Tag Archives: phones

5 Things the iPhone Duo Got Right That Samsung Still Hasn’t

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Samsung has had the folding phone conversation to itself for six years now, tweaking hinges, shrinking creases, and figuring out what a cover screen is even for. Apple waited, watched, and let its rival make every mistake first. That patience shows in the iPhone Duo, a first-generation foldable that skipped straight past problems Samsung’s Galaxy Z Fold8 still hasn’t fully solved.

None of that comes cheap, though. The Duo starts at $1,999 and costs more than the Fold8’s $1,899.99, weighs in at roughly nine ounces against the Fold8’s seven, and folds up thicker in your pocket, besides. Samsung still wins those arguments outright, and we’ll get back to that later. But set weight and price aside, because here are five places where Apple’s first foldable actually beat Samsung’s eighth attempt.

Designer: Apple

The Camera That Disappears

A foldable phone’s whole pitch is the screen, one continuous surface that opens up into something closer to a small tablet. Every notch or punch-hole cut into that surface breaks the illusion a little, reminding you that the software is still working around a sensor buried in the glass. Samsung’s Galaxy Z Fold8 has never quite escaped that compromise, even eight generations in.

The Galaxy Z Fold8 carries a 10-megapixel camera punched into both the inner and cover displays, a hole you notice every time the screen lights up. The Duo takes a different route entirely, tucking its inner selfie camera under the panel itself so nothing interrupts the display when you’re watching a movie or scrolling through photos with both halves open. The outer screen keeps a single, smaller cutout.

A Stylus Samsung Gave Up On

Samsung built its whole Note legacy around the S Pen, then carried that stylus into the first few generations of the Galaxy Z Fold before quietly dropping it this cycle. Neither the Galaxy Z Fold8 nor the Galaxy Z Fold8 Ultra bring it back, leaving a gap for anyone who used to sketch, sign, or jot notes onto that big inner display. It’s a strange retreat for a company built on that exact feature.

Samsung Galaxy Z Fold6

Apple Pencil support changes that, working on both the 5.4-inch cover screen and the 7.6-inch inner display, once it arrives. Dual-screen support lands through a software update later this year rather than at launch, so early buyers will have to wait a bit for the full experience. Still, it means signing a document or sketching an idea won’t require unfolding the phone first, something Samsung’s lineup can no longer offer.

Built to Survive the Mess

Dust is the part of durability testing everyone forgets about until it’s too late, and a folding hinge is the worst possible place for grit to sneak into. Water resistance ratings get all the marketing attention, but the dust half of an IP rating tells you whether sand at the beach or fine construction dust will actually make it past the seals and start scratching at the mechanism underneath.

The iPhone Duo carries an IP68 rating, meaning the seal is dust-tight; nothing gets through, full stop. The Galaxy Z Fold8 only manages IP48, which covers water fine but leaves that dust digit low enough that fine particles, sand, and powder aren’t actually kept out. For anyone who takes their foldable to a beach, a workshop, or just a dusty backpack, that gap matters more than it looks.

Room for Everything You Shoot

A foldable’s bigger inner screen practically begs you to shoot more video and drag around heavier files, whether that’s 4K footage, a stack of RAW photos, or a library of apps you’d never bother installing on a regular phone. Storage stops being an afterthought pretty quickly once you’re using the extra screen real estate the way it’s meant to be used, for actual creative work instead of just bigger icons.

Apple tops out the iPhone Duo at 2TB of storage, double what the Galaxy Z Fold8 offers at its 1TB ceiling. That’s the difference between planning around your camera roll on a long trip and simply forgetting storage exists as a problem. For anyone who treats their foldable as a mobile production tool rather than a bigger email client, that extra headroom ends up mattering more than the megapixel count.

Fighting the Fold’s Oldest Flaw

The crease down the middle of a folding screen has been the one problem no manufacturer has fully cracked, Samsung included, no matter how many generations they’ve shipped. Apple’s approach to the Duo’s hinge stacks a nano-texture matte layer over glide-adhesive glass and backs the whole assembly with a titanium plate, an engineering answer to a problem that’s mostly been treated as unavoidable elsewhere in the industry.

Early impressions from outlets with briefing access suggest the crease is still visible. Nobody’s claiming otherwise, but it doesn’t catch your finger or your attention the way it does on most rivals, the Galaxy Z Fold8 included. That’s worth flagging as an early read rather than a verified result, since neither phone has landed in reviewers’ hands yet. Outdoor glare handling gets similar praise, though the real test comes once these ship.

What Samsung Still Gets Right

None of this makes the Galaxy Z Fold8 a bad phone, and Samsung still wins the arguments that matter most to plenty of buyers. It’s $99.01 cheaper, noticeably lighter at roughly seven ounces against the Duo’s nine, and thinner whether it’s folded shut in your pocket or opened flat on a desk. Those are real, measurable advantages, not consolation prizes.

Apple iPhone Duo

Samsung Galaxy Z Fold8

What you’re really choosing between is a phone that’s been refined for eight generations and one making its very first attempt, price and weight included. A first try that already beats its rival on a camera, a stylus, a durability rating, storage, and a hinge design is a strong opening argument, whatever it costs to get there. Samsung’s turn to respond comes next year.

The post 5 Things the iPhone Duo Got Right That Samsung Still Hasn’t first appeared on Yanko Design.

This 2.58oz MOFT Case Guards, Props, and Grips an iPhone Duo at Once

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A folding phone creates a folding problem for accessory makers, and MOFT’s answer for the iPhone Duo is to lean into that shape rather than fight it. The Dynamic Folio wraps the Duo in a single continuous flap of vegan leather that does triple duty, guarding the shell from scratches, propping the phone up on demand, and giving your hand something secure to hold onto. One fold, three jobs, no extra parts bolted on.

That fold takes its cue from origami, the same paper-based logic MOFT has applied to its iPad cases for years. Here it collapses down to a razor-thin 0.07 inches and adds just 2.58 ounces to the phone, numbers that matter enormously on a device already carrying two screens and a hinge. The case disappears into pocket space rather than fighting for it, staying close to the Duo’s own profile instead of doubling it.

Designer: MOFT

Unfold that flap, and it becomes a kickstand positioned dead center on the back of the phone, a deliberate placement that keeps the Duo balanced rather than tipping toward one edge. Four viewing angles come out of that single hinge point, covering both portrait and landscape orientations. One of those positions lays the phone nearly flat, built specifically for reading in bed or setting the Duo on an uneven surface without it sliding away.

That same centered geometry solves a smaller but real annoyance. Most phone grips assume you’re right-handed, forcing lefties to awkwardly reposition their thumb. Because the fold sits in the middle rather than off to one side, switching hands takes no adjustment at all. It’s a detail easy to overlook in a product photo but immediately noticeable the first time you actually use it one-handed on a crowded train.

Color plays into the case’s identity as much as its geometry. Rather than a single flat shade, the Dynamic Folio pairs contrasting tones between its exterior and the interior of the fold itself, so the moment you deploy the stand, a second color flashes into view. It’s a small piece of theater built into a purely functional motion, turning something as mundane as propping up your phone into a tiny visual reveal.

Wireless charging still works with the case installed, and the vegan leather shell is built to protect both the Duo’s inner and outer displays from scratches, not just the one you’d normally think to guard. At $69.99, the Dynamic Folio also marks the opening move in a larger accessory lineup MOFT has planned around the Duo, with a modular protective case, a rotating grip stand, and a card wallet still to come before the end of the year.

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This Single UI Trick Might Sell More iPhone Duo Units Than Any Android Foldable

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Let me be clear. There’s no universe in which I think 2 thousand dollars is the right price for a smartphone. The fact that it folds, or that John Ternus called it an ‘intelligent hub’ doesn’t justify a price tag that’s reserved for gaming laptops. However, when I saw the Duo open for the first time in Apple’s keynote, I definitely sat up a bit and embodied the Leonardo DiCaprio meme where he snaps and points at the screen. Something caught my eye, and in those brief seconds, I forgot that the iPhone Duo costs $1999 USD.

Go to the comments section of any tech blogger interacting with the iPhone Duo and you’ll see the same response – “Whoever designed that opening closing UI animation deserves a raise.” Apple managed to do something so fundamentally different from any smartphone out there, it made the iPhone Duo truly feel a class apart. Open (or close the phone) and a section of the display magically disappears and reappears from a digital ether. It doesn’t feel like your phone’s screen is expanding the way it does on the Pixel Fold or the Galaxy Z Fold 8. It feels like the flap of your phone is basically a piece of frosted glass, overlaying over a phone screen that’s already there. Words fail to describe how beautiful it looks, but literally everyone had the same visceral reaction for the first time seeing Apple pull off this digital optical illusion. It’s gorgeous, and for some people it might just be the deciding factor between buying an Android foldable or the iPhone Duo.

Designer: Apple

Royole debuted the first foldable phone in 2018. The Flexpai didn’t push too many units, it wasn’t from a reputed brand either which meant zero brand recall or trust. Still, it made waves for being the first to crack the foldable format. Samsung soon followed, with their first foldable the following year. So, effectively since 2019, the world has asked itself A. whether Apple will ever launch an iPhone… and B. What will Apple do so differently that it’ll absolutely capture the minds and hearts of the entire market. We found out the answers to both yesterday.

The “Different” manifests itself in a few ways. For starters, the iPhone Duo is much wider than most foldables, which opt for a tall design that results in a weird square-ish screen when opened. The Duo’s approach is a more passport-style aspect ratio, with a 1:1.4 format which sits right in the middle of a 2:3 and a 3:4 design. This wide body means a more usable screen experience in both closed and open variants, with the same aspect ratio carrying across open and closed formats – something every interface designer will cry tears of joy over.

This unique form factor required designing the OS to operate differently too. While every iPhone, iPad, and even MacBook has centered itself around the bottom horizontal app dock, the Duo shifts the dock to the right, making it vertical instead. The dynamic island becomes vertical too, and the entire experience (while it requires a learning curve) is designed for seamless single-hand use, or even double hand use without needing to switch hand position. The power button on the right edge packs TouchID too, pretty much consolidating every important hardware and software detail to the right of the screen now. Great for right-handed folks, but the lefties might object to this strange exclusion.

The most impressive “different,” however, is how your phone responds to you opening it. Every foldable till now has resorted to the simple trick of either A. having the folded screen power on when unfolded, or B. having the screen on, but the icons/elements arrange themselves to match the new layout. Apple’s approach was different, leaning heavily into its use of the glass effect from last year’s iOS 26 rollout. The animation feels almost like flipping a piece of frosted glass, revealing the iPhone’s screen once the phone’s folded all the way open or closed. Technically, there’s nothing Apple did that was groundbreakingly different with the interface – but this one little animation was enough to really captivate the hearts of every single person who saw the keynote.

Will the Duo be a runaway success? It’s difficult to predict this early, but the iPhone Air and the Vision Pro were (by Apple’s own standards) extremely underwhelming. Pair that with the fact that people already trust foldables less and you get a pretty bleak forecast for the iPhone Duo. But here’s where I’m inclined to believe that it might sell well. Samsung’s Galaxy Z Fold 8 is currently outperforming its Ultra counterpart. People REALLY seem to enjoy the flat and wide foldable, and the Z Fold 8’s $1899 price tag hasn’t been an overwhelming deterrent so far. For anyone who has the money and the appetite for a foldable, the iPhone Duo might just end up blowing demand for the Z Fold 8 (and the Xiaomi 18 Fold) out of the water. At just hundred bucks more than Samsung’s counterpart, the Duo really packs a one-two punch with a competitive price match, and more importantly, that gorgeous glasslike open/shut animation. I’m not saying the animation is the reason people will buy this phone, but it’s easily a compelling reason for anyone looking to throw near 2K on a folding device.

The post This Single UI Trick Might Sell More iPhone Duo Units Than Any Android Foldable first appeared on Yanko Design.

Your iPhone’s Portrait Mode Was Fake for a Decade – The iPhone 18 Pro Changes That With A Real Aperture

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Would you be shocked to hear that the “Portrait Mode” on your iPhone all these years was ‘fake’? Well, it’s real as in the background is actually blurred, but it isn’t blurred because the camera captured it that way, it’s all been software trickery for the past decade… until now. Six laser cut blades, each thinner than a human hair, are about to change that. The iPhone 18 Pro’s new main camera can physically open and close its lens for the first time in iPhone history, and that single mechanical change rewrites how the blur behind your subject actually gets made.

Here’s the quick version of how Portrait Mode has worked since 2016. Your iPhone takes the shot, uses a second lens or depth data to figure out roughly where you end and the background begins, then runs software over the image to blur everything behind that outline. It’s a clever guess dressed up as photography, and it’s why hair strands sometimes disappear into a smudge or a stray earring gets blurred along with the wall behind it. The new aperture system skips the guessing entirely. The lens itself controls how much of the scene stays sharp, the same way it’s always worked on a real camera.

Designer: Apple

So how does a phone this thin pull off something that usually needs a chunky lens barrel? Apple built a system of six laser cut blades, each one thinner than a strand of hair, arranged around the main lens and moved by a tiny rotor mechanism. Together they shift the aperture through four stops, all the way down to f/1.48, with the camera defaulting to a f/1.8 for everyday portraits and opening or closing automatically depending on what it’s looking at. In low light it opens wider to pull in around 50 percent more light, which should mean cleaner night shots and sharper astrophotography without cranking up the ISO and adding grain.

Because this is optical now instead of computational, the depth falls off the way it would on an actual camera lens. Hair, glasses, jewelry, the fine stuff that always tripped up the old software blur, should render properly instead of getting smeared into the background by accident. Close the aperture down and you get more of the scene in focus for group shots, which is the same tradeoff photographers have been making with real cameras for a century. It’s just that now your phone gets to make that tradeoff too.

Apple didn’t stop at making the hardware smarter, it also handed a lot of that control directly to you. The redesigned camera app now includes Pro Controls, letting you manually pick one of the four aperture settings yourself, check exposure with an actual histogram, dial in white balance, and adjust shutter speed for motion blur or freeze frame shots. Third party camera apps are getting access to the same aperture system through an updated API, so this isn’t going to stay locked inside Apple’s own app for long. Photography folks who like getting hands on with their settings finally have a real reason to poke around the camera app instead of leaving everything on auto.

The upgrade carries over into video too. Cinematic mode effects can now be applied after you’ve already shot the footage, and it supports 60fps for smoother half speed slow motion. Time-lapse jumps to 4K with Dolby Vision HDR. None of that depends directly on the aperture blades, but it’s part of the same larger push this year to hand serious creative control to people who just want to point their phone and shoot something that looks intentional.

All of this sits inside a redesigned Pro body that now uses color matched aluminum and back glass, available in Black, Silver, the new Glacier, and a genuinely gorgeous Burgundy that photographs beautifully next to the camera module. The iPhone 18 Pro starts at $1,199 and the Pro Max at $1,299, both up for preorder September 12 and shipping September 18. For a feature that lives entirely inside a few hair thin blades you’ll never actually see moving, it might end up being the most noticeable camera change Apple has made in years.

The post Your iPhone’s Portrait Mode Was Fake for a Decade – The iPhone 18 Pro Changes That With A Real Aperture first appeared on Yanko Design.

The iPhone Duo just killed the Dynamic Island, the SIM tray, and the demand for an iPad Mini

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Spare a thought for the iPad Mini, which had a perfectly good career until this morning. Apple’s $1,999 iPhone Duo arrives October 23 with a 7.6-inch inner display that takes Apple Pencil with USB-C later this year and runs two apps side by side, which covers roughly everything the Mini was for, except the Mini does not fit in your jeans. It also killed the dynamic island, swapping it for a punch hole outside and a FaceTime camera tucked under the inner screen. And it killed the SIM tray worldwide, because the thinnest iPhone ever made had no room left for sentiment.

Apple never announces any of this. It ships the replacement and lets the old thing stop making sense on its own schedule. The Duo is a whole product built out of things Apple decided to stop carrying, and the interesting part is how little you miss any of them once you see what moved into the empty space. John Ternus called it the most transformational change to iPhone since the original, which I not only agree with, I think I’d take it a step further by saying – this is such a dramatic leap for the iPhone that it stops being an iPhone. It isn’t an iPad either. It’s something completely different.

Designer: Apple

Apple refused to build a squarish slab that happens to close, and said so from the stage, calling out rivals whose square inner screens box movies into oversized black bars. The Duo lands at roughly passport size, with an asymmetric profile: two rounded corners on the right, squared geometry at the hinge. That asymmetry does something clever, because it tells your hand which edge to open before your brain gets involved. It reads like a small hardcover you want to crack open, which is a strange compliment to pay a phone. Somebody fought for that shape in a review meeting, and I am glad they won.

Both displays share a single aspect ratio, which is the decision the whole product rests on. Closed, the 5.4-inch outer panel delivers 90 percent of an iPhone 18 Pro’s screen area, so it works as a complete phone rather than a notification window. Open, the 7.6-inch inner canvas runs 50 percent larger than an 18 Pro Max. Because the proportions match, content scales between the two instead of reflowing awkwardly every time you fold, and the movie you started on the cover screen simply gets bigger. Every foldable before this one asked you to accept a jarring transition, and Apple designed the jarring part out.

Content flows between the two displays as the phone opens, expanding out of the cover screen and settling into the larger canvas without a stutter. I would put that transition ahead of anything Samsung, Google or Oppo has shipped on a folding device, and it is the single most beautiful piece of UI in the category right now. The matched aspect ratio is what makes it possible, because there is no reflow to disguise, only a scale. Controls stay locked in place along the side while the content grows around them. Watching it happen is the closest a phone has come to feeling like sleight of hand.

The crease is the thing people notice first on a foldable, and Apple has more or less made it disappear. A matte nano-texture finish across the inner display cuts glare and flattens how the fold reads, so the eye stops finding the seam. It also solves the other foldable complaint nobody talks about, which is the cheap plastic feel of a folding panel under your fingertip. Real glass sits above and below the display, and the whole stack is built to stop the panel distorting after a few thousand folds. Nine years of waiting bought Apple a fold you have to hunt for.

Grade 5 titanium forms the frame, polished to a mirror finish and broken by a hinge cover in contrasting micro-blasted texture. That pairing is the sharpest visual detail on the object, a bright reflective body interrupted by one matte band at the spine, and it gives the closed device a piece of jewelry quality that photographs beautifully in star white. Ceramic Shield protects the back, Ceramic Shield 2 the front, and the whole thing carries an IP68 rating. Pulling that dust and water rating across a moving joint is genuinely difficult engineering. The night sky colorway, a deep navy, is the one I would actually buy.

The dock is vertical now. iOS 27 moved essential controls to the side of the screen, freeing vertical space for content and landing the buttons under your thumb, which rewrites a layout convention Apple has held since 2007. The status bar compresses into a corner and the Dynamic Island turns sideways along the edge of both displays. Every first-party app had to be relaid out to make this coherent, and the fact that it still reads unmistakably as iOS is the real achievement here. Nobody outside Apple would have been permitted to move that dock.

Fold it halfway and iOS slides content away from the crease, giving you a laptop-style prop for video calls, a hands-free camera rig, and a bedside alarm face that wakes you with a gentle glow. StandBy now runs even when the phone is off charge, turning it into a photo frame or widget hub the moment you set it down. The speakers retune themselves depending on how far apart the two halves are sitting. One device, half a dozen legible postures, all of them designed rather than discovered by users after launch. The alarm clock pose alone will sell a few thousand units.

The cameras take advantage of having a second screen. Duo Preview throws a live feed onto the outer display so your subject can see themselves and fix their own framing, which ends a decade of “can you take it again.” Kid Cue plays Peanuts animations to make toddlers look at the lens. Smart Take watches the scene and fires the shutter once everyone is finally posed, killing the timer scramble. A 48MP Fusion Main with a 2x telephoto handles the actual imaging, alongside the same 48MP Ultra Wide found on the iPhone 18 Pro.

Going eSIM only across every market freed the internal volume for one battery per side, managed so the pair behaves as a single cell, delivering 31 hours of video on the inner display and 44 on the outer. I will miss the tray as a traveler, and I also suspect Apple has wanted it gone for years, because a physical port punched through the frame is a liability on a device chasing IP68 across a hinge. A20 Pro drives both panels, and fast charging reaches 50 percent in around 20 minutes. Some deletions are grief. This one is mostly relief.

Touch ID in the side button is a real step back from Face ID on a two thousand dollar phone, and it exists because a TrueDepth array had nowhere to live. Apple Pencil support arrives later this year rather than at launch, which softens the iPad Mini argument for a few months. The bezels look chunky beside a Galaxy Z Fold 8, and the folded body still reads thick in the hands-on shots. At $1,999, a hundred dollars over the Fold 8 and five hundred under what everyone predicted, Apple showed up nine years late and priced like it was early. Pre-orders open October 16.

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Huawei Finally Fixed the One Flaw That Followed Its Tri-Fold Phone

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Huawei’s original tri-fold phone made headlines for unfolding into a tablet, but closing it back down left one part of the flexible screen exposed to scratches and pocket grit. The Mate XT 2 Ultimate Design fixes that flaw at the architecture level, not with a case. Instead of the old zigzag fold, a new wing-style hinge tucks both sides of the screen inward, so every part of the display faces itself once it’s closed.

That trick rests on a second-generation hinge system built around a dual-axis wing structure and an industry-first connecting-rod synchronization mechanism, keeping both folding axes moving in perfect step. The load-bearing core uses 2,400 MPa steel arranged in a five-arm arc, an upgrade that pushes overall impact resistance up 100 percent and drop resistance up 90 percent compared to the outgoing model.

Designer: Huawei

Unfold it fully, and a 10.2-inch 3K OLED panel spreads out at a 90Hz refresh rate, easily the largest screen tri-fold owners have gotten yet. Keep it folded and a 6.5-inch cover display takes over instead, running at 120Hz with peak brightness reaching 6,500 nits. Switching between the two feels less like opening a phone and more like choosing between a notebook and a full tablet.

A hardware privacy mode sits at the center of that inner display too, using an independent dual-pixel design that narrows the viewing cone from the sides while keeping the view sharp head-on. A double tap on the cover screen or a dedicated shortcut key switches it on, so a crowded train seat or an open-plan desk doesn’t turn into a screen-sharing session anyone asked for.

Protection extends to the materials themselves. The cover glass gets a Kunlun treatment that survives 30 times more drops and 16 times more scratches than ordinary glass, while the inner screen layers ultra-thin aerospace-grade steel and carbon fiber beneath the display for 200 percent better impact resistance. Over 120 sealing points across the body also make this the first tri-fold rated IP58 and IP59 for dust and water.

The rear camera module carries the distinctive octagon shape that Huawei’s flagships have been sporting for quite some time now. Underneath sit a 50MP main sensor with a variable aperture, a 40MP ultra-wide lens, and a 50MP periscope telephoto capable of 100x digital zoom. A third-generation color engine tunes the results for tones that hold up without heavy editing.

Powering all of it is the Kirin 9050 Pro, built on Huawei’s LogicFolding architecture rather than a conventional layout, which the company says raises transistor density by 53.5 percent and clock speeds by 12.7 percent. HarmonyOS 7 takes advantage of the extra room by running three apps side by side on the unfolded display, treating the tri-fold shape as a genuine workspace instead of a novelty.

None of this bulks up the phone the way its spec sheet suggests. A 5,600mAh battery charges at 66W over a cable or 50W wirelessly, and the whole device still folds down to 12.3mm while weighing 299 grams. Pricing starts at CNY 19,999 (approximately $2,800) in China, climbing to CNY 29,999 (approximately $4,200) for the privacy-screen version bundled with a stylus.

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Xiaomi 18 Fold Hands-On: Got Here Before Apple, Can It Beat Samsung?

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Xiaomi has chosen an interesting moment to return to foldables. The company has not released a book-style foldable since the Mix Fold 4, which launched in 2024, and now it is back with the Xiaomi 18 Fold just as compact foldables are starting to get more attention. Samsung has also added a foldable in this compact format to its lineup, and Apple is widely expected to unveil its first foldable iPhone at its September 9 event with a similar form factor in mind.

That puts the Xiaomi 18 Fold in an interesting spot. It is not just Xiaomi coming back to foldables after a break. It is also arriving just as this smaller book-style format looks like it could become the next big thing.

Designer: Xiaomi

Xiaomi is positioning the 18 Fold as its first mid-size flagship foldable. It weighs 7.73 ounces (219g), measures 0.42 inches thick when folded (10.68mm), and opens out to just 0.20 inches thick (5.02mm), with a folded footprint of 4.64 x 3.29 inches (117.8 x 83.6mm). In person, it feels thin, though not unusually thin by the standards of today’s premium foldables. More importantly, it feels expensive in a good way. The matte texture on the back and frame gives it a softer, understated finish, while the rounded corners and flat frame help the phone look clean and modern.

The unit I handled was the deep red version, and it is a bold color in person. It stands out more than the usual black or silver foldable palette without feeling too loud. It also happens to echo the deep red finish rumored for Apple’s first foldable, which makes the comparison hard to miss. The 18 Fold comes in Black, White, Red, and a Ceramic Version.

In practice, though, this is still a two-handed phone whether it is folded or unfolded. Even closed, the body is compact in one sense but still broad enough that I did not think of it as something built for easy one-handed use. That is not really a criticism. It just comes with the territory.

The outer display is a 5.38-inch panel, while the inside opens up to a 7.58-inch main screen. Xiaomi says both displays share the same aspect ratio, which is meant to make the transition from one to the other feel more natural. I could not fully judge how well that works in daily use from a short demo, but one benefit stood out right away. Video felt more immersive than on squarer foldables because there was less black bar space above and below the image.

The software also looked well suited to the shape. Animations felt smooth in my brief demo, and I did see split-screen and floating window support in action. The unfolded UI felt more like a small tablet than a stretched phone, which is what you want on a device like this. Xiaomi has also placed one speaker on the top edge and another on the bottom edge on the opposite side, which should help give the phone a more balanced stereo effect when it is open.

The hinge left a good first impression too. I cannot really say whether it felt especially firm or especially smooth, because my time with the device was limited, but it did feel sturdy. The crease was handled well too. Looking straight at the display, I only really noticed it from certain angles rather than all the time. More importantly, I could barely feel it when running a finger across the center, which was better than I expected.

Left: Xiaomi 18 Fold, Right: Galaxy Z Fold 8

Left: Galaxy Z Fold 8, Right: Xiaomi 18 Fold

Left: Galaxy Z Fold 8, Right: Xiaomi 18 Fold

I also compared the Xiaomi 18 Fold side by side with Samsung’s Galaxy Z Fold 8. Samsung’s device measures 4.88 x 3.22 x 0.38 inches when folded (123.9 x 81.9 x 9.7mm), 6.35 x 4.88 x 0.18 inches when unfolded (161.4 x 123.9 x 4.5cm), and weighs 7.09 ounces (201g), so it is a little lighter and a bit thinner than Xiaomi’s foldable in some areas. But the difference was not just about dimensions. Samsung’s inner screen was noticeably brighter to my eyes. At the same time, the Xiaomi 18 Fold had one practical advantage that stood out immediately. When placed on a desk, it did not wobble, while the Samsung did.

Left: Galaxy Z Fold 8, Right: Xiaomi 18 Fold

Left: Galaxy Z Fold 8, Right: Xiaomi 18 Fold

Top: Xiaomi 18 Fold, Bottom: Galaxy Z Fold 8

The biggest surprise for me was the camera. Xiaomi is using a 200MP Leica triple-camera system, led by a 200MP main camera and backed by a 50MP Leica periscope telephoto with an 80mm equivalent focal length. In my short time with the phone, the telephoto camera was the part that stuck with me most. I tried zoom, and the 3.5x telephoto setup immediately felt like one of the most interesting parts of the device. Stability also felt good even at higher magnification, which made the zoom feel more usable, not just more dramatic. The camera bump also did not seem overly large, and its oval-shaped, two-step raised design gives it some presence without taking over the whole back.

My time with the Xiaomi 18 Fold was brief, and this hands-on really only scratched the surface. Even so, the phone already feels like a polished return to book-style foldables. Pricing starts at RMB 10,999, or roughly $1,640, for the 12GB/256GB model, and Xiaomi said it will be available in China only for now.

The post Xiaomi 18 Fold Hands-On: Got Here Before Apple, Can It Beat Samsung? first appeared on Yanko Design.

Most Rugged Phones Hide From Heat, This One Has Two Fans to Fight It

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Rugged phones have always made a quiet trade-off. Sealing a device against water and dust means sealing in heat too, and that trapped warmth forces powerful chips to slow themselves down right when gaming or heavy use needs them most. OUKITEL’s WP600, unveiled at IFA 2026, treats that compromise as something worth engineering around, building visible cooling straight into its armor rather than hiding the problem under a tougher shell.

That solution shows up immediately on the back of the phone, where two turbine-style fans sit inside an octagonal housing next to the camera lenses. Rather than tucking cooling components away, OUKITEL frames them as part of the visual identity, finished in a gunmetal tone with RGB lighting that shifts through purples, oranges, and blues while the fans spin during demanding sessions.

Designer: Oukitel

Underneath that display sits a MediaTek Dimensity 8300 chip running at 3.35GHz, paired with up to 24GB of RAM and a full terabyte of storage in its top configuration. Active airflow means that hardware can stay at full speed through a long gaming session in direct sun, instead of throttling the moment internal temperatures climb, the usual fate of sealed devices pushed hard outdoors.

A 10,000mAh battery backs up that sustained performance, large enough to outlast a full day of mixed use, camera work, and gaming without needing a midday top-up. When charging is needed, 45W wired input gets things moving again quickly, keeping downtime short for anyone relying on the phone through fieldwork, travel, or a weekend away from outlets.

Privacy gets a physical answer instead of a software toggle buried in settings. A dedicated switch, styled as a bright red accent against the phone’s black and metallic paneling, physically disconnects the camera, microphone, and GPS at once. It is the kind of control that matters to fieldworkers or anyone stepping into a sensitive meeting who wants certainty that nothing is listening or tracking, not just a setting that claims to be off.

The rest of the chassis carries that same rugged-but-considered language throughout. Exposed hex screws, ridged texture strips along the frame, and a carbon-fiber-patterned panel insert surrounding the camera module all read as intentional detailing rather than leftover industrial parts. A 6.8-inch, 120Hz display handles the front, while the whole package comes finished in either black or yellow, playing into the tool-like character rugged phones usually lean into.

None of this asks buyers to choose between toughness and capability anymore. A phone built to survive drops and submersion can still run demanding software at full tilt, provided the cooling behind it gets treated as a design feature rather than an afterthought bolted on for a spec sheet.

The post Most Rugged Phones Hide From Heat, This One Has Two Fans to Fight It first appeared on Yanko Design.

TECNO’s 6mm Phone Has 6,000mAh Inside and a Van Gogh Finish Outside

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Most slim phones treat thinness as the entire pitch, shaving millimeters off a slab until battery life and durability quietly take the hit. TECNO’s CAMON Slim 5G, unveiled at IFA 2026, refuses that trade-off outright. At 6.39mm thin, it still packs a 6,000mAh battery and passes military-grade drop testing, treating slimness as one part of a larger design statement rather than the whole point.

That statement starts with a body borrowed from unlikely references. TECNO built the CAMON Slim 5G around a swan-neck curve, pulling its lines from ballet dancers and automotive silhouettes rather than the usual flat rectangle. The result reads less like a spec sheet decision and more like an object shaped by motion, something that happens to also fit comfortably into one hand during a commute.

Designer: TECNO

Color does the rest of the storytelling. Burgundy Red pairs fiberglass with a velvet matte finish for a warm, wine-toned grip, while Neo Mondrian hides its personality entirely, appearing plain white until ultraviolet light coaxes out a Piet Mondrian grid across the back. Matisse Black punches a fluorescent green accent through a black fiberglass shell, and Van Gogh Blue uses a gradient coating that makes Starry Night’s swirl look like it is actually rotating.

Photography gets the same attention to intent rather than raw numbers. A 50MP Sony LYTIA 700C sensor anchors the main camera, but the standout is Super-Zoom FlashSnap, which watches for a moment rather than waiting for someone to press the shutter. A dance leap, a soccer strike, or a dog mid-jump gets frozen automatically, with shutter speeds fast enough to catch motion that would blur on slower hardware.

TECNO also ships a small magnetic companion called the Mag Badge, snapping onto the back with its own battery and a 1.73-inch AMOLED display. It works as a photo badge, a remote shutter from up to 10 meters away, and a selfie preview screen, turning group photos or tripod shots into something that does not require sprinting back to check the frame.

Software leans practical rather than flashy. AI Snap Poster lets small merchants turn a quick product photo into a styled listing image, dropping items into a home or beach setting without a photo studio. AI LightMaster 2.0 cleans up shadows and glare after the fact, while AI Recording Notes turns lecture audio into structured notes synced to whiteboard photos, useful well beyond a classroom.

Underneath the art direction sits an IP69K-rated shell built to survive kitchen splashes, gym sweat, and actual rain, backed by touch recognition tuned for wet or oily fingers. A MediaTek Dimensity 7300e chip handles daily performance, paired with 5 years of security updates, a commitment that outlasts what most phones in this segment promise. Pricing and availability will roll out market by market in the coming months.

The post TECNO’s 6mm Phone Has 6,000mAh Inside and a Van Gogh Finish Outside first appeared on Yanko Design.

PITAKA Turned a Berlin Bunker Into a Wheat Field For Their New Aramid Case Collection at IFA 2026

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There is a long gold tapestry cascading down a concrete bunker wall in Berlin right now, and it feels nothing like what it is actually made of. Run your hand across it and your brain says silk. Your eyes say wheat field caught mid gust. Neither answer is correct. What you are actually touching is aramid fiber, the same aerospace grade material that shows up in body armor and fighter jets, rated at up to five times the strength of steel by weight. PITAKA spent 10,000 plus hours figuring out how to make something this tough feel this soft, and the payoff is standing right there on the wall.

This was the setting for Signals in the Wind, PITAKA’s first ever solo brand event, held during IFA week at The Feuerle Collection. The whole night revolved around one new case collection called Wind Over Wheat, and honestly, once you have felt the tapestry, the name stops sounding like marketing copy and starts making a lot more sense.

Designer: Pitaka

The venue choice alone deserves its own article.. Feuerle is a converted WWII telecommunications bunker with two meter thick walls, the kind of building that was engineered to survive things silk never has to think about. PITAKA filled that stripped back concrete shell with almost nothing except the tapestry, a handful of case displays mounted on slim black stands, and a soundscape by Berlin based composer Temple Rat, built from field recordings of wind moving through wheat. The cases themselves stood at uneven heights along the walk, which sounds like a small styling choice until you realize it is doing exactly what real wheat does in a field, growing unevenly, catching light differently depending on how the wind hit it that day.

Wind Over Wheat comes in three finishes, each named like a tiny poem. Golden Drift is wheat under full sun. Surging Awn is younger wheat still gathering strength. Berlin Nocturne is the same field fading into night, a nod to the city hosting the whole thing. All three are built using Trace Form, PITAKA’s new technique that intentionally lets certain fibers stray from their programmed path, so the texture ends up looking a little different every single time. Less assembly line, more happy accident.

Then the night ended in the best possible place. Guests moved up from the bunker’s underground galleries to Feuerle’s terrace, which turned out to have its own patch of tall, wheat like grasses growing right there in the open air. It is the kind of detail you cannot plan around unless you got extremely lucky with venue selection, and it closed the loop on the whole theme in a way no projector or soundscape could. Standing on a rooftop with real grass swaying next to a case built to mimic that exact motion is a pretty satisfying way to end an event about materials and perception.

Wind Over Wheat’s limited Trace Form Edition launches September 17, with pre-orders opening September 9th. If you are at IFA Berlin this week, PITAKA’s main booth is in Hall 5.2, Booth 209.

The post PITAKA Turned a Berlin Bunker Into a Wheat Field For Their New Aramid Case Collection at IFA 2026 first appeared on Yanko Design.