
A Folding Chair Designed to Stay Out, Not Hide Away

I have a complicated relationship with folding chairs. Not a hostile one, just complicated. They are one of those objects that exist in a permanent state of apology: useful when you need them, embarrassing when you don’t, and almost always the first thing you hide before company arrives. The folding chair has never quite managed to transcend its reputation as a placeholder for “real” furniture, and for decades, most designers haven’t really bothered trying. That’s what made the Kael Walnut Folding Chair by Esspur stop me mid-scroll.
It doesn’t announce itself as a folding chair. If you saw it sitting in someone’s dining room, you’d probably assume it was a permanent fixture, a considered purchase, a statement piece. The seat and curved backrest are solid walnut, warm in tone and shaped to suggest permanence rather than portability. The frame is polished stainless steel, slim and structured without feeling cold or industrial. Taken together, the chair reads more like something you’d find in a well-edited boutique hotel lobby than something you’d unfold for a dinner party and tuck back behind a door before your guests could notice. The proportions are right. The materials are at least photographically convincing. And the overall silhouette holds a kind of quiet confidence that most folding chairs never come close to.
Designer: Esspur


The design carries echoes of mid-century classics, and those references don’t feel like a stretch. There’s a rotational elegance to how the chair collapses that feels deliberate, almost theatrical, as if the whole point of the folding mechanism is to be watched. That’s not a common quality in budget-adjacent furniture. Most folding chairs fold in the most graceless way possible, a series of clicks and reversals that feel like you’re solving a problem rather than using a product. The Kael seems to understand that the fold is part of the design, not an afterthought.


Esspur is a brand with virtually no history and no disclosed location, and their online presence raises more questions than it answers. The product description calls the seat and backrest solid wood in one place, then references veneer craftsmanship in the fine print. I think that’s worth sitting with for a moment. We live in an era of very convincing product photography, and the gap between how something looks on a screen and how it feels in your hands has never been wider. The walnut might be veneer rather than solid. The steel might feel lighter than it looks. These are legitimate concerns, and if you’re the kind of person who expects heirloom-grade furniture, this probably isn’t it. Shopping from an unknown brand with no verifiable track record is always a calculated risk.


But here’s the thing I keep turning over: the idea itself is nearly flawless. Whatever the material quality ends up being, someone thought carefully about the problem of the folding chair and came up with a solution that doesn’t feel like a compromise. The design respects the object. It doesn’t try to disguise the fact that it folds; the mechanism is visible, structural, part of the aesthetic. But it also doesn’t apologize for it. That’s a harder line to walk than it looks.

For anyone living in a city apartment, a studio, or a home where space is a constant negotiation, the Kael makes a quiet argument: good design shouldn’t require a permanent footprint. The best extra chair is one you’d want to leave out even when you don’t need it. Most folding chairs fail that test spectacularly. This one, at least in concept, passes with something to spare.

Whether Esspur refines the build quality over time or quietly disappears from the internet, the design itself has already done something useful. It’s asked the right question: what if the folding chair wasn’t the awkward option, but the intentional one? It’s a question the furniture industry hasn’t had much urgency to answer. Maybe now it does.

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CamelBak and Crayola Just Made the Most Nostalgic Water Bottle

Remember holding a fat crayon between your fingers as a kid? The waxy smell, the satisfying peel of the paper label, that specific weight in your hand that felt like pure creative possibility? CamelBak and Crayola are betting you do, because their new limited-edition Chug Water Bottle Collection is practically a love letter to that memory.
The collaboration transforms the classic crayon into functional hydration gear, and the execution is genuinely clever. The standout feature is the lid shaped to mimic the iconic Crayola crayon tip, a small but deliberate design choice that does a lot of heavy lifting. It’s not just a slap-on logo deal or a crayon-print graphic splashed across a generic bottle. The actual form of the crayon is carried through to the cap, which makes it feel like a real design statement rather than a quick licensing cash grab.
Designer: Camelbak x Crayola

The collection comes in three sizes: a 14oz, a 16oz insulated stainless steel version, and a 25oz option made with Tritan Renew plastic. The 16oz model is vacuum-insulated, keeping drinks ice cold for hours, while the larger 25oz is lightweight and non-insulated, ideal for someone who just wants a grab-and-go bottle without the extra weight. Both are BPA-free, and the 25oz is built with Tritan Renew, which incorporates reclaimed plastic material into its construction. That feels like a thoughtful nod to sustainability, and it’s the kind of detail that tends to get overlooked in the excitement over aesthetics.


Where the collection really delivers is in the color palette. Crayola didn’t just hand over its logo and call it a day. The bottles arrive in shades pulled straight from the classic 64-count box: Cherry Red, Carnation Pink, Sky Blue, Aquamarine, Green, and more. These aren’t muted, “adultified” interpretations of those colors. They’re unapologetically vivid, exactly the kind of saturated tones that made opening a new box of crayons feel like an event. For anyone who has strong feelings about how many “adult” product lines water down color until it becomes something beige and forgettable, this collection is a welcome counter-argument. It’s rare to see a brand commit fully to the bit, and Crayola’s signature palette, deployed here at full intensity, is genuinely satisfying.




Nostalgia-driven collaborations are everywhere right now, and they can be exhausting when they feel cynical. A well-known consumer brand slaps its logo on something unrelated, leans hard on your childhood memories, and hopes the emotion carries the sale. The CamelBak x Crayola partnership sidesteps that trap because the two brands actually share the same lane. Both are built around accessibility, creativity, and the idea that the best products go everywhere with you. Crayola has been a household name since 1903, and CamelBak has spent decades designing hydration products that live in backpacks, gym bags, and school hallways alike. Putting them together isn’t a stretch. If anything, it’s the kind of collab that makes you wonder why it didn’t happen sooner.


The pricing sits at around $28 for the insulated 16oz bottle and closer to $19 to $23 for the 25oz Tritan version. Neither is bargain-bin territory, but they’re reasonable for what you’re getting: a genuinely well-made hydration product with design details that go beyond surface level.


Is this a bottle that will change the way you think about hydration? No. But that’s also not the point. The CamelBak x Crayola Chug Collection is a product that understands the quiet power of play, that the objects we carry around every day say something about who we are and what we choose to care about. Choosing a water bottle shaped like a crayon is a small, deliberate act of joy, and in a product category that has been dominated by matte black cylinders and relentless “wellness” branding, a little color goes a long way. Literally. The collection is limited edition and available now on Amazon and through CamelBak’s website.

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