Gorgeous ‘Japandi’ MagSafe Charger blends into your Table Decor with a Rustic Wood Build

With its simple form factor and dual-shade wood construction, Oakywood’s MagSafe iPhone Stand/Charger has an aesthetic quality similar to the kinds found in Japanese and Scandinavian homes. Fondly known as ‘Japandi’ (an obvious portmanteau of the two words), the design style is characterized by cleanliness and minimalism that eschews materialism and clutter. With its Japandi-inspired style, Oakywood’s MagSafe iPhone Stand adds a touch of rustic beauty to your table, with a design that looks sophisticated but feels familiar thanks to the use of natural materials like Oak and Walnut wood.

Designer: Oakywood

The stand’s two-part design features a powder-coated aluminum base with a wooden ‘tray’ on top. The hefty aluminum base gives the stand its stable design (while also allowing it to function as a paperweight of sorts) while customers have a choice between a light oakwood or dark walnut wood upper, complementing their table setup.

The stand comes with an empty slot that lets you weave your MagSafe charger in. Once put in place, it becomes a nifty magnetic charging dock for your iPhone that you can either use as-is, or detach the MagSafe charger to use as a horizontal charging mat (shown above).

When used in the ‘stand’ mode, it angles your phone at a precise 25°, making it easy to view while also triggering the iPhone’s new Standby Mode – a feature unveiled in the latest iOS 17 update.

If you don’t want to use your Oakywood MagSafe iPhone Stand as a charger, the company sells a magnetic puck that you can slide into the stand, allowing it to work as merely a docking station without the charging facility.

The folks at Oakywood pride themselves in embracing nature as a material and a source for their designs. The use of wood feels antithetical to the metal and glass build of your iPhone, but it brings about a certain warmth to your tabletop, allowing it to become a standard fixture in your workplace. Besides, the entire thing weighs roughly 700 grams (1.5 pounds), making it a rather heavy accessory that doesn’t feel cheap in the slightest.

Oakywood sustainably sources its wood from America and Poland, also pledging to plant one tree for each product sold, thus ensuring a circular economy of sorts that helps reduce the effects of deforestation while turning wood into a renewable resource. You can grab your MagSafe iPhone Stand in three color options – a Light Oak, Dark American Walnut, or a Black Solid Oak that’s the darkest of the lot, matching the powder-coated Aluminum base.

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Apple’s ENTIRE October MacBook Event was Shot On the iPhone 15 Pro Max

The company may have announced new MacBooks and iMacs at its latest event yesterday… but what it secretly was doing all along was creating an advertisement for their smartphones. In a rare video uploaded to Apple’s YouTube channel, the tech giant revealed that their entire October 30th Keynote was filmed on the iPhone 15 Pro. The video lifts the curtain on how Apple pulled it off, while being perhaps the greatest act of ‘putting their money where their mouth is’ in terms of proving the iPhone’s top-notch video capabilities.

While it’s easy to think that the true star of the event was Apple’s new M3 chip, in reality it was the USB-C port on its newest iPhone 15 Pro. Unveiled just fifty days ago, the new iPhone 15 Pro’s USB-C port is capable of 10Gb/s transfer speeds, allowing you to move ProRes videos in a snap, and even connect external storage, 4K displays, microphones, among other accessories to augment the iPhone 15 Pro’s overall output.

The entire event was quite different from any of Apple’s events, and that seems to be by design. For starters, it premiered in the evening (or at night depending on which coast you live on), marking a massive departure from all of Apple’s morning events. We heard Tim Cook say the words “Good Evening” for the first time, but just before, we got a tour of the Apple Park at night. The camera flew in from up above, battling not just the tricky conditions of flight and navigation, but also incredibly low-light videography.  The Apple Park was practically drenched in the Halloween spirit, with bats flying, ominous music, smoky/foggy pathways, and dimly lit scenes…  all of which were captured brilliantly on the iPhone 15 Pro Max’s massive sensor.

The pre-Halloween keynote, the evening announcement, all seemed like a brilliant setup for the fact that Apple was planning on shooting the entire event on its latest phone. Sure, Apple could have had the event during the day and still boasted a “Shot On iPhone” disclaimer… but to shoot the entire thing in low-light – there’s no way Apple could resist that massive a flex. The event was also entirely edited on a Mac, as Apple’s way of showing how powerful the two devices are on their own as well as put together.

Anyone deeply familiar with Apple’s Shot On iPhone campaign knows that there’s more than just an iPhone involved. Those massive billboards with beautifully composed and edited photos look great, but a regular user holding an iPhone in their hand could never pull off the same visual mastery. The words ‘Shot On iPhone’ are often followed by ‘with a lot of expensive accessories’, but not many people know that. For Apple’s keynote, the company is at least a little more forthcoming by showing exactly what their rigs looked like… and no, it isn’t just a dude holding an iPhone in front of Tim Cook.

Verge reports that the entire Scary Fast event setup would have probably cost tens of thousands of dollars. The iPhone itself is mounted on a massive hand-carried rig that stabilizes the footage. For more consistent camera paths, the team used a dolly cam setup with trolleys and rails, and for the aerial shots, the Apple team literally built their own drones that held the iPhone 15 Pro Max. There are expensive microphones, monitors, battery units, lights, and a tonne of other equipment used in the picture. To be fair, Apple would still use all that extraneous equipment with a high-end camera… so just the fact that the iPhone could replace that camera does count for quite a lot.

The entire video dump was easily transferred out of the phone using the USB-C connector. Company 3, an American post-production company that handled the filming of the event, mentioned how buttery smooth the entire process was to shoot 4K ProRes with all those accessories and have all that raw footage simultaneously transferred onto an external hard disk without any hiccups. The A17 Bionic’s heavy lifting would then be complemented by Apple’s M2 chips, which were used by the Macs that edited the footage.

A quick glimpse at the hand-made drone used by Apple’s team to shoot all the aerial shots of the Scary Fast keynote.

This isn’t the first time the iPhone was used to shoot professional content. In 2015, a film named Tangerine was highlighted at the Sundance Film Festival for being shot entirely on iPhones. Notably, Olivia Rodrigo shot one of her music videos on an iPhone too, and Indian film director Vishal Bharadwaj collaborated with Apple to shoot a short film, Fursat, entirely on an iPhone. This is the first time Apple’s taken that plunge, and it seems to have paid off rather well. If only they had migrated to USB-C sooner…

 

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The limited-edition Samsung Galaxy Z Flip5 Retro is inspired by the classic SGH-E700 flip phone

The clamshell-like Galaxy Z Flip5 is an interesting device, combining modern smartphone specs and features with a holistic design approach that heavily borrows elements of flip phones from the early 2000s. It’s also the best of its class, thanks in part to very little competition from Apple — but also because of its robust internals, like a primary 1080×2640 AMOLED display (collapsing into a 720×748 front display when closed), a Snapdragon 8 Gen 2 processor, 8 gigabytes of RAM, and a 3700 mAh battery.

As of October 30, Samsung announced a limited-edition version of the Galaxy Z Flip5, called the Galaxy Z Flip5 Retro, and it looks peculiarly like 20-year-old SGH-E700, which launched around the same time as (and was ultimately overshadowed by) the behemoth Nokia 1100. Still, as Samsung’s first mobile phone containing an antenna, the SGH-E700 was a triumph in cellphone design for its time, and it’s celebrated in the stylized Galaxy Z Flip5 Retro, which sports the original SGH-E700’s indigo blue and silver color scheme.

Designer: Samsung

The tributary Flip5 Retro also comes with an interface makeover which itself is a throwback to the SGH-E700’s stock interface, complete with the blue lettering on the Flex Window that you can even show off alongside a pixel-art animation of a city skyline punctuated by shooting stars streaming across the night sky. It’s awfully pretty looking, and it’s certainly reminiscent of 16-bit screen savers and mobile games that were playable on cell phones in the early 2000s.

It sounds like the Flip5 Retro is shipped in a package containing several extra goodies, including: “three Flipsuit cards featuring logos from different eras of Samsung’s history, a Flipsuit case and a collector card engraved with a unique serial number that will add to the product’s collectible value for purchasing customers.”

Unfortunately for those of us in the United States, there is no planned launch window for the Samsung Galaxy Z Flip5 Retro over here. It’s also not exactly clear how “limited” the limited edition release will be, as Samsung has yet to disclose how many will be produced. You may still be lucky enough to nab one for yourself from the Samsung online store at the Flip5 Retro’s MSRP (roughly $1,240) if you’re in the UK or Australia, where shipments are set to go out on November 1 — or, if you’re in Spain, Germany, or Korea, where shipments are set to go out on November 2.

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