction. Now, Apple is asking the judge to reject Epic’s request, alleging the motion is an attempt to “micromanage Apple’s business operations in a way that would increase Epic’s profitability.” Epic said Apple’s “so-called compliance is a sham” and accused the company of violating the injunction with its recent moves. Apple maintains it has acted in compliance with the injunction, stating in the new filing: “The purpose of the injunction is to make information regarding alternative purchase options more readily available, not to dictate the commercial terms.”

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Google, a $1.97 trillion company, is protesting California’s plan to pay journalists

The company is temporarily removing links to California news for some.

Google, the search giant that brought in more than $73 billion in profit last year, is protesting a California bill that would require it and other platforms to pay media outlets. The company announced it was beginning a “short-term test” to block links to local California news sources for a “small percentage” of users in the state. How will this end up? Let’s take a look elsewhere.

The company pulled its News service out of Spain for seven years in protest of local copyright laws. However, in Australia, the company signed deals worth about $150 million to pay publishers. It also eventually backed off threats to pull news from search results in Canada and forked over about $74 million.

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The best laptops for both gaming and schoolwork

True work-and-play machines.

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Engadget

Gaming laptops are now cheaper and more powerful than ever, and many wouldn’t look out of place in a classroom. If you aim to do some serious multimedia work alongside playing video games online, it’s worth looking at a dedicated gaming system. We select the best machines for balancing work with play, with advice on screen sizes, portability and more. Jack will no longer be a dull boy.

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-meta-crams-its-ai-chatbot-into-your-instagram-dms-111512763.html?src=rss

Bluesky now allows heads of state to join the platform

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Now that Bluesky has opened itself up to the public and introduced some new moderation options, the team’s decided it’s finally time to allow world leaders on board, too. A post from the official Bluesky account on Friday notified users, “By the way... we lifted our ‘no heads of state’ policy.” The policy has been in place for the last year as Bluesky worked through all the early growing pains of being a budding social network. 

Bluesky remained an invite-only platform from its launch in February 2023 until February of this year, when it finally ditched the waitlist. Bluesky had said last May that it wasn’t ready for heads of state to join, and even asked users to give its support team notice “before you invite prominent figures.” It’s since grown to more than 5 million users, gaining roughly a million alone in the day after it stopped requiring invite codes.

This article originally appeared on Engadget at https://www.engadget.com/bluesky-now-allows-heads-of-state-to-join-the-platform-202700504.html?src=rss

Bluesky now allows heads of state to join the platform

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Now that Bluesky has opened itself up to the public and introduced some new moderation options, the team’s decided it’s finally time to allow world leaders on board, too. A post from the official Bluesky account on Friday notified users, “By the way... we lifted our ‘no heads of state’ policy.” The policy has been in place for the last year as Bluesky worked through all the early growing pains of being a budding social network. 

Bluesky remained an invite-only platform from its launch in February 2023 until February of this year, when it finally ditched the waitlist. Bluesky had said last May that it wasn’t ready for heads of state to join, and even asked users to give its support team notice “before you invite prominent figures.” It’s since grown to more than 5 million users, gaining roughly a million alone in the day after it stopped requiring invite codes.

This article originally appeared on Engadget at https://www.engadget.com/bluesky-now-allows-heads-of-state-to-join-the-platform-202700504.html?src=rss

Interstellar is coming back to theaters in September for its 10-year anniversary

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It’s somehow been almost 10 years since Christopher Nolan’s sci-fi odyssey Interstellar was first released in theaters, and to celebrate the upcoming anniversary, Paramount Pictures and Warner Bros. are bringing it back to the big screen. Per Variety, Paramount announced at CinemaCon this week that Interstellar will be re-released on September 27, 2024 in IMAX 70mm and digital. Interstellar, starring Matthew McConaughey, Anne Hathaway and Jessica Chastain, debuted in the US in fall 2014.

In true form for Nolan, the film is a bit of a mind-bender. Interstellar presents us with a near-future Earth that is becoming uninhabitable due to an unbeatable blight that’s wiped out nearly all food crops. A team of astronauts sets out to space in search of another planet that could support life, using a wormhole to reach a galaxy beyond our own, and space-time weirdness ensues. It’s a great movie and was well-received at the time of its release (even if it left a ton of people confused about what had actually happened), going on to rake in roughly $731 million globally, according to Variety.

If you didn’t get a chance to catch it in IMAX the first time around, it’s definitely worth taking a trip to the theater for this one.

This article originally appeared on Engadget at https://www.engadget.com/interstellar-is-coming-back-to-theaters-in-september-for-its-10-year-anniversary-173427501.html?src=rss

Interstellar is coming back to theaters in September for its 10-year anniversary

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It’s somehow been almost 10 years since Christopher Nolan’s sci-fi odyssey Interstellar was first released in theaters, and to celebrate the upcoming anniversary, Paramount Pictures and Warner Bros. are bringing it back to the big screen. Per Variety, Paramount announced at CinemaCon this week that Interstellar will be re-released on September 27, 2024 in IMAX 70mm and digital. Interstellar, starring Matthew McConaughey, Anne Hathaway and Jessica Chastain, debuted in the US in fall 2014.

In true form for Nolan, the film is a bit of a mind-bender. Interstellar presents us with a near-future Earth that is becoming uninhabitable due to an unbeatable blight that’s wiped out nearly all food crops. A team of astronauts sets out to space in search of another planet that could support life, using a wormhole to reach a galaxy beyond our own, and space-time weirdness ensues. It’s a great movie and was well-received at the time of its release (even if it left a ton of people confused about what had actually happened), going on to rake in roughly $731 million globally, according to Variety.

If you didn’t get a chance to catch it in IMAX the first time around, it’s definitely worth taking a trip to the theater for this one.

This article originally appeared on Engadget at https://www.engadget.com/interstellar-is-coming-back-to-theaters-in-september-for-its-10-year-anniversary-173427501.html?src=rss

Indie game studio Possibility Space shuts down, CEO blames leaks to reporter

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Possibility Space, an independent game studio with employees distributed across the globe, was abruptly shut down today by its CEO Jeff Strain, former employees revealed on Twitter. The studio launched in 2021 with the goal of creating a AAA title, and it had also hired industry notables like Waypoint's Austin Walker and Ubisoft designer Liz England. Its closure follows the shutdown of Crop Circle Games last month, another studio owned by Strain's Prytania Media, which he co-founded with his wife Annie Delisi Strain.

In an e-mail obtained by Polygon reporter Nicole Carpenter, Strain said he was "stunned" to learn that confidential information about the studio's major title, code-named Project Vonnegut, was shared with Kotaku reporter Ethan Gach. Strain claims that an unnamed publisher "expressed low confidence" about funding the studio any further, which led to a mutual agreement to cancel the title. Subsequently, he decided to shut down the studio entirely.

Possibility Space isn't the first studio to have game details leaked to press, and it's unclear why that information was damning enough to lose publisher funding (and don't forget, this is only Strain's version of events). 

Earlier this month, Annie Delisi Strain also issued a similarly baffling letter (via IGN) where she blamed Crop Circle Game's closure on economic downturn, but additionally revealed that she was diagnosed with multiple-sclerosis. She claimed, without evidence, that Kotaku's Gach could potentially publish her health details without consulting her: "I stepped down as CEO this winter on a medical leave and while I don't know the content of Mr. Gach's article, I have no assurances that my personal health struggles as a rare female game industry CEO will not be covered in his article."

This article originally appeared on Engadget at https://www.engadget.com/indie-game-studio-possibility-space-shuts-down-ceo-blames-a-reporter-195001168.html?src=rss

Ubisoft is deleting The Crew from players’ libraries, reminding us we own nothing

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Ubisoft’s online-only racing game The Crew stopped being operable on April 1. Some users are reporting, however, that things have gone a bit further. They say that the company actually reached into Ubisoft Connect accounts and revoked the license to access the game, according to reports by Game Rant and others.

Some of these users liken this move to theft, as they had purchased the game with their own money and received no warning that Ubisoft would be deleting the license. When attempting to launch the game, these players say they received a message stating that access was no longer possible.

On its face, this sounds pretty bad. People paid for something that was snatched away. However, there’s one major caveat. The Crew is an online-only racing game, so there really isn’t anything to do without the servers. Those servers went down on April 1 and the game was delisted from digital store fronts. Also, this move only impacts the original game. The Crew 2 and The Crew Motorfest are both still going.

When Ubisoft announced that the servers would be taken offline, it offered refunds to those who recently purchased the The Crew. The game’s been around a decade, so this refund likely didn’t apply to the vast majority of players. Some of these people said they had planned to set up private servers to play the game, an option that is now impossible.

This isn’t the biggest deal in the world, being as how The Crew is not operable, but it does highlight a major problem with the purchase and use of digital goods. We pay money for these products. We think we own them, but we don’t own a damned thing. Read the terms of service from Ubisoft or any other major games publisher for proof of that. Philippe Tremblay, Ubisoft's director of subscriptions, recently told Gamesindustry.biz that players will become “comfortable with not owning” their games. I’m not so sure we’ll ever be comfortable with the idea that stuff we paid for can disappear on a dime, even if it becomes standard practice.

This article originally appeared on Engadget at https://www.engadget.com/ubisoft-is-deleting-the-crew-from-players-libraries-reminding-us-we-own-nothing-165328083.html?src=rss

TCL’s first original movie is an absurd-looking, AI-generated love story

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Many major tech companies, particularly those that operate in the TV hardware business, have dipped their toes into original content. Although it's had its own free, ad-supported TV (FAST) channels for a while, TCL is late to that party. Not for much longer though, as the company is set to release its first special, a short romance movie, on TCLtv+ this summer. There's just one slight hitch: TCL is using generative AI to make original content for its platform, and early signs do not bode well.

The company has released the first trailer for Next Stop Paris, which it's calling "the first AI-powered love story." TCL used human writers, as well as actors for motion capture and voice performances. While it has artists in the US, Canada, UK and Poland working on the project, it relied heavily on generative AI.

“I am excited by this opportunity to differentiate us with original programming. AIGC [artificial intelligence generated content] for us is the beginning," Chris Regina, TCL's chief content officer, told Broadcasting+Cable. "It’s a new approach and it makes sense coming from a tech and hardware company that that’s where we’re going to start.”

The plot of Next Stop Paris, such as it is, sees a young woman going on her honeymoon to Paris alone after her fiancé ran off with someone in their wedding party. She meets a stranger on the train and the pair explore the French capital together.

TCL is hoping that original content can help draw viewers to TCLtv+ and help build a brand identity for the company. While it's not entirely fair to judge a film based on a trailer, the Next Stop Paris clip gives a terrible first impression for both the project and TCLtv+.

The look of the characters changes throughout, from a moderately realistic style to the hyperrealism we often see from the likes of Midjourney, and they project all of the emotion of a pair of dead fish. Lip syncing is almost non-existent and the characters walk in a very unnatural way. 

The trailer feels like the worst kind of fever dream. Saying this looks like garbage would be an insult to garbage. If "content is king," as Regina put it, Next Stop Paris looks like a pauper.

The Hallmark Channel gets a lot of flak for its romance movies and romcoms, but at least there's an earnestness and high level of care behind the network's output, which does a lot to fill a gap in the theatrical slate. TCL is trying to muscle into that space too.

"There's an audience there that's watching our service and we see a hole in the marketplace with theatrical rom-coms not as prevalent," Regina said. "They're a guilty pleasure. You get under a blanket and watch in front of your TV set. So that's the driver." On top of that, TCL plans to make its original content shoppable and have AI-generated "characters in our shows that can be brand ambassadors and influencers for advertisers."

Thankfully, TCL isn't only working on AI-generated guff. "We are looking at doing traditional content. So movies, scripted shows, unscripted content, specials," Regina, who wrote Next Stop Paris with TCL chief creative officer Daniel Smith, said. "The next thing we have brewing isn't AI at all." That's good, because whatever's next can't look much worse than Next Stop Paris.

This article originally appeared on Engadget at https://www.engadget.com/tcls-first-original-movie-is-an-absurd-looking-ai-generated-love-story-154142740.html?src=rss

Paramount announces yet another Star Trek prequel

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Movie-industry shindig CinemaCon was the venue at which Paramount Pictures announced it has started work on a new Star Trek movie. Slashfilm reports Untitled Star Trek Origin Story will be a prequel to Star Trek (2009), J.J. Abrams’ glossy prequel to Star Trek (1966). It’ll be directed by Toby Haynes, most famous around these parts for helming episodes of Andor and Black Mirror’s USS Callister. The screenplay has been written by Seth Grahame-Smith, who wrote The Lego Batman Movie and Pride and Prejudice and Zombies.

So that we’re clear, Untitled Star Trek Origin Story will serve as a prequel to the 2009 origin story and a sequel to 2001’s origin story, Enterprise. It will likely be set before Discovery, which was conceived as a prequel to Star Trek (1966) and Strange New Worlds, which is a prequel to Star Trek (1966). And, look, if you’ll allow me to get a little personal for a moment, I am deeply overjoyed at the news. Given the dearth of origin stories, prequels and nostalgia-parades in the Star Trek universe, an Untitled Star Trek Origin Story is a welcome, necessary and life-giving addition to the franchise.

Let’s be honest, it’s high time we got something insular and backward-looking after so many years of non-stop groundbreaking, original adventures shorn from the burdens of continuity.

This article originally appeared on Engadget at https://www.engadget.com/paramount-announces-yet-another-star-trek-prequel-101030423.html?src=rss