Tag Archives: cameras

5 Best Tech Gadgets of March 2026

Posted on by

March has a habit of delivering the products that January only promised. CES demos become preorders, concept renders start circulating with real specs attached, and the gadgets worth paying attention to separate themselves from the ones that were only ever meant to look good on a stage. This month’s picks share a common thread: each one challenges an assumption about how a familiar product category should behave, look, or fit into daily life.

What makes these five stand out from the usual parade of iterative upgrades is their willingness to subtract. Less screen time, less bulk, less noise, less compromise between form and function. They are not chasing specs for the sake of benchmarks or piling on features to pad a marketing sheet. From a handheld PC that refuses to apologize for its ambition to a concept camera that wants nothing more than for its user to look up from a screen, these gadgets are worth your time and attention this month.

1. GPD Win 5

The PSP’s body plan endures, and the GPD Win 5 is its most ambitious descendant yet. Packed with an AMD Ryzen AI Max+ 395 processor, up to 4TB SSD storage, and 32GB of LPDDR5X RAM, this handheld runs a 7-inch 1080p display at 120Hz with Radeon 8060S integrated graphics. Starting at $1,400, this is not a portable console pretending to be a PC. It is a full PC compressed into two hands.

GPD removed the internal battery entirely, replacing it with a detachable 80 Wh pack that clips to the back. A quad heat pipe cooling system handles thermal loads across a TDP range from 28W to 85W on mains power. Hall effect triggers and capacitive joysticks eliminate drift and deadzone, while a proprietary Mini SSD slot pushes transfer speeds beyond microSD limits. Every design choice solves a problem created by one stubborn, central ambition: desktop-class performance in a handheld shell.

What we like

  • The external battery swaps in seconds, and plugging into the 180W adapter unlocks full 85W TDP performance that rivals many desktop setups.
  • Hall effect triggers and capacitive joysticks eliminate the drift issues that plague most handheld PCs after months of heavy use.

What we dislike

  • The external battery makes the device awkward to hold when attached, and the proprietary charger adds bulk to an already heavy travel kit.
  • Pricing starts at $1,400 and climbs past $2,000 for the top configuration, placing it deep into enthusiast-only territory.

2. NanoPhone Pro

Smartphones have spent a decade getting bigger. The NanoPhone Pro walks in the opposite direction with a credit-card-sized body measuring 0.4 x 3.8 x 1.8 inches and weighing just 2.8 ounces. Running Android 12 with Google Play certification, this 4G device handles calls, messages, navigation, and basic apps without demanding pocket real estate. At $99, it is built for minimalists, travelers, and anyone tired of their phone being the loudest object in the room.

The spec sheet is an exercise in deliberate restraint. A 4-inch edge-to-edge IPS touchscreen, dual SIM support, 2MP front and 5MP rear cameras, a 2000mAh battery, and expandable storage via microSD. Face ID handles unlocking. The NanoPhone Pro does not pretend to compete with flagships, and that restraint is the entire point. It is a quiet, pocketable alternative that runs WhatsApp, Google Maps, and everything else that matters without the attention-hungry weight of a modern slab phone.

What we like

  • The credit-card form factor disappears into wallets and running shorts, making it ideal for situations where a full-sized phone feels like overkill.
  • Google Play certification means the app ecosystem works without sideloading, so daily essentials like navigation and messaging run without friction.

What we dislike

  • The 5MP rear camera produces images that are functional at best, making this a poor choice for anyone who photographs anything beyond the occasional note or receipt.
  • Android 12 on a 4-inch screen feels cramped, and typing requires patience and smaller-than-average fingers.

3. Camera (1)

Photography migrated into phones and got buried under notifications. Camera (1), a concept posted on the Nothing Community forum by designer Rishikesh Puthukudy, imagines shooting as a tactile act again. The compact metal body fits a pocket but fills a hand, with all controls on a single edge: a shutter, a circular mode dial with a glyph display, and a D-pad reachable without shifting grip. The design draws from Nothing’s hardware-forward language with circuit-like relief and bead-blasted metal.

A curved light strip around the lens pulses for self-timers, confirms focus, or signals active recording. The engraved lens ring invites twisting rather than pinching. A rear display exists but stays deliberately out of the way, letting physical controls carry most of the interaction. Camera (1) is a student concept, not an official Nothing product, but the question it asks is worth sitting with: in a world where every screen demands something, what would a camera look like if it just wanted its user to notice what was in front of them?

What we like

  • The single-edge control layout keeps eyes on the scene rather than buried in menus, restoring a tactile shooting workflow that phone cameras abandoned years ago.
  • Nothing’s glyph design language translates well to a camera body, delivering mode feedback through simple icons rather than nested software screens.

What we dislike

  • As a concept, Camera (1) exists only as rendered images and community discussion, with no confirmed path to production or a working prototype.
  • The absence of a sensor, lens, and video specs makes it impossible to judge whether it could compete with even entry-level dedicated cameras.

4. Samsung Slac

Earbuds have looked like earbuds for too long. Samsung’s Slac concept, developed within the company’s design incubation programs, reimagines wearable audio as jewelry. Three components make up the system: an open ear ring for audio output, a wrist-worn ring that tracks listening data and doubles as a magnetic dock, and a home charging station. The circular form wraps around the ear without entering the canal, maintaining awareness of surrounding sound while layering music on top.

When listening ends, the ear ring snaps magnetically onto the wrist component, transforming into something that reads as a chunky bracelet rather than stowed tech. AI tracks a full 24-hour audio cycle, building preference profiles from sound intensity, pitch variation, and tonal characteristics. The design team behind Slak understands that Gen Z treats audio devices as expressions of taste, not utilitarian tools. Whether Slac reaches production is an open question, but the proposition that wearable tech should earn its place on the body through aesthetics feels like a direction the entire industry needs to follow.

What we like

  • The open-ear design preserves environmental awareness while delivering audio, solving the isolation problem that makes traditional earbuds socially awkward in many settings.
  • Magnetic docking between ear ring and the wrist component eliminates the pocket-case fumble and turns storage into a wearable moment.

What we dislike

  • Concept status means no confirmed specs on audio quality, battery life, or connectivity, making it impossible to evaluate whether the sound matches the visual ambition.
  • Open-ear audio struggles in noisy environments, and without active noise cancellation, Slac may underwhelm on busy streets or public transit.

5. DAP-1

Vinyl got its comeback, and dedicated digital audio players have been staging a quieter return. The DAP-1 concept by Frankfurt-based 3D artist Florent Porta is one of the most compelling arguments for why that return matters. The device carries a slim rectangular body with an OLED touchscreen, a perforated front-facing speaker grille, and an aesthetic sitting between Teenage Engineering and Nothing’s CMF line. It looks like it arrived from a timeline where iPods evolved into something more considered.

The standout decision is the built-in speaker, a feature most high-end DAPs skip entirely. Porta’s inclusion acknowledges that music is sometimes shared, not just private. The DAP-1 is built around FLAC playback, preserving audio quality without streaming compression artifacts. A USB-C port, 3.5mm AUX output, and illuminated power switch line the top edge, while rubberized feet and torx screws on the rear give the device a repairable, tool-like quality. As a concept, it exists only in renders, but the conversation it starts outweighs most finished products on the market.

What we like

  • The built-in speaker turns a solitary listening device into something social, removing the need for external hardware to share a track with someone next to you.
  • FLAC-first design philosophy treats audio fidelity as the primary feature rather than an afterthought buried in a settings menu.

What we dislike

  • Concept-only status means no production timeline, no pricing, and no way to evaluate real-world audio performance beyond what renders suggest.
  • Dedicated music players occupy a narrow niche, and carrying a separate device for audio requires commitment most listeners will not make.

Where March leaves us

Three of this month’s five picks are concepts. That ratio says something about where consumer tech sits in early 2026: the most exciting ideas are still in render engines, while the products that actually ship tend to iterate rather than invent. The GPD Win 5 and NanoPhone Pro prove that real, purchasable hardware can still surprise, but Camera (1), Slac, and DAP-1 suggest the most interesting design thinking is happening outside production timelines and quarterly earnings calls.

What connects all five is a shared instinct to push back against the default. Against bigger screens, against feature bloat, against the assumption that technology should demand attention rather than earn it. March’s best gadgets respect the space they occupy, whether that space is a pocket, an ear, or the palm of a hand. If even a fraction of these concepts make the jump to production, the rest of 2026 could be far more interesting than the usual upgrade cycle suggests.

The post 5 Best Tech Gadgets of March 2026 first appeared on Yanko Design.

This Tiny Rugged Phone Has a 152° Action Camera and GoPro Mounts

Posted on by

Action cameras are great until you realize you’ve left yours at home. Phones are always with you, but most of them are too big, too fragile, or too awkward to mount anywhere useful. The FOSSiBOT F116 Pro is a compact, rugged phone that tries to solve both problems at once, and the approach is specific enough to be interesting.

The F116 Pro is built around a 4.05-inch display and has a standard 1/4-inch screw socket at the bottom, the same thread you’d find on a tripod or a GoPro accessory. That means it works with the same ecosystem of mounts that action cameras already use: chest straps, suction cups, handheld grips, and neck mounts. The phone goes where the camera goes, instead of staying in your pocket while you film.

Designer: FOSSiBOT

The camera is a 48 MP wide-angle unit with a 152.6-degree field of view, which is genuinely wide. Most smartphone ultrawide lenses sit somewhere between 70 and 90 degrees for comparison. Built-in stabilization smooths out footage on bumpy terrain, and a dedicated physical camera button on the body launches the camera instantly without unlocking the phone first, which matters more than it sounds when you’re actually moving.

Inside, the phone runs on a MediaTek Dimensity 7300 chipset built on a 4nm process, paired with 12GB of RAM and 256GB of storage, expandable up to 1TB with a now-rare microSD card slot. The display refreshes at 120Hz, 5G connectivity means footage can leave the device without hunting for Wi-Fi, and a 3,700 mAh battery with 33W charging keeps things moving. Modest numbers, but proportionate to a 4-inch screen and mid-range specs.

There’s also a rear circular LED that FOSSiBOT calls a “Light Signal Tower,” which cycles through colors and can be set to show notifications. It reads as a feature designed more for personality than practicality, but on a device this small, glancing at the back for alerts without waking the screen has some logic to it.

The compact body is the most interesting design choice here, and also the one that will define the experience. At 4.05 inches, the screen is smaller than almost anything else currently on the market. That’s a genuine advantage for one-handed operation and pocket carry, and a real limitation for anything that benefits from screen size: reading, navigation, video playback. The F116 Pro is betting its users want something small enough to forget they’re carrying it.

FOSSiBOT has been around since 2022 and claims more than 1.5 million users across its lineup. The F116 Pro showed up at CES earlier this year, and again at MWC 2026, which suggests the company is serious about getting it in front of people. The more honest question is whether a mountable, rugged, mini-format phone lands in a gap the market actually has, or one the market has already decided it doesn’t need.

The post This Tiny Rugged Phone Has a 152° Action Camera and GoPro Mounts first appeared on Yanko Design.

This Rugged Phone’s Action Camera Pops Off to Become a Wearable

Posted on by

Action cameras and rugged phones have always solved slightly different problems. One survives the adventure; the other documents it. Bringing both means two devices, two cables, and two things to lose in a river. Ulefone’s RugOne Xsnap 7 Pro tries to close that split by putting a detachable magnetic action camera directly on the back of the phone, so both jobs start from one object.

The module snaps onto the rear chassis magnetically, drawing obvious design inspiration from the Insta360 GO series, and peels off into a fully independent wearable. Stick it on a helmet or a bike frame, and it films hands-free while the phone handles viewing and charging. The two pieces are built as a single system, not as separate products that happen to coexist on the same body.

Designer: Ulefone

Ulefone has not yet disclosed the module’s sensor resolution, video specifications, or battery life. Given its thumb-sized form, runtime is likely limited; the Insta360 GO 3S manages roughly 30 minutes per charge in a comparably small body. That is workable for a short trail run or a surf session, but it will not replace a dedicated action camera for a full day out. The production specs will matter a lot once they arrive.

The phone itself is not an afterthought. A MediaTek Dimensity 8400 5G chipset sits inside, paired with a 50 MP OIS main camera, a 64 MP night vision lens, and a 9,000 mAh battery behind a 6.67-inch 1.5K AMOLED display at 120 Hz. That night vision lens is the kind of spec aimed at people who are actually outdoors after dark, not those who like to imagine they could be.

Ulefone is also pitching the magnetic dock as the base for a broader module ecosystem, with planned additions that include thermal imaging, night vision enhancement, and a professional lens suite. That framing is familiar territory in the modular phone space and has collapsed under its own ambitions before. Tracking how many of those planned modules actually ship, rather than staying on a roadmap slide, will be worth watching.

Pricing has not been set, and a mid-2026 commercial launch is the current target. The things that will actually determine the phone’s value, including how quickly the module detaches, how reliably the phone recognizes reattachment, and how cleanly footage syncs, are details that only a finished unit in regular use can settle.

Rugged phones have spent years stacking specs that most owners never actually invoke, so a design decision that changes what the phone physically does day to day is worth paying attention to. The module ecosystem is what separates a compelling demo from a genuinely useful product, and that part of the story depends entirely on whether the follow-through arrives on time and in one piece.

The post This Rugged Phone’s Action Camera Pops Off to Become a Wearable first appeared on Yanko Design.

Leica and Xiaomi Built a Phone With a Rotatable Camera Ring

Posted on by

Most of us carry a capable camera in our pockets every day, yet somehow the act of taking a photo still feels like wrestling with a piece of software rather than making an actual picture. You tap, swipe, wait for the AI to decide what the scene should look like, and end up with something technically perfect and faintly anonymous. That’s the frustration the Leica Leitzphone powered by Xiaomi is trying to address, arriving at MWC 2026 as a phone designed around the idea that shooting should feel deliberate.

The most telling detail is the rotatable camera ring around the lens module. It’s a physical control you can assign to focal length, focus, or bokeh depth, borrowing directly from the tactile language of Leica’s rangefinder cameras. There’s something telling about that choice: at a time when every interaction is a touch gesture, adding a ring you can actually turn is a quiet argument that the best interface for a camera might not be a flat sheet of glass.

Designer: Leica x Xiaomi

The hardware behind that ring is genuinely serious. The primary sensor is a 1-inch format with LOFIC HDR technology, which gives it a real optical size advantage over the smaller sensors in most flagship phones, particularly in high-contrast or low-light situations. A 200 MP telephoto covering 75–100 mm and a 14 mm ultra-wide complete the system, so the focal length range maps fairly naturally onto how photographers tend to think rather than how smartphone specs sheets tend to read.

Software is where it gets more interesting, and where you’re asked to trust the collaboration a little more. Leica Essential Mode simulates the output of two specific cameras: the Leica M9 and the M3 with MONOPAN 50 film. For people who know those cameras, that’s a specific and meaningful promise. For everyone else, it’s an aesthetic reference that requires some faith, and there’s a gap between “inspired by classic Leica lenses” and actually using one that the marketing doesn’t quite close.

The rest of the phone is exactly what a 2026 flagship should be. Qualcomm’s Snapdragon 8 Elite Gen 5 handles the processing, a 6,000 mAh battery supports 90W wired and 50W wireless charging, and the 6.9-inch 120 Hz OLED display hits 3,500 nits peak brightness. Leica also redesigned the entire UI, with custom fonts, icons, and two interface themes running across every system element, which is more thoroughgoing than a co-branded phone usually gets.

One feature that doesn’t make the headline but probably should is the built-in Content Authenticity Initiative metadata support, which embeds provenance data in every image to confirm its origin and integrity. As AI-generated imagery gets harder to distinguish from photographs, having a phone that can prove a picture is real starts to feel less like a niche feature and more like an actual need.

The post Leica and Xiaomi Built a Phone With a Rotatable Camera Ring first appeared on Yanko Design.

Xiaomi 17 Ultra Review: Lighter, Flatter, and Sharper Than Ever

Posted on by

PROS:


  • Excellent main and telephoto photo quality

  • Big and bright 6.9-inch LTPO AMOLED display

  • Strong performance

  • Improved ergonomic and stylish design

CONS:


  • Limiting macro use with a minimum focus distance of 30 cm

  • Noticeable warmth during camera use

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Xiaomi 17 Ultra is a camera-first flagship that finally feels balanced in the hand, and even more balanced in its image processing.

Within the renamed family, the Xiaomi 17 Ultra is the boldest expression of what Xiaomi thinks a 2026 flagship should be. It arrives globally as a big, confident phone that refuses to blend into the background. It is unapologetically camera-centric, and it is packed with specs that read like a wish list.  

On paper, Xiaomi has the ingredients to back that up. You get a 6.9-inch LTPO AMOLED display, a Leica-tuned triple camera system with a 200 MP periscope telephoto, and Qualcomm’s Snapdragon 8 Elite Gen 5. The global model carries a 6,000 mAh battery with 90W wired and 50W wireless charging, which is still a serious setup even before real-world testing.

Designer: Xiaomi

The camera hardware also shifts in meaningful ways, with the main sensor switching from Sony to OmniVision, and the zoom strategy changing from two telephoto cameras to one lens with continuous 75 mm to 100 mm optical zoom. So does the Xiaomi 17 Ultra deliver ultra-level performance where it counts. After two weeks with it, here is what I found.

Aesthetics

The Xiaomi 17 Ultra is not a phone that tries to disappear in your hand or your pocket. The gigantic circular Leica camera island still dominates the rear panel, just like on the previous model, but there is a subtle shift in design language. With a flatter back panel and flat side frame, the 17 Ultra leans into a cleaner, more minimal look than the Xiaomi 15 Ultra. The small Ultra logo with its red underline sitting above the camera bump adds a bit of character without turning the phone into a billboard.

The color palette for the global model leans into classic tones. Xiaomi focuses on black, white, and green for most markets, skipping the violet shade that appears in China. The Starlit Green unit I received is the standout, with a deep moss green base and speckling that catches the light like a dusting of stars, which makes the name feel earned. The black option looks stealthy, but the red accent on the camera ring keeps it from feeling flat, while the white version goes for a high contrast look with the black camera bump and a silver ring and side frame to tie it all together. If you are coming from the Xiaomi 15 Ultra, the evolution feels more like refinement than reinvention, yet the 17 Ultra looks more cohesive and more modern from the rear.

Ergonomics

The first thing I expected to notice when I pick up the Xiaomi 17 Ultra is the weight and thickness. The phone uses a large battery, a complex camera stack, and a sturdy frame, and all of that adds up in the hand. That said, I was pleasantly surprised. At 8.29mm thickness and about 219g, Xiaomi managed to make the 17 Ultra the slimmest and lightest among its Ultra series. The device is still big and not exactly a lightweight phone, but it feels a lot more comfortable to hold than your eyes perceive.

Ergonomically, the device feels well-balanced in the hand, which is a welcoming improvement from the top-heavy feel you get from holding the Xiaomi 15 Ultra. Xiaomi 17 Ultra adapts a flat display, for the first time for its Ultra line, and helps with the grip. Because it’s well-balanced, the camera bump becomes a natural resting point on the back, which can actually improve grip. At the same time, this is not a one-handed phone in any universe, and if you are coming from something smaller, you will need to adjust how you hold it, how you pocket it, and even how you reach for the top corners of the screen.

The global Xiaomi 17 Ultra uses a 6,000 mAh silicon-carbon battery instead of the 6,800 mAh cell in the China model. Even with the smaller capacity, it should still be enough for a full heavy day for most people. Charging is excellent with 90 W wired and 50 W wireless, and the 90 W wired mode supports PPS or Programmable Power Supply, so you can get true fast charging with any PPS-compatible USB-C charger, not only Xiaomi’s own adapter.

Performance

The display on the Xiaomi 17 Ultra is built to impress at first sight. It is a 6.9-inch LTPO AMOLED panel with 120 Hz refresh, a 1.5K class resolution at around 1200 x 2608 pixels, and a claimed 3500 nits peak brightness. It looks sharp and vibrant, and the huge screen makes movies, games, and photo editing feel more immersive. Xiaomi also adds TUV Rheinland certifications for low blue light, flicker-free performance, and circadian-friendly tuning, which are designed to reduce eye fatigue during long viewing sessions.

The Xiaomi 17 Ultra is powered by Qualcomm’s Snapdragon 8 Elite Gen 5 chipset, and the global configurations come with 16GB of RAM paired with either 512GB or 1TB of storage. It is genuinely nice to see a 1TB option offered globally, since that is still not something every flagship brings outside China. The phone flies through heavy multitasking, high refresh rate gaming, and demanding camera workloads without stutter. On the software side, it runs Android 16 with Xiaomi’s HyperOS 3, which is Xiaomi’s unified platform designed to feel lighter and more connected across phones, tablets, and other devices.

The camera system is where the Xiaomi 17 Ultra really tries to separate itself. Xiaomi drops the older quad camera approach and commits to a triple setup. The main camera is a 23-mm equivalent 50 MP unit with an f/1.67 aperture, OIS, and OmniVision’s Light Fusion 1050L sensor. The 75-100mm equivalent telephoto is a 200 MP periscope with OIS using Samsung’s HPE sensor, with a f/2.39-2.96 aperture. Rounding it out is a 50 MP 14-mm equivalent ultra-wide with an f/2.2 aperture using Samsung’s JN5 sensor.

23mm, Leica Authentic

75mm, Leica Vibrant

100mm, Leica Vibrant

On the main camera, Xiaomi pairs the Light Fusion 1050L sensor with LOFIC technology. LOFIC stands for Lateral Overflow Integration Capacitor, and it is designed to reduce highlight clipping by giving each pixel extra headroom before bright areas turn into flat white. In practice, it helps keep texture in skies and reflections while still holding onto shadow detail in high contrast scenes.

23mm, Leica Vibrant

200mm, Leica Authentic

Zoom is the other headline change. Instead of dual telephoto cameras, Xiaomi uses a floating lens structure to deliver continuous optical zoom from 75 mm to 100 mm, which makes it easy to pick between framing without obvious digital cropping. The limitation is that the range is fairly tight, so it is more about fine-tuning perspective than dramatically pulling faraway subjects closer. There is also a close-up trade-off, since the telephoto now focuses down to about 30 cm rather than the 10 cm I could get on the Xiaomi 15 Ultra, so it is less useful as a pseudo macro lens.

45mm, Leica Vibrant

100mm, Leica Vibrant

In real use, both the main camera and the telephoto produce excellent images with wide dynamic range, natural color, and strong detail in various lighting conditions. The images look clean rather than overprocessed or oversharpened. Portrait mode is especially flexible, offering eight focal lengths from 23 mm through 100 mm equivalents, with pleasant bokeh and strong separation, even if it can occasionally miss a fine strand of hair when I pixel peep. I also noticed the phone can get warm even after relatively short camera use, and hopefully Xiaomi can improve this with future updates.

75mm, Leica Vibrant

75mm, Leica Vibrant

100mm, Leica Vibrant

The ultrawide is solid but a step behind the main and telephoto in refinement. The upgraded 50 megapixel front camera with autofocus is a nice quality of life improvement, and it looks great in good light. In backlight or low light, selfies can come out a bit soft as the processing works harder to control noise.

The Xiaomi 17 Ultra’s triple camera system can shoot video up to 8K at 30 fps, and it also offers 4K at up to 120 fps, although the ultrawide tops out at 4K at 60 fps. The front camera can record up to 4K at 60 fps, which is plenty for vlogs and high-quality selfies. Dolby Vision is supported across the cameras, and Xiaomi also includes creator-friendly tools like LOG recording up to 4K at 120 fps with stabilization on, plus LUT import for quicker grading and a more consistent look.

100m, Leica Portrait

100mm, Leica Portrait,

100mm, Leica Portrait, B&W Hig Contrast Filter

In performance, the 17 Ultra generally produces sharp, well-exposed footage with a fairly wide dynamic range, and stabilization stays strong when I am walking or panning. Low-light video also holds up well, with impressive detail for a phone, thanks in part to the large main sensor. Autofocus is usually smooth, but it can struggle in tricky conditions like backlit scenes or low light, where it may hesitate or hunt before it locks.

The Xiaomi 17 Ultra China version gets a 6,800mAh battery, but globally, it comes with a 6,000mAh battery. It should last you a full day, even with heavy use. It supports 90W wired charge and 50W wireless charge. 90W wired charge is PPS, so you can take full advantage of fast charging with a PPS compatible charger, not just with Xiaomi’s proprietary brick.

Sustainability

Xiaomi’s sustainability story for the 17 Ultra is mostly about longevity rather than eco materials. The phone uses Xiaomi Shield Glass 3.0 on the front, and it carries an IP68 rating, which should help it survive years of drops, rain, and daily wear without needing an early replacement. That kind of durability matters because the most sustainable phone is often the one you do not have to replace early.

Software support strengthens that long-life angle. Xiaomi promises five major OS updates and six years of security updates, which is not class-leading, but it is enough to make long-term ownership feel realistic at this price. It also makes the phone a safer buy if you plan to keep it for several years or pass it on later. What Xiaomi does not really emphasize, at least from what I can find, is the use of recycled or more sustainable materials in the phone itself.

Value

For global buyers, the Xiaomi 17 Ultra starts at EUR 1,499, which is roughly $1,620 USD, for 16GB/512GB, with the 16GB plus 1TB configuration expected around EUR 1,699, roughly $1,840 USD. That puts it directly in the same bracket as the most expensive Samsung Galaxy and iPhone models. If you look at what the Xiaomi 17 Ultra offers, it is easy to see the value in hardware alone, especially in cameras, battery, and storage.

The challenge is that Xiaomi is not only competing with Samsung and Apple, but also with other camera-focused Android flagships that are expected to land this year. That means the 17 Ultra has to win on the full experience, not just its spec sheet, especially when buyers are cross-shopping within the same premium price tier. Even so, the 17 Ultra can justify its price if you care most about its Leica-tuned imaging, huge display, and fast charging rather than ecosystem lock-in.

Verdict

The Xiaomi 17 Ultra is one of the most complete camera-first flagships Xiaomi has shipped for the global market. It nails the fundamentals with a huge, bright display, top-tier performance, and charging that makes most rivals feel slow and old-fashioned. The bigger story is how coherent the imaging experience feels, since the main and telephoto cameras deliver natural color, wide dynamic range, and consistent results across lenses.

Of course, there are real trade-offs, too. The new 75 mm to 100 mm continuous zoom is great for framing, but it is not a massive jump in reach, and the longer minimum focus distance makes the telephoto less useful for pseudo macro shots than the Xiaomi 15 Ultra. The global price also puts it in direct competition with the biggest names, so this is no longer a value flagship by default.  Still, there is no doubt the 17 Ultra earns its Ultra name. It delivers a huge, gorgeous screen, genuinely fast charging, and one of the most enjoyable still photo experiences you can get on a phone, with Leica-tuned color that looks natural rather than overcooked. If those are your priorities, the Xiaomi 17 Ultra is an easy flagship to love.

The post Xiaomi 17 Ultra Review: Lighter, Flatter, and Sharper Than Ever first appeared on Yanko Design.

vivo V70 Review: A Concert Photographer’s Phone in Mid-Range Clothes

Posted on by

PROS:


  • Striking "Sunset Glow" Golden Hour design

  • 4K 60fps video recording on a mid-tier smartphone

  • Powerful 50MP ZEISS Super Telephoto Camera

  • Large 6,500mAh battery with super-fast 90W charging

CONS:


  • 8MP ultra-wide camera is decent but mediocre

  • No wireless charging

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The vivo V70 proves that a clear camera identity and premium materials still matter at this price.

The mid-range smartphone segment is crowded in ways that make individual products hard to distinguish. Specs converge, designs flatten, and most phones feel interchangeable within days. vivo’s V70 enters that space with a clear point of view: a ZEISS-co-engineered telephoto camera tuned for stage photography and travel, a large battery built for long days, and a physical design that genuinely tries to look and feel like something worth keeping.

The v70 also introduces the Golden Hour edition, the most visually expressive option in the lineup, with an etched glass back, an aerospace-grade aluminum frame, and a ZEISS camera module with serious hardware inside. Running OriginOS 6 on a Snapdragon 7 Gen 4, it promises a telephoto-first camera experience for concerts and travel, backed by a 6,500mAh battery. Does the full package deliver on all of it? Read on.

Designer: vivo

Aesthetics

Of all the V70’s color options, the Golden Hour edition is the one most worth talking about. vivo uses a specialized chemical etching process to form micron-scale texture on the back glass, creating a diffuse reflection that reads as refined matte from a distance but reveals subtle warmth in direct light. It’s fingerprint-resistant and smooth without feeling slippery, a noticeably more considered finish than the glossy or painted backs that dominate this price tier.

What’s more surprising is that the back doesn’t stay a single color. Depending on the viewing angle and ambient lighting, it shifts toward a cooler, slightly bluish hue you wouldn’t expect from a finish called Golden Hour. That unexpected chromatic movement makes it more visually engaging than a standard gradient, the kind of surface detail that keeps catching your eye without you fully understanding why.

Around the front, the aerospace-grade aluminum alloy frame wraps a flat display with ultra-thin bezels measuring just 1.25 mm on the sides. Rounded corners soften the silhouette without cheapening it, and the flat screen is a deliberate departure from curved-edge designs that can distort content near the edges. The overall impression is controlled and considered rather than flashy, which suits the V70’s personality well.

On the back, the camera module is a rounded metallic rectangle sitting just 3.29mm above the surface, low enough that the phone doesn’t rock noticeably on a table. Three lens rings and a ZEISS badge keep the composition clean without feeling crowded. It’s a well-executed rear panel that reinforces the premium identity without needing extra ornamentation to make the point.

Ergonomics

At 194g light and 7.59mm thick in the Golden Hour configuration, the vivo V70 feels present without being heavy. The matte AG glass provides enough grip for confident one-handed use without a case, and the flat sides and rounded corners make it comfortable to hold at its screen size. Weight distribution is balanced, which matters more for all-day carry than any single spec on a data sheet.

The 3D Ultrasonic Fingerprint Scanning 2.0 is one of the more underrated features here. It works reliably with damp fingers, meaning no frustrating tap-and-retry cycle after a workout or a skincare routine. Best of all, it’s located a good distance away from the bottom, so you don’t have to precariously shift your hand from its natural holding position just to unlock the phone.

Performance

Under the hood, the vivo V70’s Snapdragon 7 Gen 4 with LPDDR5X memory and UFS 4.1 storage handles everyday tasks and multitasking without hesitation, and a 4,200mm² vapor chamber keeps sustained performance steady during longer camera sessions. It’s not a chipset that headlines benchmark charts, but it delivers consistent, smooth day-to-day performance, which is more relevant to what the V70 is actually designed for than theoretical peak numbers.

The 6.59-inch 1.5K OLED runs at 120Hz with 459 PPI and peaks at 5,000 nits local brightness, which holds up well in direct sunlight and makes reviewing photos outdoors genuinely practical. Colors are rich without being oversaturated, and the 1.07-billion color depth makes gradient-heavy AI-edited shots look smooth rather than banded. It’s one of the better mid-range displays available at this price tier right now.

The camera system’s two stars are the 50MP main and 50MP periscope telephoto. The main uses a Sony LYT-700V sensor with a 1/1.56-inch surface area and OIS, delivering consistent, detailed portraits across daylight and mixed lighting. The telephoto uses a 1/1.95-inch sensor with its own OIS and a periscope structure that enables 10x zoom in a compact body. Both cameras consistently outperform what you’d expect at this price.

Of the three rear cameras, the 8MP ultra-wide is where things get more ordinary. It’s functional for casual wide shots, but the gap in detail and dynamic range between it and the main and telephoto cameras is noticeable. Given the vivo V70’s travel ambitions, wide landscape shots will come out looking more ordinary than portraits taken at the same destination. The phone’s real camera personality clearly lives in the other two lenses.

AI Stage Mode is a genuine differentiator if you attend live events regularly. At 10x zoom from 10m to 20m away, the AI Image Enhancement Algorithm and AI Style Portrait Technology combine to pull facial detail and expression clarity from performers under challenging stage lighting. It won’t replace a dedicated camera at that distance, but for a phone that fits in your jacket pocket, the results hold up surprisingly well.

Video gets a meaningful upgrade with 4K 60fps, the first time the vivo V series has offered this, and footage looks cinematic when lighting cooperates. AI Audio Noise Eraser in post-editing selectively reduces wind noise, crowd chatter, or ambient sound from recorded clips. It sounds like a spec sheet bullet point until you actually try cleaning up a concert recording with it, and then it becomes a feature you’d miss on another phone.

Battery life is a genuine strength. The 6,500mAh BlueVolt battery with 90W FlashCharge handles a full day of heavy use and then some, including heavy video playback. Wireless charging still isn’t part of the package, though, which will matter to those who’ve built it into their daily routine, but fast wired charging and a genuinely large battery soften that trade-off considerably.

Sustainability

vivo commits to four generations of OS updates and 6 years of security patches for the V70, placing it firmly in the category of phones worth keeping rather than replacing every two years. That’s the most meaningful sustainability argument a phone can make, applying regardless of materials or recycling programs. Longer software support means slower obsolescence, and slower obsolescence means less electronic waste accumulating on a shelf somewhere.

IP68 and IP69 ratings, combined with what vivo calls 10-Facet Drop Resistance, lower the anxiety of carrying a polished phone through real conditions. IP69 covers high-pressure water jets, going well beyond typical rain scenarios. That durability confidence changes how casually you handle the phone day to day, and there’s something genuinely reassuring about owning a device you don’t have to constantly worry about.

The material choices also support long-term ownership. Aerospace-grade aluminum and etched AG glass age more gracefully than glossy plastic, which yellows, scratches, and starts looking tired within a year of daily use. The matte texture stays presentable with minimal cleaning, and IP68/IP69 combined with drop resistance gives the V70 a realistic chance of surviving the accidents that typically end mid-range phones early.

Value

The V70 packages premium design, a ZEISS telephoto-first camera system, a strong OLED display, fast charging, and long software support into a price tier that usually demands more compromises. The Golden Hour finish gives it a visual identity that stands above most phones at its price, and the combination of AI Stage Mode with ZEISS Multifocal Portrait focal lengths makes it genuinely specialized rather than just generically capable.

The 8MP ultra-wide is the honest weak spot, and travelers who rely heavily on wide shots will feel that gap. Wireless charging is also absent. But what the V70 does well, it does consistently, and the combination of a premium-feeling design, a capable telephoto system, and 6 years of security updates makes it a phone that’s easy to justify and hard to grow out of quickly.

Verdict

The vivo V70 in Golden Hour is one of the more cohesive mid-range phones available right now. The etched glass with its unexpected bluish shift, the aluminum frame, the ultrasonic fingerprint sensor, the bright 1.5K OLED, and the ZEISS telephoto and portrait system all work together in a way that makes the phone feel intentional rather than assembled from a spec sheet and a parts catalog.

The 8MP ultra-wide and the absence of wireless charging are unfortunate blemishes on what is otherwise a remarkably well-rounded package. Both are real trade-offs rather than dealbreakers, though, and the vivo V70 earns its place as a phone that’s genuinely hard to fault for what it costs, especially if portrait photography, concert shooting, and long battery life are what matter most to you.

The post vivo V70 Review: A Concert Photographer’s Phone in Mid-Range Clothes first appeared on Yanko Design.

This Camera roll with concealed shooting lens is a fun novelty for geeks

Posted on by

Quite a lot of interesting gadgets tend to originate from Japan, challenging the conventional product designs for good. Some are surprisingly multifunctional, while others tick the boxes of fun novelty for geeks. The OPT100 NeoFilm digital camera that looks like a camera roll is from the latter pool. The tiny accessory emulates the old-school camera rolls by Kodak, evoking nostalgic memories. The Kodak Charmera is another accessory with similar vibes, so, of course, there’s a market for such offbeat gadgets.

Maker Opt has designed the camera roll shooter in different colors to leave no one complaining. There’s the classic Kodak color combination of yellow and black, or the rainbow colors contrasted with the white, along with other colors that bring back charming memories of clicking moments that mattered. A time when clicking a photograph was a more mindful activity of “one shot one opportunity,” rather than shooting in burst mode on modern digital cameras and smartphones.

Designer: Opt

OPT100 NeoFilm measures 47mm x 25mm x 25mm and weighs just 25 grams, making it highly pocketable, or good to carry along tethered to a keychain or backpack. Obviously, this won’t replace your flagship smartphone or digital camera with its 8-megapixel CMOS sensor, but it’s a good accessory to show off. In daylight, it fares well with the ability to shoot photos at 3760 × 2128 pixels resolution, and videos at 0.3 megapixels in HD resolution at 30 frames per second.

The camera roll has a fixed 3.2mm lens that can focus on objects at a distance of 20 cm or 70 cm away from the shooter. Shutter speed of 100-300 milliseconds, and the ISO range of 1500-1600 is not bad for such a makeshift shooting accessory. That could come in useful for quick shoots on the fly when you don’t want to take out your phone. On the rear section of the roll, there’s a 160×80 pixel display to frame the shots and go through the clicked photos on the memory card slot of up to 32 GB. The accessory has an in-built 230mAh battery that is good to go for an hour’s use on a single charge.

Labeling this cool gadget as a toy camera won’t be wrong, since it is a fun novelty meant for casual use and a way to show off your love for old camera rolls. OPT100 NeoFilm comes in period-correct packaging for 5,940 Yen (approximately $40). Currently only available in Japan, the toy camera can be shipped from third-party merchants like eBay, but you might have to spend more money.

The post This Camera roll with concealed shooting lens is a fun novelty for geeks first appeared on Yanko Design.

The “Shot On iPhone” Lifehack: This 235mm Telephoto Case Packs Manual Controls + MicroSD Storage

Posted on by

Every time you see “Shot on iPhone” superimposed over a stunning image, ask yourself what’s just outside the frame. Chances are good there’s a telephoto adapter screwed onto the phone, a stabilizing rig keeping it steady, professional lighting bouncing off reflectors, and maybe even an external monitor for the director to watch. Apple loves to showcase the iPhone’s camera prowess, but conveniently omits the ecosystem of professional gear that makes those shots possible. The phone is capable, sure, but it’s getting significant help from its friends.

That’s exactly the gap PGYTECH’s RetroVa Vintage Imaging Kit fills, except it doesn’t hide what it’s doing. The system gives your iPhone 16 or 17 Pro a camera-inspired grip with actual tactile controls, a 13-element optical telephoto system that brings you to 235mm equivalent focal length, external storage support via microSD, and a companion app that offers film-style rendering straight out of camera. Sandmarc and Moment have been in the iPhone lens game for years, but RetroVa takes a more holistic approach by addressing not just optics, but the entire shooting experience.

Designer: PGYTECH

Click Here to Buy Now: $72 $89.95 (20% off) Hurry! Only 192 left of 300. Raised over $157,000

PGYTECH have played this game before. They’re the same company that builds the telephoto extenders for Vivo and Oppo’s flagship phones in China, smartphones that rank second and third in that market behind Apple. The 2.35X telephoto uses a professional 13-element, 3-group optical system crafted from premium ED glass, optimized specifically for the iPhone’s F2.8 aperture. Distortion sits at just 2%, which is impressive for a clip-on system. The optical design delivers razor-sharp clarity and organic bokeh without the digital noise that comes from cranking up your phone’s native zoom. Real glass doing real optical work makes a difference you can see in the final image, especially when you’re shooting wildlife, concerts, or anything else where you need serious reach without turning your photo into a pixelated mess.

The grip changes everything about how you hold and shoot with your iPhone… way more than the ‘Camera Control’ does. Physical buttons include a shutter release that half-presses to focus, just like a real camera. Control dials let you adjust ISO, white balance, and exposure value without tapping through menus on a touchscreen. A zoom lever switches focal lengths in the companion app’s vintage mode, letting you freely adjust zoom in standard shooting. There’s a multi-function button that handles power, quick start, mode switching, camera flips, and Bluetooth pairing. The whole thing weighs between 63 and 65.4 grams depending on your iPhone model, wrapped in classic black pebbled leather with a premium grip that feels like you’re holding a vintage Leica instead of a slab of glass and aluminum.

The grip also packs a built-in microSD slot to offset any storage woes you’d have from saving everything to your iPhone’s camera roll. Imagine this – you’re shooting 4K ProRes video and suddenly your phone throws up a “Storage Almost Full” warning, forcing you to stop everything and start deleting apps or old photos. An independent microSD slot avoids this problem entirely. You can record high-bitrate ProRes and RAW files directly to the card, completely bypassing your iPhone’s internal storage. The USB 3.1 connectivity delivers transfer speeds up to 312MB/s, so offloading footage to your tablet or computer takes seconds instead of the eternity you spend waiting for wireless transfers or slow card readers. The system supports external recording for ProRes, HEVC, and more formats, though 4K60+ ProRes external recording isn’t supported yet.

RetroVa’s companion app delivers film camera texture and mood straight out of the sensor. You get full manual control over shutter speed, ISO, and white balance, creating with the precision of a dedicated camera. The app suppresses iPhone’s built-in sharpening and algorithm processing for a more natural look, avoiding those over-sharpened phone images that scream “shot on smartphone.” You can stamp shots with instant-style watermarks and custom frames for each creation, adding your personal mark before the image even leaves the camera. Vintage film presets give you that classic camera aesthetic without needing to run everything through post-processing filters later.

PGYTECH offers the RetroVa in two distinct tiers to cover different photography styles. The Grip Kit runs $72 for street and everyday shooters who want mechanical controls and external recording support. The Ultimate Kit at $184 adds the 2.35X telephoto extender, tripod collar, lens adapter ring, photography strap, and lens pouch, building a complete creator ecosystem for street, travel, portraits, and long-distance photography. Both kits work with iPhone 16 Pro, 16 Pro Max, 17 Pro, and 17 Pro Max. First units ship globally starting this month, with future iPhone 18 Pro compatibility requiring only a case swap while the grip continues working.

Click Here to Buy Now: $72 $89.95 (20% off) Hurry! Only 192 left of 300. Raised over $157,000

The post The “Shot On iPhone” Lifehack: This 235mm Telephoto Case Packs Manual Controls + MicroSD Storage first appeared on Yanko Design.

Camera (1) Imagines a Tactile Digicam for a Screen-Tired Generation

Posted on by

Most photos now live inside phones, buried between notifications and apps. A new generation has started picking up old digital cameras to make shooting feel more intentional again, separate from scrolling and messaging. Many of those cameras still carry clunky menus and dated interfaces. Camera (1) is a concept design that asks what a modern compact could feel like if it were designed around touch and light instead of software layers.

Camera (1) is a compact, metal-bodied device with softly rounded corners, sized to slip into a pocket but solid enough to fill the hand. All the main controls live on one edge, so your thumb and index finger can reach the shutter, a circular mode dial with a tiny glyph display, and a simple D-pad without shifting your grip or poking at a touchscreen. The concept is inspired by the now familiar transparent, hardware-forward design language of Nothing.

Designer: Rishikesh Puthukudy

Taking the camera to a dinner or a show means twisting the lens ring to frame, feeling the click of the shutter under your finger, and glancing at the little icon on the dial to know whether you are in stills or video. The camera encourages you to look at the scene more than at the screen, letting the physical controls carry most of the interaction so the rear display stays out of the way.

The dot-matrix glyph on the dial shows simple icons for modes, while a curved light strip around the lens can pulse for a self-timer, confirm focus, or signal that video is rolling. Instead of deep menu trees, you get a handful of physical states you can feel and see at a glance, which makes the device feel more like an instrument than a gadget you have to decipher before you can take a picture.

The engraved lens ring, marked with focal length and aperture, invites you to twist rather than pinch. Zooming or adjusting focus becomes a small, satisfying motion instead of a jittery rocker or on-screen gesture. That tiny bit of resistance under your fingers reinforces the idea that changing perspective is a choice, not something you do absentmindedly while flipping through feeds.

The bead-blasted metal shell, the layered front panel with circuit-like relief, and the small red accents and screws give the camera a technical, almost transparent character without actually exposing its internals. It feels like a piece of hardware that is honest about how it works but still restrained enough to live on a café table or hang from a wrist strap without looking like it is trying too hard.

Camera (1) is not trying to beat the phone at convenience. It is offering a different relationship with photography, one where you press real buttons, read simple glyphs, and let light and tactility tell you what the camera is doing. In a world where every screen wants something from you, a compact that just wants you to notice what is in front of it feels like a refreshing thought experiment.

The post Camera (1) Imagines a Tactile Digicam for a Screen-Tired Generation first appeared on Yanko Design.

DJI RS 5 First Look: The New Sweet‑Spot Gimbal For Solo Creators And Mirrorless Rigs

Posted on by

DJI’s gimbal lineup has always operated on a clear hierarchy. At the bottom, the Osmo Mobile series keeps smartphone creators happy with pocket-friendly stabilization. At the top, the RS 4 Pro hauls cinema camera rigs with carbon fiber arms and 4.5kg payload capacity. The middle ground, though, has been trickier to nail down. Too light and you’re pushing mirrorless setups to their limits. Too heavy and solo operators end up fatigued halfway through a wedding shoot. The RS 5 arrives as DJI’s latest attempt to find that sweet spot, and judging by the spec sheet, they might have actually figured it out this time.

Weighing 1.46kg with a 3kg payload capacity, the RS 5 matches the physical footprint of the standard RS 4 while claiming a 50% boost in peak motor torque and 14 hours of runtime on the standard battery. More interesting is what DJI has prioritized here: the RS Enhanced Intelligent Tracking Module (borrowed from the RS 4 Mini’s debut), an Electronic Briefcase Handle for high and low angles, and significantly faster charging that gets you back to work in an hour instead of waiting around for half a day. This isn’t about raw specs anymore. It’s about keeping solo commercial videographers moving efficiently through shoots without needing a full crew or endless battery swaps.

Designer: DJI

It’s one thing to hold a 3kg payload steady during a slow pan, but chasing a subject through a crowded event is a different beast entirely. That 50% peak motor torque improvement is where the RS 5 starts to justify its existence, especially when paired with their fifth-generation stabilization algorithm. This is the kind of power that prevents micro-jitters when you’re running or making sudden direction changes. It also means the native vertical switch, which lets you flip to a 9:16 aspect ratio in seconds, doesn’t come with a performance penalty. That’s a huge deal for anyone delivering social content alongside traditional horizontal video, as you’re not compromising stability just to get the shot framed for TikTok.

All that stabilization doesn’t mean much if your subject keeps drifting out of frame while you’re focused on your own footwork. The RS Enhanced Intelligent Tracking Module, pulled from the RS 4 Mini and beefed up, handles the tracking with aplomb. It tracks more than just people; you can lock onto vehicles, pets, or any object you tap on the screen from up to 10 meters away. Even better, it can re-acquire a subject if they’re temporarily obscured, saving you from a ruined take. The fact that it attaches magnetically without needing extra adapters is a smart touch, acknowledging that setup time is a real currency for solo operators. It’s a clever bit of product strategy, bringing a killer entry-level feature up to the commercial tier where it’s arguably needed most.

The dirty secret of every solo videographer’s kit is a bag overflowing with batteries and a constant, low-grade anxiety about runtime. DJI seems to have finally gotten the message. The RS 5 hits a full charge in just one hour with a 65W PD charger, which is a massive quality-of-life improvement. The standard battery gives you 14 hours of juice, but the optional BG70 High-Capacity grip pushes that to a claimed 30 hours. Even if real-world use cuts that down significantly, it’s enough to get you through the longest wedding day without a panic. They’ve also expanded the Bluetooth shutter control to include Panasonic and Fujifilm cameras, a long-overdue nod to the fact that the camera world doesn’t just revolve around Sony, Canon, and Nikon.

You’re probably a good candidate for the RS 5 if you’re shooting paid work with mirrorless cameras and your current gimbal makes you want to throw it into a lake by hour three. Event videographers, wedding shooters, small production houses, anyone who’s working solo but needs results that look like a full crew showed up. If you’re hauling around a RED Komodo or a cinema rig that pushes past 3kg, skip this and go straight to the RS 4 Pro with its 4.5kg capacity and carbon fiber construction. On the flip side, if you’re still shooting with your phone or occasionally pulling out a compact camera for vlogs, the Osmo Mobile or Osmo Pocket lines will serve you better. Those devices are far more portable, cost a fraction of what the RS 5 demands, and honestly, DJI will probably refresh them in the coming months with similar intelligent tracking features trickling down from this generation. But if you’re already committed to proper camera gear and tired of fighting your equipment, this sits right where it needs to.

So this all sounds great, but it always comes down to the hole it leaves in your wallet. The standalone gimbal runs $671 (£485), which plants it firmly in that prosumer middle ground. The real conversation, though, is about the Combo kit at $856 (£619), which adds the tracking module and the electronic briefcase handle. For a working videographer, that’s the package that makes sense. You’re not just buying a stabilizer; you’re buying back time and reducing on-set frustration. It’s a tool built for the specific pressures of the one-person crew, and that focus is what makes it a compelling piece of hardware.

The post DJI RS 5 First Look: The New Sweet‑Spot Gimbal For Solo Creators And Mirrorless Rigs first appeared on Yanko Design.