Yves Béhar’s Modular Sofa Seats 12 And Can Shapeshift Endlessly

Every designer had a pandemic project. Most people learned sourdough. Yves Béhar built a sofa made of foam triangles so his family would stop scattering to separate corners of the house. The result is Peaks, a sofa for Moooi that looks less like furniture and more like a soft mountain range someone dragged into your living room. Nine or so triangular wedges flip up, fold down, rotate, and reshuffle into whatever your day needs. Movie night, it becomes stadium seating. Board game with the kids, it turns into a pit you can disappear into.

Béhar grew up near the Swiss Alps, so when he needed a name for his shapeshifting foam sofa, Peaks was sitting right there waiting. Marcel Wanders at Moooi reportedly wanted to call it Toblerone instead, which honestly would have worked too, but trademark lawyers have never met a good bit they didn’t ruin. Béhar made six of these for friends before Moooi’s Marcel Wanders looked at it and said, “Let’s ship it.”

Designer: Yves Behar for Moooi

Each wedge is dual-density, which keeps the structure firm enough to hold its shape while still giving comfort where your body actually lands. Concealed zippers and fabric hinges hold the whole system together, and the modules rotate freely into backrests, armrests, or flat platforms without needing a single tool or a single loose part rattling around. That last bit matters more than it sounds. Most modular furniture eventually loses a screw or a connector piece under the couch, never to be seen again. Peaks just doesn’t have those parts to lose.

Moooi debuted a Peaks prototype at Milan back in 2024, then let it sit for two years before Peaks made its official launch at IDS Toronto in January 2026. The commercial version arrived a few months later as part of Moooi’s 25th anniversary programming at Milan Design Week, officially reinterpreting the sofa as a sculptural, reconfigurable landscape rather than a fixed object. The standard indoor Lounge Sofa runs 82 by 120 by 196 centimeters with a 41 centimeter seat height, priced at $7,208, available in charcoal, grey, sand, or white. There’s an outdoor version too, built for the same reconfiguring in weatherproof fabric, because apparently your patio deserves a mountain range as well.

None of this is happening in a vacuum. Béhar has owned a De Sede Ubald Klug Terrazza and a Luigi Colani Pool sofa for two decades, both conversation-pit classics from an era when furniture was allowed to be a little unhinged. Peaks is Béhar reimagining that same territory, the “living landscape” experiments Verner Panton and Pierre Paulin were running in the late 20th century, except built to actually survive a modern living room. It’s a good lineage to claim. Conversation pits died out because they were expensive, permanent, and impossible to reconfigure once your life changed. Peaks solves exactly that problem by being the opposite of permanent.

Béhar has also started pitching Peaks as office furniture, which sounds like a stretch until you hear his logic. He compares it to placing candy within arm’s reach on a desk versus a foot away, arguing that casual social furniture only works if it’s genuinely convenient, not something people have to book like a conference room. He’s already specifying Peaks into three of his own Canopy coworking projects, including spaces at the Presidio, the Embarcadero, and Stanford. Whether Peaks actually replaces the awkward hallway meeting remains to be seen, but it’s a more honest attempt than most “collaborative office furniture” gets.

Peaks is also angling for a bigger spaces than the living room and office. Moooi and Coalesse are already talking about it in universities, hospitals, and public spaces, on top of the coworking pitch Béhar’s been making. That’s a wide range for something that started as one guy trying to keep his kids off their phones during lockdown, but it tracks. A sofa that refuses to stay one shape is exactly the kind of object that finds new jobs nobody planned for it. Béhar built Peaks to solve a problem in his own house. Whether it ends up in a hospital waiting room or your neighbor’s living room, the pitch stays the same: stop building furniture that locks people into one position, and watch what they do with the freedom.

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Yoshino Power Unveils Revolutionary Portable Power Stations in Collaboration with Yves Béhar and fuseproject

In a groundbreaking partnership, Yves Béhar and fuseproject have joined forces with Yoshino Power to introduce the world’s first series of solid-state portable power stations. The collaboration between these design giants and Yoshino Power has resulted in a four-unit product offering that not only redefines the aesthetics of portable power stations but also introduces cutting-edge technology for enhanced safety and performance.

Designer: Fuse ProjectYoshino Power

Yoshino Power, recognizing the need for a departure from traditional power station designs, enlisted the expertise of fuseproject to reimagine the product from the ground up. The result is a solid-state portable power station that challenges the conventional look of toolboxes and equipment, presenting itself as a lifestyle product. The mellow-green shade, a robust metal handle that seamlessly wraps around the shell, and a shatterproof, water-resistant interface contribute to a design that is both functional and visually striking.

The design team deliberately chose matte and muted green and gray tones as primary colors, steering away from the technical, bright color palettes commonly associated with battery and power tool categories. The metal handle, in contrast to painted finishes on competitor products, emphasizes durability and premium quality, making these power stations stand out in both form and function available in 4 sizes.

Yoshino’s new solid-state portable power stations boast a 50 percent reduction in weight compared to similar products, showcasing the fusion of functionality and aesthetics. Functionality takes center stage with built-in LED lights, AC, DC, and USB outputs, providing users with a versatile charging solution for gadgets on the go. Remarkably, these power stations can recharge from 0-80% in under an hour, ensuring quick and efficient power replenishment.

The user interface of Yoshino’s solid-state portable power stations has also transformed. fuseproject crafted a unique design, incorporating inspiration from outdoor recreation and lifestyle categories. The bee and honeycomb motif, symbolizing nature, hard work, and continuous energy, adorns various elements of the product, creating a cohesive and visually appealing user experience.

Yoshino Power leaps forward in technology by employing solid electrolytes instead of flammable liquid electrolytes and conventional lithium batteries. Solid-state batteries offer significantly higher energy densities, providing more power while enhancing safety during usage, storage, and transportation. These power stations are tailor-made for various scenarios, including backyard movie nights, off-road camping adventures, remote working, and emergencies.

Equipped with up to 11 ports, depending on the model, users can charge multiple appliances, electronics, and panels simultaneously. For environmentally conscious consumers, the power stations can also be recharged using solar panels while on the road, offering an eco-friendly alternative for on-demand energy.

As Yoshino Power unveils this revolutionary product line, the bee and honeycomb logo design by Yves Béhar and fuseproject takes center stage, further reinforcing the nature-inspired concept that sets these power stations apart. The fusion of innovative design and advanced technology positions Yoshino’s solid-state portable power stations as the go-to solution for those seeking both style and substance in their power needs.

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