Tag Archives: Lifestyle

Alarm Clocks Buzz and Glow, Kodo Holds a Plant and Greets the Dawn

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Waking up shouldn’t require staring at another glowing rectangle before your eyes even adjust to the room. Kodo, a conceptual smart alarm clock, rejects the buzzing plastic box entirely and takes the shape of a ceramic vessel instead, complete with a slender spout that holds an actual sprig of greenery. It looks like something a potter made, right up until it starts syncing with the sunrise.

That sunrise syncing is the whole point of mornings with this object. Rather than jolting you awake with a harsh beep, Kodo times itself to daybreak and layers in birdsong instead of an alarm tone, easing you into consciousness the way an open window might on a good morning. Silencing it doesn’t involve fumbling for a button either. A simple tap anywhere on its surface reads as a vibration and shuts the sound off.

Designer: Pascal Grangier

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That tap-to-quiet gesture carries through the rest of the day as a kind of running theme. The body stays sensitive to touch and presence, responding subtly rather than lighting up with notifications or demanding attention the way a phone screen does. It’s built to sit quietly on a nightstand, doing nothing most of the time, until the exact moment it needs to do something.

Evenings get their own quiet ritual built into the same object. Before bed, Kodo gradually dims the light in the room, nudging your body toward its natural sleep cycle instead of leaving you to scroll under harsh lamp light until exhaustion wins. That single feature turns the piece from a wake-up tool into something closer to a bedtime routine, bookending the day the same way it starts it.

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None of that would matter if the object itself felt like more screen time in disguise. Its circular face, styled after a pot’s opening rather than a display panel, shifts its entire look depending on the hour: a soft gradient for morning, plain digits at midday, a starfield glowing quietly once night falls. The clock face becomes part of the room’s atmosphere instead of a separate glowing distraction sitting on top of it.

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Every material choice reinforces that same restraint. The matte, sand-toned finish and rounded silhouette borrow directly from pottery, right down to stubby little feet that make the whole thing look handmade rather than manufactured. Even the vase-like spout isn’t decorative filler. It holds a real plant cutting, turning a piece of consumer electronics into something you’d want visible on a shelf even when it’s not telling time at all.

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Objects like this argue for a different relationship with the technology already crowding most bedrooms. Kodo doesn’t compete with your phone for attention before you’ve had coffee. It just marks the hours quietly, dims the lights when it’s time to stop, and waits by the window like it always belonged there.

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IKEA Finally Made Buying Real Art Affordable

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I’ve walked out of gallery openings feeling like an intruder more times than I’d like to admit. The velvet rope isn’t always literal, but it might as well be. Original art has always come wrapped in a kind of hush money: pay enough, know the right people, or stay on the outside looking in. That gatekeeping is exactly what IKEA is going after with KONSTRUNDA, a new 22-piece collection that hands real, sculptural, gallery-worthy objects to anyone with an IKEA membership card and a normal paycheck.

The math tells the story better than I can. Emanuele Stamuli’s black-and-white ceramic vase starts around $19. Andu Masebo’s welded-frame glass side table tops out near $149. For context, a single studio ceramic piece from an independent artist can run you three or four times that before shipping. KONSTRUNDA isn’t imitation art or mass-produced décor pretending to have a point of view. It’s actual work from seven working artists and designers, priced like it was made for people instead of collectors.

Designers: Akanksha Deo, Andu Masebo, Emanuele Stamuli, Ingrid Leander, Igor Holtermann, Lisa Hilland, and Lisa Reiser for IKEA

What pulls me in is how differently each contributor answered the same open assignment. Lisa Reiser went mouth-blown glass, and her glossy black vessel does something genuinely strange: the surface seems to shift color depending on where you’re standing, like it’s reacting to the room rather than just sitting in it. The scale is domestic but the presence isn’t, which is a harder balance to land than it looks.

Lisa Hilland took pine, the most IKEA material there is, and carved it into a stool with a profile too intricate for something this affordable to have any business looking like. She also built an orange ceramic form around a deep arch, where the empty space matters as much as the clay around it. Negative space as a design decision at this price point is a confident move, and it pays off. The piece reads completely differently from across a room than it does up close, which is exactly what good ceramic work is supposed to do.

Akanksha Deo’s contribution hit me the hardest because it doesn’t try to look important. Her stacked wooden figures pull from traditional toys she grew up with in India, with a small mirrored cube tucked into the center of one. She calls the pieces “a family of imperfect characters,” and that phrase does a lot of work. The figures have a looseness to them, a slight awkwardness that makes them feel handmade even when they’re not. Art doesn’t have to loom over a room. Sometimes it just needs to keep you company.

Andu Masebo leaned the opposite direction. His glass tabletop sits inside a chunky welded chrome frame that refuses to apologize for its own bulk. The piece borrows furniture logic and pushes it into sculptural territory, sitting somewhere between a functional object and a statement. Stamuli’s ceramics operate in similar space, black-and-white graphic forms that feel more like drawings translated into clay than traditional pottery. Both designers are clearly interested in the line between art and utility, and the collection is better for having that tension in it.

Ingrid Leander and Igor Holtermann looked past the studio entirely and grabbed their references straight off the street: caution tape, zebra crossings, the visual noise of a city block, repurposed into cushions and oversized floor pillows. Leander’s textiles in particular are surprisingly sophisticated up close, the kind of graphic work that would look at home in a boutique hotel lobby but lands just as well draped over an apartment couch.

A painting behind glass, roped off and climate-controlled, asks nothing of you. A ceramic bowl on your own shelf, one you can actually pick up, gets folded into your daily life whether you meant it to or not. That shift from observation to ownership is what KONSTRUNDA is really selling, and seven designers managed to make it feel earned rather than convenient.

I’ll probably end up with the Deo mirrored figure on my own shelf before the year is out. Not because it’s a masterpiece. Because it’s mine, and for once, that didn’t cost me a mortgage payment.

The post IKEA Finally Made Buying Real Art Affordable first appeared on Yanko Design.

This CO2-powered cooling jacket could keep you comfortable in extreme heat without a battery

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Most wearable cooling devices add more hardware to what you are already wearing. Hissy, developed by five designers as part of Samsung Design Membership, is different though. the concept puts a CO₂-powered cooling system inside a lightweight technical jacket, turning the garment itself into an air-delivery system.

The idea comes from a fairly simple problem. Portable fans can struggle when the surrounding air is already extremely hot, while battery-powered cooling systems bring their own compromises in weight, runtime, and heat management. Hissy replaces the usual fan-and-battery setup with a small CO₂ cartridge mounted at the wrist. When the cartridge is connected, high-pressure liquid carbon dioxide vaporizes inside the cooling hardware, producing airflow at around -30 Degree Celsius.

Designer: Dongheon Kang, Minseo Jung, Yuha Ko, Juhyeon Jeon, Woohi Park

What makes the jacket interesting, however, is what happens after the cold air is generated. Rather than dumping it into the garment and hoping it reaches the right places, Hissy routes it through a tubular Air Path built into the jacket. The path follows a spiral around the body, and the jacket is cut and stitched around this structure. Its shape also helps prevent the tube from sharply bending or kinking as the wearer moves.

Small perforations along the Air Path release the cold air at selected points. The designers determined their positioning and size using thermal mapping and heat-distribution tests, concentrating the airflow around areas where the body produces more heat. That explains the unusual construction of the jacket. The visible pattern isn’t simply there for visual effect; it traces the route the cooling system needs to take through the garment.

The CO₂ cartridge itself sits in a surprisingly neat docking system. Instead of being screwed into place, it attaches magnetically. Locking protrusions keep it from being pulled straight out while the system is operating, and rotating the cartridge changes the magnetic interaction so it can be released. An internal strap and sleeve zipper keep the hardware secure around the wrist, while a chest pocket provides somewhere to carry additional cartridges.

There is also an effort to make the disposable-looking cartridge system less wasteful. Hissy proposes using CO₂ captured from industrial processes as the cooling medium. Once a cartridge is empty, it can be collected, inspected, refilled, and returned to circulation. The designers see this as a way of keeping both the cartridge and the captured gas within a reuse cycle rather than treating them as single-use components.

For now, Hissy is a design concept rather than a product you can buy, but the team isn’t limiting the idea to jackets. Its proposed roadmap includes applying the same cooling technology to footwear, followed by products such as outdoor can coolers. A later version could even become a thermal-management system for machines working outdoors in high temperatures, including delivery robots and drones.

 

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Laifen Just Made Flawless Grooming Stupidly Easy (No Skill Required)

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We live in an era of life hacks, a time when everyone wants the best possible results with the least amount of fuss. We want the Michelin-star meal from a 30-minute recipe and the perfect vacation photos without a professional camera. The same is true for our personal grooming. We see the flawless curls or the perfectly smooth shave online, but the reality often involves a tangled mess of hair, a bit of skin irritation, and a whole lot of time we wish we had back. The effort and the reward just don’t always line up.

This is where clever engineering can make all the difference, by building tools that automate the tricky bits for you. Laifen seems to be running with this idea in its latest product drop. The new lineup includes an automatic curling iron for people who always wrap their hair the wrong way and a high-speed hair dryer that aims to nourish while it dries. It’s all about lowering the skill level required to look polished and put-together, which is a philosophy anyone with a busy schedule can get behind.

Laifen P3 Electric Shaver: Pocket Shaving Without Drama

The electric shaver has had a size problem for a long time. Go compact and you sacrifice power, go full-size and you’re suddenly packing something that takes up half your toiletry bag. Most portable shavers have quietly accepted this arrangement and deliver a mediocre shave, complete with pulling, patchy results, and a bit of post-shave redness for good measure. Most guys shrug it off as the price of portability. The Laifen P3 Electric Shaver was designed with a different attitude toward that particular compromise.

Inside the P3, a proprietary dual-motor system works alongside an ultra-thin stainless-steel foil and a cutting design specifically built to reduce irritation. What that means in practice is a shave that gets close to the skin quickly, without the tugging and pulling that makes cheaper portable shavers such a frustrating experience. The low-irritation design is also a genuine win for people with sensitive skin, which is a group that compact electric shavers have historically let down pretty badly. Clean results, comfortable experience, no drama.

Roughly one-third smaller than a traditional electric shaver, the P3 comes with a dedicated carrying case that slides into any bag without making you rearrange everything else to fit it. It’s the kind of shaver that makes sense for a work trip, a gym bag, or a bathroom shelf that’s already running out of counter space. The form factor is built around how people actually move through their day, and that kind of thinking tends to show in how consistently a gadget actually gets used.

Laifen also makes the more feature-heavy P3 Pro, and the two are designed for different kinds of users rather than sitting in a simple good-better hierarchy. The P3 is its own thing, aimed at someone who wants a capable, stylish everyday shaver that travels light and delivers good results without overcomplicating the morning routine. It’s an easier sell for a larger slice of people, and honestly, that makes it the more interesting product to watch.

Click Here to Buy Now: $189.99.

Laifen Swift 4 Hair Dryer: One-Step Drying and Hair Care

Most hair dryers have one job, and that’s to get your hair dry as fast as possible. Everything else, the serums, the oils, the frizz-fighting products, happens separately, usually after you’ve already spent several minutes with a loud appliance aimed at your head. It’s a fine enough system, just a slightly inconvenient one. You dry your hair, then you treat your hair, then you style your hair, and by the end of it you’ve invested a surprising amount of time into something you do every single day. There has to be a smarter way to run that sequence.

The Swift 4’s headline feature is a proprietary Nourishing Nozzle that diffuses essential oils into a micron-sized mist at a consistent 58°C while you dry. At the same time, 400 million negative ions and 70 million positive ions work to neutralize static and help balance the scalp’s environment. The result, according to Laifen, is smoother, shinier, frizz-reduced hair without extra steps after you put the dryer down. Whether you’re ready to swap your entire post-wash routine for a single nozzle is a personal call, but the concept is genuinely clever and worth paying attention to.

Speed is the other big thing the Swift 4 has going for it. A 115,000 RPM brushless motor pushes airflow at 23 meters per second, which Laifen says is enough to dry medium-length hair in around 1.5 minutes. A smart temperature control system monitors heat 1,000 times per second to prevent damage, and six customized temperature modes let you dial things in for your specific hair type. There’s also an intuitive LED ring for mode feedback and magnetic nozzle attachments that swap in and out cleanly. For anyone who has wondered whether they’re cooking their hair with the wrong heat setting, that level of real-time control is genuinely reassuring.

The Swift 4 Hair Dryer weighs just 407 grams, sits in an ergonomic handle built to reduce arm fatigue, and runs at a relatively quiet 59 decibels thanks to six layers of noise reduction technology. A Bluetooth app connection lets you set a personalized drying routine, and the magnetic filter on the back cleans in about three seconds. It has a premium aluminum alloy finish that looks sharp sitting on a vanity shelf, and at this point that’s actually a relevant design consideration. Nobody wants to leave an ugly appliance out in the open, and the Swift 4 is not an ugly appliance.

Click Here to Buy Now.

Laifen Glowy Vanity Mirror: Smart Lighting That Actually Flatters You

Makeup applied in bad lighting is one of life’s more humbling experiences. You do everything right at home, step outside, and catch a glimpse of yourself in a shop window that tells a completely different story. The culprit is almost always the light source you were working under, which was probably a single overhead bulb doing its worst. Good vanity lighting has always made a real difference to the outcome, but for a long time, getting genuinely useful light meant buying a bulky ring light and finding somewhere to put the thing.

The Glowy Vanity Mirror skips the separate ring light situation entirely by building 360-degree even illumination directly into the mirror itself. The lighting is designed to replicate natural daylight, which gives you accurate color representation while applying makeup or skincare rather than the warm, flattering-but-deceptive glow that makes bathroom lighting so unreliable. There’s a large, high-definition mirror surface paired with that illumination, so every detail is visible without squinting or leaning uncomfortably close to the glass. It’s a pretty straightforward idea executed in a way that actually makes the bathroom routine more useful.

Smart features are woven in without feeling gimmicky. The mirror uses automatic motion sensing to wake up when you approach, remembers your preferred lighting settings, and offers adjustable modes for different needs. A long-lasting rechargeable battery means there’s no cord hunting involved, and the portable design lets it move around without being a production. These are the kinds of conveniences that sound minor on a spec sheet but add up to a noticeably smoother experience once they’re part of your daily routine.

The hardware itself is built around an aluminum alloy stand with a refined finish that looks at home on a vanity rather than on a film set. Eye-safe, low blue light illumination keeps things comfortable during longer sessions, reducing the kind of eye strain that comes from staring into a bright light source for extended periods. It’s a product that sits at an interesting crossroads between functional tool and considered design object, and that combination is increasingly what the best personal care gadgets look like in 2026.

Click Here to Buy Now.

Laifen AutoCurl Curling Iron: Salon Curls Without the Learning Curve

Curling irons work beautifully in the hands of someone who knows exactly what they’re doing, and they produce uneven, inconsistent, occasionally singed results in the hands of everyone else. Getting a good curl requires a specific technique with the wrist, the right timing, and a sense of which direction to wrap the hair that somehow never feels intuitive. It’s one of those skills that looks deceptively simple in a tutorial video and considerably less simple when you’re standing in your bathroom at 7am trying to replicate it.

The AutoCurl Curling Iron’s core trick is that it handles the wrapping for you. A smart system detects where the hair is placed, automatically selects the correct curl direction, and adjusts in real time to prevent tangling or pulling. Users can let the device run fully automatically in Auto Mode, or switch to Manual Mode for more hands-on control when they want it. That’s a genuinely useful split, because it makes the tool accessible for beginners without feeling restrictive for people who already know their way around a barrel.

Speed is another area where the AutoCurl earns its keep. Laifen says it delivers bouncy, full-head curls in around 16 seconds per section, with even heat distribution that keeps results consistent from the first curl to the last. Custom temperature settings adapt to different hair types, and 200 million negative ions work through the styling process to reduce frizz and add shine. Intelligent temperature control keeps heat at a safe level throughout, so you’re getting faster results without quietly frying your hair in the process.

The safety features are thoughtful without being excessive. A protective curl chamber shields the hair-contact area, auto shut-off kicks in when the device is left unattended, and the operation is near-silent, which is a bigger quality-of-life detail than it sounds. Dual-voltage support and a lightweight build round things out nicely for anyone who travels frequently. It’s a curling iron that has clearly been designed with people who have given up on curling irons in mind, and that’s a very specific and very valid target audience.

Click Here to Buy Now: $99.99.

The post Laifen Just Made Flawless Grooming Stupidly Easy (No Skill Required) first appeared on Yanko Design.

This Surgical-Steel Toothbrush Was Never Meant to Be Thrown Away

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I own a lot of things I’ll probably never actually wear out. A leather bag that’s outlasted three apartments. A watch that was my grandfather’s. A cast iron pan that will likely be handed down long after I’m gone. And then I have a bathroom drawer full of plastic toothbrushes, each one used for a few months and tossed, none of them meant to last, none of them meant to matter.

That contrast is what caught my attention when I came across the Berninox 316, a toothbrush designed by Swiss product designer Julien Bernard that flips the entire logic of oral care on its head. Instead of a disposable object you replace every few months, you get a handle made from 316L surgical stainless steel, the same alloy used in medical instruments, paired with a small replaceable head made from recycled ocean-bound plastic. When the bristles wear down, you don’t throw away the whole thing. You just click off the head and snap on a new one.It sounds almost too simple, which might be exactly why it works.

Designer: Julien Bernard for Berninox

What strikes me most about this design isn’t the material, though stainless steel is obviously the headline. It’s the clip system holding the head in place. Berninox has a patent pending on it, and once you understand why, it makes sense. Anyone who has used a razor with interchangeable blades knows the annoyance of a head that wiggles or pops off at the worst moment. Getting that mechanism right, so it feels secure during brushing but still releases easily when you want to swap it, is the unglamorous engineering work that actually makes a product usable long term. Good design is rarely about the flashy part. It’s about the hinge nobody notices until it fails.

I also appreciate that this wasn’t dreamed up purely as a sustainability gesture. The brand worked with dental professionals during development, which matters more than it might seem at first glance. Plenty of eco-conscious products lead with their environmental story and treat function as an afterthought. Berninox seems to have built the case for durability and the case for actually brushing your teeth well at the same time, rather than picking one.

There’s also something quietly satisfying about the ocean plastic detail. The heads are made through a partnership with a Swiss initiative that collects ocean-bound plastic from Southeast Asia before it ever reaches the water. It’s a small volume of material in the scheme of global plastic pollution, sure, but I don’t think that’s really the point. It’s a demonstration that a mundane, overlooked object like a toothbrush can carry a slightly bigger story if someone bothers to design it that way.

I’ll admit I’m a sucker for objects that feel like they were made by someone who actually cared about the details, not just the marketing copy. A stainless steel handle that can go into the dishwasher or be steam sterilized isn’t just a hygiene feature, it’s a signal that the people behind it were thinking about how the object behaves in real life, not just how it photographs on a shelf.

Is a forty-dollar toothbrush going to be for everyone? Probably not. Plenty of people will look at their nine-pack of drugstore toothbrushes and see no reason to change. And that’s fair. But I think there’s a growing appetite, especially among people who already collect watches, pens, or well-made kitchen tools, for everyday objects that don’t pretend to be disposable. We’ve spent decades normalizing things designed to be thrown away, and I think we’re slowly correcting course, one small object at a time.

What I like most about the Berninox 316 is that it doesn’t ask you to change your habits. You still brush your teeth the same way you always have. It just quietly changes what happens to the object in your hand once the bristles wear out. Sometimes the most meaningful design shifts aren’t the loud ones. They’re the small, practical ones that make you rethink something you never thought twice about, sitting right there in your bathroom cup.

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MB&F’s Alien-Inspired Desk Clock Ships as 222 Loose Parts You Assemble Yourself Over 10 Hours

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There is a term in behavioral economics called the IKEA effect, which says we value things more when we build them ourselves. It explains why you defend that wobbly BILLY bookcase like it’s family. MB&F and French clockmaker Maison Alcée have taken that idea, put it in a suit, and charged CHF 12,000 for it. Their new desk clock arrives at your door as 222 loose components in a wooden box, along with a set of watchmaking tools and a 250-page book. You are the assembly line, and the clock does not tell time until you make it.

It’s called the Nostromo, and it looks like a chrome beetle crouching on your desk. Maximilian Maertens, MB&F’s creative designer and Max Büsser’s anointed successor, designed it to celebrate 15 years of the M.A.D.Gallery. Maison Alcée manufactures the parts in the French and Swiss Jura, then hands the fun part to you. Roughly ten hours of tweezer work stand between the box and a running mechanical clock with a 14-day power reserve and a switchable hour chime. Only the regulating organ arrives pre-built, because some things are best left to people who do this for a living. Fifty pieces exist.

Designer: Maximilian Maertens for MB&F, crafted by Maison Alcée

The body is a symmetrical steel ovoid, two brushed arcs meeting top and bottom, wrapped around brass wheels and a saturated peacock blue dial ring floating dead center. That silhouette reads as carapace rather than xenomorph, closer to a scarab than anything H.R. Giger ever airbrushed. Every ounce of creature in this object lives in the three tapered legs below, which sweep outward in compound curves and end in points. Maertens had to leave the movement architecture assemblable by amateurs, so the sculpture went where the freedom was.

That movement comes from the Persée, Maison Alcée’s first clock, launched in 2022 and built on wristwatch architecture scaled up to desk size. Maertens turned the whole thing on its side, angled the display upward for easier reading, and split the Persée’s continuous dial ring into segments so the gear train shows through the gaps. The finished clock rotates on its feet, which sounds like a gimmick until you remember three-point support never rocks on an uneven desk. Black hands replace the originals for contrast against all that brass. The changes are small in engineering terms and enormous in posture.

Slotted screws sit visible across every plate, the steel is brushed instead of polished, and the brass wheels carry plain spokes with no anglage anywhere. That reads as a deliberate call rather than a cost saving, because every one of those surfaces will be handled by someone in cotton gloves who has never held tweezers. Maison Alcée even had its screwdriver blades made in a copper-beryllium alloy, softening them specifically to reduce the risk of scratching your own clock. The kit includes seventeen tools, several adapted for beginners. The pedagogy runs all the way down to the hardware.

Ridley Scott borrowed the name Nostromo from a Joseph Conrad novel, and Ron Cobb designed the ship as a grimy commercial tugboat crewed by people arguing about bonuses. Giger got the monster and the derelict. Most of us have merged the two in memory, which is why the word now sounds biomechanical. Maertens, a self-declared Giger obsessive, has effectively put Cobb’s name on a Giger-adjacent body, and I doubt anyone at MB&F loses sleep over it. The brand has been mining outer space since HM1 in 2007.

CHF 12,000 ($14,840 USD) excluding VAT, sold through the M.A.D.Galleries in Geneva and Dubai and MB&F LABs worldwide, with deliveries landing October to November. A base Persée runs closer to EUR 5,500 ($6,379 USD), so the premium buys the Maertens design and the 50-piece cap rather than more mechanism. Here’s the catch, though. A company whose entire philosophy is teaching horology through your own hands has capped this particular lesson at fifty units for fifty eager students. The clock is wonderful. The classroom is very small.

The post MB&F’s Alien-Inspired Desk Clock Ships as 222 Loose Parts You Assemble Yourself Over 10 Hours first appeared on Yanko Design.

Your Child’s First Lambo Could Be This $3,995 Yellow Stroller – And It’s Rarer Than Most Supercars

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Your kid will own a Lamborghini roughly forty years before you do, and it will cost you $3,995 to make that happen. Silver Cross and Automobili Lamborghini just launched the Reef AL Giallo, a limited-run stroller finished in the yellow that made the Miura famous. Only 500 exist worldwide. Each one carries a numbered plaque in the footplate, the way limited-run supercars carry chassis numbers. It launched today, August 27, and it closes out a partnership that started with an orange version back in 2025.

Silver Cross has been building prams in Yorkshire since 1877, which makes it eleven years older than the internal combustion car business it just partnered with. The company was known for decades as the Rolls-Royce of prams, supplying George VI and the Queen Mother. Lamborghini was founded in 1963 by a tractor manufacturer with a grudge. Putting those two lineages on the same chassis should feel absurd. The odd thing is how carefully it has been done, right down to a debossed Y-pattern lifted from Lamborghini’s actual car interiors.

Designers: Silver Cross, Automobili Lamborghini

The carrycot is a high-gloss polycarbonate shell with integrated airflow, angled to echo the folded bonnet line of a supercar, and lined inside with automotive-grade suede. The pushchair seat pairs that suede with bamboo fibre and a multi-peak faceted hood. A genuine leather bumper bar wraps the front with embossed Lamborghini badging. The handlebar casting is finished by hand, and the brake pedal uses a step-on, step-off action designed not to scuff your shoes, which is the single most useful idea in the whole package. Even the storage basket gets origami-style folding so it holds its shape against the frame’s angles.

The hexagon and the Y have been Lamborghini’s structural grammar since Marcello Gandini started folding cars into wedges in the late sixties, and both show up in carbon weave, air intakes and seat stitching across the modern range. Silver Cross debossed the pattern rather than printing it. The colour strategy is similarly disciplined. Giallo (Italian for ‘yellow’) appears as piping, stitching, a harness liner and a wheel hub, while the body stays almost entirely black.

Now the maths. The Reef AL Giallo is built on the Reef 2, a Silver Cross stroller that normally sells between $999.99 and $1,299.99, so the $2,700 price bump accounts for the leather and suede, and that licensed logo. It also weighs 13.6kg, or about 30 lbs, which is double what a lot of parents lift into a car boot. A brand built on the pursuit of lightness has produced its heaviest possible interpretation of a pram. Folded, it measures L71 x W61 x H30.5cm, so boot space matters. Set against the Bentley Trike or Lamborghini’s licensed e-scooters, though, this is a far more serious object.

Silver Cross has announced this as the final edition, which is a scarcity mechanic as much as an editorial decision, and the resale market will treat it accordingly. Pair it with the orange Arancio we covered last year, and you have a matched set that some collector will absolutely chase. What sticks with me is the suspension. William Wilson’s 1877 breakthrough was spring suspension on a pram, and here those springs sit exposed on the chassis, sold as performance engineering. A 149-year-old British invention, wearing an Italian costume, and still doing its original job.

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The Book With 24 Holes and Almost No Words

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Pick up Sebastian Bergne’s latest publication and you’ll immediately notice what’s not there. No lengthy introduction. No glossy product photography. No dense paragraphs of design theory. Just a small, grey booklet with a punched slot on the cover and 24 pages of quiet, deliberate emptiness inside. It sounds like very little, and that’s exactly the point.

Everyday Holes is Bergne’s first self-published booklet, and it arrives with the kind of confidence that only comes from more than 30 years of experience. An award-winning product and furniture designer, Bergne is one of Britain’s most respected practitioners in the field, the kind of designer who has spent decades thinking carefully about how objects are made and why they look the way they do. A recurring subject in that body of work, it turns out, has been holes. Not as an afterthought, but as a deliberate design element: functional, beautiful, and sometimes quietly meaningful.

Designer: Sebastian Bergne

The book’s format is brilliantly simple. Each right-hand page shows a life-size illustration of a hole or a cluster of holes, with no label, no caption, no hint of any kind. Your job is to figure out where it comes from. The answer is printed on the reverse. That’s the whole game, and it works far better than it has any right to. The moment of recognition, when a familiar shape suddenly clicks into place, is genuinely satisfying. Two small rectangular slots become a plug socket. A dense cluster of dots resolves into a shower head or a speaker grille. Stripped of all their surrounding context, these shapes become strange and new again, like seeing a word repeated until it loses its meaning.

Bergne gives you 24 of these moments, and the small-format, minimal production keeps the focus entirely on the holes themselves. No distractions. No unnecessary colour or decoration. The cover’s punched hang-tag slot doubles as both a functional detail and a dry design joke, which tells you a lot about where Bergne’s head is at. He’s clearly enjoying himself here, and that enjoyment is contagious. It’s rare for a design object to be both rigorous and fun at the same time, and this one manages it easily.

But underneath the playfulness, the book is making a serious point. Bergne’s introductory text argues that holes are not simply features cut into objects. Over time, they become the objects. The eye of a needle is not just a slot for thread. It is what a needle fundamentally is. The two holes in a button are what make it a button at all. Remove the surrounding material and keep only the void, and recognition still holds. That is a remarkable observation, and it quietly reframes the way you look at almost everything once it lands.

It also opens up a more provocative idea: if the absence of material carries as much meaning as the material itself, then perhaps good design is as much about what you leave out as what you put in. For a field that often equates quality with more, this feels like a genuinely welcome counterpoint. It’s a subtle argument for doing less, tucked inside what looks like a charming little quiz book.

As a physical object, Everyday Holes is exactly what it should be. Honest production, restrained design, no excess. It works as a gift for anyone who thinks seriously about how things are made. It works as a coffee table piece that actually starts conversations rather than just sitting there looking expensive. And it works as a solo read, the kind you finish in minutes but find yourself turning over in your head for days afterward.

The best design books don’t just document good design. They change how you see the world outside their pages. Everyday Holes manages that in under 24 pages and almost no words at all. Once you start noticing holes, really noticing them, the grid of a colander, the spacing of a grille, the deliberate placement of a buttonhole, you can’t quite stop. A small book about nothing that somehow changes how you see everything.

The post The Book With 24 Holes and Almost No Words first appeared on Yanko Design.

This 32oz Bottle Carbonates Your Water in 3 Seconds, Wherever You Are

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Most people who drink sparkling water have settled into one of two habits. They either haul home cans and bottles from the grocery store every week, or they own a countertop soda maker that never leaves the kitchen. The Roam SodaTop is designed for everyone caught between those options: a 32oz insulated bottle that carbonates still water on demand, wherever you happen to be.

The home soda maker does what it promises, but it’s also a fairly large appliance with a permanent spot on the counter and plastic bottles that aren’t built to travel. Your sparkling water stays fresh for however long it sits in the fridge. Step outside, and you’re back to buying packaged drinks. It’s a frustratingly common situation for something meant to be a simple habit.

Designer: Mohini Boparai

Click Here to Buy Now: $119 $199 ($80 off). Hurry, only 46/1150 left! Raised over $359,000.

That’s the gap the SodaTop fills. The system pairs a stainless-steel bottle with a compact carbonation mechanism powered by small CO2 canisters. The bottle was engineered to handle carbonation pressure, with specially threaded fittings that most regular water bottles simply aren’t built for. Roam describes it as the world’s first insulated bottle that instantly carbonates water, and looking at the category, it’s hard to argue with that framing.

Using it takes just a few steps: fill the bottle to the marked interior line, drop in the CO2 canister, and twist the cap into place. The water is sparkling in about three seconds, and a pressure-release mechanism keeps the carbonation locked inside until you’re ready to drink. There’s no pumping, no separate carafe, and the whole thing takes less time than opening a can.

What makes that genuinely useful is the size. The SodaTop is roughly one-fifth the footprint of a standard countertop unit, compact enough to slip into a bag or a kitchen drawer without drama. Whether it’s on a work desk, a hotel table, or brought along on a day out, fresh sparkling water goes wherever the bottle goes, which is something no countertop soda maker can claim.

The bottle itself does more than hold the mechanism in place. Triple-wall construction keeps drinks cold for up to 24 hours and ice for up to 48 hours, well ahead of the plastic bottles that come standard with most home soda systems. That thermal advantage also matters for carbonation, since cooler water retains CO2 more efficiently and keeps the fizz from fading before the bottle is empty.

On the inside, Roam uses what it calls MirrorTech, a mirror-polished steel surface that the brand says keeps carbonation crisp for longer, resists odor buildup between uses, and discourages flavor transfer. The wide-mouth opening makes adding ice and pouring easy, while a visible fill line inside takes the guesswork out of how much water to add for consistent carbonation every time.

The CO2 canisters are made from recycled steel and are fully recyclable, so when they’re empty, they go straight into the recycling bin with no return shipping involved. Roam positions the ongoing cost at as little as $0.55 per canister for subscribers, framing that as roughly half the cost of buying pre-packaged sparkling water. Cutting out single-use cans and bottles also noticeably reduces household waste.

Roam also offers Natural Flavor Essence Drops designed to pair with the SodaTop, available in eight varieties: Ginger Root, White Peach, Sicilian Lemon, Yuzu Lime, Blood Orange, Strawberry, Grapefruit, and Mango. All are zero calorie, zero sugar, and plant-based. They’re also certified keto, paleo, vegan, gluten-free, kosher, and non-GMO, so they turn sparkling water into a flavored drink without any of the sugar baggage.

The SodaTop comes in three finishes: Pebble, Sage, and Charcoal, each with a contrasting accent at the base that gives it a quietly distinctive look. The silhouette reads more like premium drinkware than a gadget, which is probably the whole point. It’s the kind of object that fits on a desk, gets tossed in a bag, and doesn’t look out of place in either setting.

Click Here to Buy Now: $119 $199 ($80 off). Hurry, only 46/1150 left! Raised over $359,000.

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Bixdo Glossonic Brush Air (W30) Review: The Toothbrush That Replaces Your Whitening Strips

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PROS:


  • Striking design with ambient light effect when docked

  • 120-day battery life greatly simplifies portability

  • Effective whitening process combined with brushing

CONS:


  • Handle might be too large for some hands

  • Very limited color options

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

By making the whitening happen in the background, the Bixdo Glossonic Brush Air (W30) electric toothbrush doesn't overhaul a bathroom routine so much as quietly upgrade it.
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At-home teeth whitening has never been more accessible, yet most people can’t stick with it. Whitening strips take 30 to 45 minutes and often cause sensitivity. Whitening toothpastes rely on mild abrasives that can wear down enamel over time. Professional treatments work well, but they’re expensive and require appointments that take time out of your schedule. The category has a compliance problem that no stronger formula or new packaging seems to fix.

The Bixdo Glossonic Brush Air (W30) takes an entirely different approach. Rather than adding another product to the routine, it builds whitening into the process of brushing, something most people already do twice a day. Paired with a Bixdo’s whitening toothpaste and blue light technology, it turns a daily habit into a gradual brightening system that doesn’t ask much of the person using it.

Designer: Bixdo

Click Here to Buy Now: $139.99.

Aesthetics

Most electric toothbrushes lean into a clinical aesthetic. The Bixdo W30 departs from that with a sleek, lacquered silhouette in deep navy blue fading into a frosted white at the base, a gradient that’s genuinely eye-catching for a toothbrush. That finish gives it a quality closer to personal-care hardware than a dental appliance, and it’s the kind of object you’d actually want on a vanity rather than stashed under the sink.

The Bixdo W30 charges via a USB-C port built into the base of the handle, which is a small but telling design choice. It keeps the whole package clean and self-contained, with no proprietary dock or cradle to misplace. For a bathroom counter that’s already busy, that kind of restraint matters. It’s the kind of detail that doesn’t announce itself but would be noticeably annoying if it were handled differently.

The brush head is where the design gets interesting. The filaments are made from translucent material specifically to channel blue light from inside the handle outward to the tooth surface, supporting the Bixdo whitening system directly at the point of contact. The effect is genuinely dramatic: when active, the entire head blazes with a vivid blue glow, making the whitening feel tangible rather than abstract.

Ergonomics

Picking up the Bixdo Glossonic Brush Air (W30), the weight feels deliberate, and the glossy finish stays comfortable without feeling slippery. A single oval button sits below a small embedded display on the handle face, keeping the interface minimal and uncluttered. The display shows mode icons and labels clearly at a glance. The form is easy to grip, whether the brush is used straight on or at an angle for back teeth.

A single press of the button gets the brushing started, and the display confirms the active mode at a glance. The brush sends a brief vibration every 30 seconds as a prompt to shift to the next brushing zone, a useful nudge that keeps the routine thorough rather than habitual. When the session ends, the screen shows a brushing result to indicate how the session went.

Performance

The cleaning side of the Bixdo W30 isn’t an afterthought. Its sonic brushing action drives a thorough clean across the tooth surface and into the spaces between teeth, putting it on level ground with mainstream premium electric toothbrushes in terms of mechanical cleaning power. Teeth feel noticeably cleaner and smoother after each session, and it performs that way consistently, before the whitening layer even factors in.

The whitening mechanism is built around the Bixdo whitening system, where the blue light works together with the PAP-based whitening toothpaste and light-guiding brush head to address everyday surface stains. Many devices use blue light, but how those elements are designed to work together determines whether it actually does anything useful. The Bixdo W30 is built around that coordination rather than around any single feature.

The system pairs with a PAP-based whitening toothpaste specifically designed for everyday whitening care. Unlike many whitening products that rely on hydrogen peroxide and are intended for occasional high-intensity use, the PAP-based formula fits naturally into a twice-daily brushing routine. It’s the kind of formulation that makes sense for something meant to be used consistently, day after day, rather than as an occasional treatment.

There are four brushing modes: DAILY, DIAMOND, and GENTLE, which all activate the blue light in three-minute sessions at varying intensities, and GUM CARE, a two-minute vibration-only option for users with sensitive teeth and gums. Results build gradually with consistent use, which suits the broader logic of a product designed to work within a daily routine rather than deliver a single dramatic result.

Battery life is another standout. The Bixdo W30 is rated for 120 days on a single charge, which means charging it roughly twice a year at most. For anyone who travels regularly, this essentially eliminates the charger from the packing list entirely. The brush is also IPX7 waterproof, so rinsing it off or using it in the shower isn’t a problem.

Sustainability

The 120-day battery life has an environmental dimension worth noting. Most electric toothbrushes get charged weekly or more often, adding up to dozens of charge cycles a year that slowly degrade the battery’s overall capacity. The W30’s extended battery means fewer cycles, less energy consumed over time, and a device that’s more likely to stay in good working condition longer before the battery becomes an issue.

The brush head is designed to be replaced at least every three months, in line with standard dental guidance, which gives the routine a clear and easy-to-follow maintenance rhythm. That’s a more sustainable ownership model than replacing the full device. The refill toothpaste and replacement-head model together mean the handle stays in service rather than becoming disposable hardware when something wears out.

Value

The Bixdo W30 sits at the premium end of the consumer toothbrush market. But its intended comparison isn’t other electric toothbrushes. It’s meant to replace a combination of products: a capable electric brush and a separate whitening system. Professional in-office treatments run anywhere from $350 to $1,200 per session, and most people need more than one session a year to maintain results.

Compared to whitening strips, the math becomes even more interesting. A pack of good-quality strips can run $40 to $60, lasts a couple of weeks, and needs to be repurchased on a regular cycle. The Glossonic Brush Air’s ongoing cost is the companion PAP toothpaste, a reasonable daily-use repurchase for something doing double duty as both toothpaste and whitening treatment. As a consolidated system, that recurring expense starts to look quite reasonable.

Most whitening products separate plaque removal and whitening into two different steps. The Bixdo W30 brings both together, with brushing handling the mechanical clean while the blue light, PAP-based toothpaste, and light-guiding brush head work as part of the Bixdo whitening system. The toothpaste refill is the only recurring cost once the brush is in hand, which is a straightforward trade-off for a product that effectively replaces two separate categories.

Verdict

After extended use, the Bixdo W30 comes across as a product that’s been thought through rather than simply assembled. The results are gradual, building up like good skincare, and no increased sensitivity was experienced throughout the testing period. Teeth look noticeably brighter after two to three weeks of consistent daily use, particularly along the edges where stain buildup from coffee tends to accumulate first.

For regular coffee or tea drinkers who’ve struggled to stay consistent with strips, the Bixdo Glossonic Brush Air (W30) is genuinely worth considering. It doesn’t overhaul a bathroom routine so much as quietly upgrade it, one session at a time. The whitening happens in the background while the brush does its cleaning job, which is a pretty elegant way to address a problem most people have quietly given up on.

Click Here to Buy Now: $139.99.

The post Bixdo Glossonic Brush Air (W30) Review: The Toothbrush That Replaces Your Whitening Strips first appeared on Yanko Design.