The newly unveiled Audi Q5 SUV is a shining example of Audi’s unwavering dedication to pushing the boundaries of automotive technology while maintaining an uncompromising level of sophistication. As the inaugural SUV model built on the Premium Platform Combustion (PPC), the Q5 showcases a range of partially electrified combustion engines that prioritize efficiency without sacrificing […]
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Thank Goodness You’re Here is here; a gravy-flavored palate cleanser from all the action-adventures, Souls-likes and Metroidvanias I’ve played the last few months.
Published by Panic Inc., the same company that unleashed Untitled Goose Game into the world, there’s a certain throughline, even if the aesthetic and tone is very different. Presented in cartoon style somewhere between Cartoon Network and educational ‘toons for preschoolers, it’s an aggressively English, charmingly northern “slap-former”, where you play as an unnamed tiny man, who’s come for a job interview at town hall. After being fobbed off by the receptionist, he has to kill time in the fictional northern-England town called Barnsworth, which is definitely 80 percent Barnsley, 20 percent plausible deniability.
Thank Goodness You’re Here is almost the opposite of the anarchy introduced by Untitled Goose Game: you’re trying to help. Despite having no connection to Barnsworth, our little hero — in varying degrees of tininess — is inadvertently pulled into plumbing tasks, fetch quests and surreal dream-sequence meat-mangling, without ever being asked if he can help.
While it is a video game, it’s more like a loosely connected bunch of set pieces and vignettes. Controls are simple: you steer the little guy around the town, able only to punch (well, slap) and jump. There are a few low-stakes platforming sections, but he isn’t attempting to be Mario. A lot of the joy comes from Barnsworth itself, with its nodding in-jokes, posters and signage running the comedy gamut from buttock slapping and visual gags, through to Yorkshire dialect gags and even a few digs at gaming – ludonarrative be damned!
There’s a running joke about wheelie-bins (in the UK, most of our garbage cans are on wheels) that made me laugh on a Sunday evening – the most dour part of my week.
It’s all actually funny. The writing and voicing help enrich this surreal little town as you explore, with Matt Berry (What We Do in the Shadows) headlining and a lot of UK comedy talent including The Delightful Sausage’s Chris Cantrill, currently co-creator of BBC’s Icklewick FM, which shares a similar surreal “northern” kind humor. (Cantrill was also just nominated for Best Show at this year's Edinburgh Fringe.)
The only drawback, one that comes from the on–the-rails style of play, is that it’s tragically short. But it’s dense with jokes and knowing nods I’m on my second playthrough, taking in all the details, like the horny elderly couple who are never involved with any of your tasks, but always on the sidelines; the cheesy dad-jokery if you linger in a scene and let the characters to talk (“I’m eating for two now… Plus I’m pregnant”); the lightly barbed references to economic decline in the north, and the unashamed exaggeration of northern or working-class stereotypes, many of which will go over American (and south-of-England) players’ heads.
A great example is when you launch the game, and it’ll ask a question in a heavy Yorkshire dialect. Answer ‘wrong’, and the game will play out with standard english text, answer right and all the menus will be loaded with northern slang. There's nowt to panic 'bout, mind: you can flip between 'em in t' menu at any time.
It’s a short but rich experience. It's worth playing for the sheet lunacy of the final set piece, possibly my favorite gaming moment of the year.
Thank Goodness You’re Here is out now on Mac, PC, PS5 and Switch.
This article originally appeared on Engadget at https://www.engadget.com/gaming/thank-goodness-youre-here-is-a-vibrant-funny-unashamedly-silly-game-133030648.html?src=rss
Almost everyone wants smartphones with big screens because of how much content they can see, but those same people probably don’t like using big phones because they require both hands to use comfortably and securely. Some manufacturers have introduced “one-handed mode” features that shrink the screen to a smaller size temporarily, but not only is that actually more cumbersome, it is also less accurate because of the small area you have to hit with your large finger. We don’t have problems using computers with gigantic monitors because we have computer mice that offer precise and accurate control, even if we’re not touching the screen itself. That’s the kind of control that this concept design is trying to bring to smartphones, practically putting a miniature Apple Magic Mouse on the back of large phones.
Designer: Geontak Oh
The computer mouse is actually a very weird and unintuitive tool that has become second nature to most people by now. You are indirectly controlling the screen, moving a detached piece of hardware whose only connection to the computer is an arbitrary one. Before touch screens were a thing, it was really the only way to interact with a graphical user interface, so it’s a bit ironic that we might need something similar to do the same on touch-enabled devices like smartphones.
Poinf is a design concept that tries to solve the problem of using a large smartphone with one hand. With the way we hold our phones, the thumb is the only finger we can use to tap on the screen, which is next to impossible if the screen is too big for our stumpiest finger to reach. But what if you could use a different finger to do that? And what if that finger is always on the back of your phone anyway?
The idea is to put what is practically a small, squarish touchpad on the back of the phone, held there using MagSafe or other magnetic technology. The actual interactive part is a small quadrant of the slim device, an area that can be easily reached by your index or even middle finger. You slide your finger across the surface, pushing around the equivalent of a cursor, and use tapping gestures to “click” on user interface elements. You can easily detach Poinf when you don’t need it, so it doesn’t get in the way of “normal” smartphone use.
Poinf is definitely an intriguing solution to a very old problem, but it also brings a few issues of its own, particularly with usability. Moving a cursor by moving a finger on the back of the screen could require some mental gymnastics, severely affecting your speed and efficiency in the process. Of course, your brain can eventually adjust, like how it has come to accept the computer mouse, but it will take time and effort before that becomes second nature. Additionally, however, you also lose access to important touch gestures like pinching to zoom or quick scrolling, so you’ll have to do double work to teach yourself a new action vocabulary for this rather niche control mechanism. In the end, you might give up and just use the phone with both hands anyway.
The post Smartphone touchpad concept tries to solve one of the biggest problems with big phones first appeared on Yanko Design.
The automotive industry is continuously evolving, and one of the latest innovations comes from the BMW Group, which is exploring the use of BMW humanoid robots in their production processes. This initiative marks a significant step forward in the industrial application of robotics, with potential implications for efficiency, safety, and ergonomics in manufacturing. The trial […]
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Are you ready to elevate your gaming experience to the next level? The FUNDIAN X1 Gaming Keyboard, CookieRun Limited Edition, is here to transform the way you play. This all-in-one wireless gamepad and keyboard combo is designed to be compatible with a wide range of platforms, including iOS, Android, Windows, Mac, Steam PC, and Nintendo […]
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The Google Pixel 9 Pro XL is the latest flagship smartphone from Google, introducing a range of improvements and new features compared to its predecessor. While the device excels in many areas, there are still some aspects that could benefit from further refinement. In this awesome review video from Kyle Erickson, we get to find […]
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Ever felt like your computer is holding you back or your privacy is being abused? Have you ever wondered if there’s an alternative to the constant updates and sluggish performance of Microsoft Windows? Many Windows users are now turning to Linux for its flexibility, control, and ability to breathe new life into old hardware. But […]
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ESPN's broadcast of the US Open was cut short for DirecTV users on Sunday after Disney issued a blackout midway through on all of its networks. It occurred after a 2019 deal expired without a new agreement for a licensing deal between the two companies.
Unsurprisingly, DirecTV and Disney disagree on which company is to blame. "The Walt Disney Co. is once again refusing any accountability to consumers, distribution partners, and now the American judicial system," Rob Thun, chief content officer at DIRECTV, said in a statement. "They want to continue to chase maximum profits and dominant control at the expense of consumers — making it harder for them to select the shows and sports they want at a reasonable price."
DirecTV's release also claimed that Disney mandated at the last minute that it "must agree to waive all claims that Disney's behavior is anti-competitive" to proceed with a deal. The provider further called out Disney for being unpopular with many of DirecTV's customers. It also took issue with Disney putting its "best programming," like The Bear and Only Murders In The Building, directly on streaming services while filling ABC with "cheap-to-produce primetime gameshows, unscripted spinoffs, old former ABC hits, or simulcast content."
In contrast, Disney claimed that DirecTV "chose" to deny their subscribers access to content. "While we're open to offering DirecTV flexibility and terms which we've extended to other distributors, we will not enter into an agreement that undervalues our portfolio of television channels and programs," stated Dana Walden and Alan Bergman, co-chairmen of Disney Entertainment, and Jimmy Pitaro, chairman of ESPN. "We invest significantly to deliver the No. 1 brands in entertainment, news and sports because that's what our viewers expect and deserve. We urge DirecTV to do what's in the best interest of their customers and finalize a deal that would immediately restore our programming."
A similar disagreement occurred at the same time last year. In that instance, Disney pulled its networks from Spectrum for 12 days until making a new deal with Charter, Spectrum's parent company. The agreement brought back channels like ABC and ESPN, and Spectrum TV Select and Select Plus subscribers also got access to the Disney+ basic tier and ESPN+ (only Select Plus users). In its release, DirecTV called out this pattern, claiming that "Disney is again taking an anti-consumer approach."
This article originally appeared on Engadget at https://www.engadget.com/entertainment/disney-cuts-directv-customers-access-to-abc-espn-and-more-123047594.html?src=rss
As Apple prepares to launch its highly anticipated iPhone 16 series, potential buyers are eager to understand the differences between the standard iPhone 16 models and their Pro counterparts. This in-depth comparison will help you make an informed decision by highlighting the key specifications and features that set these devices apart. We get to find […]
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Ever found yourself staring at a massive document or a lengthy video, wondering how you’ll ever get through it all? What if there was a way to quickly and accurately summarize these colossal files? Thanks to Google AI Studio’s Gemini 1.5 Pro, this is now possible. This guide will guide you through the process of […]
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