Organic-shaped room divider is designed to smell like caramel, doubling as a aroma diffuser

When it comes to room dividers, we usually think of bamboo screens, cloth curtains, shell curtains, accordion or folding portable doors, etc. Most of the time they’re just solid and not that imaginative. But what if you could make these dividers more decorative and artistic? Even better, what if the dividers are made from eco-friendly materials? That’s the idea behind this unique, sustainable, well-designed, and apparently aromatic room divider.

Designer: Crafting Plastics and Office MMK

BreaZea is a modular 3D printed room divider made from bioplastics which in turn are from a combination of cornstarch and sugar. Its shape is an organic design inspired by things like corals and leaves. There are two different designs that can be combined according to the user’s preferences. You get a curtain-like divider that looks more like a piece of artwork than just simple furniture.

But what makes it truly unique is that they wanted it to “smell”. Normally, bioplastics are odorless but they wanted people to associate it with a certain, pleasant smell just like what do with fresh wood. They worked with a scientist to come up with a smell that’s close to the materials that the bioplastics are made from, which is a sugary and caramel-y aroma.

They are experimenting with oil-based and water-based scents that they can add to the bioplastic before it is 3D printed or add it to the finished product. Even that smell is also something connected to the organic design as it doesn’t have a “regular shape” but comes “from very tiny places and spreads around.”

And since this is a sustainable product after all, the BreaZea can be placed in an industrial compost when it reaches the end of its lifecycle. It will become biodegradable in 60-120 days just like most things made from bioplastics.

The post Organic-shaped room divider is designed to smell like caramel, doubling as a aroma diffuser first appeared on Yanko Design.

Sustainable modular acoustic panels are made from a unique blend of up-cycled textile and mycelium

Foresta System is a modular acoustic panel design made from a unique blend of fungal mycelium and upcycled textile material.

Mycelium is like nature’s hidden superpower. Mushrooms can be used for anything from cooking, health and wellness, and even construction. Packed with industrial-level strength, mycelium is a natural fungi material that has recently been used as building materials for various construction projects.

Designer: Mogu

From home building to furnishing needs, mycelium provides an organic, yet durable construction material. Now used to create interior acoustic panels, the Foresta System designed by Italy-based Mogu takes a unique blend of mycelium and upcycled textile materials to create modular acoustic panels.

Constructed from a mix of mycelium panels, wood branches, and nodes, the timber frame that supports the different parts of Foresta can be mechanically fixed to the wall or vertical surface. Each node also carries integrated magnets that allow the acoustic panels to be mounted on the timber frame, allowing for easy removal and assembly.

The first of its kind to integrate mycelium into its build, Foresta has been granted the winning prize of the 2022 German Design Awards for its eco-conscious and innovative design. 100% circular by design, none of Mogu Acoustic products are made with synthetic material, nodding towards the company’s “extremely virtuous manufacturing cycle,” as the German Design jury suggests.

Made entirely from fungal mycelium and upcycled textile materials, Foresta is a collection of modular acoustic panels used to minimize the acoustic levels of noisy spaces like restaurants, offices, and retail businesses. Using the latest technologies in wood processing such as product parametric modeling, robotized production lines, and advanced manufacturing, Mogu was able to combine the refined aesthetics of wooden design with the cutting-edge nature of fungal mycelium to produce a truly innovative product.

The post Sustainable modular acoustic panels are made from a unique blend of up-cycled textile and mycelium first appeared on Yanko Design.

This smart indoor garden uses hydroponics to cultivate plants in a growth tray that resembles natural outdoor landscapes!

Vista is a smart gardening system that uses hydroponics to cultivate lush greenery in a growth tray that mimics the natural terrain of a mountainous landscape.

Smart gardens have taken the design world by storm in recent years. With so much of our time now spent indoors, we’re craving the freshness and beauty of nature. Even so, many of the smart gardens currently on the market are too sterile and rigid to actually make us feel close to nature.

Too many of the smart gardens on the market today prioritize function over aesthetics, amounting to cold, vertical farms that would look more at home in a research center’s greenhouse than a living room. That’s why designer Juhyuck Han created Vista, a smart garden appliance that mimics a landscape’s natural terrain and scales it down to fit in our homes.

Designed to either stand alone or be mounted on an interior wall, Vista takes up around the same space as a large fish tank. Featuring a hydroponic gardening system, Vista’s grow tray mimics the terrain of a natural landscape to bring users closer to nature. Through an immersive structure and smart technology, Vista combines functionality with aesthetics to create a gardening experience.

Trading a cold structure for a design that appeals to the senses, Han notes, “It designed a new smart green appliance that allows you to feel nature and experience growing plants in natural scenery, not in such an artificial box. Vista is a smart green appliance that brings natural scenery into the product and provides a new experience that seems to be cultivated directly in nature.”

Measuring the size of a large fish tank, Vista is designed to be the centerpiece of any interior space. The entire hydroponic cultivation system is encased within a transparent, panoramic glass container that comes with its own array of smart features.

Equipped with GPS technology, the glass container reveals various pieces of daily information such as the weather, temperature, date, and time. Defined by a louver window system, Vista’s plants are also kept ventilated with plenty of fresh air.

Designer: Juhyuck Han

 

GIFS:

http://www.hongik-id-degreeshow.com/wp-content/uploads/kboard_attached/3/202110/6175210895c841213678.gif

http://www.hongik-id-degreeshow.com/wp-content/uploads/kboard_attached/3/202110/6175210895acd7313998.gif

The post This smart indoor garden uses hydroponics to cultivate plants in a growth tray that resembles natural outdoor landscapes! first appeared on Yanko Design.

This 3D printed urban reef is constructed from mycelium to increase biodiversity in cities!

Mycelium is a natural material taking over the sustainable design world one industry at a time! A Netherlands-based company is hopping on that train – they are experimenting with mycelium and computational design to create a series of 3D-printed urban reefs that will stimulate water circularity and biodiversity. In simpler terms, your concrete jungle where dreams are made of will be more jungle and less concrete so more living organisms can thrive!

Dutch designer duo Pierre Oskam and Max Latour came up with this innovative solution to make cities more biodiverse. It involves using natural materials to create structural ecosystems that can be integrated within existing environmental elements (eg. fountains). A 3D printer is used to create complex geometrical designs with porous materials like ceramics and composites (made from coffee grounds and mycelium). The moisture in the air is able to pass through and create the perfect environment for various fungi to grow thus bringing the structures to life!

“The most feasible option we are working with is ceramics, but since baking it requires a lot of energy we are investigating more sustainable alternatives,” says Latour. The studio is also experimenting with materials made from coffee and algae. At present, the team has developed two concept products as a result of their research, first in the form of the “Rain Reef” rain collector with an undulating shape that increases the contact area of the water and the potential hatching surface for vegetation.

“It is 3D printed with a porous material (made from a mixture of seeds, coffee grounds and mycelium), which can get saturated with the collected rainwater, making it accessible to vegetation growing on the outside,” explains Latour. “The intention is to develop a printable material which is porous, durable, sustainable and bio-receptive.”

The second product is the “Zoo Reef”, which Urban Reef intends as a substitute for fountains in cities. “There is a lot of potential for biodiversity stimulation around urban fountains,” says Oskam. “We propose a complex labyrinth of spaces which are all interconnected. By differentiation in sizes, orientation regarding sun, wind and rain, varieties of microclimates would develop.”

“Rather than determining top-down which organisms should live where, a range of potential habitats is generated.” They might be early in the research and development phase but Latour and Oskam’s Urban Reef project could have real-world applicators in the future. As an idea, it’s not so dissimilar from a living wall, except in this case the choice of materials and the structural design promotes their integration within cities without human intervention.

urbanreef1

“At Urban Reef we consider the city as a potential habitat to organisms, not exclusively humans,” the duo explains. “We position ourselves as human within the natural environment deviating from the modernist view of the human transcending nature. From that perspective, we aim to gain a profound knowledge of natural processes to both integrate those in our design methods as well as design with ecologies in mind.”

Designer: Pierre Oskam and Max Latour

urbanreef2

Inspired by Westworld, the Am Hatsu is the world’s first split keyboard with an organic metal body

Look at the Am Hatsu keyboard and it instantly feels like it was fabricated by highly advanced robotic equipment. Part organic, part futuristic, the split keyboard was inspired by the sci-fi series Westworld. Its unique surface and key placement help relieve wrist pain while allowing you to sort of look like a cyborg as you browse the interwebs.

The Am Hatsu’s organically shaped metal surface is the result of 5-axis simultaneous CNC machining, an expensive fabrication technique that yields pretty remarkable results. The organic keyboard layout sits on a low-poly metal base, within which lies the keyboard’s internal hardware. The Am Hatsu runs on a low-frequency communication protocol that allows both keyboards to communicate with each other as well as your input device (laptop, desktop, tablet, etc) in real-time, ensuring that there’s absolutely zero lag between both keyboards while you type. “This ensures the best performance when it comes to power consumption, anti-interference ability, and latency”, says Angry Miao, the company behind Am Hatsu.

The keyboard was launched under Angry Miao’s “Make Art Not Tech” vision. It takes its inspiration from the intro sequence of HBO’s Westworld, where multiple specialized tissue-printing robots come together to build a living bionic man. The keyboard’s curved surface pays tribute to the sci-fi series while also aiming at enabling a much more comfortable typing experience by allowing your wrists to rest in their natural position. The unconventional 4×6 key layout also minimizes repeated movement of fingers, allowing you to type effortlessly.

The Am Hatsu is by no means your regular consumer-tech device. Its specialized manufacturing methods and state-of-the-art internals bring the keyboard’s price up to a mind-bending $1600 per unit. Early-bird purchasers will receive a special 20% discount by acquiring an NFT to authenticate their pre-order, although given how expensive it is to make one of these keyboards, your deposit is only eligible for a refund before July 29th – when production begins. The keyboard is limited to just 100 units in this initial run, so if you’ve got an arm and a leg to spare… although wait, you’ll need both arms to type!

Designer: Angry Miao

Colani would have loved this vertebrae-inspired chair

The Beel Chair’s unique biodynamic aesthetic literally takes inspiration from the part of your body that rests against it… the spine! Mimicking the shape of two vertebral bones, connected together by a spinal column, the Beel chair offers comfortable sitting and healthy posture, while being flexible, thanks to the backrest’s design.

Designed by Selami Gündüzeri, the Beel is reminiscent of the design aesthetic championed by German design stalwart Luigi Colani, who passed away at 91 today. Always one to shun the use of straight lines because everything about our world is dominated by curves, right from its shape to its orbit, to every creature within it, Colani was a strong proponent of embracing nature’s curves and of practicing organic design not just for visual fulfillment, but for ultimate ergonomic comfort too. Selami’s Beel chair is perhaps a perfect example of that philosophy.

The Beel Chair is a winner of the A’ Design Award for the year 2019.

Designer: Selami Gündüzeri