Samsung is poised to make a significant impact in the smartwatch industry with the upcoming Galaxy Watch 9 series. This highly anticipated lineup, which includes the Galaxy Watch 9, Galaxy Watch 9 Classic, and Galaxy Watch Ultra 2, is expected to deliver notable advancements in battery life, processing power, and overall performance. Scheduled for an […]
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Xbox CEO Asha Sharma has confirmed the development of “Project Helix,” a next-generation console slated for release in 2027. This initiative aims to address Xbox’s financial hurdles while emphasizing exclusivity and hardware advancements. As outlined by Colt Eastwood, the console will incorporate Xbox Magnus chips, which are designed to improve performance and integrate gaming experiences […]
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The Samsung Galaxy S27 Ultra and S27 Pro are among the most anticipated smartphones of 2026. However, recent leaks suggest that Samsung may have unintentionally blurred the lines between its flagship models. By equipping the S27 Pro with features that closely rival the Ultra, the company risks diminishing the exclusivity of its premium offering. The […]
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Jasmine Uniza revisits her impressions of the $800 Meta Ray-Ban display glasses, highlighting how a May 2026 software update has shifted their appeal. Initially, the glasses’ high price and limited functionality raised concerns, but new features like customizable AR widgets and Instagram Reels integration have expanded their potential uses. However, she points out that challenges […]
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Apple’s watchOS 27 introduces a comprehensive suite of updates aimed at enhancing usability, health tracking, and overall performance. With features designed to streamline daily interactions and improve functionality, this update continues Apple’s tradition of refining the smartwatch experience. However, stricter hardware requirements mean that some older Apple Watch models will no longer be supported. The […]
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Apple’s watchOS 27 brings a combination of new features, interface refinements, and performance upgrades, aiming to enhance the Apple Watch experience. While the update introduces several improvements, it also removes certain familiar functionalities and omits a few anticipated features. This detailed overview will guide you through the notable changes, helping you understand what’s new, what’s […]
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Apple has unveiled macOS 27, codenamed “Golden Gate,” a significant update designed exclusively for Apple Silicon Macs. This release marks a pivotal shift, as it officially ends support for Intel-based Macs, allowing Apple to focus entirely on optimizing performance, refining design, and integrating advanced AI capabilities. Currently available as a developer beta, the public beta […]
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Most flashlights spend more time in a drawer than in a pocket. The ones people actually carry tend to earn that habit by being genuinely useful across more than one situation, not just reliable when the power goes out. That gap between gear carried out of habit and gear someone actually reaches for is where most EDC tools either prove themselves or collect dust.
The VEZERLEZER WK2 takes that problem head-on. Rather than being one bright option you might need someday, it covers the full range of lighting situations a person encounters in an average week, from navigating dark outdoor spaces to close work with your hands to pointing something out across a room. The goal is to be a light you actually use every day, not just carry.
Designer: VEZERLEZER
Click Here to Buy Now: $21 $39.99 (48% off).
Its front-facing white spotlight handles the primary illumination work, reaching up to 1,300 lumens with a beam that covers serious distance. It isn’t a fixed brightness setting, though. From moonlight mode through low, medium, and high, the output ramps in either direction on command, so it’s easy to dial in exactly the right amount of light rather than landing on whatever happens to come next.
The side light offers an entirely different kind of output. Built around a 4,500K warm-tint LED with a color rendering index of Ra 90, it reveals true colors rather than washing them out, making it useful for close-up tasks where accuracy matters. It’s rampable from as low as one lumen up to 200, covering everything from quiet bedside reading to a broader wash of task lighting.
The same side strip also has a red light mode, and it’s more practical than it might initially seem. Red light doesn’t wreck your night vision the way white does, making it a much gentler option for moving around after dark without startling yourself or anyone nearby. A double click takes you straight there without cycling through anything else, which is a small but well-considered touch.
Where the WK2 steps beyond conventional flashlight territory is in its two remaining front outputs. A 365 nm UV light handles surface checks and the kind of inspection tasks a standard beam simply can’t manage, while a 520 nm green laser adds directional precision for pointing out specific details from a distance. Both are accessible independently, without cycling through any other modes first.
Managing all of that through a single button would be a mess, but the WK2’s dual-switch layout handles things sensibly. The upper switch controls the front outputs; the lower covers the side. Each uses distinct click patterns to jump directly to a specific mode without accidentally landing on the wrong one first. It’s a clean approach to organizing multiple functions without burying them in complicated sequences.
A 2,000 mAh built-in battery handles regular daily use, and USB-C charging makes it easy to keep topped up. What’s more notable is that it also accepts power from an external source while running, meaning a connected power bank can potentially extend the runtime indefinitely. That’s more dependable for longer work sessions, camping, or power outages than relying on a sealed battery alone.
The physical design reinforces the daily carry intent. The WK2’s flat rectangular body fits in a pocket far more naturally than a cylindrical torch, and the wide stainless steel deep-carry clip holds it firmly in place without shifting. It’s low-profile enough to stay discreet, too. A strong tail magnet rounds it out with a hands-free mounting option for any nearby metal surface.
The WK2 makes a case for being the one light that handles a surprisingly broad mix of everyday needs across a typical week. Five distinct outputs, a direct-access layout, and a carry design built around regular use all point to a flashlight that was put together by people who think about their gear as something to be used, not just stowed.
Click Here to Buy Now: $21 $39.99 (48% off).
The post Your EDC Flashlight Is Missing 4 Modes: VEZERLEZER Has All 5 first appeared on Yanko Design.
The beach has a design problem. Everything made for it arrives wrapped in the same visual language: neon plastic, logos scaled for visibility from twenty feet away, and product names in fonts that suggest the designer’s reference material was a county fair booth. Coolers, chairs, speakers, sunscreen dispensers. The category has collectively decided that beach gear should look exactly like beach gear, and nobody seems to have questioned whether that was actually a good idea.
These five objects have a different point of view. None of them look like they were produced for a promotional photograph on a pier. Each one earns its place through a specific design decision that makes a full day at the beach easier, quieter, or a little more considered.
Every Bluetooth speaker brought to the beach eventually dies. The battery gives out at exactly the moment someone finds the right track, and the rest of the afternoon becomes a negotiation about whether to go back to the car. The Battery-Free Amplifying Speakers remove that problem entirely by having no battery to run out. Sound from a phone travels into the chamber and is amplified through acoustic geometry rather than electronics, with no pairing, no charging, and no indicator light to watch nervously.
The principle is the same one behind a gramophone horn or a hand cupped around a speaker: redirect sound and it gets louder. What lifts these above cheaper versions of the same idea is the internal chamber design, which reinforces rather than merely surrounds the sound. The result is noticeably fuller than the phone alone, and at the beach, where wind and open space work against you constantly, that gain matters more than a battery percentage reading or a firmware update ever could.
The Camp Snap 2 is a point-and-shoot with no rear screen, no Wi-Fi, and no ability to see the photograph you just took. You shoot, you download later. What sounds like a limitation turns out to be a relief. Every photograph at the beach currently involves a review session: retakes, angles held for too long, filters applied in real time while the moment moves on without you. A camera that simply takes the picture and closes the subject is a very different tool to spend a day with.
It is 15 percent slimmer than its predecessor, runs an 8-megapixel sensor, and offers six built-in looks through a physical button on the back: Standard, Vintage 1 through 3, Analog, and Black and White. It comes in nine colorways, including several translucent jelly-plastic finishes in Sunbeam Yellow, Tangerine Drift, and Strawberry Splash. It supports 30.5mm screw-in filters for anyone inclined to go further.
The problem with canned drinks at the beach has never been opening them. The pull tab handles that adequately. The problem is everything after: a small hole that warms the drink faster than it should, attracts every insect within range, and forces you to drink in a way that a can was never designed for. The DraftPro removes the entire top of the can in a single motion, leaving no sharp edges and turning any standard drink can into an open vessel with full and immediate access.
It locks onto the rim, cuts around the perimeter, and the lid comes away clean. What you are left with is essentially a metal cup, which changes the drinking experience from a can more than you might expect. A cold brew tastes different when you can actually smell it. A beer drinks the way a beer is supposed to drink. Canned wine, which has always suffered from its own opening, finally gets the same treatment a glass would give it.
Most flashlights are too large to bother carrying and too dim to justify the space they take up when you do. The Wuben G5 is shaped and sized like a lighter, weighs 52 grams, and carries an IP68 waterproof rating down to two metres. It reaches 400 lumens across an 82-metre beam and rotates 180 degrees at the head so the light goes where it needs to go without repositioning the hand. A spring-tensioned clip grips fabric and straps. A magnetic base holds it to any metal surface without additional accessories.
At the beach, the use cases arrive the moment the sun drops: tide pool walks after golden hour, finding something in a dark bag, navigating a car park at the end of a long day, keeping a fire going in the right direction. USB-C charging is hidden behind the rotary tactile switch, a small detail that makes the whole object feel genuinely resolved. At $25, it sits in a price bracket where most comparable flashlights are forced to choose between bright and portable. The G5 does not choose.
The Hibear All-Day Adventure Flask won a Red Dot Design Award in 2020, carries a five-year warranty, and performs six separate functions inside a single 32-ounce insulated stainless body. The interior is lined with non-breakable glass, which keeps flavours neutral regardless of what goes in. Split the body at its midpoint, invert the top section over a filter, and you have a pour-over coffee kit. The same configuration aerates wine properly rather than asking it to breathe through a small opening in a can lid.
A mesh insert brews tea, infuses water, or cold-brews coffee depending on how long you leave it. A slatted lid converts the flask into a cocktail shaker. A thermal core chills drinks without ice and without diluting them. The silicone tumbler built into the base pops out as a cup and absorbs the impact when the flask gets dropped, which it will. Hibear contributes to 1% for the Planet on every sale. For a beach day that starts before sunrise and ends after dark, this covers all of it.
None of these five objects look like they were made for a promotional shoot. They were made to do something specific well enough that you reach for them without thinking about it. The amplifying speaker has no battery to watch. The DraftPro changes how a can of beer opens. The Wuben G5 weighs 52 grams and costs $25. The Hibear covers a full day at the beach without asking you to pack anything else around it.
The Camp Snap 2 asks you to look at the beach rather than reviewing photographs of it. That is the through-line: five objects that remove a specific frustration rather than introducing a new feature. The beach already has enough going on. The best gear for it stays out of the way and earns its place by being genuinely hard to leave behind.
The post 5 Best Beach Gadgets That Don’t Look Like They Were Designed by a Sunscreen Brand first appeared on Yanko Design.
We don’t usually stop to think about pens. They show up in our bags, our drawers, the bottom of every tote we own, and when the ink runs out, they quietly end up in a landfill. That’s the mundane life cycle of the humble ballpoint, and most of us have just accepted it. Which is exactly why Shoot, a bamboo writing instrument designed by Sarthak Prajapati, feels like a quiet rebuke dressed up as a very beautiful object.
Prajapati is an Industrial Design undergraduate at the National Institute of Design in Assam, India, and Shoot is his entry in the 2026 Green Product Award, currently shortlisted as a finalist in the Consumer Goods category. At first glance, it’s a precision pen carved from a single piece of bamboo. But the more you learn about how it was made and why, the more it becomes a kind of design manifesto condensed into something you can hold in your hand.
Designer: Sarthak Prajapati
The name itself is a clever one. A “shoot” is the young, fast-growing sprout of a bamboo plant, and that material is the entire premise of the object. Bamboo is one of the fastest-regenerating plants on earth, and Prajapati uses it here not as a trendy green overlay but as a functional, structural choice. The bamboo handles the grip. The bamboo handles the form. The bamboo is the design. There’s no layer of branding on top trying to convince you it’s sustainable. The material speaks for itself.
Shoot’s most compelling quality isn’t even the material. It’s the thinking behind how it was made. No electricity. No factory floor. No complex supply chain. Prajapati built this using low-energy, hands-on craft methods, which aligns with a wider movement in design circles pushing back against the idea that innovation always has to be high-tech to be meaningful. Sometimes innovation looks like stepping back and asking whether the thing we already have, meaning the plant, the material, the traditional skill, was actually good enough all along.
The pen is also refillable, which sounds like a small detail but isn’t. Disposable pens are a genuinely staggering problem. Billions are discarded every year globally, and most of them are made from mixed plastics that can’t be easily recycled. The refillable design of Shoot positions it directly against that culture of single-use convenience, and it does so without requiring the user to sacrifice function. You still get a proper writing instrument. You just don’t throw the whole thing away when it’s done.
I’ll be honest: I have a soft spot for design that comes from a student context. There’s a kind of fearlessness to it. Prajapati isn’t working within a corporate brief or trying to satisfy a retailer’s margin requirements. He’s solving a real problem the way he actually believes it should be solved, and the result has the clarity that comes with that freedom. The pen looks exactly like what it is. A bamboo stalk. A writing tool. Nothing more, nothing less, and somehow that is enough.
The Green Product Award itself, now in its eleventh year, evaluates submissions on approach, innovation, sustainability, and design. The fact that Shoot made the final shortlist tells you a lot about the kind of thinking that’s being rewarded right now. The jury isn’t looking for products that simply add a bamboo component to something otherwise unchanged. They’re looking for objects where the sustainability logic runs all the way through, from material to manufacturing to end of life.
If Shoot ever goes into production, I’d buy one. Not because I’m trying to make a statement, but because it looks good, it works, and it represents a genuinely more considered way of making things. The design world produces a lot of concepts that never leave the rendering stage, but Shoot has a physicality and simplicity to it that makes it feel ready. It’s a pen. From a bamboo shoot. Made by hand. And right now, that feels surprisingly radical.
The post A Student Just Made a Pen From One Bamboo Stalk. No Factory Needed. first appeared on Yanko Design.