How Anthropic’s Fable 5 Beat ChatGPT 5.5 by 20% in Coding Benchmarks

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How Anthropic’s Fable 5 Beat ChatGPT 5.5 by 20% in Coding Benchmarks Vision test showing Claude Fable 5 generating a website from a screenshot

Anthropic’s release of Fable 5 introduces a Mythos-class AI model that pushes the boundaries of artificial intelligence with its advanced features and robust safeguards. Among its standout capabilities is long-context handling, allowing the model to process millions of tokens at once, making it particularly suited for analyzing extensive datasets or managing complex workflows. Better Stack […]

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Why the Insta360 Luna Ultra Could Dethrone DJI’s Pocket Cameras

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Why the Insta360 Luna Ultra Could Dethrone DJI’s Pocket Cameras Side by side comparison of Insta360 and DJI gimbals

The release of the Insta360 Luna Ultra marks a pivotal moment in the pocket gimbal camera market. With features like a dual-camera system offering up to 12x zoom and a detachable touchscreen controller for remote operation, Insta360 aims to deliver a versatile filming experience. TechAvid highlights how this launch strategically aligns with uncertainties surrounding DJI’s […]

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The Biggest Hidden Features Inside Apple’s iOS 27 Update

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The Biggest Hidden Features Inside Apple’s iOS 27 Update Illustration of whether you related to the article topic.

Apple’s iOS 27 introduces a comprehensive suite of new features, performance enhancements, and design refinements, all while maintaining compatibility with devices that supported iOS 26. Whether you’re looking for faster performance, greater customization, or smarter AI capabilities, this update is designed to elevate your experience and keep your device at the forefront of mobile technology. […]

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Why You Should Wait to Install the iOS 27 Beta

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Why You Should Wait to Install the iOS 27 Beta Siri AI waitlist notification on an iPhone running iOS 27.

The release of iOS 27 Beta 1 highlights Apple’s ongoing commitment to innovation, particularly in the realms of stability and artificial intelligence (AI). However, while the update introduces several intriguing features, it struggles to deliver a fully cohesive experience. Early adopters may find themselves navigating a mix of promising advancements and frustrating limitations. If you’re […]

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Four Print Heads, One Machine, No Belts. The LightMake L4 is your Desktop 3D Printer on Steroids

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For years, one of the biggest tradeoffs in desktop 3D printing has been clear. You could chase larger builds, faster motion, or multi-color capability, but combining all three in a way that also supports smoother workflow has remained a tougher challenge. As more creators use 3D printers for batch production, prototyping, and short-run manufacturing, the machines drawing attention are the ones rethinking the print head itself.

LightMake is preparing to enter that conversation with the LightMake L4. Set for a Kickstarter debut, the machine centers on an independent 4-head architecture designed to deliver 4X productivity by printing four identical models simultaneously, while enabling seamless multi-color/material printing on a single object. All while its beltless linear motor system targets ±1μm closed-loop motion precision and 50,000-plus hours of stable operation (for the linear motors). Taken together, those details position the L4 as a highly ambitious new entry in the premium desktop 3D printing space.

Designer: LightMake

Click Here to Sign Up for Early Access

The L4’s most defining characteristic is its independent 4-head system, which allows four separate print heads to operate simultaneously within a single build volume. The four heads can print identical or mirrored models simultaneously, or all four can contribute materials or colors to a single complex print without the purge waste typical of single-nozzle multi-material systems. LightMake claims this architecture delivers a 4x efficiency increase when printing four identical single-color models at once, turning one machine into the functional equivalent of four printing machines. The system also supports mixing up to four materials in a single print, enabling multi-material assemblies that would otherwise require post-print bonding or fastening. For studios running repeat batches or prototyping multiple variants at once, that kind of parallel throughput changes the math around machine utilization and turnaround time.

The machine’s motion system abandons belts entirely in favor of linear motors, a shift that brings both precision and longevity benefits. Linear motors use electromagnetic force to drive motion directly, eliminating the wear, stretch, and maintenance associated with tensioned belts. LightMake reports that the L4 achieves ±1μm closed-loop precision, a figure that places it well into the territory of machines designed for repeatable, high-tolerance work. The contactless driving mechanism also contributes to the company’s claim of 50,000-plus hours of stable printing, a lifespan target that suggests the L4 is being designed with print farm durability in mind. Travel speed is rated at up to 1,000 mm per second, and the system’s rigidity comes from a one-piece die-cast metal frame paired with a vibration cancellation algorithm that mirrors toolhead movement to reduce print artifacts during high-speed operation.

Toolhead changing happens in one second, a spec that directly addresses one of the most time-consuming aspects of multi-material or multi-color printing. Conventional systems that feed multiple filaments through a single nozzle spend significant time purging old material, which slows down the job and generates waste. By swapping between independent heads almost instantly, the L4 cuts that delay to nearly nothing. LightMake is designed to significantly reduce operational costs and maximize efficiency for professional studios, achieved through its independent 4-head system and minimized material waste. The four toolheads are also described as independently liftable, with 5mm of height adjustment to improve first-layer adhesion success rates and reduce early-stage print failures.

The L4’s build volume measures 354 x 370 x 386mm for single-color prints and 354 x 350 x 386mm for multi-color work, placing it in the large-format desktop category. The machine includes dual HD cameras, a 6.5-inch touchscreen, and RFID material recognition. It supports PLA, ABS, PETG, TPU, ASA, PVA, PET, and carbon-fiber composites, with a maximum nozzle temperature of 320°C. Software features include fleet management tools that LightMake says can dispatch tasks to over 1,000 machines simultaneously, as well as an AutoQueue system that analyzes real-time printer status to allocate the right number of machines for each order deadline.

LightMake will debut the L4 on Kickstarter. With its combination of independent multi-head architecture, linear motor precision, and print farm automation features, the L4 represents a clear bet that the next wave of desktop 3D printing will be defined by batch manufacturing efficiency as much as by speed or build size alone.

Click Here to Sign Up for Early Access

The post Four Print Heads, One Machine, No Belts. The LightMake L4 is your Desktop 3D Printer on Steroids first appeared on Yanko Design.

These Actual Ammonite Fossil Keycaps Put 200 Million Years of Natural History on Your Keyboard

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Your keyboard connects to your computer via a 2.4GHz wireless dongle. This keycap designed to slot onto your keyboard was formed at the bottom of a Jurassic sea roughly 200 million years ago. Both of these facts are simultaneously true, and together they produce one of the more pleasingly absurd objects in recent design memory. These might be the only keycaps on Earth that existed before the dinosaurs did…

Keycap Quarry’s ammonite fossil keycaps are Carter Stay’s answer to the question nobody thought to ask: what happens when lapidary craft meets keyboard modding? Stay sources actual prehistoric ammonite specimens from England’s Jurassic Coast and the fossil-dense limestone beds of Somerset, then cuts, grinds, and polishes each one down to a functional keycap with a Cherry MX stem. The Marston Marble pieces carry clusters of tiny spiral fossils embedded in dark stone. The Charmouth calcite pieces are translucent enough that Stay hollows them from behind, letting the keyboard’s backlight pour straight through 200 million years of geological history.

Designer: Carter Stay (Keycap Quarry)

Quarried from Marston Magna in Somerset, Marston Marble is a fossiliferous limestone dense with Promicroceras marstonense ammonites from the Lower Jurassic, roughly 195 to 200 million years old. When polished, the dark grey matrix throws the cream and amber fossil spirals into sharp relief, producing a surface that looks simultaneously geological and deliberate, like a texture a product designer might spend weeks trying to simulate in resin and never quite nail. Each slab is unique because the distribution of fossils across the stone is entirely nature’s doing, meaning two Marston Marble keycaps will never look the same. The material is also becoming increasingly rare at the source, which gives these pieces a provenance weight that purely manufactured artisan caps simply cannot claim.

The Charmouth calcite ammonites come from the Black Ven Marls along the Jurassic Coast in Dorset, where mineral-rich water has replaced the original shell material with translucent calcite over geological time. Stay carves out the rear of each fossil to exploit that translucency, turning the keyboard’s own RGB into a light source that illuminates the internal chamber structure of a 200-million-year-old cephalopod. Under UV, the calcite glows with a cold blue-white that makes each keycap look less like a desk accessory and more like a biopsy slide from a natural history museum. It is the same optical trick that makes backlit calcite specimens prized in the collector market, now deployed on a 1U footprint between your F-row keys.

Dwarf Factory and the wider resin artisan world build narrative through sculpting and hand-painting, layering fiction onto a manufactured substrate. Stay works in the opposite direction, subtracting everything unnecessary from a material that already contains the narrative. No manufacturing process replicates what 200 million years of geological compression and mineralization produces, and no hand-painter can fake the variance in a Marston Marble slab or the internal chamber glow of a backlit calcite fossil.

Unlike most keycaps we’ve covered on this site, these Ammonite ones aren’t easy to replicate. They’re difficult to come across, and every single one looks different, so images don’t really reflect what newer stock will look like. Keycap Quarry’s been selling these (along with a bunch of other) keycaps on their website, and while the ammonite ones are sold out, they’re roughly in the $180 range per cap, making them fairly expensive but equally elusive and priceless.

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The Ugliest Thing in Your EDC Kit is your AirTag. This Japanese Carabiner Finally Fixes That

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There is a specific kind of frustration that comes with building a carry kit piece by piece over months, selecting each object for a reason, and then clipping on an AirTag that looks like it came in a party favor bag. The titanium pen, the slim card wallet, the knife with the stonewashed blade that earns its spot every single day – and then that silicone loop. The coherence collapses, and we know it the moment it happens.

In 2026, the AirTag accessory market has split at a visible fault line. On one side: the standard silicone loop Apple sells for $29, the Spigen Rugged Armor case, and a range of injection-molded plastic clips that treat the tracker as a packaging problem rather than a design opportunity. On the other: a smaller group of manufacturers asking what kind of object an AirTag deserves to travel inside. That question is driving a genuine shift in carry culture right now, separating the kits assembled with intention from the ones that stopped one decision short.

After handling and carrying all three material variants across several weeks of daily use – commute conditions, trail carry, and air travel – the AirTag Carabiner is the most considered tracker carrier we have tested in this category.

Three Materials, Three Different Arguments

The AirTag Carabiner is made in Japan and individually hand-crafted. It comes in three materials: Duralumin composite alloy, untreated Brass, and Stainless Steel, and each variant makes a different argument for itself.

  • The Duralumin at 0.59 ounces – roughly the weight of a standard coin – is for those who account for every gram in a cycling kit or trail pack. It is, practically speaking, weightless in use.
  • The Brass at 1.7 ounces develops surface character over time that neither alternative will.
  • The Stainless Steel at 2 ounces carries its weight as a tactile signal of permanence.

The Brass variant arrives with a warm matte surface that shifts toward a richer patina at contact points within the first few weeks of carry. The Stainless Steel reads as deliberately neutral – a finish that recedes into a bag’s existing hardware rather than competing with it. The Duralumin sits between them: a cool, slightly satin surface that holds its character rather than developing one. Each variant is visually distinct enough that the choice of material is also a choice about what the rest of the kit communicates.

Sized for Motion, Not the Display Case

At 3.1 inches by 1.6 inches, the carabiner is sized for function without excess. The 0.2-inch profile means it sits flat against a zipper pull or bag strap rather than protruding outward to snag on jacket fabric, handlebar bags, or adjacent gear in a pack. For cyclists on a commute or a weekend ride, that profile matters in motion.

For travelers moving through terminals with carry-on luggage, it is one fewer point of friction in a sequence of movements that accumulates quickly across a long travel day.

Why the Alloy Choice Actually Matters

The Duralumin alloy deserves specific attention because it is not a decorative material reference. It belongs to the same alloy class used in aircraft, spacecraft, and marine applications – a pairing of low mass and high tensile strength that explains why the carabiner weighs 0.59 ounces without sacrificing structural integrity.

Applied here, it produces a carrier suited for the conditions an active kit already operates in: salt air, rain, altitude, and the sustained mechanical stress of a clip opened and closed hundreds of times a year. This is not a material chosen for its name. It is a material chosen because its properties match the job.

What Hand Production Means at This Scale

Hand production in Japan means finishing tolerances are set by a maker, not a mold. Carrying the AirTag Carabiner’s Duralumin variant daily for three weeks made that difference concrete: the gate action is consistent across hundreds of openings, the edge quality where the alloy meets at its joins has no rough transition point, and the surface shows none of the micro-scoring that injection-molded carriers typically develop within the first month of use.

These are details that do not appear in a spec sheet and do not become visible in product photography. They register in the hand, and they compound over time. At six months of daily carry, an object built to a specification and one built to a price have separated completely.

Where It Delivers

For the weight-optimized active carry: At 0.59oz – roughly a coin’s worth of mass – the Duralumin variant adds nothing measurable to a cycling pack, trail kit, or camera bag. It is the only tracker carrier in this category that does not undo the weight discipline a considered kit has already established.

For outdoor and travel conditions: The alloy’s documented suitability for water and high-altitude environments means this carabiner performs alongside the gear it clips onto – from a salt-air coastal commute to a pressurized cabin – without corrosion or gate fatigue.

For carry coherence: The hand-finished construction and material quality place this carabiner alongside machined pens and precision wallets without asking the rest of the kit to lower its standard.

What to Factor In

The Apple AirTag is not included. At $119 starting for the AirTag Carabiner alone, the full system investment clears $150 once the tracker is added. That is the honest cost of entry and should be weighed against a kit where every other object has been selected at a comparable standard.

The weight spread across variants is significant: 0.59oz for Duralumin versus 2oz for Stainless Steel – a 3.4x difference across identical dimensions. Users attaching this to a keychain or wrist lanyard will feel that gap in daily carry and should choose their variant before ordering rather than after.

The standard for AirTag carry has been a $29 silicone loop. The AirTag Carabiner sets a different standard: machined-quality construction, aircraft-grade material, and hand finishing that holds up to daily inspection after a year of use. Whether that standard becomes the category norm depends on whether the rest of the market decides the AirTag deserves to be treated as a permanent part of the kit rather than a temporary addition to it.

The AirTag Carabiner is available now starting from $119 at Yanko Design.

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