The upcoming release of the Xbox Helix and PlayStation 6 (PS6) marks a pivotal moment in the gaming industry, with both consoles offering distinct approaches to next-generation gaming. According to colteastwood, Microsoft is positioning the Xbox Helix as a high-performance device, featuring advanced hardware like a larger die size and enhanced GPU, with an estimated […]
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Apple has officially confirmed the dates for its highly anticipated Worldwide Developers Conference (WWDC) 2026, set to take place from June 8 to June 12. This annual event, a cornerstone of Apple’s technological roadmap, is expected to unveil significant updates across its software ecosystem, including the latest iterations of iOS 27, macOS 27 and iPadOS […]
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Apple has officially released iOS 26.4, a comprehensive update that brings a blend of new features, refined design elements and performance improvements to compatible devices. This latest version not only addresses long-standing issues but also introduces enhancements that make your device more intuitive, secure and enjoyable to use. Whether you’re interested in accessibility, security, or […]
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The competition for the best camera phone of 2026 has reached unprecedented levels, with the S26 Ultra, iPhone 17 Pro Max, and Xiaomi 17 Ultra leading the charge. Each of these flagship devices features innovative technology, offering unique strengths in photography and videography. This detailed comparison from ZONEofTECH evaluates their performance across key areas, helping […]
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Think for a moment about three common tools: the nutcracker that sends shell fragments flying across the room, the bulky hammer you have to retrieve for the simple task of hanging a photo, and the emergency window breaker you bought for your car but have since forgotten about. Each serves a purpose, yet each comes with its own inconvenience, whether it’s mess, cumbersomeness, or the simple fact that it’s never around when you actually need it. These are the kinds of minor but persistent frustrations that we tend to accept as normal, the small design flaws in our daily routines.
The Hamtel was born from a refusal to accept those flaws. It was conceived as a direct answer to these distinct problems, elegantly combining their solutions into a single, compact device. Its core function is a spring-loaded impact mechanism that cracks nuts with precision, eliminating mess and preserving the kernel. With a simple adjustment, that same tool becomes a capable mini-hammer for light-duty tasks. Finally, its tungsten steel tip provides the reliable performance of a dedicated car safety hammer, creating a single tool that is practical enough for daily use and critical in an emergency.
Designer: Hamtel
Click Here to Buy Now: $66 $124 (47% off) Hurry! Only 9 days left.
The real draw for anyone with an appreciation for good gear is the sheer tactile satisfaction of its action. You pull back the plunger to arm the manganese alloy steel spring, a process that feels deliberate and mechanical, like chambering a round. Placing the tip on the target and pressing down unleashes an explosive force reportedly moving at over 530 meters per second. This impact-driven deployment is what separates it from every dull lever-action cracker on the market. It’s a clean, contained, and frankly, an incredibly cool way to apply force. This is the kind of thoughtful engineering that gets EDC enthusiasts talking, turning a mundane kitchen task into an opportunity to use a well-made instrument.
The body is stainless steel, providing a solid, weighted feel in the hand, while the business end features a high-hardness tungsten steel tip rated at HRC60+. This is the material specification you expect in high-end cutting tools or industrial equipment, not something designed to crack walnuts. This choice is critical for its dual-purpose role as a car window breaker, ensuring the tip remains sharp and effective even after repeated use. That effectively means your walnut or macadamia or brazil nut stands absolutely no chance. The tip works remarkably well against seafood too, letting you crack into crab and lobster claws/shells without breaking out industrial equipment.
This precision translates directly to its performance in the kitchen. It boasts a 95% kernel preservation rate, a number that seems ambitious until you consider the physics at play. Instead of crushing a shell with slow, brute force, the Hamtel delivers a sharp, localized impact that fractures the shell without pulverizing the contents. This makes it just as effective for delicate jobs, like cracking open crab legs or lobster claws without shredding the meat inside. It brings a surprising level of finesse to a category of tools typically defined by their crudeness, making it a genuinely useful upgrade for any kitchen.
Initial pricing puts the Hamtel at $66, which is a compelling entry point considering its planned retail is set at $124. Logistics are refreshingly simple, with a flat $9 shipping fee for delivery anywhere in the world. An optional nut pick can be added for just a few dollars, making it a complete package for dealing with stubborn shells. For the price of a single-purpose emergency tool, you’re getting a device that serves three distinct functions, some life-changing, others life-saving. But for most of the time, bon appetit!
Click Here to Buy Now: $66 $124 (47% off) Hurry! Only 9 days left.
The post This Tungsten-tipped Nutcracker Works On Walnuts, Seafood, and even Car Windows in an Emergency first appeared on Yanko Design.
Two-wheelers have always demanded a certain level of skill and balance from riders, especially at low speeds or when navigating crowded city streets. OMO X by Omoway attempts to change that equation by introducing what the company describes as the world’s first mass-produced self-balancing electric motorcycle. Designed around advanced robotics and artificial intelligence, the new age electric bike blends traditional scooter convenience with autonomous technology that aims to make urban mobility easier and safer.
At the core of the two-wheeler is Omoway’s newly introduced OMO-ROBOT architecture, a full-stack control platform that integrates sensors, perception systems, decision-making software, and mechanical actuation into a unified framework. The system combines aerospace-grade gyroscope technology with reinforcement-learning models to continuously stabilize the motorcycle. This architecture allows the OMO X to maintain balance on its own, even when stationary, eliminating one of the biggest challenges riders face on two-wheeled vehicles.
Designer: Omoway
The balancing capability is achieved through a Control Moment Gyroscope (CMG) module. Using the principle of angular momentum, the spinning gyroscope actively stabilizes the vehicle, keeping it upright without rider input. Beyond simply preventing tip-overs, the system also supports a range of riding assistance features. These include slip prevention on wet surfaces, assistance while cornering, and obstacle-avoidance capabilities designed to enhance safety during everyday riding.
Omoway is also positioning the OMO X as a highly intelligent mobility device. The scooter incorporates a network of sensors and cameras that continuously monitor the surrounding environment and feed data into an AI-based riding system. This enables features such as adaptive speed adjustments, hazard detection, and automated safety responses if the system identifies a potential risk. Some demonstrations have even shown the scooter maneuvering on its own, driving onto a stage without a rider, and responding to remote commands through a smartphone app.
Another notable capability is automated parking. Instead of requiring riders to maneuver the bike into tight urban spaces manually, the OMO X can guide itself into a parking spot once a location is selected. The system relies on its self-balancing capability and onboard sensors to navigate safely, a feature that reflects the growing overlap between robotics and personal transportation.
The electric scooter’s futuristic design further reinforces its technological identity. Its sharp, angular styling and distinctive lighting signature give it a modern aesthetic that stands apart from traditional scooters. In a way, it carries the Tesla Cybertruck aesthetic, with a continuous front light bar replacing a conventional headlamp and creating a visually striking presence on the road.
Production plans for the OMO X are already underway. The company announced that the model has entered mass production following its global launch event in Singapore, with pre-orders expected to open in April 2026. Indonesia has been selected as the first launch market, where the electric scooter will debut commercially in Jakarta shortly afterward. Omoway is reportedly working with multiple regional distributors and plans to establish a dealer network of more than 100 locations in the country.
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The first thing you notice about the Lakeside Restaurant at Silk Road Friendship Park in Dingzhou, China, is that the building doesn’t announce itself. It doesn’t shout or compete. It simply arrives at the water’s edge like it’s always been there, wooden columns branching upward like trees that never needed permission to grow.
Completed in 2025 by THAD SUP Atelier, the restaurant sits within a cultural park in Hebei Province, a place layered with historical significance tied to Silk Road trade routes. The building spans 2,400 square meters and was designed by principal architects Song Yehao and Chen Xiaojuan. But the numbers don’t explain why this project feels so quietly extraordinary. The design does.
Designer: THAD SUP Atelier (photos by Xiaoqing Guan, Xinxhing Chen)
The central concept is deceptively simple: the building takes its visual language from the forest canopy above and the lake below. Blossoming wooden columns rise from the ground and fan out to meet a flowing roof structure, all designed as one integrated system. The result looks less like constructed architecture and more like something that grew out of the ground and arched over the water because it felt like the right thing to do.
What makes this possible, practically speaking, is the fusion of digital fabrication and traditional woodworking. The team used modern glued laminated timber and relied on digital industrial prefabrication for precise form control, while simultaneously optimizing each wooden component’s dimensions through digital tools to preserve the handcrafted quality you can feel at eye level. The idea that a process this technically demanding could produce something this warm and tactile is one of the better arguments for what design technology can actually do when it’s used thoughtfully rather than just to show off.
Functionally, the layout is equally deliberate. The building slopes gently from south to north along the shoreline. The west facade, facing the main park road, is relatively closed, concealing the kitchen and back-of-house areas from view. But that restraint on the west side is there for a reason: it channels visitors toward a central arch opening on the ground floor. You pass through it, and suddenly you’re standing at the water’s edge. The progression is intentional, moving from arrival to view to lingering, and it works the way good spatial storytelling always does.
Three sides of the building open toward the lake, and the overhanging roof creates layered corridor spaces that shift and change as you move through them. During the day, the wooden structure casts shadows across the glass curtain wall, projecting a forest canopy effect that bleeds into the interior. At night, when the interior lights come on, the boundary between inside and outside softens, and the full curve of the wooden structure becomes luminous. It’s the kind of building that earns a second visit just to see it at different hours.
The choice of wood throughout isn’t arbitrary or just aesthetic. Wood is warm where glass is cold, organic where steel is industrial, and in a restaurant, those qualities matter in ways that aren’t always consciously named. Diners feel the difference even if they can’t articulate it. The building creates an environment that is simultaneously impressive and approachable, which is a difficult balance to strike and one that a lot of high-design spaces fail to achieve.
THAD SUP Atelier has built a reputation for projects that sit thoughtfully within their landscape, and this one continues that thread. The Silk Road Friendship Park is a place carrying weight and cultural meaning. Dropping a flashy, look-at-me building into that context would have been easy. Instead, the team chose restraint, materiality, and sequence. The restaurant doesn’t dominate the park. It listens to it.
Architecture that knows when to stay quiet tends to be the kind that stays with you. This is one of those buildings. Not because it announces itself, but because the moment you move through it toward the lake and look back at the way light plays through those wooden branches, you understand exactly what it was trying to say.
The post A Restaurant in China Where Wood Behaves Like a Forest first appeared on Yanko Design.
It's about to get a lot easier for creators on Facebook and Instagram to push products to their followers. Meta will now allow creators to include clickable shopping links for products directly in their Reels.
Brand partnerships and affiliate links, in which creators earn a portion of sales generated by their recommendations, are central to how creators earn money from Facebook and Instagram. But Meta has limited the ways in which they can direct their followers off-platform. As a result, creators often rely on third-party "link in bio" services for managing links to the stuff they endorse.
Now, Meta says it will allow eligible creators to link to up to 30 distinct products in a single Reel. the feature will be available on both Instagram and Facebook, though Facebook creators are limited to tagging products from marketplace partners like Amazon.
The change could be a boon for lifestyle creators and others who rely on their followers regularly buying the stuff they recommend. It brings Meta’s apps up to par with TikTok and YouTube Shorts, both of which have had affiliate shopping features for years. It will also make shopping content a lot harder to ignore, which could risk alienating some people if creators go overboard.
For Meta, the change will give it new insight into what its users are buying. A Meta spokesperson says the company isn't taking a cut from creators' sales via these links for now, though it's probably safe to assume the company will use the data gleaned from them to bolster its ad business.
A jury in New Mexico has found Meta liable for violating the state's consumer protection laws in a high-profile civil trial over child exploitation and other safety issues. One day after closing arguments in the weeks-long trial concluded, the jury ruled against Meta on every count and ordered the company to pay $375 million.
The case was brought by New Mexico's attorney general in 2023 and centered around allegations that Meta knew its platform put children at risk of exploitation and mental health harms and failed to put safety measures in place. In the end, the jury ruled that Meta was liable for both counts of violating New Mexico's consumer protection laws for misleading people in the state about the safety of its services. It imposed a penalty of $375 million, the maximum amount under the law based on the number of violations.
During the trial, jurors were shown numerous internal documents throughout Meta's history. These included the results of research into mental health issues facing teens, and email exchanges in which Meta executives discussed safety problems like sextortion, self harm content and grooming. Prosecutors argued that these documents showed Meta knew children were experiencing harms on its apps, despite public statements that it prioritized safety.
In a statement, Meta spokesperson Andy Stone said the company would appeal the verdict. "We respectfully disagree with the verdict and will appeal. We work hard to keep people safe on our platforms and are clear about the challenges of identifying and removing bad actors or harmful content," he said. "We will continue to defend ourselves vigorously, and we remain confident in our record of protecting teens online.”
The verdict isn't the end of New Mexico's case against Meta. The state will argue that Meta is a "public nuisance" at a bench trial (a trial with a judge and no jury) that's expected to begin in May. In a statement, Attorney General Raul Torrez called the verdict a "historic victory" for families affected by Meta's safety lapses.“Meta executives knew their products harmed children, disregarded warnings from their own employees, and lied to the public about what they knew. Today the jury joined families, educators, and child safety experts in saying enough is enough."
The New Mexico trial has been closely watched as it's among the first of many cases against Meta over child safety issues. A jury is currently deliberating in a separate trial in Los Angeles over social media addiction. A coalition of dozens of other states have also brought a lawsuit against the company for harming teens.
This article originally appeared on Engadget at https://www.engadget.com/social-media/jury-rules-against-meta-orders-375-million-fine-in-major-child-safety-trial-224215209.html?src=rss
Many of us first encountered the magic of lenticular printing on a pocket-sized novelty card. Tilting it back and forth would make a cartoon character move or a flat image suddenly appear to have three-dimensional depth. The principle was simple and clever: a series of tiny, parallel lenses on a plastic sheet would direct different slivers of an underlying image to our eyes depending on the viewing angle. It was a fun, tactile illusion, a small piece of optical engineering designed to create a moment of surprise and delight from a static object.
Imagine taking that same principle and applying it to a gracefully curved, three-dimensional lamp. This is precisely what the Japanese brand QUQU has achieved with its Nishiki line. The entire body of the lamp functions as a lenticular lens, using the fine, horizontal ridges of the 3D printing process as the optical array. As you move around the lamp, patterns of colour suspended within its translucent walls shift and swim, revealing new dimensions and tones. It transforms a simple light source into a dynamic object that performs a quiet, constant dance with the viewer’s perspective.
Designer: QUQU
The entire trick hinges on QUQU’s decision to weaponize what most of the FDM printing world considers an imperfection. We spend countless hours and dollars on post-processing to eliminate layer lines, chasing that injection-molded smoothness to prove the technology is “ready.” QUQU went in the complete opposite direction and made those 0.2mm or 0.3mm ridges the star of the show. Each concentric line acts as a cylindrical lens, refracting light that passes through the lamp’s wall. Instead of a flaw, the texture becomes the engine of the visual effect. This is a genuinely sharp piece of design thinking that elevates the manufacturing process itself into an aesthetic feature, rather than something to be hidden.
This effect would fall completely flat with the wrong material. A standard PLA or PETG filament would be too opaque or have the wrong refractive index, turning the whole thing into a muddy mess. QUQU’s use of a semi-translucent, grain-derived biomass plastic is the critical second half of the equation. This specific material choice gives the 155mm tall shade a soft, fibrous quality that diffuses light beautifully, preventing harsh hotspots from the internal LED. It has just enough clarity to let you perceive depth but enough haze to blend the suspended colours into those soft, koi-like patterns. The material is doing as much optical work as the surface geometry is.
The printer deposits coloured filament at varying depths inside the thick wall of the shade, sandwiching it between inner and outer layers of the translucent base material. This is a level of algorithmic control that feels like a form of digital craft, placing colour with volumetric precision. When you see the lamp unlit, the colours appear soft and suspended. Turning the internal LED on then completely inverts the experience, as the pigmented patterns become dark, dramatic silhouettes against a warm, glowing background. This gives the object a compelling dual personality, making it an entirely different piece depending on whether it is active or at rest.
The Ruri colorway, with its deep lapis lazuli tones, is the one getting the most attention, but the line includes others worth a look. The Koubai offers a warm plum red, Moegi provides a fresh spring green, and Hakumu is a subtle “white mist” variant. They are available directly from QUQU’s Japanese webstore for ¥19,800, which works out to roughly $125 USD. Now imagine this technique being used on other 3D printed products. I’d kill for a phone case made this way!
The post This 3D-Printed Lamp Changes Its Pattern When You Tilt It first appeared on Yanko Design.