Some of the world’s largest tech companies trained their AI models on datasets that included transcripts of more than 173,000 YouTube videos without permission. That’s according to an investigation from Proof News, which laid out how Apple, NVIDIA and Anthropic, among other companies, used transcripts of YouTube videos from more than 48,000 channels. This goes against YouTube’s own platform rules, which Google execs have repeatedly mentioned.
Earlier this month, Apple was criticized for failing to reveal the source of training data for Apple Intelligence, the company’s own spin on generative AI.
Not only have these AI models been trained on some of your favorite YouTube stars, like Marques Brownlee and MrBeast, but also Engadget’s own Cherlynn Low. (I love you, Cher.)
Intrigued by what else may be part of that dataset? Head over to the Proof Newslookup tool.
To the surprise of many, Beats has re-entered the crowded market of Bluetooth speakers with a redesigned Pill ($150). Taking more aesthetic cues from its older models, it’s the Pill speaker you know and love(d), but upgraded for 2024. Better sound, lossless audio over USB-C and doubled battery life make this an impressive return.
Take a look at the unannounced Pixel 9 Pro Fold, from almost every conceivable angle. Android Authority spotted the photos at Taiwan’s National Communications Commission (NCC) archives and uploaded galleries of each of the four phones, including the Pixel 9, 9 Pro, 9 Pro XL and 9 Pro Fold. For the foldable, Google has moved the selfie camera to the inside screen for a wider field of view. The 9 Pro Fold also has slimmer bezels and a seemingly reduced fold crease.
This year’s Prime Day came with a surprising number of discounts for Apple products, the usual barrage of headphones, Amazon hardware and a 4K TV or two. While the official sale wraps up, there’s still time (and stock?) for some of these deals. The Engadget editorial team have teased out the best sale items worth your money.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-ai-models-from-apple-nvidia-and-more-were-reportedly-trained-on-youtube-videos-111542441.html?src=rss
The Nothing CMF Phone 1 is a budget-friendly smartphone that offers a range of features and customization options typically found in more expensive models. Priced at just £179, this phone is an attractive choice for those seeking a reliable and versatile device without breaking the bank. While it does come with some compromises, the Nothing […]
Tesla has started selling a couple of new accessories for the Cybertruck, including a $300 tailgate shield. It's a custom-made padding for the vehicle, designed to hang off its tailgate and protect it from any equipment you're hauling.
We gotta say, it's admittedly quite amusing to see Tesla selling an accessory to protect the Cybertruck when one of the vehicle's promotional videos shows someone shooting guns at it. When the company debuted the model, it also staged a demonstration to show that it can withstand a sledgehammer. Still, if you regularly put, say, a road or a mountain bike in the bed of your truck, the shield could prevent it from banging up against the vehicle's tailgate and cause scratches and other cosmetic imperfections. To mount the pad, you'll need to insert its straps into the tailgate gap while it's halfway open, so you may need a friend to help you out.
In addition to the tailgate shield, Tesla is now also selling a $100 jumpseat that you can attach to your Cybertruck. The vehicle's tailgate can fit up to three jumpseats, and you can install them even with a shield on. Tesla recommends the jumpseat for tailgating parties, picnics, sporting and other outside events. And once your activity is done, you can fold the collapsible seats up for storage.
Tesla also offers the Cybertruck Jumpseat for $100 per unit on the Tesla Shop.
“Relax anywhere. The Cybertruck jumpseat is wrapped in a durable cordura nylon fabric and features cyber-style thermoformed backrest and alloy g-hooks. Fit up to three jumpseats along the Cybertruck… pic.twitter.com/Ci7XQ0o7us
This article originally appeared on Engadget at https://www.engadget.com/tesla-now-sells-a-300-cybertruck-tailgate-shield-to-protect-your-bulletproof-truck-110037148.html?src=rss
In recent years, the field of artificial intelligence has witnessed a remarkable shift from monolithic models to compound AI systems, ushering in a new era of autonomous problem-solving. AI agents, powered by large language models (LLMs), are at the forefront of this transformation, leveraging their ability to reason, act, and access memory independently. These advanced […]
Skullcandy has unveiled its latest innovation in audio technology with the launch of the Dime Evo True Wireless Earbuds. Designed to be the ultimate portable audio sidekick, the Dime Evo offers a combination of big sound, essential features, and a unique slide-out case with a built-in clip for unparalleled portability. These earbuds are set to […]
Apple has released the highly anticipated tvOS 18 public beta, introducing a wealth of new features and enhancements that promise to transform the user experience on Apple TV devices. This update focuses on refining the user interface, expanding functionality, and strengthening integration with other Apple services, ensuring a seamless and immersive experience across various Apple […]
We’ve all been there—struggling with a box cutter that leaves sticky residue, damages the contents, or even worse, results in a painful hand injury. It’s a common problem that many of us face. But what if there was a solution that could make this task safer and more efficient? Introducing the X-Cutter, a next-generation box […]
We’ve come across a wide variety of lamp designs with an even wider assortment of lampshades made from different materials using different methods. Of course, the most common are made of metal, plastic, or glass, as these are easy to come by and manufacture in this day and age. They’re not exactly sustainable in the long run, though, even if some are considered to be such. They might not be easily renewable or they take a lot of energy to produce, generating carbon emissions and waste in the process. This particular lighting collection, however, really takes eco-friendliness to heart by using a material that’s not only sustainable, biodegradable, and renewable, it can also be easily grown in a lab rather than manufactured in a factory.
Mycelium is becoming quite a star in the design industry despite its modest and literally down-to-earth roots. They are practically mushroom roots consisting of a complex branching network that, in the natural world, are used to distribute water and nutrients to plants while themselves also serving as food for organisms living in the same soil. Recently, mycelium has become the focus of many research and design experiments that use it as an alternative to typical materials like fabric or even concrete.
MushLume, and obvious wordplay on its origins, harnesses the properties of mycelium to create lamp designs that are not only striking but also friendly to both the Earth and humans as well. But rather than take the painstaking work of gathering mushroom roots from the wild, the fungi are instead grown into a hemp substrate that eventually solidifies inside a mold. Once matured, the new structure is removed from the mold heated, and dried to become practically any lamp form you can think of.
The result is a material that checks all the sustainability boxes. It uses very little water and energy to make, significantly reducing carbon emissions and waste. The material is also biodegradable, which means you can eventually throw it out into a backyard compost or landfill and it will safely decompose over time. That said, they are expected to last for years so you won’t need to do that any time soon.
MushLume lamps also bring a distinctive aesthetic to any space. Their raw and rough surfaces almost resemble concrete from a distance but are incredibly lightweight in reality. The texture and patterns, which are unique to every lamp, also add some character to the design, while also giving the diffused light a warm tone. MushLume definitely challenges the conventions of designing and producing products, though there still needs to be more testing to see if mycelium can really scale up to be the mass-grown foundations of future products.
The unveiling of the 2024 Audi A5 marks a significant milestone in Audi’s mid-size segment, launching 30 years after the introduction of the first Audi A4. The new A5 family, which includes both Saloon and Avant body styles, showcases a sharpened design language and striking proportions, embodying Audi’s sporty design philosophy. The interior has been […]
Canon has unveiled its most important camera in years — the EOS R1 mirrorless. Launched alongside the 45-megapixel R5 II, it’s the company's new flagship designed to replace the 1DX Mark III DSLR and help Canon maintain its leadership in the pro sports photography field.
The R1 is all about speed, with the stacked sensor allowing 40 fps RAW bursts with continuous autofocus. Other features are designed to help nail crucial shots, including pre-capture, eye-tracking AF and sports-specific settings. At the same time, it should be great for video, thanks to its support for 6K RAW capture.
One potential downside is the 24-megapixel resolution, which is lower than rivals like Sony’s A1 and the Nikon Z9. To see how that affected image quality and gather some impressions on performance and new features, I was able to get a short amount of hands-on time with the R1 in Phoenix, Arizona.
Though massive for a mirrorless camera, the R1 is lighter than it looks — it only weighs 2.12 pounds. The magnesium alloy body is dust- and water-resistant and the large, comfortable grip uses new rubber to reduce slippage. It’s a stable platform, even with telephoto lenses, and was clearly designed for working photographers.
Controls are laid out much like the EOS R3, with two control dials, a rear dial, joystick, mode switch and many customizable buttons. It has matching vertical controls, with the same layout in portrait and landscape modes.
Canon did add a touch-sensitive IR button called the smart controller, which offers three ways to adjust autofocus. Overall, the R1 handles like an F1 car — fast and reactive, but there's a steep learning curve.
The viewfinder is Canon’s best yet with 9.44 million dots, 0.9 times magnification and 3x brightness, all tops in the EOS series. The rear display fully articulates for high- and low-angle shooting.
Canon decided to ditch SD cards in favor of two CFexpress type B slots. That allows for maximum RAW burst speeds, as well as fast and reliable backups, but you'll end up throwing your SD card collection out the window. By contrast, Sony's R1 has dual card slots for both SD UHS II and CFexpress type A.
The R1 uses a variant of the battery from the EOS R3 that supports up to 650 shots and 70 minutes of 6K video on a charge. Connectivity is the best I’ve seen on any Canon camera, with Wi-Fi 6E, ethernet, USB-C PD and more.
The R1 is built for action and suffice to say, it’s fast. In blackout free electronic shutter mode, you can shoot JPEG and RAW frames at up to 40 fps for a long while before the massive buffer fills — with Canon promising "1,000 or more" shots when shooting uncompressed RAW and JPEG files. It hits 12 fps with the mechanical shutter, a feature missing on Nikon’s rival Z9.
Steve Dent for Engadget
The latter isn’t usually necessary, though, as the stacked shutter largely eliminates rolling shutter distortion.
Canon is bringing numerous autofocus improvements as well. With regular single-point tracking, you can change the target with either the joystick or smart controller. In addition, the R1 has a new eye-tracking system called Eye AF II, a more sophisticated version of its Eye Control AF from the R3.
As with the R3, you must calibrate Eye AF II first. And it won’t necessarily function well for all eye types, but it worked great for me, as the tracking box followed my gaze with less drift than before. That didn’t always translate to sharp photos, but again, I was using a pre-production unit.
Of course the R1 offers face- and eye-detection for both humans and animals. But what happens if you’re trying to single out someone in a crowd of players?
Steve Dent for Engadget
First off, there are now AI modes for three specific sports, volleyball, basketball and soccer. The idea is that the system will track action around the ball to help you nail key shots. It’s also supposed to stay locked on a player even in traffic. Finally, you can register up to 10 faces to keep track of a whole team of athletes.
How well does this work? It’s hard to say in the short time I had the camera, but I didn’t notice a dramatic improvement with chaotic action or specific sports. But these features require time to master, so a full review will tell me more.
Another new feature to help pros avoid missing shots is pre-continuous shooting, something that's seen on many high-end cameras these days. The R1 starts taking photos when you half-press the shutter button, recording up to the last 20 frames once it’s fully pressed.
Canon has led the way in image stabilization since the R5, and the R1 offers a solid 8.5 stops of shake reduction with supported lenses. This isn’t necessarily a great benefit for action shooting, but it does help with landscapes or low-light shooting.
Canon likely anticipated complaints about the relatively low 24-megapixel resolution. In response, it unveiled a new feature called in-camera upscaling. It uses deep learning to quadruple image size to 96 megapixels in-camera after shooting, supposedly while maintaining apparent resolution.
This is different from Sony's pixel-shift scheme that takes multiple separate photos and merges them into one. However, it was hard to get a straight answer from Canon as to how exactly the upscaling works. Obviously, it can’t be a true resolution increase without actually capturing extra pixels.
Image quality is difficult to judge in pre-production cameras, and Canon specifically said that in-camera RAW processing was a work in progress. Nonetheless, JPEGs looked sharp out of the camera and had the company’s typically excellent skin tones.
Low-light image quality is a selling point of this camera, and it did appear to perform well at high ISOs, with decent image quality at ISO 12,800 and beyond. However, it’s no Sony A7S III at very high ISOs, so the max of ISO 102,400 is for emergency use only.
Steve Dent for Engadget
Stacked sensor cameras tend to sacrifice some dynamic range in favor of speed, but there’s no sign of that with the R1. However, I'll need more time to get a full idea of RAW image quality, particularly at high ISOs.
Though mainly aimed at photographers, the R1 is potentially a monster video camera on its own. It lacks the R5 II’s 8K feature, but does offer 6K Canon RAW video at up to 60 fps, using the full width of the sensor.
You also get fully oversampled full-sensor 4K at up to 60fps, or 4K pixel-binned or cropped at 120 fps. Full HD can be recorded at up to 240 fps, either cropped or with pixel-binning. On top of Log 3, Canon’s Log 2 is now supported with 10-bit capture.
Canon has significantly reduced its previous overheating issues, though they're not completely eliminated. You can record more than 120 minutes of 6K 60p RAW with proxy recording, as well as 4K 60p, with no restriction for 4K 30p. The primary limitation is 15 minutes for 4K 120p, but that shouldn’t be an issue for most videographers or content creators.
As you’d expect, the oversampled 4K 60p and 6K 60p RAW video is sharp. Canon’s RAW video is very easy to work with in post and with the Log 2 setting delivers extra dynamic range and latitude in post.
Steve Dent for Engadget
It’ll be interesting to see how pro photographers react to Canon’s new flagship. They do gain an extra 10 fps in RAW shooting speeds over Sony’s A1 and the Nikon Z9, and the sensor is solid in low light. The downside, though, is the fact that it offers half the resolution of its rivals.
The Eye AF II is an interesting gimmick that may give Canon an edge. Other features like face-memorization, sports-specific AF and cross action seem good on paper, but I wasn’t able to get the most out of them in the short time I had the camera — so further testing is required. The EOS R1 is set to arrive in the fall of 2024 with an estimated price of $6,300.
Canon paid for this contributor's travel and accommodation for the launch of its new cameras in Phoenix, Arizona. This article was produced independently for Engadget, with no oversight from Canon.
This article originally appeared on Engadget at https://www.engadget.com/canon-r1-hands-on-incredible-speed-but-24mp-resolution-may-disappoint-100044085.html?src=rss
