Last week, Canon announced a new telephoto-to-super-telephoto lens with the ability to zoom in 4x. This should let anyone take extremely accurate shots from a long distance with little noticeable blur, and it may open new doors for wildlife photographers (who, likely, would prefer to avoid disturbing any natural habitats) working without a tripod. It sounds like hand-holding a Canon EOS R-series full-frame camera equipped with one of these lenses provides comparable image clarity, which is important when you consider tripods are a drag on mobility. The lens making such photography wizardry possible is called the Canon RF200-800mm F6.3-9 IS USM, and — despite its $1,899 MSRP — you’re absolutely going to want one if you plan on capturing fast-moving distant objects, like wildlife or even fast-moving athletes or vehicles.
By default, this 200mm lens has a minimum focus distance of 2.62 ft or 0.8 meters. But that can be extended out to 800mm for much clearer long-distance shots with a minimum distance of 10.83 ft or 3.3 meters. Of course, that’s if you don’t use an extender. Sticking an Extender RF2x on top of a Canon RF200-800mm doubles its focal length even further to 1600mm, potentially making it one of the best super-telephoto lenses around. That’s partially thanks to Canon’s Optical Image Stabilization (OIS), which Canon claims provides “enhanced shake reduction for up to 5.5 stops”. When paired with Coordinated IS on the Canon EOS R-Series cameras, these benefits combine for “reliable handheld performance and clearer detail in low-light situations, without having to increase the ISO or decrease the shutter speed.”
Canon’s RF200-800mm F6.3-9 IS USM lens features a number of weather-proofing features which blend right into its stylish black-and-white matte design. For instance, its white paint is actually meant to work as a countermeasure against excessive heat when exposed to direct sunlight for long periods of time, as would be the case when capturing sports footage or when shooting wildlife in an area with a hot climate. The lens mount, focus/control ring, lens function buttons, and other interface pieces are rated for dust-proofing as well. Carrying it around should be a breeze; this lens only weighs 0.55 lbs, making it lightweight compared to other telephoto lenses — which usually weigh somewhere in the 1-3 lb range.
So far, reviews of the RF200-800mm F6.3-9 IS USM skew overwhelmingly positive. TechRadar praised the lens for its “unbeatable reach” and “sharp detail especially at its wider end”. Even then, it sounds like the lens’ aperture could use more headroom for lower-light scenes. But that isn’t a huge deal on its own. If you buy one of these, you’re likely going to pair it with one of Canon’s EOS cameras — packed-in with in-body stabilization — and if that’s the case, this lens should be able to capture incredibly detailed photos (even in low-light situations) from afar. According to Canon, the RF200-800mm is shipping out to customers in the United States on December 14.
When I watched a concert a week ago, I was surprised at how many kids were holding actual digital cameras instead of just their smartphones. And then when I went on Tiktok, I found out that this former gadget staple was actually making a “comeback” for Gen Z-ers that didn’t want to be too attached to their phones but still wanted to capture photos and videos that had better quality. So it’s not really a surprise that Canon is developing a line of products that’s aimed specifically at content creators that want to go back to digital cameras.
Designer: Canon
While a lot of smartphones are good enough for video content creation, there are still some that prefer something that has better video quality and is created specifically for that purpose. DSLRs can sometimes be too bulky so a compact option is always welcome. The Canon PowerShot V10 is their latest offering and if you want to experiment with videos but don’t want a complicated device, then this compact and minimalist video camera is for you.
It is pretty easy to use as you just need to press the record button and it will start doing its job. There’s a flip-out screen so you’ll see what’s going on. There are of course different filters that you can use including 14 color ones and a Smooth Skin mode for those who want digital skincare. If you want to record action shots, it has a Movie Digital IS mode that can reduce the shaky camera view (unless that’s actually what you’re going for). It has a built-in stand and lets you shoot through the app, as well as other features that should appeal to creators.
The PowerShot V10 is very lightweight and can fit into your pocket or your small bag. It can shoot in 4K30p or in FullHD at 60p.. It has a 19mm wide lens and can also shoot photos with its 15.2MP lens. It has two stereo mics and a third mic to help reduce background noise. You can also use it as a webcam in case you’re more into live streaming. The camera comes in black and silver colors in keeping with its minimalist look.
Canon seems to be following its competitor Sony’s suit by betting big on the metaverse.
There was a time when Canon dominated the camera space. Now, with every smartphone having its own computationally-optimized camera system, it seems like Canon’s parade is getting a little rained on. The company’s finding new avenues for its imaging technologies and systems, however, and it seems like the metaverse may just be the best new territory. At CES this year, Canon announced a few VR/AR focused devices, a notable one being the MREAL X1, their mixed-reality headset and technology that Canon is betting on to revolutionize a variety of sectors, like retail, exhibition, medical, and other experiences. “MREAL is unlike anything Canon has ever developed, a premium visualizer/simulator that helps account for limits of scale, perception, analysis, and participation, and provides superb, almost life-like image clarity and color accuracy,” Canon mentions.
The MREAL X1 is a relatively slim headset that doesn’t cover your entire peripheral vision. Instead, it presents you with virtual elements just within your area of focus (58° x 60°), so you can see important elements in front of you, rather than all around you. Elements within the virtual space are interactive too, as the video above demonstrates how customers can visualize cars without there actually being a physical car in the space. They can tap on the car to have it change color, and even sit inside it, experiencing the interiors in an incredibly immersive way.
The MREAL X1 is currently in its market research phase, and it isn’t entirely clear if this will ever be released as a consumer device, or if it’ll be reserved for enterprise use. Consumers, however, can get a taste of the MREAL X1 at Canon’s booth in CES. The company collaborated with M Night Shyamalan to create a mixed-reality experience around the filmmaker’s upcoming movie Knock at the Cabin. “Visitors to the booth will be able to experience a break-in scene from the movie Knock at the Cabin as if they are a character in the movie”, Canon says.
With the explosion of TikTok and the growth of video on YouTube, Twitch, Instagram and other platforms, interest in vlogging has increased exponentially since we last updated our guide. If you’re one of those vlog creators and a smartphone is no longer good enough, it may be time to upgrade to a purpose-built vlogging camera.
Some models are specifically designed for vlogging, like Sony’s ZV-E10 mirrorless camera that launched last year, or Panasonic’s compact G100. Others, like the new Panasonic GH6, Sony A7S III and Canon EOS R6 are hybrid cameras that offer vlogging as part of a larger toolset.
All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and image stabilization. Prices, features and quality can vary widely among models, though. To that end, we’ve updated our guide with all the latest models designed for every vlogger from novice to professional, in all price ranges. Engadget has tested all of these to give you recommendations for the best vlogging cameras, and we’ll even discuss a few rumored upcoming models.
One caveat to this year’s best camera guide is that a parts shortage has limited production of many cameras, causing shortages and higher prices. Sony, for one, halted production of the aforementioned ZV-E10 for a time, and models from Fujifilm and others are also hard to find. The good news is that the shortage appears to be easing, so hopefully we’ll see normal supply levels in the near future.
What do you need in a vlogging camera?
Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It has to be good not just for filming yourself, but other “B-roll” footage that helps tell your story.
The number one requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.
Steve Dent/Engadget
Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some still do it better than others.
If you move around or walk a lot, you should look for an action camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of the limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.
4K recording is another key feature for video quality. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K video recording at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.
Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts, etcetera, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when you go to edit your vlog.
Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with an external microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.
You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.
The best action and portable cameras
If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.
DJI Pocket II
DJI
Last time around we recommended the original Osmo Pocket, but the Pocket II (no more “Osmo”) has some big improvements. As before, it’s mounted on a three-axis gimbal and has impressive face tracking that keeps your subject locked in focus while video recording. However, the new model has a larger, much higher resolution 64-megapixel sensor, a faster lens with a wider field of view and improved microphones. As before, you can get accessories like an extension rod, a waterproof case and more.
What really makes the Pocket II great for vlogging are the follow modes combined with face tracking. If you’re working solo, you can simply set it up and it’ll rotate and tilt to follow you around. That also applies for walk-and-talk vlogging, so you don’t have to worry about focus or even pointing the camera at yourself. For $346, it’s not only good for beginners, but is a handy tool for any vlogger.
The Hero10 Black is what we called a “big, invisible upgrade” over the Hero9, itself a much improved camera over the Hero8 Black we recommended last time. That’s largely due to the new processor that unlocks features like higher-resolution 5.3K 60p and 4K 120fps video, much improved Hypersmooth 4.0 stabilization, an improved front-screen and more. All of that makes the GoPro Hero10 Black ideal to mount on a drone, vehicle, helmet, bicycle and more, at a very manageable $350 price with a 1-year GoPro subscription.
DJI took a much different approach compared to GoPro with its latest Action 2 camera – no with more Osmo branding. Rather than being a standalone camera, it’s a modular system with a magnetic mount that lets you add a touchscreen module with a secondary OLED display and three additional microphones, or a battery module for longer life and an extra microSD slot. As with the Pocket 2, it offers tons of accessories like a 3-in-1 extension rod and more. It’s a versatile option if you do more than just action shooting, and is priced well starting at $399.
Compact cameras are a step-up option from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, it’s the best option.
Sony ZV-1
Steve Dent/Engadget
Sony’s ZV-1 came out in 2020 and it’s still the best compact vlogging camera available. Based on the RX 100 V, it has a decently large 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm equivalent lens. Based on the RX100 V, it has a 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm (equivalent) lens. It also offers a lightweight body, built-in high-quality microphone (plus a microphone port), flip-out display, best-in-class autofocus and excellent image quality. It also has vlogging specific features like “product showcase” and background blur.
While the $799 ZV-1 can’t shoot 10-bit video, it comes with Sony’s S-Log picture profiles that give you increased dynamic range for shooting in challenging lighting conditions. The flaws include a lens that’s not quite wide enough when you’re using electronic stabilization, mediocre battery life and the lack of a true touch display and headphone port. That aside, if you’re looking to step up from a smartphone, it does the job nearly perfectly.
Canon’s G7 X Mark III should also be front of mind for vloggers looking for a compact option. It also packs a 20-megapixel 1-inch sensor, but has a 24-100 mm f/1.8-2.8 35mm equivalent zoom — quite a bit longer than the ZV-1 at the telephoto range. It can shoot 4K at up to 30 fps, while offering optical image stabilization, a microphone input (though no headphone jack) and even the ability to livestream directly to YouTube. The downsides are contrast-detect only autofocus and a screen that tilts up but not to the side. For $749, it’s still a great option, though.
This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, extra complexity and higher prices.
Fujifilm X-S10
Jonas Dyhr Rask/Fujifilm
Fujifilm’s X-S10 has displaced the X-T4 as the best vlogging camera out there, thanks particularly to the more affordable price. It ticks all the boxes for vloggers, offering in-body image stabilization, 10-bit 4K external video with F-Log recording (at up to 30fps) along with 1080p at a stellar 240 fps, a screen that flips out to the side and easy-to-use controls. It also comes with a headphone jack and USB-C port that doubles as a headphone jack. The main downside is the limited touchscreen controls, but you get a lot of camera for just $1,000.
The best Sony APS-C camera for vlogging is now the ZV-E10. While using many of the same aging parts as the A6100, including the 24.2-megapixel sensor, it has a number of useful features for self-shooters. High on the list is Sony’s excellent autofocus, which includes the same background defocus and Product Showcase features found on the ZV-1 compact. It also offers electronic SteadyShot, a fully articulating display and more. The biggest drawback is rolling shutter that can get bad if you whip the camera around too much. If you can find one, it’s priced at $700 for the body or $800 in a bundle with Sony’s 16-50mm F/3.5-5.6 power zoom lens.
Panasonic’s GH5 was an incredibly popular vlogging camera for a very long time and was actually replaced by two cameras, the $2,200 GH6 and more budget-oriented $1,700 GH5-II. The GH6 is a large upgrade in nearly every way, offering 5.7K at 60 fps and 4K at up to 120 fps, along with ProRes formats that are easy to edit. It also comes with the best in-body stabilization on any camera and great handling. The downside is sub-par contrast-detect autofocus and battery life that’s not amazing.
It’s also worth a look at the GH5 Mark II, which is not only $500 cheaper but particularly well suited for live-streamers. It’s not a huge upgrade over the GH5, but does more than most rival cameras for the price, offering 4K 10-bit 60p video, a fully articulating display and excellent in-body stabilization. As with the GH6, the main drawback is the contrast-detect autofocus system.
Panasonic’s G100 is purpose built for vlogging like the ZV-1, but also allows you to change lenses. It has a fully-articulating flip-out screen, 5-axis hybrid (optical/electronic) stabilization, 4K V-Log-L video at up to 30 fps (though sadly cropped at 1.47X for 4K video), 1080p at up to 60 fps, and contrast detect AF with face/eye detection. The coolest feature is the Nokia OZO system that can isolate audio to a specific person via face-detection tracking — something that can theoretically improve audio quality. Best of all, you can grab it right now with a 12-32mm lens for $750.
Another good buy if you’re on a budget is Canon’s EOS M50 Mark II, particularly if you’re okay with 1080p video only. While not a huge upgrade over the original M50, Canon has made it more compelling for vloggers with a fully-articulating display, continuous eye-tracking in video and live streaming to YouTube. It does support 4K, but with a heavy 1.5 times crop and contrast-detect autofocus only. Still, it’s a good option for folks on a budget, selling for $699 with a 15-45mm lens.
If you’ve got the budget for it, Canon’s EOS R6 offers nearly every feature you need in a vlogging camera. You can shoot 10-bit 4K video at up to 60 fps, and the Dual Pixel autofocus with eye and face tracking is incredibly reliable. It also offers 5-axis optical stabilization, a flip-out display and a relatively compact size. As you may have heard, overheating can be an issue, but firmware updates have improved that issue and it only applies to the more demanding video settings.
The Fuijfilm X-T4 is a great all-around mirrorless camera for vlogging. It has everything you need, including a fully-articulating display, continuous eye- and face autofocus, 10-bit 4K log recording at up to 60 fps, 5-axis in-body stabilization, microphone and headphone jacks (the latter via USB-C) and lower noise in low light.
Image quality, especially in the skin tones, is lifelike and the sensor has minimal rolling shutter. It also offers good battery life and comes with dual UHS-II card slots. Finally, it’s fairly light considering all the features, and Fujifilm has a good selection of small lenses ideal for vlogging. What I don’t like is an autofocus system not quite as fast or accurate as Sony’s and the fairly steep $1,700 asking price for the body only.
If you want to look great while vlogging, check out Nikon’s stylish Z fc. It’s largely identical to the Z50, with features like a 20.9-megapixel APS-C sensor, 4K at 30 fps and a reliable phase-detect autofocus system with face detection. However, the Z fc brings a vari-angle touchscreen to the party and has a beautiful vintage body covered with convenient manual controls. It doesn’t have built-in optical stabilization, but you can get that via a lens. The best feature, though, is the price – you can get one for $1,100 with a 16-50mm lens.
If you’re not quite ready to buy, there are some interesting options on the horizon. Canon just announced the EOS R7, a mirrorless EOS R version of its popular EOS 7D DSLR. It has an APS-C sensor and all-new RF-S lenses, meaning that it might replace Canon’s current M-series cameras. Specs include a 32.5-megapixel APS-C sensor, 4K 60 fps video, an articulating display and more. All of that will make it a top vlogging option, if our upcoming review confirms the hype.
On top of that, Canon also announced a cheaper EOS R10 model with a 24.2-megapixel sensor that could also be an ideal vlogging camera. Both cameras are coming out towards the end of 2022.
In addition, Fujifilm just launched the X-H2S, its new $2,500 flagship mirrorless camera. With a 26.2-megapixel stacked and backside-illuminated sensor, it offers a raft of impressive features. Some of the highlights include 40 fps blackout-free burst shooting, faster autofocus, 6.2K 30fps video, a flip-out display and 7-stop in-body stabilization. If you’ve got the budget, this could be a solid vlogging choice when it arrives on July 7th.
Of all things intangible, you won’t expect a DSLR camera to change shape into a sneaky Transformer. However that’s the case with the latest creation by Japanese company Takara Tomy specializing in creating Transformers toys, and Canon that needs no introduction.
Canon has been known to create nifty little replicas of its own products in the past and this time around too they’ve surprised the community with this cool gadget. It’s no coincidence that two of the most iconic products of these two giants have been fused into one product. Yes, I’m talking about the EOS and mighty ol’ Transformers.
If you thought the alternate form of Optimus Prime was only a badass truck, think again as this small little toy proves it wrong. The 80 percent scale model of the Canon EOS R5 camera swiftly turns into a Transformer with little articulation, and boy, that Lens cap turning into a shield for the Optimus Prime R5 (that’s what this Autobot is christened) is the coolest thing you’ll see all day long. The maker adds a bit of spice to this transforming creation as the Decepticon gets its own miniature camera in the hand.
The real-looking Canon mirrorless camera even gets another version, wherein the resulting Transformer is a Decepticon Refraktor. Although it is not as detailed as the blue and red Autobots leader, still, a cool piece to show off on your desk setup. The Refraktor gets a Quantum Dial and the ability to split into three. So, you get A Spector, Spyglass, and Viewfinder in the seminal animation.
Attention to detail of these two Transformer models is worth appreciating. You can press the shutter button, rotate the dial, or peek inside the viewfinder. The lens can be removed like an interchangeable lens to expose the 35mm sensor and the trademark L lens red ring adds an element of realism.
Both these Transformers/cameras are slated for a February 25th, 2023 release in Japan, with pre-orders for the Optimus Prime version starting now until September 28th. The Decepticon Reflektor model will only be a Takara Tomy mall exclusive buyable though. They’ll be priced at 19,500 yen (approximately $147) and given the iconic appeal they should sell like hot cakes!
If you’re a content creator or YouTuber, camera companies increasingly want your business. Last year was no exception, with several new vlogging-specific models released by Canon, Sony, DJI and others. That means there are now over a dozen on sale, alongside regular mirrorless cameras that also do the job well.
Models specifically designed for vlogging include Sony’s new ZV-E1 full-frame mirrorless that launched last year, DJI’s Osmo Pocket 3 or Canon’s compact PowerShot V10. Others, like the new Panasonic G9 II and last year’s Canon EOS R6 II are hybrid mirrorless cameras that offer vlogging as part of a larger toolset.
All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely, though. To that end, we’ve updated our guide with all the latest vlogging cameras designed for novice to professional creators, in all price ranges. Engadget has tested all of these to give you the best possible recommendations.
Factors to consider before buying a vlogging camera
Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It must be good for filming yourself as well as other “B-roll” footage that helps tell your story. The biggest requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.
Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some (notably Canon and Sony) do it better than others.
If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of its limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.
Steve Dent/Engadget
4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.
Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts and so on, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when it’s time to edit the footage.
Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.
You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.
The best action and portable cameras
If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.
The best compact vlogging cameras
Compact cameras are a step up from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, they’re the best option.
The best mirrorless/DSLR vlogging cameras
This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, more complexity and higher prices.
This article originally appeared on Engadget at https://www.engadget.com/best-vlogging-camera-151603452.html?src=rss
If your loved one is into action sports, filmmaking or photography, a camera or accessory would be a highly appreciated gift, to say the least. And there’s never been a better time to own a new camera, as the latest technology will let them take better photos and video than ever. It can be difficult to know where to start, though, with all the camera models out there, let alone the numerous accessories like backpacks, memory cards, tripods and more. Fortunately, we’ve done all the research and found cameras at a wide range of prices, along with accessories that will help your giftee get the most out of their gear.
Canon EOS R10
Will Lipman Photography for Engadget
Though it just came out, Canon’s EOS R10 is near the top of the list for desirable camera gifts, thanks to a mix of great handling and strong performance. It has a nice big grip and generous controls, so it’s easy to change commonly used settings. It can shoot bursts at up to 23 fps, and the eye- and face-detect autofocus is powerful enough to keep up. Video is solid too, with up to 4K 60p resolution, 10-bit color and super slow-mo (1080p at 120 fps). It also comes with a flip-out display and built-in flash. The main drawback is the lack of in-body stabilization.
The Hero 11 is GoPro’s most refined action camera yet, so it’s guaranteed to please any adventurous folks on your gift list. It now comes with a 27-megapixel sensor, offering a significant bump over the previous 23-megapixel chip. With that, you get the highest resolution video of any action camera (5K 60p and 4K 120p), with 10-bit color across the board. It also has a faster f/1.9 aperture. The higher resolution enables the horizon-leveling feature that keeps things steady when the camera tilts, on top of GoPro’s class-leading HyperSmooth stabilization, now in its fifth generation. You probably don’t need to update if you’re coming from a Hero 9 or 10, but it’s far and away the best option otherwise.
Sony’s A7 IV is a follow up to the immensely popular A7 III, and would be guaranteed to please any photographer for Christmas. Resolution is up over the last model to 33 megapixels and image quality is much improved overall. And video is finally on par with rivals as well, with 4K at up to 60 fps and high, billion-color 10-bit quality. Autofocus is incredible for both video and stills, and the in-body stabilization does a good job correcting camera shake. The biggest drawbacks are rolling shutter that limits the use of the electronic shutter and the relatively high price.
Panasonic’s GH5 II is an update and not an overhaul of the original GH5, but it’s still the best value in a mirrorless camera for video – and a great gift for a videographer. New features include improved stabilization, 10-bit color for 4K 60p video, All-I capture, PD charging via USB-C and new video streaming options. The drawback is the continuous video autofocus that’s not up to par with rivals, but it’s better than before. For around $1,700, it costs less and delivers more than most rival cameras.
Having a good fluid-head tripod is a must for shooting video, but they can get quite expensive. For a gift that won’t break the bank, Libec’s TH-X is a great choice. It can handle cameras up to 9 pounds, and includes a sliding plate that makes it easy to balance your camera. It offers smooth tilting and panning, easy leveling, a quick-release plate and 2-stage legs. It weighs just 3.1 KG and best of all, costs only around $200.
One of the most useful accessories out there for vlogger on your Santa list are Joby’s famous mini-tripods, and the best one for the money is the GorillaPod 3K. Attaching your camera couldn’t be easier thanks to the secure clip-in mounting plate with a built-in level. And the flexible legs let you set your camera anywhere to shoot, or even wrap it around a tree or other object. And of course, you can bend them out for the ideal vlogging angle and steady out your shooting, to boot. Best of all, you can now pick one up at Amazon for just $45, a bargain for such a versatile tool.
The ProTactic 350 AW II from Lowepro is a versatile camera backpack that makes a great gift for any photographer. It’s comfortable whether you’re doing a shoot across town, in the middle of nowhere or in another country, and spacious enough for a generous amount of photo or video gear. Lowepro claims you can carry a Pro DSLR and 24-70mm zoom, plus eight extra lenses or flash units, along with an additional DSLR and 13-inch laptop. It’s also modular, with adjustable dividers, removable straps and multiple pockets.
With its rugged, practical design, Peak Design’s Everyday Messenger Bag is an ideal gift for adventurous or photo-shooting loved ones. It’s built with a lightweight yet durable 100-percent waterproof recycled 400D shell with the ingenious Flexfold dividers in the main storage area. It also offers a pair of zipped pockets, two elastic side pockets and a compartment big enough for a 13- to 15-inch laptop. I own one myself and find it practical both for work and daily activities, letting me fit a camera, lens and laptop along with my wallet and keys. It’s not the cheapest bag out there at $230, but your Dad won’t have to buy another for a good long while.
If you’re not interested in paying for Adobe’s subscription services, the best video editing software gift idea is Blackmagic Design’s DaVinci Resolve 18 app. It gives users two ways to edit, with a Cut mode for quick projects and Edit for more advanced videos. Plus, you get Resolve’s well-known color correcting tools, the Fairlight audio editor, along with the Fusion graphics and compositing system – everything needed to deliver a project.
A good light is an awesome tool in your favorite photographer or videographer’s arsenal, and a relatively affordable gift to boot. One of the best all-around models is the Nanlite LitoLite 5C RGBWW Mini LED Panel. It weighs just 4.8 ounces, but offers dimmable lighting across a range of colors, with adjustments either on the fixture or via a smartphone app. It mounts on any wall or light stand via a magnet or quarter-inch threads, has cordless operation and a battery that runs for 1.5 hours at full power (charged via USB). The most interesting feature is special effects that range from a cop car’s flashing lights, flames, candlelights, a lightning storm and more.
If the vlogger in your life doesn’t already have one, Rode’s wireless and shotgun microphones are solid, affordable gifts. The VideoMic Go is ideal for interviews and run-and-gun shooting, thanks to the crisp directional audio and relative ease of use. It comes with a shock mount to eliminate bumps or vibrations that could interfere with sound and doesn’t require a battery, unlike past Rode models. Meanwhile, Rode’s Wireless Go II is one of the most popular wireless lavalier mics out there, functioning as both a microphone (for up to two subjects) and wireless transceiver. It offers a reliable connection and good audio quality, or you can maximize clarity by connecting external 3.5mm microphones like Rode’s $80 Lavalier Go, the Sennheiser Pro Audio ME2 or others.
There’s no point in buying your favorite photographer UHS-I cards anymore when faster UHS-II models can be found at nearly the same price. That’s the case with Lexar’s 64GB or 128GB 1667x V60 UHS-II cards, available at just $33 and $50, respectively. While not as fast as a top-of-the-line 2000x card, you still get faster read and write speeds (250 MB/s and 120MB/s) than any UHS-I card for a fraction of the price. If speed is of the essence, then SanDisk’s top-end V90 cards with 300MB/s read and 260MB/s write speeds can be found for $80 and $150, respectively.
Many new camera models these days, including the Panasonic GH6, Fujifilm X-H2, Canon EOS R3 and EOS R5, along with others include CFexpress Type B slots that are multiple times faster than SD UHS-II cards. Prograde’s Type B Gold with 1700 MB/s read and 1500 MB/s write speeds are a good value, available in 128GB and 256GB versions for $100 and $140 respectively. And if even more speed is required for 8K or RAW capture, ProGrade also offers the 165GB and 325GB Type B Cobalt versions compatible with 8K and RAW on the EOS R5 for $180 and $450, respectively.
Nothing ups video production value like a camera slider for doing “dolly” moves, and one of the most affordable and gift-friendly models is Edelkrone’s SliderOne V2. It’s relatively lightweight and small at just 20 centimeters (8 inches), so it’s portable enough to fit in a camera bag. It offers smooth operation that’s easily programmable from a smartphone, and works nicely with other Edelkrone products like the HeadONE motorized panning system.
“A powerful 3D lens for an already powerful 2D camera.”
I bet you’re just as baffled as I am looking at Canon’s new RF5.2mm F2.8 L Dual Fisheye Lens. It almost looks anthropomorphic, with the way the two eyes stare at you, but in fact, what’s really marvelous is where Canon seems to be going with their cameras. DSLRs and Mirrorless cameras are already some of the most powerful shooters out there, and rather than ditching that entire ecosystem of cameras to move to newer camera types – like drones and AR/VR cameras, Canon has just embraced good old-fashioned innovation instead, with a newfangled lens that is compatible with their existing EOS range of cameras. The lens, when paired with the company’s 1.5.0 firmware update, enables the humble yet capable 2D camera to shoot SBS 3D content. Pair the lens with the EOS R5 mirrorless camera and suddenly you can perform high-resolution video recording at up to 8K DCI 30p and 4K DCI 60p.
The bizarre yet beautiful lens unlocks an absolutely new dimension to photography. Just pop it onto the EOS R5 and the lenses use a complex internal optical arrangement to record SBS content on a single full-frame image sensor. When paired with the right firmware, the video content automatically gets split, synced, stitched, and turned into 3D VR videos that can directly be exported using Canon’s own software.
The two lenses offer 190° field of view, and are spaced a precise 60mm apart to resemble the pupillary distance in humans, making the VR content look believable and have just the right amount of parallax too. Focusing for both the lenses is controlled by a single ring, although minor tweaks to the focus of individual lenses can be done using hidden adjustment dials on the left and right-hand sides of the lens body.
It’s low-key marvelous what the RF5.2mm F2.8 L Dual Fisheye Lens does not just for Canon, but for photography in general. It shouldn’t be long before other companies like Nikon, Sony, and Fujifilm begin introducing lenses that allow you to record two channels of video content using a single sensor. Arguably, the sensor would have to be big enough to fit both the channels, and to make sure your videos are high-resolution enough, but what Canon’s unleashed on the camera and VR world is just the beginning. That being said, this lens was designed for a special subset of users (with deep pockets) and doesn’t come cheap. The dual fisheye VR lens sports a hefty price tag of US$1,999, and is set to go on sale in December this year. That’s excluding the fact that you also need a $3,899.00 EOS R5 camera to match.
This week we got our hands on Samsung’s new Galaxy Chromebook 2, and Nathan Ingraham details the ways that the new model makes significant improvements over last year's laptop. Also, Steve Dent takes another look at the Canon EOS R5 to see how fi...
As Canon has learned the hard way, innovative products can be criticized as much as celebrated. That was certainly the case with the EOS R5 full-frame mirrorless camera, which launched alongside the EOS R6 to acclaim with groundbreaking features li...
