The VIVIFoCAL S1 Glasses Focus Themselves So Your Eyes Don’t Have To

Your phone focuses by firing an invisible laser pulse at whatever you’re aiming it at, timing the bounce, and telling a tiny motor to move some glass. The whole loop finishes in a few hundredths of a second and nobody has thought about it since roughly 2017. VIVIFoCAL has taken that identical hardware recipe, a time of flight sensor, a microcontroller and an actuator, and bolted it onto a pair of glasses pointed at the world instead of at your brunch. The S1 measures how far away the thing you’re looking at is, works out the optical power your eyes need, and mechanically shifts the lenses into position in under 0.1 seconds. It’s autofocus, except the sensor is on your face.

Dr. Zhao, who earned his doctorate at a world-leading university and previously ran an optical R&D laboratory at a major optics company, built VIVIFoCAL around a piece of physics that has not yet been widely adopted by the general public. The S1 uses Alvarez lenses, two complementary freeform elements that change optical power when one slides sideways across the other. Nobel laureate Luis Alvarez patented the principle, and it was then stranded for decades because somebody had to do the sliding. A motor does it now. The result covers 8 inches to infinity in a 40 gram frame, and it launches with VIP pricing from $289.

Designer: VIVIFoCAL

Click here to Reserve Now: $10 (VIP pricing from $289).

A laser, a motor, and the 1967 patent working in the background

Three sensors do the work rather than one. A time of flight laser reads distance, a G-sensor tracks head posture, and an infrared wear detection sensor tells the glasses whether they’re on a face at all, which is how the battery survives being pushed up onto your head mid-conversation. The microcontroller sits between them, converting a distance reading into a lens position and commanding the motor in a single pass. The lenses simply change optical power to match whatever distance you’re looking at, the same job your eyes handle on their own before presbyopia kicks in. VIVIFoCAL calls that loop Instant Focus, and the same time of flight hardware we’ve watched migrate into phones, robot vacuums and door locks is what makes it affordable in eyewear.

Fitting a moving lens assembly, a rangefinder, a motion sensor, a microcontroller, a motor and a battery into something that still reads as eyewear is the harder half of this product. VIVIFoCAL has pushed the electronics into the brow bar and the temple arms, keeping the optical stack shallow enough that the frame sits on a face instead of announcing itself as hardware. The 160.5 x 160 x 43.5mm envelope is ordinary spectacle territory, which is the entire argument. Every packaging decision is downstream of one goal, helping the wearer see clearly across distances without thinking about the machine doing it.

Progressive lenses ask you to tilt your chin… this doesn’t

Presbyopia is projected to affect 2.1 billion people by 2030, and the standard answer for most of them is a progressive lens with three prescriptions blended into one lens, near at the bottom, distance at the top, intermediate smeared between. Finding the right part of the glass means tilting your chin, and the tradeoff is the narrow tunnel vision that progressive wearers describe, with softness creeping in toward the edges. VIVIFoCAL calls its answer Full-Lens Clarity, where the Alvarez lenses deliver one consistent optical power across the whole lens at every setting instead of splitting it into zones. There is nothing to hunt for and less peripheral distortion to work around. I’ve watched that chin-tilt dance play out for years, so the appeal is obvious.

Progressive glasses are generally built around everyday reading tasks, and for closer or more detailed work plenty of wearers still reach for a second pair or a magnifier. S1’s focusing range starts at 8 inches, which brings fine detail inside the same lens handling everything else. VIVIFoCAL demoed the glasses at WonderFest 2026 against a 1/35 scale miniature, the sort of precision hobby work that has kept optical visors and loupes in business for a century, and the testers who work with their hands responded the way you’d expect. One early tester shared that using S1 in a data center was a productivity gain and a huge plus, because he could walk past equipment and read tiny serial numbers without interrupting his workflow to take out extra readers, switch to other glasses, or use additional visual aids. He no longer carries multiple pairs when he leaves the house.

Forty grams, three nose pad sizes, and all-day power

VIVIFoCAL designed around the fact that head sizes and nose bridge heights vary far more than eyewear brands usually admit, which is why S1 ships with flexible spring hinges and three sizes of interchangeable nose pads to adapt across face shapes. The frame lands at 40 grams bare and 50 with the magnetic front clip, built on TR90 temples, the same material that has quietly taken over lightweight frames and wearable arms across the industry. Those numbers matter because forgetting you’re wearing them is the whole point of automating focus in the first place. A 250mAh battery holds up through 8 hours of constant refocusing and refills over USB-C in about an hour, with normal use stretching to a full day. Glasses that can run flat is still a new idea to make peace with.

A separate pair of lenses attaches behind the Alvarez elements, so one pair carries your prescription to see near and far. Magnetic polarized sunglass lenses snap onto the front for outdoor use with adaptive focus still running underneath. The polycarbonate lenses carry anti-reflective and anti-smudge coatings, transmit more than 90 percent of light, and sit inside a field of view above 110 degrees. The app adds a ±0.5D fine-tuning range on top of the automatic correction, which is how the glasses absorb the slow drift of a presbyopic prescription instead of being replaced. Presbyopia correction tops out at 3.5D, so the deepest cases fall outside what S1 can currently handle.

The bet VIVIFoCAL is making on moving glass

The company isn’t chasing this idea alone. Other teams are working on adaptive focus through liquid crystal lenses or eye tracking instead of a mechanical shift, and the category is young enough that the approaches are still diverging. VIVIFoCAL is betting on the refractive route, real glass moving to change optical power rather than a pixelated layer simulating it, and that bet buys the two things that matter most in eyewear you keep on your face all day. S1 holds above 90 percent light transmittance and a field of view past 110 degrees, which is why the image through it behaves like a lens instead of a screen.

Alvarez lenses have been a lab curiosity since 1967 for one reason, which is that the sliding had to be automated by something small enough to live inside a temple arm. Sensors, motors and microcontrollers have finally shrunk far enough to make that trivial, which makes S1 a triumph of packaging, and packaging is where most wearables actually get decided. Autofocus earned its invisibility in cameras by working so fast nobody noticed it, and 0.1 seconds across 8 inches to infinity puts the same disappearing act in front of your eyes. S1 ships with a 1-year warranty, and a refundable $10 deposit locks in VIP pricing at $289 ahead of the official launch, with either the prescription lens service or the sunglass lens bundle included depending on which one you need. Sixty years is a long time for a good idea to wait for its motor.

Click here to Reserve Now: $10 (VIP pricing from $289).

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ND filters adjust the tint on your sunglasses with a retro futuristic look

I’ve been wearing transition eyeglasses for several years now. It’s become handy as I don’t need to bring sunglasses or have graded ones made to replace my eyeglasses when the sun is too high. However there are also some inconveniences to it as it sometimes takes long for it to turn back to “light” once I get out of the sun. I sometimes wish there was a way to control how much light gets in or out.

Designer: Lombell

Lombell has created sunglasses that utilize what photographers have been using for some time now: neutral density (ND) filters. Professional cameras are able to adjust the opacity of their lenses through these filters. So why not apply this technology to sunglasses? The titanium-frame sunglasses use ND filters to increase or decrease the amount of light that can pass through your eyewear, giving you more control over it.

The ND filter that they used has 9-stop variables and lets users adjust accordingly through the graded markings on the lens, making your sunglasses darker or brighter. It is also able to block more than 99% of UVA and UVB light no matter what level you’ve put the filters on. If you’re also like me that always need prescription lenses, you can replace the back piece of glass with one.

The ND filter sunglasses can also be a fashion statement as you exude a retro feel with them, especially for those who actually don’t know what camera filters are. It can actually even be cool when you’re adjusting the filter, like you’re a robot or android. And it’s also pretty cheap at just $89.99 for the regular lenses or $99.99 for prescription lenses.

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SwitchLens Pro Camera System turns any Smartphone into a Photography Powerhouse

Smartphone cameras have come a long way and have become quite capable tools in preserving memorable moments for posterity. There is, however, still a very good reason why they haven’t completely overthrown pro cameras. You can only squeeze so much hardware into a slim smartphone, and you can’t really have large lenses or even a lens mount bulging out from the back of the phone. There are admittedly a few accessories that try to bring some of that interchangeable lens experience but usually limit themselves to small lenses made just for smartphones. Bringing a true “pro camera” experience to mobile requires taking a few cues from pro cameras themselves, and that is exactly what the SwitchLens does to level up your mobile photography game.

Designer: sneaki design

Click Here to Buy Now: $199 $329 ($130 off). Hurry, 33/450 left! Raised over $490,000.

SwitchLens is a complete pro camera system that not only takes the lessons learned from digital cameras but even the technologies employed there. In particular, it embraces the popular micro four thirds or MFT system that leverages large sensors and interchangeable lenses to create highly detailed and breathtaking shots. The large 20.75MP 1.33-inch CMOS sensor that SwitchLens uses is unmatched by even flagship phones, which means it can take in more light and record more details just with the hardware alone, no post-processing or AI touch-up required.

And just like the MFT used in compact digital cameras, you can also swap out lenses to get the best shot out of a scene, whether that’s a 25mm f1.8 portrait lens for closeups or a 12mm f2.8 wide-angle lens for sweeping panoramic shots. What makes the SwitchLens system even more impressive is that it can actually support MFT lenses from Panasonic or Olympus that you might have lying around. You are no longer limited to what the manufacturer provides, and you are definitely not limited to tiny lenses that compromise on performance in return for their pretty sizes.

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Unlike other such accessories, SwitchLens is a powerful device that can function even when detached from the back of your phone. Using a stable and fast Wi-Fi connection, you can control SwitchLens remotely for more difficult shots, or magnetically stick it to the back of your iPhone or Android phone to recreate the experience of using a digital camera but with a much larger and clearer viewfinder. From selfies at extremely low angles to macro photography, SwitchLens gives you the flexibility to take a shot in the most comfortable and most convenient way.

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The pro camera experience doesn’t end there. SwitchLens’s Peaking Focus assistance feature easily marks out which objects are in focus with vibrant, eye-catching colors to ensure sharp and in-focus images every time. With support for microSD cards up to 1.5TB in capacity, you have nearly limitless room for taking thousands of RAW photos and recording 4K 30fps videos without filling up your phone storage. With the SwitchLens MFT modular camera system, your phone is no longer a stumbling block for a pro photography experience and becomes the launch pad for taking stunning photos and videos like a pro.

Click Here to Buy Now: $199 $329 ($130 off). Hurry, 33/450 left! Raised over $490,000.

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Canon’s quirky new lenses help you create content for Apple Vision Pro and VR

Mixed reality platforms try to seamlessly blend physical and digital objects, but our current technologies have their limits. You can, for example, view a regular photo or video in this virtual world, but it’d be like seeing a TV float in front of you. Such content doesn’t fully convey the power and the possibilities offered by these technologies, for which you’ll require specialized tools that are often well beyond the reach of even the majority of professional content creators. Fortunately, the industry landscape is changing, and more accessible tools are becoming available, like this pair of Canon lenses recording at creating stereoscopic 3D photos and videos that don’t require you to buy a new camera, provided you already have a compatible Canon model.

Designer: Canon

To create a stereoscopic 3D video effect that doesn’t look fake, you’ll naturally need either multiple cameras working in sync or one that records in 3D from the get-go. Since there isn’t a huge demand for the latter, 3D or spatial cameras are rare and expensive. More importantly, they require you to set aside your existing cameras and settle for something unfamiliar and potentially less capable than your pro DSLR or mirrorless camera.

Canon’s solution is to actually equip its interchangeable lens cameras with optics designed to take photos or record videos directly in stereoscopic 3D or spatial video. This does mean using two lenses, which is what the upcoming RF-S7.8mm F4 STM DUAL lens will bring to the table. Details are still slim on this particular lens, other than it’s designed with the Apple Vision Pro in mind, particularly its new Immersive Video capability. Best of all, this lens is compatible with existing cameras, though only the Canon EOS R7 has been named so far.

The RF-S7.8mm F4 STM DUAL lens is, of course, also compatible with Canon’s own EOS VR system, as is a slightly odder RF-S3.9mm F3.5 STM DUAL FISHEYE lens, also for the Canon EOS R7. As the name implies, the lenses for this module are farther apart, allowing for a wider field of vision and a deeper 3D effect. It does make your camera look weird and could potentially block easy access to the grip or buttons on the front of the camera.

At $1,099, the RF-S3.9mm F3.5 STM DUAL FISHEYE isn’t exactly cheap, but it’s also within reach of pro content creators. More importantly, they won’t need to buy another camera and can stick to the powerful Canon EOS R7, presuming they already own this model. The price for the RF-S7.8mm F4 STM DUAL for the Apple Vision Pro will most likely be revealed closer to its launch this Fall.

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Sunglasses with real glass lenses deliver unparalleled clarity and protection

It might sound like an oxymoron, but your run-of-the-mill sunglasses don’t actually use glass. To comply with certain legal regulations, “shades,” as we sometimes call them, have to use plastic or resin materials that are more resilient but have poorer optical quality. That’s true even for those expensive sunglasses, which will probably make you feel a bit cheated, especially when you notice how unclear your vision behind these plastics really is. Thankfully, the optics industry has reached a point where we can have the best of both worlds of durability and optical clarity, creating the industry’s first modern sunglasses made from actual glass, designed to deliver clarity, comfort, and protection to your eyes with an accessible price point.

Designer: Ilija Melentijevic, PhD (founder of Kolari Vision)

Click Here to Buy Now: $169. Hurry, offer ends soon!

These ‘plastic’ and ‘resin’ lenses come with a lot of responsibilities, given the fact that they’re tasked with protecting your eyesight. When you wear tinted sunglasses outdoors, your pupils dilate to let more light in – which effectively also exposes your eyes to more harmful rays… and while most lenses will block out UV rays, current sunglasses (even the expensive ones) aren’t designed to block infrared light from hitting your retina. It’s ironic that you can find IR-blocking lenses for your expensive cameras… but not for the most priceless camera we have: our eyes.

Enter Kolari Shades, a pair of sunglasses that is shaking up the market by bringing the highest-quality materials to a product you can actually afford. Harnessing more than a decade of experience in the photography space, Kolari brings a new kind of lens that is actually made of glass, providing the optical clarity that your eyes need all the time, whether you’re wearing sunglasses or not. But it’s not just plain glass, either, but the same ultra-strong Corning Gorilla Glass that has been protecting smartphone displays for years. And with 51 layers of anti-reflective and anti-smudge coating, your new premium specs are protected against scratches, dirt, dust, and more. Plus, it’s easy to clean the smudges off, too!

Kolari Shades are truly color-neutral and protect your eyes from all damaging wavelengths of light.

But while Kolari Shades’ glass lenses provide extra-clear vision, it doesn’t forget the protection that sunglasses are expected to bring. In fact, it levels up this aspect by blocking not only high-energy UV light but also low-energy infrared, both of which can be harmful to your sensitive eyes. It can even protect your privacy by blocking security cameras that use IR for face recognition. And it brings this superior protection without turning your world into a dreary shade of gray or brown. By using color-neutral coatings, you can stop worrying about those harmful and blinding rays and continue enjoying the world in full color.

Preserve your anonymity — Kolari Shades block infrared-based facial recognition systems.

Corning Gorilla Glass and titanium frames make the Kolari Shades extra tough.

The best part about the Kolari Shades is their affordable price tag, even though Kolari Shades are more costly to manufacture because of the premium materials used in the frames and lenses. It’s significantly less than luxury sunglasses that use plastic lenses, offer poorer optical quality, and strain your eyes in the long run. Why settle for plastic products that harm rather than protect your eyes when you can enjoy the optical quality that real glass lenses have to offer? With the Kolari Shades, you can enjoy durability, clarity, and protection in stylish sunglasses that don’t change the colors of your world.

Click Here to Buy Now: $169. Hurry, offer ends soon!

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Moment iPhone 75mm macro lens lets you get close and personal

Smartphones are wonderful tools that enable a great deal of functionality, from productivity to gaming to creativity. Their cameras, in particular, are powerful enough to threaten even point-and-click and entry-level cameras, but there are still some things that aren’t possible to achieve because of limitations in size and price. DSLRs, for example, have a wider variety of applications because they can swap out lenses depending on the need. That’s impossible with smartphone cameras, but a compromise has been developed that lets you augment or change the way those cameras work by attaching a separate lens, like this new accessory from Moment that enables a powerful macro shot that’s not normally available on the iPhone.

Designer: Moment

Some Android phones advertise having a macro camera, but those really don’t do justice to what macro lenses are truly capable of. Not only are the magnification levels low, the imaging sensors are also so substandard that it might be better to have no macro camera at all. The only way you’ll be able to pull off a pleasant or dramatic close-up shot is to pair an appropriate lens with a decent sensor.

That’s exactly what the new Moment macro lens brings to the table by attaching a lens with a 75mm focal length equivalent to the powerful wide or ultrawide camera of a smartphone like the iPhone 15 Pro. This kind of lens allows the mobile photographer to capture crisp foreground details with pleasant blurring in the background, even from a distance of four inches from the subject. With a 10x magnification, you can achieve an intense shallow depth of field while still including more of the background in the shot.

Normally, you wouldn’t be able to attach a different lens on a smartphone, but Moment’s T-Series lenses use an innovative yet easy-to-use system to make that possible. In a nutshell, you put a special protective case on the iPhone and then attach compatible lenses on the specially designed mounts to expand the camera’s capabilities using lenses that would have never fit inside the cramped space of a smartphone. This ingenious design means that this new Moment macro lens can also be used on other phones, including the Pixel 8 or Samsung phones, provided you use the matching case or special mount made for the T-series lenses.

With the Moment 75mm macro lens, you can take breath-taking close-up shots of natural objects or even moving subjects, allowing you to create better memories or even win some awards. The $119.99 price tag is a bit tough to swallow, but professionals will probably be able to justify such an expense if they can get more stunning images in every shot. Of course, there’s also the hidden cost of requiring that case to always be on, at least while you’re using the lens, and the lens jutting out from the phone’s back awkwardly, but these are the things that your social media followers will probably never see anyway.

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