The Airwave is basically a tall stand with a camera on top. This camera points downward to track the player’s finger movements on a connected MIDI keyboard. Movements are tracked in real time and beamed to a tablet, which then displays visuals to teach users how to correctly play a song and fix any mistakes they are making. It'll even try to fix bad playing posture.
The Airwave uses machine intelligence and computer vision to track the player’s hands and to offer its advice on where those hands should be placed. There’s some machine learning baked into this system when analyzing live footage to come up with accurate teaching methods.
The affiliated app also integrates with ChatGPT, allowing for natural language queries. For instance, users can ask relevant questions about the song being learned or general-use queries about music theory. Being as how a player’s hands would be occupied when in the midst of a piano tutorial, these questions can be asked by voice instead of by typing into a virtual keyboard. This won’t beat interacting with a real piano tutor, but it’ll likely be easier than hunting for a needle in the YouTube video haystack.
“Basically, 100 percent of your time when you practice, you're going to practice correctly now,” Roli’s CEO, Roland Lamb, told Wired. “So you'll be developing good habits over time.”
The Airwave isn’t just for students. The device is also being marketed as an outlet for experimental music-making. There are five inputs that adjust various parameters via hand movements. This means that players can use one to radically change the sound of the instrument being played.
“With the simple raise of their hands, creators can transform a piano into a full orchestra, just as a conductor would, or morph mellow synth pads into searing leads with a tilt of a wrist,” Roli wrote in a press release.
Now onto the caveats, and there are a few. This is nifty tech, of that there’s no doubt. However, there’s a significant barrier of entry. First of all, the Airwave itself will cost $300 when it releases in February. The device cannot be used on its own. It requires a pre-existing Roli keyboard, like the $1,400 Seaboard Rise 2 or the much cheaper Lumi (now called the Piano M.) Also, to access the teaching tools, users will need to bring in their own tablet. There are apps for both Android and Apple devices, but only newer iPad and Samsung Galaxy Tab models will be supported.
Finally, budding piano players will also have to fork out $15 a month to access the Roli Learn music education subscription service. If money’s no object, this looks like a fairly novel way to learn the piano.
Roli says the Airwave is just the first release in what it’s calling its Music Intelligence (MI) platform. The company writes that the “Roli MI platform will be the foundation of a roadmap of future intelligent products, starting with Airwave.” Preorders for the Airwave are available right now.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/the-roli-airwave-is-a-high-tech-keyboard-teaching-tool-inspired-by-the-theremin-172342147.html?src=rss
For parents, probably the last instrument that they would want their kids to take up are the drums since they know they’ll be in for months or even years of ear-splitting noise. But over the years and with the advent of electric drums, there have been quieter options for people who want to practice their craft and not disturb the people they live with.
Designer: Roland
The V-Drums Quiet Design from Roland claims it is “the lowest playing noise in the history of electronic drum kits.” Of course it is not completely silent but it is able to reduce the playing noise levels by 75% compared to their previous V-Drums. Users have the option to play the set with the existing TD-07 control module or to choose another V-Drums module. There are several features that makes this electronic drums kit less noisy.
For one, the system snare and tom pads have a honeycomb rubber insert that is noise-absorbing and on top of it, there is a mesh head and strategically placed vents under the playing surface. The rim of the snare is actually triggered independently from the head and has soft rubber so your rim shots are not jarring for the people around you or near you. The set also has three cymbal pads that have the same materials mentioned above, with the crash and ride ones having independent bow and edge triggering while the hi-hat has a foot pedal to give it ultra-quiet operation. The kick drum has a triple-later cushion with a double-ply mesh in a floating frame set so the vibration and noise transfer is less.
All the features basically confines the sound to the headphones that you’ll wear while playing. The entire kit even has a noise-dampening stand with isolating rubber feet which keeps the sound levels “similar to an average conversation”. This is a gift for both the drummer and the people living with them.
Of the many creative endeavors, music is probably one of the hardest to learn and practice. And of the well-known musical instruments, the violin is one of the hardest to play. But what if you can play the violin or some semblance of the instrument as easily as you could press down keys on a piano? And what if that produced the unique tonal quality of a violin while still hitting all the right notes perfectly? That’s the kind of musical experience that this DIY synthesizer offers, combining two classical instruments in a single form that might leave you confused with one hand playing the keyboard and the other playing the violin.
Electronic keyboards can try to mimic the sounds of different musical instruments, but they don’t always work. They can’t, for example, reproduce the unique vibrating quality of the violin family, which at the very least would require some physical medium to produce that kind of sound. Conversely, violins are hard to master because you need to also move the bow at a very precise location to hit the right pitch, and that location isn’t marked like on a guitar.
Key-bowed, which is a very creative name, tries to combine the strengths of both the keyboard and the violin with very few of the flaws. It’s actually an idea decades in the making, but it’s finally possible to pull it off thanks to modern technologies and hardware. The synthesizer combines a Roland K-25m keyboard, an Arduino Uno R4 minima controller, and a self-made bowing sensor with a vertical acrylic plate. Of course, the assembly also requires some programming know-how, especially when dealing with sound waves.
Despite the complexity of the build, using the Key-bowed looks pretty simple, at least for the musically inclined. You simply hit the keys with one hand to produce music like on a regular keyboard or piano, and then you use the other hand to move the bow across the acrylic plate as you would with a violin. The vibrations on the plate are detected by the sensor and then transformed into waves that modify the note that’s produced, resulting in a very realistic recreation of a violin sound, with perfect pitch, and without the screeches. You can even pluck the plate and make it sound like you’re really plucking a string.
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Key-bowed is definitely a work of genius that makes playing music both fun and enchanting. It still requires you to have some basic music knowledge, of course, but it makes the execution less daunting, especially if you’ve always dreamed of playing the violin. Of course, there are limits to the music you can play, since you’re technically producing notes with only one hand, and the design is made for those who hold the violin bow with their right hand. Nonetheless, it still creates a captivating experience, and hopefully, it can become a commercial product that will let everyone enjoy that experience as well.
The company teamed up with Loog for this instrument, so this is basically a reskin of the pre-existing Loog Piano. It swaps out the red for a, dare I say, Brat green and it ships with a neat little smartphone stand, for keeping an eye on the app during practice sessions. Other than that, it looks nearly identical to the OG version.
That’s not a bad thing. The Loog x Duolingo Piano is a three-octave digital keyboard with built-in stereo speakers, wood sides and a rechargeable battery for portable use. The keys are likely one of the biggest selling points, as they allow for dynamics (piano to forte.) These Loog keyboards are pretty much the only digital pianos with velocity-sensitive keys at this size and price point.
It doubles as a standard MIDI controller, via USB-C, and there’s a sustain port and a headphone jack. This particular version also ships with Duolingo flashcards for budding piano players. Of course, it also integrates with the company’s app, for on-the-fly tutorials. There’s a Loog Piano app coming, but we don't know when. We reached out to the company for a concrete release date and confirmation that the Duolingo piano will integrate with the Loog app. We’ll update this post when we find out, though I’d be extremely surprised if there isn’t cross-app functionality.
Just like the original Loog Piano, this one costs $249. Preorders are live right now, though it doesn’t ship until November. If you really have a hankering for a student-grade portable piano, the standard Loog Piano ships immediately.
This article originally appeared on Engadget at https://www.engadget.com/audio/duolingo-best-known-as-a-language-learning-app-now-makes-a-piano-172012643.html?src=rss
Arturia V Collection X is one of the biggest updates to the virtual synth library in quite some time. Six new instruments have been added (though, most have been available separately before) and two have been rebuilt from the ground up. That brings the grand total number of instruments in V Collection to 38, and over the last few years at least six of those have been completely revamped with dramatic improvements.
MiniFreak V, Acid V, Augmented Brass and Augmented Grand Piano were all available previously as standalone instruments, but now they are joining the V Collection proper. Two completely new instruments are also entering the fold. Augmented Woodwinds and CP-70 V. Augmented Woodwinds is, as you might have guessed, a take on Arturia’s Augmented series, except here the synths are paired with woodwind samples. CP-70 V is an emulation of Yamaha’s electric piano from the late ‘70s and early ‘80s used most notably by The Grateful Dead and Genesis.
Augmented Woodwinds, Brass and Grand Piano
Terrence O'Brien / Engadget
I’ll admit to being somewhat skeptical of Augmented Woodwinds at first. I think Augmented Strings and Grand Piano are excellent, but have found little use for Brass and Voices so far, and woodwinds often feel like some of the most difficult acoustic instruments to get right in a sample library. Yet, Arturia pulls it off, largely by leaning into the synth side of things pretty strongly. You’re never going to convince anyone that the sounds coming out of it are from a flesh-and-blood woodwind ensemble, but the soft cinematic pads and leads you can coax out of it are compelling, especially when paired with an MPE controller like the Push or Seaboard Rise 2. (With the exception of a few presets that seem to come undone when faced with MPE input, at least.)
Like the rest of the Augmented series, Woodwinds, Brass and Grand Piano feel built especially with scoring in mind. That’s not to say you can’t find a use for them in a pop song or jazz arrangement, but these are all about atmosphere and texture, and there’s a healthy dose of sounds that would only be appropriate in the tensest moments of a cosmic horror film.
They all have a suite of advanced controls where you can build almost any sound you want from its four layer engine (two samples and two synths). You can even completely disable the sample layers and go woodwind-less, though, you might as well use one of the other plugins at that point.
CP-70 V
Terrence O'Brien / Engadget
The other completely new instrument, CP-70 V, is a lot more straightforward. It’s an electric piano. A very specific one that hasn’t enjoyed the same level of reverence as the Rhodes or Wurlitzer, but isn’t without its merits. The CP-70 used strings like a real piano, instead of the metal reeds and tines found in Rhodes in Wurlitzers. It also used piezo pickups instead of magnetic ones, resulting in a sound that is significantly closer to an actual acoustic piano. That was definitely a huge selling point for touring acts in the ‘70s and ‘80s that wanted the sound of a grand piano, but didn’t want to lug one on the road.
The result though, is less characterful than those other electric pianos. It’s brighter and there’s less room for shaping the sound without adding effects. Arturia seems to do an admirable job of capturing the spirit of the CP-70, but it comes close enough to sounding like a real piano, I’d be far more likely to reach for the regular ol' Piano V plugin in most cases.
MiniFreak V
Terrence O'Brien / Engadget
Acid V and MiniFreak V both launched earlier this year. And frankly, nothing has changed with Acid V in the roughly four months since I wrote about it, so I won’t say much beyond, it’s an excellent TB-303 emulator. It does what you expect it to and not much else, but with about one-tenth of the headaches of the real thing.
MiniFreak V, on the other hand, got a major update yesterday with a new wavetable engine, new super unison effect and some improvements to the LFO. The 32 wavetables are pretty solid and modern sounding. And perhaps, best of all, they seem to be able to handle bass better than some of the other oscillators — an area the Freak line has always felt a little weak in. There are 64 new presets designed to show off the strength of the wavetable engine and there’s some real winners in there. Yes, there are plenty of weirdo sound effects and dubstep bass wubs, but there are also some lovely chilly pads and delicate keys.
Additionally, Arturia is finally adding preset packs for the MiniFreak and MiniFreak V to its store. There are two paid soundpacks, but also three free ones and, well, I can’t recommend that you download Deserted Lands from Oscillator Sink enough. It’s basically just one gorgeous broken patch after another. This was sort of a running theme, though. With MiniFreak 2.0, Augmented Woodwinds and the rebuilt Mini V4, Arturia really improved the quality of its presets. Whether they were designed in house or by an artist they worked with, most felt designed to show off what the plugins were capable of musically, as opposed to technically. That wasn’t necessarily the case with the MiniFreak, the MicroFreak or even Pigments.
Mini V4
Terrence O'Brien / Engadget
This was the single biggest shock of the lot, honestly. Mini V was also a decent enough Minimoog Model D emulation, but the world is filled with those. It was never the reason to seek out V Collection specifically, but it was good enough that you didn’t need to go find an alternative. Mini V4, however, is incredible. The difference is subtle, but definitely noticeable if you load up the default template in both Mini V3 and V4 and play them side by side. For one, the V4 is a touch louder, but it’s also fuller. Part of that, I think, is there’s more inherent instability in the new oscillator model. As you start playing at the lower reaches of the keyboard you can hear it more clearly.
You can also play lower notes. Where V3 simply doesn’t work below A-1, V4 will let you get all the way down to C-2, though, there’s very little musical reason for you to go down that far.
The differences become more apparent when you start messing with the filter. More bass is retained as you start turning up the resonance in the new version, and it remains usable even with it pinned. The frequency cutoff is also smoother with a bit more of a guttural growl as you start isolating those lower frequencies.
While the Minimoog obviously excels at bass, and Arturia makes sure to showcase that, there are also a lot of presets that push the sound in different directions. The benefit of a plugin over the actual vintage synth is that you can have eight notes of polyphony here. That gives this virtual Model D the freedom to play unstable pads and electric-piano style keys.
The addition of a “vintage” knob is also quite welcome here. While I love things being ever-so-slightly out of tune and for there to be a gentle whisper of white noise in the background, others might want a more buttoned up sound.
It’s also worth pointing out that Arturia didn’t go too overboard with the features here. There’s no modulation matrix or sequencer or motion recording. There’s a handful of useful effects, an arpeggiator and MPE controls, and not much else beyond what you’d find on the original.
Wurli V3
Terrence O'Brien / Engadget
Similar to the Mini V, Arturia took its Wurlitzer plugin and decided to start over agin. The results are excellent, if a touch less dramatic than with the Moog emulation. The general tone is brighter and it sings a bit more in the lower registers. There also seems to be a wider stereo field than before as well. The cumulative effect is something a bit more inviting.
The new mic and amp simulations help it feel more alive and like you're actually in a room with a Wurli instead of just playing one through your computer. And the age parameter adds instability to the sound, allowing you to get that "just found this keyboard in my uncle's basement where it's been sitting untouched for 30 years" sound. Not to mention it absolutely nails the sound of Supertramp's "The Logical Song."
The Wurli isn’t a plugin I reach for terribly often, but I appreciated the improved tone that should help it cut through a mix a bit better. It’s also far more versatile than the CP-70 V, though even with the improvements I’m far more likely to reach for a Rhodes.
Arturia V Collection X is available now and existing Arturia customers will get a discount, depending on what software they already own. If you're new, the full price of $599 might be a bit tough to swallow, but it still represents one of the better deals in soft syths.
This article originally appeared on Engadget at https://www.engadget.com/arturia-v-collection-x-is-its-biggest-upgrade-in-years-160015345.html?src=rss
Ubisoft’s Rocksmith+ guitar-learning platform just got an update that’s sure to please ivory ticklers, as the app now teaches piano. A single subscription allows access to every instrument under Rocksmith’s umbrella, including acoustic guitar, electric guitar, electric bass and, now, piano.
The newly-updated Rocksmith+ already boasts 400 piano arrangements to practice, with at least 40 more arriving each month. These songs include pop hits like Elton John’s “Rocket Man”, Adele’s “Make You Feel My Love” and titles culled from a diverse array of genres, including classical to soundtracks and beyond. These piano-based compositions join over 7,000 pre-existing songs for guitar and bass players.
The app’s available for both mobile devices and PCs via the Ubisoft store, and the update lets you use a digital piano, keyboard or wired MIDI controller. It supports keybeds with 25 keys up to the full complement of 88 keys. You’ll have your choice of practice methods, as the app offers an interactive 3D interface or traditional sheet music. Also, you don’t need any extra gear to get going, like a dedicated microphone.
Reviews for the guitar and bass elements of Rocksmith+ have been mixed, with some publications praising the intuitive interface and others decrying the limited song selection. The app offers a free trial for a week, but subscriptions cost $15 per month, if you go with a monthly plan, or $100 per year. The free trial is only available for the yearly subscription, so exercise caution when signing up and be sure to set a reminder to cancel before the week is up if you aren’t jiving with the software.
This article originally appeared on Engadget at https://www.engadget.com/ubisofts-rocksmith-guitar-learning-app-now-teaches-piano-184530282.html?src=rss
Casio’s instrument division has been around a long time, as anyone who got into music as a kid by making fart noises into an SK-1 knows. However, the company is mostly known for entry-level digital pianos that get the job done, but don’t offer much by way of modern conveniences. In recent years, Casio has been dipping its toes into the waters of high-end instruments like the Privia PX-S7000.
The latest Privia entry is a sizable leap over most starter pianos. This is a serious instrument for serious players, with that quad-speaker system, 88 hybrid hammer action keys that feel fantastic, plenty of high-tech bells and whistles and, most importantly, access to three realistic-sounding piano models, along with 400 other instruments. Oh, and it has a hefty $2,400 price tag to match.
All of that is well and good, but let’s talk about why I really decided to splurge on this thing over the myriad of other digital pianos out there — it’s absolutely gorgeous. It hits that sweet spot between a musical instrument and a piece of high-end furniture. I fell in love pretty much instantly when I saw it online. I wasn’t able to try it out ahead of time, as my options here in Minnesota are limited when it comes to testing synths and digital instruments, so I just went for it. My plan was to return the thing if it was a lemon but, as you can see, it’s still there. It’s not a lemon. Maybe it’s a strawberry? Those are pretty.
I had just moved into a mostly-bare new home and had an entire house to fill for the first time in my life. I wanted something that tied the living room together and I don’t really understand visual art, so I went with what I know: expensive musical instruments. It did the trick. It looks stunning sitting there and almost makes up for the lack of wall art.
Casio PX-S7000 out of the box
The piano itself has elegant spruce sides, and it ships with a sleek and sturdy wooden beech stand. There’s also a nice-looking three-pedal unit that attaches near the bottom, providing yet another feature that makes this digital piano feel, well, not-so digital. It weighs just 60 pounds, so it was easy for me to try out different placements on the fly without destroying my back. Real pianos weigh hundreds and even thousands of pounds — I’ve ruined enough friendships in my life asking people to help me move them around, thank you very much.
I ended up with the black model, though it’s also available in white and “harmonious mustard.” Personally, I think the mustard is the most attractive option, but the eye-popping paint job adds another $200 to the price. I’m financially irresponsible, but even I have my limits. I still lust over that warm and luscious yellow, though.
The Privia PX-S7000 is not just a conversation piece, it also sounds and feels eerily similar to playing the real thing. The three primary piano models are excellent, but digital recreations of classic instruments are nothing new. This instrument combines those excellent piano models with a realistic-sounding speaker system and a keybed that’s incredibly satisfying to play.
How it sounds: The tech inside the Casio PX-S7000
Photo by Lawrence Bonk / Engadget
The keybed feels great, with a textured surface on each key that calls to mind, you guessed it, an actual piano. There’s a proprietary technology here, called Smart Hybrid Hammer Action, but I don’t really understand the specifics. All I know is that the keys spring back nicely and do their part to keep the illusion going that you’re playing an analog instrument. There’s a heaviness to the key presses and an oh-so-satisfying thunk as each press returns to the resting position. It’s just plain fun to play. (Though I’m not exactly Rachmaninoff. I’m more of a dime-store Paul McCartney.)
Another proprietary system, Casio’s Multi-Dimensional Morphing AiR Sound Source, helps increase the fun factor by adding a bit of damper, string and aliquot resonance with each press. This tech is based on the sound engine from the even more expensive Celviano line of digital pianos, so it’s nice to see it pop up in a cheaper model. There’s also some counterweight and damping voodoo going on underneath the hood. This is the closest I’ve ever felt to the “real thing” with a digital instrument, though I haven’t spent any time with ultra-high-end digital pianos as a comparison point. I have, though, spent hundreds and hundreds of hours playing real pianos, starting in my grandmother’s den as a wee tyke.
When I’m playing the Privia SX-7000, it sounds like the tones are coming from everywhere at once, thanks to the quad-speaker spatial sound system. They really put me in the center of the action and, believe it or not, this actually makes me play better, especially when compared to my caveman plunks on a MIDI controller.
The main draws here are the three piano models, but this is a digital instrument in the year 2023, so there’s some high-tech fun to be had. Casio has introduced a new feature that pairs analog piano sounds and electric tones with on-board effects to recreate the vibe of classic songs. For instance, you can tap away at a piano that sounds like John Lennon’s Imagine, Queen's Bohemian Rhapsody, Stevie Wonder's Superstition and dozens more. There’s even a microphone input and 25 vocal effects options for sing-alongs. I’ve used both to great effect. Starting with a famous piano sound helps me drum up song ideas and plugging a mic in lets me hear my vocals at a decent volume without having to emote like Whitney Houston during the last key change of I Will Always Love You.
Sound settings
All modern digital pianos have a few hundred additional sounds for those times you want to hear an average-sounding bass, and the Privia’s no different. There are 400 sounds to choose from, ranging from good to barely OK. All of the usual bases are covered here, from synth-heavy pads to drum kits and woodwinds. None of these sounds are truly mind-blowing, but they can help generate ideas in a pinch. If I’m recording, however, I prefer a virtual instrument with more control options.
One modern convenience that I enjoy is the included Bluetooth adapter. This is only for incoming sounds, but it’s still pretty cool. I’ve spent many hours streaming music from my phone to the piano and playing along with it. It’s an efficient way to learn new songs.
Casio app
The piano integrates with a Casio app that offers piano lessons and the like, which I haven’t tried because I like learning in my own way. The app also displays PDF scores on your phone or tablet that you can play along to, though I haven’t experimented much with this feature because I (ducks) can’t read music.
The added features are cool — it’s 2023 after all — but the true draw of the Privia SX-7000 is three-fold: it looks great, it sounds great and it feels like playing a real piano. It’s also really expensive, costing around $2,400, so this isn’t for casual hobbyists. I bought it fully expecting to regret my purchase, but that regret never came. Instead, I feel a spark of joy whenever I see it sitting there, inviting me to play Imagine until I’m blue in the face.
This article originally appeared on Engadget at https://www.engadget.com/what-we-bought-casios-latest-flagship-digital-piano-doubles-as-drool-worthy-furniture-150038288.html?src=rss
