Tag Archives: Watches

Apple’s Coolest Watch Feature Has Nothing To Do With Health… It Lets You Rewind Time.

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“Could you come again?” “Pardon?” “Huh?” “Wait, say that one more time?” These are examples of phrases that make you seem dumber than you really are. Nothing destroys aura more than unironically asking someone to repeat something they said because A. you weren’t listening, or B. you were but just didn’t happen to comprehend what they were saying. Apple has a solution for that, and it’s wrapped up in their latest smartwatch. The new Live Rewind feature, powered by Apple’s new S11 chip, allows you to instantly transcribe the past 15 seconds of any conversation and read its chat logs. Press the digital crown on the new Watch twice, and you pretty much get ‘subtitles’ for the past 15 seconds, so you don’t have to “excuse me” your way into a repetition.

Your watch, just like your phone, earbuds, smart speaker, and smart home hub, is always listening. It’s waiting for the magic words “Hey Siri” or Alexa, or Google depending on which ecosystem you’re tied into. The point is, it’s always listening, so Apple simply created a way to package that into a feature that feels impressive rather than invasive. Think of how a dashcam can auto-log the past 3 minutes of video AFTER an accident occurs (using a feature called loop recording), Apple just brought that to your watch, packaged as a part of its new Audio Intelligence suite of features. Impressive, no?

Designer: Apple

Once you’ve got the transcript, you can ask Siri about it directly, or save it into the new Siri app to dig up later. Say your coworker rattles off a Wi-Fi password or a colleague mentions a book recommendation mid-hallway chat. Instead of fumbling for your phone, you catch it on your wrist and move on. Apple says none of this gets recorded in the traditional sense. Audio flows into a secure buffer inside the S11’s Secure Exclave, a hardware compartment isolated from the rest of the system, and once the transcript is generated, the raw audio is gone. No file, no clip, nothing to subpoena, because nothing exists.

Sitting next to Live Rewind is Siri Recap, which does the same basic trick but for an entire conversation instead of a 15 second clip. Turn it on before a meeting or a parent teacher conference, and Apple Intelligence quietly builds a title, a summary, and a list of key points you can review afterward in the Siri app. You control the boundaries here more than you’d expect. Leave it running all day, schedule it for work hours only, or flip it off entirely from Control Center whenever the conversation turns private. Summaries auto delete after seven days unless you save them, and saved ones sync end to end encrypted, so not even Apple can read them back.

Audio Intelligence isn’t just built for eavesdropping on your own life. Sound Recognition listens for sirens, alarms, doorbells, and crying babies, then buzzes your wrist even when your phone is nowhere nearby, which makes it a genuinely useful accessibility tool for anyone who is deaf or hard of hearing. Shazam gets folded in too, sitting in the Smart Stack and naming whatever song is playing around you without you having to pull out a phone. Four features, one microphone, and one chip doing the quiet work behind all of them.

Both Live Rewind and Siri Recap need Siri AI to function, and Siri AI is still in beta, so expect this to roll out gradually starting in English before other languages follow. You’ll also need an iPhone 16 or newer paired to the Watch, so the 16e and anything older is out of luck. Apple Watch Series 12 itself starts at $399, is available for preorder today, and ships September 18. The health sensors got a real upgrade this generation too, but for once, that isn’t the headline. The mic is.

The post Apple’s Coolest Watch Feature Has Nothing To Do With Health… It Lets You Rewind Time. first appeared on Yanko Design.

A Clock That Refuses to Just Tell You the Time

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I check the time roughly forty times a day, and I couldn’t tell you what any of those glances felt like. A phone screen lights up, a number flashes, and I move on before the information even registers. That’s the strange thing about how we live with time now: we have more ways than ever to know what hour it is, and less reason than ever to actually notice it. Digital displays don’t ask anything of us. They just report, and we absorb, and nothing about the moment sticks.

That’s the gap a new piece from Istanbul studio Omora Lusso seems built to close. Instead of showing the hour as flat information, it makes you wait for it, watch for it, and experience it as something closer to a small performance than a readout. The studio calls it Muvaqqit 60, and as the press materials put it, it’s a 60-centimetre kinetic time artwork that transforms the reading of time into a recurring physical ritual.

Designer: Omora Lusso

The name itself carries weight before the mechanism even moves. Muvaqqit takes its name from the historical timekeeper responsible for determining and regulating time through astronomy and exact observation, and in Ottoman cities, muvakkithanes were dedicated timekeeping rooms, often associated with mosque complexes, where prayer times were calculated and astronomical knowledge was practised. I appreciate that Omora Lusso didn’t try to costume this piece in false antiquity. The studio does not reproduce the instruments or forms of these spaces; instead, it reinterprets their culture of precision, contemplation and measured time through contemporary kinetic design. That distinction matters. It would have been easy, and a little lazy, to slap old astronomical symbols onto a modern object and call it heritage. This is a harder, more honest route: borrowing the spirit of a tradition rather than its skin.

The piece itself only reveals what it can do once a minute, and that restraint is the whole point. Once each minute, Muvaqqit performs a time-indication sequence: a comet-like progression of light moves through its layered scales as a mirror-silvered kinetic bird rises into position, while the hour, five-minute interval and minute increment are read across three curved scales, with an AM/PM display and an illuminated moon-phase arc completing the temporal composition. The rest of the time, it stays quiet on purpose. Between these moments, the work remains visually restrained, allowing anticipation to become part of the experience. There’s a kind of confidence in a product that chooses to stay dark and still for fifty-nine seconds just so the sixtieth means something. Most gadgets are terrified of silence. This one leans into it.

Omer Fatih Sevinctekin, the studio’s founder, frames the whole project as a question rather than a solution, which I found refreshing given how many product launches arrive dressed as answers. He describes it as beginning with the question of whether time can be experienced as a ritual rather than simply read as information, wanting the work to connect Istanbul’s culture of precise timekeeping with a contemporary language of motion, light and material.

Materially, the Noir Silver edition plays a straightforward but effective contrast game. It pairs a soft-black metal frame and anthracite inner dial with a hand-polished, mirror-silvered brass bird, presented behind a four-millimetre glass front, with a controlled palette designed to sharpen the contrast between stillness and movement, and between the dark architectural body and the brief illumination of the time ritual. Nothing about it is loud until the moment it needs to be.

This isn’t a mass object, and it was never going to be. Muvaqqit 60 Noir Silver is limited to 50 pieces worldwide, offered at USD 6,000, with each work produced in Istanbul and accompanied by a Certificate of Authenticity, a dedicated wooden presentation case, art-handling gloves and operating materials. That price and scarcity will keep it out of most homes, and I won’t pretend otherwise. But the idea underneath it, that time deserves a moment of attention instead of a passing glance, doesn’t require owning the object to land. The studio’s broader collection treats time not as a static reading but as an event, a sequence that can be anticipated, observed and remembered, and that’s a quietly radical stance in a culture that mostly wants its information delivered instantly and forgotten just as fast.

The post A Clock That Refuses to Just Tell You the Time first appeared on Yanko Design.

Urwerk Built a Hand-Carved Pocket Watch That Tracks Time for 1,000 Years

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Florian Güllert spends most of his working life engraving shotguns. His bench sits in Klagenfurt, in Carinthia, an Austrian province with zero watchmaking history and a four-century run of decorating hunting weapons. Urwerk handed him a raw titanium blank and asked him to bury the most sci-fi pocket watch ever built under Baroque ornament. He said yes, spent roughly 500 hours over three months, and produced the UR-1001 Amadeus, a piece unique that looks like a cathedral swallowed a computer. Gun engraving exists because a tool meant to outlive its owner gets decorated, which turns out to be this watch’s entire argument.

The Amadeus measures 106 by 62 by 23mm and shows satellite hours, retrograde minutes, an annual calendar, day and night, and a 39-hour power reserve on the front. The hinged caseback adds an oil-change indicator that turns red through years four and five, a counter tracking 100 years of running time, and a linear scale that climbs to 1,000. Güllert laser-cut the contours before touching it by hand, since titanium galls and work-hardens under a graver in ways precious metal does not. Every engraved surface stops at the sapphire. Inside, Urwerk’s matte black instrument panel carries on as though the ornament never happened.

Designers: Martin Frei and Florian Güllert for Urwerk

Titanium punishes a graver the way a stubborn hinge punishes a screwdriver, so Güllert’s first move was unfamiliar territory for a man used to steel. He rough-cut the relief with a laser, then went back in by hand with pneumatic chisels and files, balancing thick strokes against thin ones until the pattern read as depth rather than line. Backgrounds got textured, dotted, satin-brushed, or left matte depending on how he wanted light to catch each panel. Every edge was filed and rebalanced until the boundary between case and decoration effectively disappeared. That is a genuinely different skill set than cutting a scroll into a shotgun receiver, and it shows in how uneven the difficulty was across the piece.

The flanks and bezel run pure Baroque, scrolling acanthus leaves that could sit on an 18th century snuffbox. The caseback centerpiece is something else entirely, a quatrefoil rose-window panel with cusped Gothic arches framing the movement aperture, and the winding crown at 12 has been carved into an actual fluted coronet. Baroque excess on the outside, ecclesiastical stonework on the back, industrial sans-serif labeling the instruments inside. Three separate design languages sharing one case, none of them arguing with the others.

Three-armed satellite hours hand off to a retrograde minute display, three running-seconds hands split a minute into 20-second stretches, and a satellite annual calendar runs on three Maltese crosses riding a 93-tooth date wheel. Flip the watch over and the oil-change dial, calibrated for five-year service intervals, feeds a counter that advances in five-year steps toward a full century. Every hundred years, that counter sends a pulse to a linear scale on the caseback graduated all the way to 1,000. Yes, this pocket watch has a mechanical millennium indicator, and yes, it is exactly as absurd and wonderful as it sounds.

The UR-1001 has been Urwerk’s flagship strange object since 2011, when eight AlTiN-cased examples sold out at CHF 340,000 each, a number early buyers reportedly called cheap for what it did. We covered Urwerk’s other engraved oddities before, including the UR-210 Amadeus that first paired Güllert with the brand back in 2017, and the ambition here is visibly larger. Urwerk has not disclosed a price for this one, which tracks for a commissioned piece unique. Felix Baumgartner named it for Mozart, calling the composer a brilliant madman, and says he wanted a case as daring as the mechanics inside it.

Here is the part nobody selling this watch will say out loud. The 100-year and 1,000-year counters only advance while the movement is actually running, and a piece unique this expensive tends to spend its life in a safe rather than a pocket. Baumgartner’s own language calls the eventual buyer a custodian rather than an owner, which is a lovely way of admitting the millennium scale may never move past zero. A gunsmith spent 500 hours making sure it would look magnificent the whole time it doesn’t.

The post Urwerk Built a Hand-Carved Pocket Watch That Tracks Time for 1,000 Years first appeared on Yanko Design.

Urwerk Built a Hand-Carved Pocket Watch That Tracks Time for 1,000 Years

Posted on by

Florian Güllert spends most of his working life engraving shotguns. His bench sits in Klagenfurt, in Carinthia, an Austrian province with zero watchmaking history and a four-century run of decorating hunting weapons. Urwerk handed him a raw titanium blank and asked him to bury the most sci-fi pocket watch ever built under Baroque ornament. He said yes, spent roughly 500 hours over three months, and produced the UR-1001 Amadeus, a piece unique that looks like a cathedral swallowed a computer. Gun engraving exists because a tool meant to outlive its owner gets decorated, which turns out to be this watch’s entire argument.

The Amadeus measures 106 by 62 by 23mm and shows satellite hours, retrograde minutes, an annual calendar, day and night, and a 39-hour power reserve on the front. The hinged caseback adds an oil-change indicator that turns red through years four and five, a counter tracking 100 years of running time, and a linear scale that climbs to 1,000. Güllert laser-cut the contours before touching it by hand, since titanium galls and work-hardens under a graver in ways precious metal does not. Every engraved surface stops at the sapphire. Inside, Urwerk’s matte black instrument panel carries on as though the ornament never happened.

Designers: Martin Frei and Florian Güllert for Urwerk

Titanium punishes a graver the way a stubborn hinge punishes a screwdriver, so Güllert’s first move was unfamiliar territory for a man used to steel. He rough-cut the relief with a laser, then went back in by hand with pneumatic chisels and files, balancing thick strokes against thin ones until the pattern read as depth rather than line. Backgrounds got textured, dotted, satin-brushed, or left matte depending on how he wanted light to catch each panel. Every edge was filed and rebalanced until the boundary between case and decoration effectively disappeared. That is a genuinely different skill set than cutting a scroll into a shotgun receiver, and it shows in how uneven the difficulty was across the piece.

The flanks and bezel run pure Baroque, scrolling acanthus leaves that could sit on an 18th century snuffbox. The caseback centerpiece is something else entirely, a quatrefoil rose-window panel with cusped Gothic arches framing the movement aperture, and the winding crown at 12 has been carved into an actual fluted coronet. Baroque excess on the outside, ecclesiastical stonework on the back, industrial sans-serif labeling the instruments inside. Three separate design languages sharing one case, none of them arguing with the others.

Three-armed satellite hours hand off to a retrograde minute display, three running-seconds hands split a minute into 20-second stretches, and a satellite annual calendar runs on three Maltese crosses riding a 93-tooth date wheel. Flip the watch over and the oil-change dial, calibrated for five-year service intervals, feeds a counter that advances in five-year steps toward a full century. Every hundred years, that counter sends a pulse to a linear scale on the caseback graduated all the way to 1,000. Yes, this pocket watch has a mechanical millennium indicator, and yes, it is exactly as absurd and wonderful as it sounds.

The UR-1001 has been Urwerk’s flagship strange object since 2011, when eight AlTiN-cased examples sold out at CHF 340,000 each, a number early buyers reportedly called cheap for what it did. We covered Urwerk’s other engraved oddities before, including the UR-210 Amadeus that first paired Güllert with the brand back in 2017, and the ambition here is visibly larger. Urwerk has not disclosed a price for this one, which tracks for a commissioned piece unique. Felix Baumgartner named it for Mozart, calling the composer a brilliant madman, and says he wanted a case as daring as the mechanics inside it.

Here is the part nobody selling this watch will say out loud. The 100-year and 1,000-year counters only advance while the movement is actually running, and a piece unique this expensive tends to spend its life in a safe rather than a pocket. Baumgartner’s own language calls the eventual buyer a custodian rather than an owner, which is a lovely way of admitting the millennium scale may never move past zero. A gunsmith spent 500 hours making sure it would look magnificent the whole time it doesn’t.

The post Urwerk Built a Hand-Carved Pocket Watch That Tracks Time for 1,000 Years first appeared on Yanko Design.

Hermès weaves time on Arceau Cheval Natté watch using 400 silk threads and lots of diamonds

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Henri d’Origny designed the iconic luxury wristwatch Arceau first in 1978. Ever since, it has been Hermès’ most preferred collection for experimentation. This continues in style with the introduction of the new Arceau Cheval Natté, a limited-edition Hermès watch whose dial is entirely woven from silk.

If that sounds unheard of in a watch, it’s because this is, for the first time, a watch dial that features a horse’s head woven geometrically using 400 silk threads. The way the threads are used on the timepiece is beyond the ordinary. Each individually selected silk thread is laid one by one, in a precise direction, by hand. This is done meticulously to ensure that when light moves across the surface, each woven section behaves differently, creating an eye-catching interplay of light, depth, and texture.

Designer: Hermès

This silk thread motif was originally created for Hermès home accessories by designer Tong Ren, and has been for the first time interpreted on a watch dial as horse’s head, which honors Hermès’ association with horses, which started with its days crafting high-quality leather harnesses and saddles. The silk dial, enhanced with the use of 123 diamonds and champlevé engraving, sits within a 38mm rose gold case.

The watch also has a bezel to look out for. Complementing the unique dial is the bezel embedded with 70 diamonds and a crown on the side adorned with a single diamond. The Arceau Cheval Natté is powered by an in-house, self-winding H1912 movement. Hermès states, it’s crafted in Switzerland, and that the calibre measures 23.9 mm in diameter and 3.9 mm in thickness, and operates at 28,800 beats per minute. It offers the watch a 50-hour power reserve.

The watch has a see-through sapphire crystal caseback, which provides a clear view of the signature sprinkling Hs on the movement. Besides the embellishment and the dial, the Arceau Cheval Natté is a simple horological instrument. It has only the primary hours and minutes hands and is made in two versions. One of them is a luminous model, which is pretty close to the vivid colors of the original design. The second, on the other hand, is a variant with more intense black, red, and brown tones.

Each version of the Arceau Cheval Natté, Hermès notes, is a limited edition of 24 pieces. Water-resistant to 30 meters, the watch comes paired with either a dune or black matte alligator strap secured with a rose‑gold pin buckle. Straps are also made in Hermès’ own workshops. The new Hermès watch does not intend to present time through complication, it chooses to weave time in silk for $95,200.

The post Hermès weaves time on Arceau Cheval Natté watch using 400 silk threads and lots of diamonds first appeared on Yanko Design.

Apple Watch Ultra 4 May Finally Add Touch ID This September, Along With A Thinner Case

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Fingerprint readers are on phones, laptops, door locks, and gym lockers. They are on tablets, car dashboards, hotel room entrances, and even some credit cards. The one place you still cannot use one in Apple’s ecosystem is the watch on your wrist, and the Apple Watch Ultra 4 is reportedly the device that might finally change that. Leaks suggest Touch ID could be integrated into the Action button or side button, bringing biometric authentication to the Apple Watch for the first time in the lineup’s eleven-year history. Apple is expected to announce the Ultra 4 at a fall event in September 2026, and the fingerprint sensor question is the detail that has dominated the pre-announcement conversation.

Bloomberg’s Mark Gurman expects no major design changes to the Ultra 4 this cycle, which would likely include a new biometric button, making the Touch ID rumor more aspirational than confirmed. MacRumors has flagged it as increasingly unlikely as a result. Gurman does foresee a chip upgrade, health and fitness improvements, and efficiency-driven battery gains from the same-sized cell. Other leaks sketch out a thinner titanium case, a redesigned rear sensor array with up to eight sensors, and watchOS 27 with a smarter Siri and new women’s health tracking. Touch ID may or may not make the cut, but the Ultra 4 is shaping up to be a meaningful update either way.

Designer: Apple

Apple Pay authentication on the Ultra currently requires a double-press of the side button, which is fine at a checkout counter and genuinely irritating mid-trail with trekking poles in both hands. A Touch ID sensor in the Action button would solve that in the most direct way possible. The Action button already handles flashlight toggling, workout starts, and dive computer modes depending on configuration, so adding biometric capability would make it the most densely functional physical control on any Apple device. Building a reliable fingerprint reader into a button that regularly encounters water, mud, and cold is the engineering challenge that may keep bumping this feature to a future generation. That tension between the obvious use case and the real manufacturing difficulty is likely why this rumor has had such a short lifespan in reliable reporting.

Current leaks point to as many as eight sensors on the back of the Ultra 4, compared to the existing array that handles heart rate, SpO2, wrist temperature, and ECG. The shift Apple appears to be making is away from software-compensated estimations toward hardware-grounded measurements, which matters most for use cases like altitude training and longitudinal hypertension monitoring. The chassis is also expected to get thinner, and that matters more than it sounds: the Ultra 3’s profile is comfortable during workouts and just present enough during overnight wear that some owners skip sleep tracking altogether. A slimmer build addresses that without touching the rugged character of the product. Together, the sensor overhaul and the thinner case are the two changes most likely to make existing Ultra owners seriously consider upgrading.

Battery life is expected to hold steady or extend slightly through chip efficiency gains rather than a larger cell, with the Ultra 3’s 42-hour standard and 72-hour Low Power Mode serving as the baseline to beat. watchOS 27 brings a more context-aware Siri with a dedicated watch app, Apple Intelligence across first-party apps, and new perimenopause and menopause tracking in Health. Apple is separately developing a more significant Watch redesign for a later generation, with reports pointing to a round case and a screenless fitness tracker. The Ultra 4 arrives before any of that. Touch ID would have made this generation an easy, quotable pitch; without it, the sensor upgrade, the thinner body, and the software stack carry the argument instead.

The post Apple Watch Ultra 4 May Finally Add Touch ID This September, Along With A Thinner Case first appeared on Yanko Design.

Apple Watch Ultra 4 May Finally Add Touch ID This September, Along With A Thinner Case

Posted on by

Fingerprint readers are on phones, laptops, door locks, and gym lockers. They are on tablets, car dashboards, hotel room entrances, and even some credit cards. The one place you still cannot use one in Apple’s ecosystem is the watch on your wrist, and the Apple Watch Ultra 4 is reportedly the device that might finally change that. Leaks suggest Touch ID could be integrated into the Action button or side button, bringing biometric authentication to the Apple Watch for the first time in the lineup’s eleven-year history. Apple is expected to announce the Ultra 4 at a fall event in September 2026, and the fingerprint sensor question is the detail that has dominated the pre-announcement conversation.

Bloomberg’s Mark Gurman expects no major design changes to the Ultra 4 this cycle, which would likely include a new biometric button, making the Touch ID rumor more aspirational than confirmed. MacRumors has flagged it as increasingly unlikely as a result. Gurman does foresee a chip upgrade, health and fitness improvements, and efficiency-driven battery gains from the same-sized cell. Other leaks sketch out a thinner titanium case, a redesigned rear sensor array with up to eight sensors, and watchOS 27 with a smarter Siri and new women’s health tracking. Touch ID may or may not make the cut, but the Ultra 4 is shaping up to be a meaningful update either way.

Designer: Apple

Apple Pay authentication on the Ultra currently requires a double-press of the side button, which is fine at a checkout counter and genuinely irritating mid-trail with trekking poles in both hands. A Touch ID sensor in the Action button would solve that in the most direct way possible. The Action button already handles flashlight toggling, workout starts, and dive computer modes depending on configuration, so adding biometric capability would make it the most densely functional physical control on any Apple device. Building a reliable fingerprint reader into a button that regularly encounters water, mud, and cold is the engineering challenge that may keep bumping this feature to a future generation. That tension between the obvious use case and the real manufacturing difficulty is likely why this rumor has had such a short lifespan in reliable reporting.

Current leaks point to as many as eight sensors on the back of the Ultra 4, compared to the existing array that handles heart rate, SpO2, wrist temperature, and ECG. The shift Apple appears to be making is away from software-compensated estimations toward hardware-grounded measurements, which matters most for use cases like altitude training and longitudinal hypertension monitoring. The chassis is also expected to get thinner, and that matters more than it sounds: the Ultra 3’s profile is comfortable during workouts and just present enough during overnight wear that some owners skip sleep tracking altogether. A slimmer build addresses that without touching the rugged character of the product. Together, the sensor overhaul and the thinner case are the two changes most likely to make existing Ultra owners seriously consider upgrading.

Battery life is expected to hold steady or extend slightly through chip efficiency gains rather than a larger cell, with the Ultra 3’s 42-hour standard and 72-hour Low Power Mode serving as the baseline to beat. watchOS 27 brings a more context-aware Siri with a dedicated watch app, Apple Intelligence across first-party apps, and new perimenopause and menopause tracking in Health. Apple is separately developing a more significant Watch redesign for a later generation, with reports pointing to a round case and a screenless fitness tracker. The Ultra 4 arrives before any of that. Touch ID would have made this generation an easy, quotable pitch; without it, the sensor upgrade, the thinner body, and the software stack carry the argument instead.

The post Apple Watch Ultra 4 May Finally Add Touch ID This September, Along With A Thinner Case first appeared on Yanko Design.

Only 100 Will Own This $84,300 See-Through Hublot Watch

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I have a theory about luxury watches: the best ones don’t just tell time, they start conversations. The Hublot Big Bang Sapphire Sky Blue is exactly that kind of watch. It’s a 44mm piece of sky-blue transparency that makes you stop mid-sentence and stare, not because it’s flashy in the traditional sense, but because it looks almost impossibly light. Like someone poured an afternoon sky into a case and sealed it with titanium screws.

Hublot has been working with sapphire as a structural material since 2016, earning a reputation as the go-to house for pushing what this material can actually do. What started as a clear sapphire case has evolved into something more ambitious, and this new limited edition is a strong example of that progression. The 44mm case and bezel are crafted from fully polished sapphire crystal, not coated or tinted, but rendered in a genuine sky-blue transparency that shifts subtly depending on the light. Depending on how the light catches it, this watch can feel cool and airy or warm and atmospheric, a kind of visual fluidity that’s rare even in this price category. It’s the kind of color that doesn’t settle for one mood.

Designer: Hublot

The case is held together by Hublot’s signature H-shaped titanium screws, and if you’ve spent any time with the Big Bang line, you know those screws are as much a design statement as a structural one. The six-screw bezel is recognizable at a glance, and pairing that hardware with a transparent sapphire case feels like the right call. Nothing hides, everything is intentional. The strap continues the color story in structured sky-blue rubber, and the matte sky-blue skeleton dial and matching movement bridges create an immersive, coordinated picture that somehow avoids feeling one-dimensional.

None of that would matter as much without something genuinely interesting happening inside. The movement powering the Big Bang Sapphire Sky Blue is the HUB1201 Manufacture Meca-10, a caliber that debuted in 2016 and remains one of the most visually distinctive in modern watchmaking. It was designed around the movement itself rather than squeezed into a conventional watch architecture, and the influence of mechanical construction systems, almost Meccano-like in its visual logic, is impossible to miss. Two parallel mainspring barrels give the watch a 10-day power reserve, meaning you won’t be winding this one every morning. A rack-and-pinion mechanism moves two sliding racks across the dial to display that power reserve in a way that reads more like industrial art than traditional horology. Running seconds at 9 o’clock, power-reserve display at 6 o’clock, and through the sapphire caseback, you can see all of it in motion.

Most skeleton watches look beautiful and stop there. The Meca-10 is different because the architecture actually makes sense when you study it. The structure has visual logic even for someone who’s never read a watchmaking manual, and the sky-blue bridges and dial frame the movement rather than compete with it. That restraint is harder to pull off than it looks.

At $84,300, the Big Bang Sapphire Sky Blue is not a casual acquisition. With only 100 pieces produced worldwide, it lands firmly in serious collector territory, and the scarcity here feels genuinely earned. Crafting a colored sapphire case at this scale is a real engineering challenge, and that material ambition justifies the exclusivity more convincingly than a simple limited-edition number ever could.

Could you wear it every day? Possibly. Should you? That’s a more personal question. At 44mm with a very deliberate visual presence, this watch commands attention. With 50 meters of water resistance, it handles daily life comfortably, though anything more demanding than that would be pushing it.

The concept itself is what’s worth sitting with: a watch that bets entirely on material and mechanics, and asks you to find that more compelling than a gem-set dial or a celebrity campaign. For the right collector, that’s a very easy bet to take. The Big Bang Sapphire Sky Blue makes transparency, literal and otherwise, its entire argument. And it’s a persuasive one.

The post Only 100 Will Own This $84,300 See-Through Hublot Watch first appeared on Yanko Design.

Casio upgrades the classic F-91W watch with smart functions, and it’s already sold out in Japan

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Without a doubt, the Casio F-91W is a legendary timepiece that is still available to buy for $20. While the digital watch has retained its nostalgic charm all these years, it is indeed a little left behind when it comes to smart functionality. Casio is set to change that now with the F-B100W timepiece, which adapts the modern functions expected in a smart timekeeper. The classic 1980s digital watch in the rectangular silhouette, upgraded with the goodness of step counting – I’ll take that any day!

On the outside, this Casio timepiece looks like the trusted F-91W, but inside it has more to offer, making it a sweet deal. For now, the watch is available in Japan for ¥8,800 (around $55), and it’s not surprising it has already been sold out, at least for now. That’s almost double the price tag of the original, which is still up for $22, but you’ll also have to factor in the generational leap in smart features this new model touts.

Designer: Casio

Most of the F-B100W’s functions are fairly straightforward, and the specifications are also very close to the original, measuring 41.9 × 38.1 × 8.8 mm and weighing 26 grams. The timepiece retains features including an amber LED backlight with adjustable glow, water resistance, an hourly time signal, and five daily alarm options. For improved comfort during long hours, the bio-based plastic strap now has improved ventilation slits. Major changes come in the form of a watch battery (as opposed to a rechargeable cell), which lasts for almost two years.

What’s making this Casio timepiece a big buzz already is the inclusion of Bluetooth, which automatically syncs time or toggles the alarms or dual time display. In the mix is the phone finder feature, which can be a really useful addition without all the unwanted nuances. What I’m most excited about is the addition of the step counter and lap split time function, which can be directly synced to your phone with the companion app. You can set goals, record up to 200 laps, and monitor the progress on the watch screen as well. For times when you get too engrossed in work, the F-B100W also sends an inactivity alert via a beep and on-screen prompt. Of course, that is an optional feature that can be turned off as well.

It doesn’t have any other smartwatch features like a heart rate monitor, sleep diagnosis, or even BP monitoring, but that’s the point. The retro-modern Casio watch has all the timekeeping functions, and the most essential smart features without making the wearer too finicky about the vitals. F-B100W comes in three color variants: 1AJF, 1BJF, and 3AJF, which have a black case with a positive LCD and retro blue, red, and yellow dial accents, and all black with a negative display and gray text, respectively.

The post Casio upgrades the classic F-91W watch with smart functions, and it’s already sold out in Japan first appeared on Yanko Design.

Fossil’s New Spider-Man Watch Is $425 and Actually Worth It

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Fan merchandise has a reputation problem. Most of it sits somewhere between “impulse buy” and “regret”: a coffee mug you stop using after a month, a T-shirt that fades after two washes, a keychain that feels like an afterthought. So when Fossil dropped its latest Marvel collaboration, a limited-edition Spider-Man automatic watch, my first instinct was healthy skepticism. Then I actually looked at it.

The Marvel x Fossil Limited-Edition Spider-Man 42mm Automatic Watch (model LE1247SET) is not a novelty item dressed up as a timepiece. It’s a timepiece that happens to carry serious pop culture weight, and the distinction matters more than you’d think. The watch actually has to earn your attention on design merit first, and it does.

Designer: Marvel x Fossil

Let’s start with what makes this watch genuinely worth the conversation. The dial draws from Spider-Man’s character-defining ’90s comic era, a period that holds a specific kind of nostalgic gravity for anyone who grew up reading Marvel. Spider-Man himself strikes his classic pose on a dark gradient dial that fades into an exposed automatic movement, revealing the mechanical heartbeat of the watch underneath. The visual effect is deliberate and theatrical in the best way. It’s not just a pretty face slapped onto a watch case. The design actually tells a story, which is exactly what good watch design should do.

The webbing detail is where the execution really commits to its concept. Tonal black webbing drapes across the crystal and continues onto the leather strap, which means the theme isn’t confined to the dial. It carries through the entire piece. That kind of design consistency is what separates an intentional collaboration from something rushed out for a licensing deal. I’ve seen enough lazy collabs to appreciate when a brand actually puts thought into the object as a whole rather than just slapping a logo on it.

Flip it over, and the display caseback keeps the energy going. The Spider-Man logo appears in red against the visible movement, and both the dial and caseback feature archival Marvel comic art. Each watch is also etched with limited-edition numbering, which is the kind of detail that matters to collectors and to anyone who wants to know they’re not just buying something off a shelf that thousands of others picked up too.

The movement itself is self-winding, powered by the motion of the wearer’s wrist. It supports manual hand-winding but doesn’t hack, which is standard for Fossil’s automatic movements. For anyone new to the world of mechanical watches, that means it won’t stop the movement when you set the time. It’s an entry-level automatic in the best sense: approachable, functional, and genuinely mechanical.

The packaging deserves a mention too, because it’s doing real work here. It comes in a comic book-style box featuring authentic cover art from the Marvel Comics archive. Inside, alongside the watch, there’s a lapel pin depicting The Hulk and Spider-Man facing off. It’s a small addition, but it elevates the whole thing from a product purchase into something that feels more like an unboxing event.

Now, where I land personally: I think branded watch collaborations succeed or fail based on whether the watch would hold up without the IP. Strip away the Spider-Man branding, and the Fossil LE1247SET is still a well-designed 42mm automatic with a thoughtful layout and solid finishing for its price point. Add the Marvel identity back in, and it becomes something a lot more compelling, an object that connects to culture, memory, and identity in ways that most watches simply don’t.

The appeal is broad too. It works for the collector who already knows the difference between a skeletonized dial and an open-heart. It works for the Marvel fan who wants something more meaningful than a poster. And it works for anyone who simply likes the idea of wearing something with a bit of personality on their wrist. Fan culture and fine craft don’t have to exist in separate lanes. The Fossil Spider-Man watch makes that case quietly, on your wrist, every single day.

The post Fossil’s New Spider-Man Watch Is $425 and Actually Worth It first appeared on Yanko Design.