Running out of storage on your iPhone can be a common challenge, especially when you want to preserve your cherished photos, videos, and essential apps. Fortunately, iOS 26 provides several practical tools and strategies to help you reclaim storage space without compromising your personal files. By targeting overlooked data and optimizing settings, you can ensure […]
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Your iPhone is equipped with a wide array of features that extend far beyond the basics, offering tools and settings designed to enhance convenience, efficiency, and personalization. However, many of these functionalities remain underutilized simply because users are unaware of their existence. In the video below, Proper Honest Tech delves into ten lesser-known iPhone features […]
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The circular economy is a sustainable model of production and consumption that aims to reduce waste and extend the life of resources. Unlike the traditional linear system of “take-make-dispose,” it promotes a closed-loop approach where materials are reused, repaired, refurbished, and recycled. This model helps conserve natural resources, lowers environmental impact, and supports long-term economic resilience. A recent report indicates that only 6.9% of the 106 billion tonnes of materials used globally each year are recycled.
Despite growing awareness, the current rates of material reuse remain alarmingly low, highlighting the urgent need to rethink how products are designed and used. At its core, the circular economy focuses on keeping products and materials in use for as long as possible by rethinking how they are designed, used, and repurposed. It aims to eliminate waste and pollution from the start. Some core principles of the circular economy are outlined below:
Products should be designed with longevity in mind. This means using high-quality, durable materials that can withstand wear and tear over time. A well-made product reduces the need for frequent replacements, helping both the environment and the user’s wallet.
Equally important is making products easy to repair and update. Components should be simple to access, replace, or upgrade without specialized tools. Modular designs that allow users to adapt items for different uses add even more value. By thinking ahead during the design stage, products can stay useful longer and avoid ending up as waste.
Novum 3D is a fully recyclable backpack developed by Vaude, a German outdoor brand committed to sustainability and circular design. Made entirely from thermoplastic polyurethane (TPU), the backpack is 3D-printed using a mono-material approach. This allows each part—from the straps and packsack to the honeycomb back pads to be easily disassembled and returned to the production cycle. By eliminating the use of mixed materials, Vaude addresses a major challenge in the textile industry and moves closer to true material circularity.
The backpack features a honeycomb construction inspired by one of nature’s most stable forms. This design offers high structural integrity with minimal material usage, while providing lightweight comfort and built-in ventilation. Varying degrees of hardness within the 3D-printed structure ensure balanced pressure distribution for ergonomic support. Novum 3D showcases Vaude’s dedication to innovation, proving that eco-conscious design can deliver both performance and comfort for the next generation of outdoor enthusiasts.
Products should be designed with their end-of-life in mind, using materials that can be easily recycled. Consider choosing mono-materials where all parts are made from the same substance, as it helps avoid the need for complex sorting or separation during recycling.
Equally important is avoiding bonded or composite materials that are difficult to break down. Products should also be easy to disassemble, allowing different parts to be separated and recycled properly. This kind of thoughtful design supports a circular economy by keeping materials in use longer and reducing the amount that ends up as waste.
COSMOPLAST is a modular furniture system from Argentina, designed by Marcela Coppari and grounded in circular design principles—reuse, modularity, and sustainability. The system features geometric plates in various shapes and sizes, including circles, semicircles, squares, and rectangles. These components connect via aluminum tubes of varying heights and 5 cm-diameter connectors made from R-PEAD recycled plastic. Designed for adaptability, the structure supports both vertical and horizontal configurations, enabling users to create tables, shelves, and seating solutions tailored to diverse spatial needs.
Assembly is intuitive and tool-free, using a simple press-fit system and a rubber mallet. The perforated plates allow multidirectional expansion, enhancing design flexibility. Each COSMOPLAST kit includes plate modules, CNC-machined connectors, and laser-cut aluminum tubes finished with epoxy paint, all packaged in a compact textile bag and flat cardboard box. Handcrafted in Argentina, with plastic plates manufactured by Necológica in Necochea, COSMOPLAST offers a refined, sustainable approach to modern, customizable furniture.
Businesses should focus on reducing their use of raw materials while still maintaining product quality and performance. This can be achieved through strategies like using alternative or recycled materials, designing lightweight products, and improving manufacturing processes to be more resource-efficient.
By cutting down on material consumption, companies not only help conserve natural resources but also lower production costs. These efforts lead to more sustainable products and a smaller environmental footprint. In the long run, this approach supports business success and environmental responsibility.
The Holiday Home in Brasschaat, Belgium, is a compact and sustainable residence designed by Polygoon Architectuur, employing circular construction and bio-ecological building methods. With a total area of 750 square feet, the structure features a unique pentagonal floor plan and a sloped roof that extends the ceiling height to 22 feet, creating a sense of spaciousness within a compact footprint. To minimize impact on the landscape, the home is elevated on eleven timber poles, serving as an alternative foundation system that enhances environmental harmony and mobility.
Constructed onsite in just five days, the home utilizes locally sourced coniferous wood for the frame, selected for its renewability, cost-efficiency, and hands-on suitability. The exterior is clad in bark planks for a vapor-open façade, while the interior is finished with oriented strand board (OSB) to support insulation. Spread over two levels, the layout includes living spaces, a kitchen, and bathroom on the ground floor, with sleeping areas and storage located above.
Sustainability begins with smart design. Rather than dealing with waste and pollution after they occur, the focus should be on preventing them from the outset. This means rethinking how products are made and choosing materials and methods that avoid generating waste in the first place.
Designing with intention helps reduce emissions, limit harmful byproducts, and lower the risk of spills or environmental harm. By addressing these issues early in the process, companies can create cleaner, more efficient systems that support long-term environmental health and business responsibility. It’s a proactive step toward a more sustainable future.
Calatea Green is a sustainable reimagining of the original Calatea chair by designer Cristina Celestino, created to mark the launch of Green Pea, Italy’s first green retail park. Guided by circular economy principles, Celestino redesigned each element with environmental impact in mind. The chair’s padding is made from recycled PET fabric sourced from plastic bottles that are recyclable and compostable. Its legs use FSC-certified ash wood from responsibly managed forests, while the upholstery is crafted from 100% recycled cotton yarn, certified by the Global Recycled Standard.
To align aesthetics with values, the original tropical Calathea motif has been replaced with a hand-painted design using non-toxic, water-based ink, inspired by Celestino’s roots in Friuli Venezia Giulia, a region known for its native alder tree. The project reflects Pianca’s broader sustainability ethos, which includes sourcing wood from certified forests, using 90% recycled packaging, and powering production entirely through a photovoltaic energy system.
The circular economy is not just about minimizing damage, but it is also about giving back to the environment. It focuses on restoring natural systems by using renewable energy, repairing degraded land, and promoting biodiversity. These actions go beyond sustainability, aiming to renew what has been lost.
By adopting regenerative practices, businesses can contribute to environmental recovery while building long-term resilience. The goal is to create an economy that improves the well-being of people and the planet, not just preserves it. This shift in mindset helps shape a future where nature and industry can thrive together.
Foresta System is a modular acoustic panel system developed by Mogu, designed to combine sustainability with functional interior acoustics. Each panel is made from a unique blend of fungal mycelium and upcycled textile fibers, offering natural sound absorption while remaining lightweight and biodegradable. The panels are entirely free of synthetic materials, aligning with circular design principles. Their organic texture and composition make them ideal for reducing ambient noise in spaces such as offices, restaurants, and retail environments.
The system is supported by a timber frame constructed from wooden branches and modular nodes. These nodes contain integrated magnets, allowing the panels to be easily mounted, repositioned, or removed without the need for tools. This design enables flexibility in layout and ease of installation. Using advanced technologies such as parametric modeling and robotic manufacturing, the Foresta System merges refined wooden aesthetics with innovative biomaterials to create a sustainable and visually distinctive acoustic solution.
Circular design offers more than just sustainable solutions as it redefines how we create, use, and reuse materials. By designing with longevity, recyclability, and resource efficiency in mind, it helps close the loop on waste. As industries adopt these principles, circular design is not just shaping products but also shaping a more responsible and regenerative future for generations to come.
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The flagship smartphone market is more competitive than ever, with each device offering unique features and capabilities. This guide provides a detailed comparison of the Xiaomi 17, Galaxy S25, Pixel 10, and iPhone 17, focusing on critical aspects such as battery life, camera performance, video recording, display quality, and usability. By understanding the strengths and […]
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What if your muscles could do more than just move your body? Imagine flexing your arm to scroll through a webpage or clenching your fist to control a robotic arm. It sounds like something out of a sci-fi movie, but thanks to electromyography (EMG) sensors, this futuristic concept is becoming a reality. By detecting the […]
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The Samsung Galaxy S26 series represents a deliberate and calculated shift in the company’s approach to smartphone development. Rather than chasing bold, new innovations, Samsung has opted for a strategy centered on incremental updates and cost efficiency. This approach is designed to appeal to mainstream users who are upgrading from older devices, rather than targeting […]
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Remember when music was something you could actually see? Not just album art or a Spotify playlist, but something physical that moved and breathed with the beat? Designer Lillian Brown is bringing that tangible connection back with Orbit, a kinetic turntable that literally flips the script on how we experience sound.
What started as Brown’s senior thesis at the Savannah College of Art and Design has evolved into something genuinely captivating. Orbit isn’t just a turntable; it’s a performance piece that translates every beat, every note, every rhythm into visible motion through a mesmerizing display of flipping wooden tiles.
Designer: Lillian Brown
The concept is beautifully simple yet surprisingly complex in execution. Picture a classic vinyl turntable, then imagine surrounding the record with 39 handcrafted wooden tiles arranged in concentric circles. As your favorite album spins, these tiles respond to the music’s frequency and amplitude, flipping and rotating to create constantly shifting patterns of light and shadow. It’s like watching your music dance.
What makes Orbit particularly special is how it bridges the gap between vintage nostalgia and contemporary design innovation. In an era where most of us stream music through invisible algorithms and wireless speakers, there’s something deeply satisfying about watching music become a physical, visual experience. Brown has essentially created a hybrid object that transforms passive listening into an active sensory moment, where you’re not just hearing the music but witnessing it unfold in real time.
The wooden tiles themselves are a thoughtful material choice. Each one is carefully crafted and balanced, allowing them to respond with precision to the audio signals they receive. As the music plays, different frequencies trigger different tiles, creating organic patterns that shift with every song. A bass-heavy track might trigger the outer rings more intensely, while high notes could activate the inner tiles. The result is an ever-changing visual symphony that’s unique to each recording.
There’s also something wonderfully analog about the whole concept. While the mechanism that translates sound into motion likely involves some modern electronics, the physical expression is entirely mechanical. No screens, no digital displays, just wood, motion, and light playing together in space. It’s the kind of design that makes you slow down and actually pay attention to your music again.
Brown’s work taps into a growing desire for meaningful interaction with the objects in our lives. As more of our experiences become digital and ephemeral, pieces like Orbit remind us of the joy that comes from tangible, physical engagement with art and technology. It’s not just furniture and not quite sculpture; it exists in that fascinating in-between space where functional objects become art. The timing feels right for something like this. Vinyl has already made a remarkable comeback, with younger generations discovering the ritual of carefully selecting a record, placing it on the turntable, and actually sitting with an album from start to finish. Orbit takes that ritual one step further, adding a visual dimension that makes the experience even more immersive and meditative.
Imagine hosting friends and dropping the needle on a new album as everyone gathers around to watch the tiles respond and shift with the music. Or picture yourself unwinding after a long day, watching the hypnotic patterns emerge from your favorite tracks. It transforms listening from background noise into a focused, contemplative practice. What Brown has created with Orbit goes beyond clever design or technical innovation. It’s a reminder that some of the best ideas come from asking simple questions: What if we could see music? What if listening became watching? What if technology enhanced rather than replaced the analog experiences we value? In answering these questions, she’s created something that feels both nostalgic and refreshingly new, proving that great design doesn’t have to choose between the past and the future. It can honor both.
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What if you could teach an AI to truly understand tasks instead of just responding to prompts? Imagine an AI that doesn’t need constant hand-holding or endless tweaking but instead learns structured, reusable skills that adapt to your needs. Bold claim? Perhaps. But this shift from prompting to teaching represents a profound evolution in how […]
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Elon Musk has told Joe Rogan that he hopes to unveil a flying car "before the end of the year." As Gizmodo has reported, Rogan asked Musk about about the long-delayed second-gen Tesla Roadster in his show, when the Tesla CEO suddenly started talking about wanting the vehicle to fly. If you'll recall, Tesla unveiled a new Roadster in 2017 and had plans to start deliveries in 2020, but its production got delayed again and again. OpenAI CEO Sam Altman recently tweeted that he'd been having difficulties getting a refund on the $50,000 deposit he made for one way back in 2018. But instead of talking in depth about Roadster's status, Musk talked about getting close to an "unforgettable" product demo of a prototype instead.
He was giving Rogan vague answers in the interview, but he eventually said: "Well, you know, my friend Peter Thiel, once reflected that the future was supposed to have flying cars, but we don’t have flying cars. I mean, I think if Peter wants a flying car, we should be able to buy one" He didn't want to divulge all the details in the show, but he claimed that the vehicle Tesla is supposedly working on contains "crazy, crazy technology." Musk said he wasn't sure it's a car but that "it loos like a car." He didn't answer when Rogan asked if it had "retractable wings" or mentioned if the vehicle would be VTOL, or a Vertical Take-off and Landing, aircraft.
Musk has been talking about developing flying cars as early as 2014, as Gizmodo notes. However, take note that the CEO is rather infamous for being overly optimistic and ambitious with his timelines, not just for the automaker but also for his other companies like SpaceX. Take for example, the aforementioned Roadster, which is yet to go into production, and the SpaceX Falcon Heavy whose first launch didn't happen until five years later than he predicted. That said, it's also possible for Tesla to unveil a prototype that would still have to go through massive changes and improvements if and when it becomes ready for production.
This article originally appeared on Engadget at https://www.engadget.com/transportation/elon-musk-teases-a-flying-car-on-joe-rogans-show-120022824.html?src=rssThe iPhone 18 Pro Max introduces a new era of smartphone innovation, combining advanced technology with thoughtful design to deliver an unparalleled user experience. From its innovative chip architecture to professional-grade photography capabilities, this device is engineered to meet the demands of modern users. Below is an in-depth exploration of the standout features that […]
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