The LG Rolling TV That Went Viral Is Now 32 Inches, 4K, and $1,299

TVs have stayed mostly where you put them. Whether wall-mounted or parked on a stand, they tend to define the room around them. Portable screens have existed on the margins, mostly small and underpowered, better suited for camping trips than everyday home use. The idea of a full-featured smart display that doesn’t need a power outlet and can move freely from room to room is still a fairly new proposal.

The LG StanbyME 2 Max pushes that concept further than its predecessors managed. It’s the largest StanbyME yet at 32 inches, now with 4K resolution, and a built-in battery lasting up to 4.5 hours without any outlets nearby. The screen area is roughly 40% larger than the 27-inch model it succeeds, which makes a genuine difference when you’re watching something rather than just glancing at a display.

Designer: LG

The battery is a 144Wh cell, a meaningful step up from earlier StanbyME versions that started with three hours of playback back in 2021. When the charge runs low, a USB-C port accepts input from an external power bank, so you don’t have to hunt for a wall outlet mid-movie. A magnetic clip-on mini remote stores against the side of the display, keeping the overall setup clean.

The display detaches from its wheeled floor stand with a single click and comes with a second tabletop stand for positioning on a desk or counter. Landscape and portrait orientations are both supported, so it adapts to what you’re watching or doing. The wheeled base lets you roll the setup from one room to another without lifting anything, which is what made earlier StanbyME models a social media phenomenon.

The jump to 4K UHD means the 32-inch panel renders at 3,840 x 2,160 pixels, which holds up well at the close-up distances a screen of this kind naturally invites. Dolby Vision handles HDR content, while side-firing speakers output Dolby Atmos supported by AI Sound Pro processing. The α8 AI Processor Gen3 handles picture enhancement automatically, detecting what’s on screen and adjusting the image accordingly.

Running on webOS, the StanbyME 2 Max behaves like LG’s current smart TV lineup, giving access to more than 400 free LG Channels alongside major streaming services. Mood Maker turns it into an ambient display when idle, while built-in touchscreen apps include board games and Let’s Draw for sketching. HDMI and USB ports cover external connections for laptops, gaming consoles, and set-top boxes.

The StanbyME 2 Max earned a CES 2026 Innovation Award in the Content & Entertainment category, building on the iF Design Award and Red Dot Design Award that its predecessor picked up. LG has kept the visual profile clean enough that it doesn’t look conspicuous propped beside a bed or rolled into a kitchen. It’s available for pre-order now at $1,299.99.

The first StanbyME was a genuinely strange product that found an audience anyway. This one is harder to dismiss as a novelty. At 32 inches with 4K resolution, a 4.5-hour battery, and HDMI connectivity for consoles and laptops, it competes as much with a secondary monitor as it does with a conventional TV. The $1,299.99 price tag is the part that asks the most of prospective buyers.

The post The LG Rolling TV That Went Viral Is Now 32 Inches, 4K, and $1,299 first appeared on Yanko Design.

C Seed’s Sculptural Bugatti N1 folding TV carries dynamic flair of the Tourbillon supercar

Modern display technologies have come a long way in the last couple of decades, and so have the viewing experiences. Talking of the latter, no one does it better than C Seed, even though at a steep price. The Austrian high-end design brand has awed us with the 165-inch 4K MicroLED TV that disappears into the floor when not in use, and later with a TV that folds into itself within a metallic structure.

Anything new coming from them is deemed to be at the epitome of modern tech design, and that’s what the C Seed x Bugatti collaboration has materialized into. This is the Bugatti x C Seed N1 TV designed for purists who swear by the Tourbillon hypercar’s magnetism. The very same dynamic flair and emotional connection are now reflected in this sculptural C Seed folding TV.

Designer: C SEED x Bugatti

The car’s flowing contours and the precise measurements bring this colossal display into a league of its own. But it’s the calming Sierra of the display folding down into the Tourbillon’s distinct shape and then sliding off horizontally into the stand’s nest that sets this thing apart. It virtually turns into an architectural marvel in this configuration, and then when it’s time for a movie night, the N1 can open up over the course of 45 seconds with the push of a button. Depending on the sitting arrangement in the room, the TV can rotate 180 degrees like a smooth operator. Everything is effortless and creates an emotional connection, both when it is not in use and when it’s time for some cinematic entertainment with friends and family.

C Seed Bugatti N1 requires no structural integration and sits in your living room just like a luxury furniture piece. According to C Seed, the TV is “shaped by a commitment to precision engineering and uncompromising craftsmanship.” Every single detail, right from the silently unfolding MicroLED technology to the aluminum body in its finest form, is designed keeping in mind elegance, performance, and precision reminiscent of the world of automotive engineering. To keep the overall weight down, C Seed turned to carbon fiber, which speaks volumes about the ultimate refinement of the design.

The classy form of the TV is complemented by the sound system designed by Wisdom Audio. The housing has planar magnetic speakers that target a specific frequency range for perceived depth and clarity, no matter where the listener is positioned. Since we are talking about C Seed wizardry here, the speakers also retract into the sculptural housing when not in use. The display is also top of the line, incorporating the latest and greatest 4K MicroLED tech. Along with the Adaptive Gap Calibration for seamless panel transition for the perfect final unified picture, the stunning visuals match the audio for an immersive experience as a whole.

N1 TV is offered in either 110-inch or 137-inch size, and the patented folding display panel tech creates a single continuous screen even with multiple folding cycles. C Seed very rhetorically describes it as an engineered multi-stage movement that turns technical performance into a choreographed visual experience.”

There is no word about the pricing of this tech-infused kinetic sculpture for your living room, but coming from C Seed, it should carry an eye-watering price tag. One thing is clear: the folding display will come in bespoke colors and sizes for demanding users.

The post C Seed’s Sculptural Bugatti N1 folding TV carries dynamic flair of the Tourbillon supercar first appeared on Yanko Design.

This Dual-Sided Philips Monitor Lets You Share One Screen With Clients Without Sacrificing Desk Space

The business monitor market rarely sees truly original ideas, but Philips may have found one with the new Philips 24B2D5300. Instead of chasing higher resolutions or curved ultrawide panels, the company has introduced what it calls the world’s first standalone dual-sided monitor, placing two full HD displays back-to-back inside a single chassis. The idea sounds unconventional at first, but its practical applications quickly become obvious in customer-facing environments, collaborative offices, reception counters, healthcare desks, banks, retail spaces, and coworking setups where information needs to be shared across a desk without awkwardly rotating a screen.

The monitor uses two 23.8-inch IPS LCD panels, each with a 1920 x 1080 resolution and a 120Hz refresh rate. Both displays support wide 178-degree viewing angles, ensuring the image remains visible and color accurate from nearly any position. Philips also includes its SoftBlue low-blue-light technology and TÜV Rheinland certification to reduce eye strain during long work sessions. Unlike standard dual-monitor setups that consume more desk space and require additional cabling, the 24B2D5300 integrates everything into one footprint while still offering two independently usable screens.

Designer: Philips

The real innovation lies in how the screens can operate. Philips’ DualView and SmartView software features allow the monitor to either mirror content across both displays or extend the desktop independently. In practice, this means an employee can keep confidential information visible only on their side while showing approved content such as invoices, forms, instructions, transaction details, or queue information to customers on the opposite display. It can also function as a collaborative workstation where two users interact with the same computer from opposite sides of a desk. Philips even claims the monitor can handle up to three simultaneous application windows through its split-screen functionality.

Connectivity is equally business-focused as each side includes its own HDMI and USB-C ports, with the USB-C connections supporting up to 65W power delivery for laptops and notebooks. The monitor can connect to one or multiple devices simultaneously, allowing the screens to function independently if needed. Built-in stereo speakers, USB hub functionality, and synchronized on-screen display controls further simplify workspace management. A 180-degree swivel stand also helps users quickly rotate the display to check the opposite screen without repositioning the entire setup.

While the hardware specifications themselves are relatively modest by gaming or creative-professional standards, the product is clearly aimed at improving workflow efficiency rather than visual performance. The monitor’s compact design could be particularly useful in environments where counter space is limited, but customer interaction is constant. Tech observers have already pointed out that the concept feels surprisingly practical despite its unusual appearance, especially for front-desk staff, service counters, and collaborative workplaces.

The Philips 24B2D5300 is expected to launch in parts of Europe beginning in June 2026, with reported pricing starting around £359.99 (roughly $480). Availability in other markets has not yet been confirmed, though the monitor’s distinctive functionality could easily attract broader global interest if businesses see value in its space-saving and customer-friendly design.

The post This Dual-Sided Philips Monitor Lets You Share One Screen With Clients Without Sacrificing Desk Space first appeared on Yanko Design.

This LEGO VHS Player Actually Has Cassettes You Can Insert and Remove

Before streaming queues and binge-watching algorithms rewired how we consume film and television, there was a ritual. You drove to the video store, walked the aisles, made your pick, and came home to slide that chunky black cassette into a slot that swallowed it with a satisfying mechanical thunk. The VCR wasn’t just a piece of consumer electronics. It was the centerpiece of a whole cultural ceremony, the thing that turned an ordinary Tuesday night into a genuine event. Polar-Angel_UA, a LEGO builder and 10K Club Member from Ukraine, has captured exactly that feeling in brick form with the Video Home System.

The build recreates a classic VHS setup with the kind of specificity that only someone who actually lived through the era could pull off. The main unit nails the flat, utilitarian slab aesthetic of a proper 80s or 90s VCR deck, complete with a cassette slot, a row of playback controls, and a PAUSE indicator rendered in green. A top-loading lid flips open to reveal the tape mechanism inside, and the real delight here is in that interaction. The tapes go in. The tapes come out. For a build that’s ostensibly a static display piece, that single interactive element transforms the whole experience.

Designer: Polar-Angel_UA

Four items accompany the main unit: a movie cassette, a cartoon cassette, a remote control, and a VHS case. The distinction between the movie tape and the cartoon tape is a quietly brilliant design decision because if you grew up in that era, you absolutely had a dedicated shelf section for each. Saturday morning cartoons lived in their own plastic sleeve, carefully rewound and stacked away from the movie collection. Polar-Angel_UA understands the taxonomy of the VHS-era household intimately, and it shows.

The MOC’s inherently block-ish nature (thanks to the LEGO bricks) works well for this product. VCRs were not delicate objects. They were heavy, deliberately black, and looked like they meant business sitting under your television set, blinking 12:00 in perpetuity because nobody ever set the clock. This LEGO version carries that same hulking, I-mean-business energy, with the cassettes propped against it like they’re already queued up for a double feature. The remote control sitting casually beside the deck is a small touch that completes the tableau perfectly. You can almost feel the carpet under your feet and smell the takeaway boxes.

The Video Home System is currently gathering votes on the LEGO Ideas platform, where fan-created builds compete for the chance to become official retail sets. Cross the 10,000 vote threshold and LEGO’s internal team reviews the submission for potential production. With 688 supporters on the board right now and 422 days left on the clock, there is plenty of runway here. Head to the LEGO Ideas page and cast your vote!

The post This LEGO VHS Player Actually Has Cassettes You Can Insert and Remove first appeared on Yanko Design.

Ted Lasso’s fourth season starts August 5

It turns out you can go back again, especially if you win a pile of awards, mint a crop of stars and turn a potentially obscure sitcom into Apple’s biggest hit. The iPhone maker has today announced Ted Lasso season four will debut August 5, with new episodes arriving every Wednesday through October 7. This time out, Ted and Beard have returned to Richmond to take over coaching its women’s team as it languishes in the second division.

Ted Lasso wrapped up its initial three-season arc back in 2023, wrapping up its storylines in a fairly definitive manner. Despite this, Apple wanted to maintain one of its earliest breakout hits and so quickly started making moves to get an additional run under way. Jason Sudekis, Brendan Hunt, Hannah Waddingham, Juno Temple, Brett Goldstein and Jeremy Swift are all returning for the run. But, given the focus on the women’s team, there’s a whole new crop of cast members, including Sex Education’s Tanya Reynolds and Andor’s Faye Marsay.

There are changes behind the scenes too, especially given showrunner Bill Lawrence’s split focus on his current hot streak of shows. Consequently, Jack Burditt, who created Last Man Standing, is taking the role of executive producer —- try not to worry, however, he also worked on Frasier, 30 Rock and Unbreakable Kimmy Schmidt. You should check out the teaser trailer below and wonder why Tracy Ullman, who is all over the footage, doesn’t even get so much as a namecheck in Apple TV’s press release.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/ted-lassos-fourth-season-starts-august-5-150337209.html?src=rss

Star Trek: Strange New Worlds returns for its penultimate season on July 23

Star Trek: Strange New Worlds returns for its fourth season via Paramount Plus on July 23. The ten episodes air weekly until September 24. This is actually the second-to-last batch of episodes, as the show was recently renewed for a fifth and final season.

The streamer has dropped a trailer for season four and it looks promising. The tone looks slightly darker when compared to season three, which was maligned for being a bit too silly and uneven. The trailer is narrated by Anson Mount's Captain Christopher Pike, who discusses the "terror" of space as a planet explodes.

This is still Strange New Worlds, so it won't be all doom and gloom. The trailer shows us a screeching alien dinosaur, which is pretty fun. There have also been reports that season four will feature a puppet episode with involvement from Jim Henson's Creature Shop.

This new batch of episodes will lean even heavier into connections to the original Star Trek show from the 1960s. Paul Wesley's version of Captain Kirk features prominently in several scenes, with one looking like a direct callback to Star Trek II: The Wrath of Khan. A younger Scotty also makes an appearance.

For the uninitiated, Star Trek: Strange New Worlds is a prequel to the first show and starts several years before Kirk takes over as captain of the Enterprise. It's been said that the series will end with Kirk taking the big chair. It's also primarily an episodic series, with no real serialized season-long arcs. It's pretty good!

It's also ending in the near future. Season five will presumably premiere next year and will include just six episodes. As a matter of fact, it looks like the modern incarnation of Star Trek is ending in totality. Sets are being taken down and there are currently no new shows in production for the first time in a decade.

This is a bummer, even if I didn't always love some of the newer content. The upcoming second season of Starfleet Academy will be its last, which is exceptionally sad because it was really beginning to fire on all cylinders. It was 12 years between the final episode of Star Trek: Enterprise and the first episode of Star Trek: Discovery, which kicked off the modern era. Who knows how long we'll have to wait this time.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/star-trek-strange-new-worlds-returns-for-its-penultimate-season-on-july-23-170946603.html?src=rss

Apple TV’s upcoming For All Mankind spinoff Star City oozes Cold War-era paranoia

Apple TV just dropped a real-deal trailer for Star City, after releasing a short teaser earlier this year. It's a spinoff of For All Mankind, but this new show examines the alt-history space race from the Soviet perspective.

In other words, this is a trailer steeped in Cold War-era paranoia. Secret photos are snapped, phones are tapped and characters are disappeared, all set against the backdrop of space exploration. The vibe looks decidedly different from For All Mankind, despite the parent show occasionally dabbling in Russia-based espionage.

The vibe isn't the only shift here. Star City isn't doing time jumps, which is a hallmark of For All Mankind. The original show started in 1969 and season five is set in 2012. The spinoff "lives in the 1970s" and is "its own genre." This is according to showrunners Matt Wolpert and Ben Nedivi.

For the uninitiated, For All Mankind begins with Russia beating us to the Moon in the 1960s. This creates a butterfly effect that changes history in ways both big and small. Star City looks like it'll focus on how Russia managed to land astronauts on the Moon before America and what happened to the space program in the immediate aftermath. It stars Rhys Ifans, Anna Maxwell Martin, Agnes O’Casey and Alice Englert.

Star City premieres on May 29 with two episodes. That's the same day season five of For All Mankind concludes. The original show was recently renewed for a sixth and final season.

Apple TV really has become the best streamer for sci-fi. This summer sees not just the premiere of Star City, but the second season of the multiverse-based thriller Dark Matter and season three of the dystopian adventure Silo. The platform is also home to shows like Pluribus, Severance and Foundation, among many others.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/apple-tvs-upcoming-for-all-mankind-spinoff-star-city-oozes-cold-war-era-paranoia-180429809.html?src=rss

Silo’s season 3 trailer takes us back to how it all began

The relatively long wait for the third season of Silo is nearly over. Apple TV just announced the dystopian sci-fi hit returns on July 3, with episodes airing each Friday until September 4. We have long championed this show, calling it "another gem" for the platform.

The streamer has dropped a short teaser for the upcoming season and it confirms rumors of an increased focus on the "before times" via a storyline that was introduced in the finale of season two. The trailer depicts scenes from both time periods, as protagonist Juliette, played by Rebecca Ferguson, speaks in voiceover.

"Before we can know why we’re here. Before we can know everything is as it is. Before we know how it all will end, we need to understand how it all began,” she says, alluding to the creation of the various bunkers littered throughout the post-apocalyptic wasteland.

For the uninitiated, Silo is an adaptation of Hugh Howey's Wool series of books. It's primarily set in the titular silo, a society of around 10,000 people living deep underground. The show is sort of like Fallout, but without the radioactive monsters and nihilistic sense of humor.

Silo stars Ferguson, along with Tim Robbins, Common and Steve Zahn. Cast members joining the show for season three include Colin Hanks, Jessica Henwick and Ashley Zukerman. The show has already been renewed for a fourth and final season.

This is a busy summer for sci-fi on Apple TV. The second season of Dark Matter premieres on August 28, which is uncharted territory as the first season was based on a book that doesn't have a sequel. Star City, a spinoff of For All Mankind, premieres on May 29. This is the same day that For All Mankind concludes its fifth and penultimate season.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/silos-season-3-trailer-takes-us-back-to-how-it-all-began-171033410.html?src=rss

This 3D-Printed Pet House Looks Like a Retro TV That Lets You Watch Your Cat Sleep Instead Of Netflix

Forget the $800 Scandinavian pet cave or the linen-covered cube that your cat ignores in favor of your laptop bag. The most genuinely entertaining piece of pet furniture to cross my feed this year is a 3D-printed house shaped like a vintage CRT television, and the entire joke is that your pet becomes the programming. You sit on the couch. You watch the TV. The TV contains a cat. This is better than anything currently streaming. Designer burnski uploaded the STL pack to Cults3D in January, and the community has been printing it in color combinations ranging from dark grey with cyan accents to warm brown with blush pink ever since, each build landing in someone’s living room like the world’s most wholesome conversation piece.

The file set runs to 39 components, assembles with a dry-fit connector system and superglue, and requires a print bed of at least 240 x 240 x 240mm to pull off at full scale. The form is pitch-perfect: four tapered legs, two ball-tipped rabbit-ear antennas, three knurled channel knobs, a honeycomb speaker grille, and a wide rounded-rectangle screen opening that your cat, dog, or rabbit walks through and promptly falls asleep inside. Community makes already show cats curled up in the screen cavity like they are the most relaxed broadcast in television history, which, honestly, they are.

Designer: burnski

The design language burnski landed on is pure 1960s broadcast era, the kind of chunky, corner-rounded CRT silhouette that populated every American living room before flatscreens made televisions invisible. That specific form carries enormous nostalgic weight right now, showing up on tote bags, neon signs, and enamel pins everywhere you look, but burnski is one of the few people who has taken it somewhere genuinely functional. The rounded body, the splayed legs, the antennas, none of these are decorative afterthoughts. They are load-bearing elements of a visual joke that only works if every detail commits. A CRT pet house with stubby legs and no antennas is just a box with a hole in it. This one reads as a television from across the room, which is the whole point.

Thirty-nine individual STL files cover every component from the outer casing panels, split into eight sections labeled 1A through 2D for assembly sequencing, to the antenna mounting blocks, the knob faces, and the front and rear ventilation grilles. The connector system is built directly into the parts, so the dry-fit assembly process is essentially self-guiding before you reach for the superglue. Burnski recommends two or three filament colors, minimum two walls, and ten percent infill for most structural components, with support material only required under the monitor section. The rear ventilation panels and front grille inlays get a special tip in the build notes: flatten them in your slicer, zero out the top and bottom layers, and the exposed infill pattern becomes a design feature. Community makers have used gyroid and honeycomb infill patterns to striking effect on these panels, visible in the finished build photos circulating on Cults3D.

Given the fact that you’re 3D printing this, you can choose from a variety of colors. The grey-and-cyan version that burnski’s own build photos show is clean and almost graphic, the kind of colorway that would not look out of place in a design-forward apartment. However, you aren’t limited to that – go wild with pastels or neons, or just stick to a single-color print if you’re constrained by filaments and then paint designs/patterns onto it later. It’s ultimately a pet-house, so remember to use paints that are safe and non-toxic.

You can play around with scale to make sure the shelter fits your pet. At 1:1 scale, a full-grown cat fits inside the screen cavity with room to curl up comfortably, which means the assembled unit is genuinely substantial, closer in presence to a bedside table than to a desktop decorative object. That scale is also what makes the living-room-television joke land in person rather than just in photographs. A miniature version would be cute if you own a tinier pet. A version large enough for an actual animal to live inside, sitting on four legs at floor level while you watch it from the couch, is something else entirely.

The STL pack is available on Cults3D for $2.84 USD, making it one of the more absurdly good-value design files on the platform relative to what you actually get. The print time is substantial, the assembly requires patience, and you will need superglue and a printer with a fairly large print-bed if you’re going to print this thing at scale… but the community make photos tell the real story here: people are finishing this build, dropping it in their living rooms, and watching their pets walk straight in and claim it. The channel is always on. The programming never disappoints.

The post This 3D-Printed Pet House Looks Like a Retro TV That Lets You Watch Your Cat Sleep Instead Of Netflix first appeared on Yanko Design.

The Hisense XR10 Packs 6,000 Lumens, Liquid Cooling, and Devialet Audio Into One Very Serious 4K Projector

Home theater has always been a game of compromises. You either spend a fortune on a TV large enough to feel cinematic, or you buy a budget projector and spend the rest of your evenings squinting at a washed-out image the moment someone turns a light on. The sweet spot, a projector bright enough to hold its own in a lit room at genuinely cinematic scale, has historically lived at a price point that makes most people close the browser tab. Hisense thinks it has finally cracked that equation with the XR10, a 4K triple laser projector that debuted at CES 2026 and has now officially opened for pre-order.

The XR10 throws a 4K UHD image anywhere from 65 to 300 inches, powered by a triple laser light source rated at 6,000 ANSI lumens and a lifespan of 25,000 hours. That brightness figure is the headline: most home projectors top out well below 4,000 lumens, making ambient light their mortal enemy. Hisense pairs that output with Dolby Vision, HDR10+, and IMAX Enhanced certification, a 17-element glass lens, and a 2.1-channel audio system co-developed with Devialet and tuned with input from the Opéra de Paris. The pre-order price sits at $5,299.99, down from a retail tag of $6,999.99, with a free HT Saturn 4.1.2 wireless sound system thrown in.

Designer: Hisense

The XR10 operates across a 0.84 to 2.0:1 throw ratio with 2.39x optical zoom and lens shift, which means you are not locked into a single position in your room to hit your target screen size. A seven-level iris adjustment and the 17-element glass lens work together to give you granular control over the image, while the native 6,000:1 contrast ratio and up to 60,000:1 dynamic contrast ensure the picture holds depth whether you are watching a sunlit action sequence or a shadow-heavy thriller. Color coverage reaches 118 percent of BT.2020, which puts the XR10 well above the color volume of most consumer displays at any price.

Hisense brought in Devialet, the award-winning French audio engineering firm behind some of the most acoustically serious speakers on the consumer market, to develop the XR10’s built-in 2.1-channel system. Two 8W speakers pair with a 15W subwoofer, the whole profile tuned with input from the Opéra de Paris, and the system supports both Dolby Digital and DTS Virtual:X. Thermal management comes via a dual-channel liquid cooling system that keeps operating temperatures stable without generating the kind of fan noise that pulls you out of a quiet scene.

Smart platform duties fall to Hisense’s VIDAA OS, with Netflix, Amazon Prime Video, Disney+, and Apple TV all available natively. AirPlay 2 and Miracast handle screen mirroring, and the connectivity spec runs to Wi-Fi 7, Bluetooth 5.4, HDMI 2.1, HDMI 2.0, USB 3.0, and Gigabit Ethernet, with eARC and CEC support rounding out the audio integration options. For a device sitting in your living room as a permanent installation, that connectivity stack is exactly what you want.

At $5,299.99 during the pre-order window, the XR10 is not an impulse purchase, and Hisense knows it. The full retail price of $6,999.99 puts it in direct conversation with high-end OLED televisions, and that is precisely the comparison Hisense wants buyers making. A 300-inch OLED does not exist. The XR10 does, and right now you can pre-order one with a free surround sound system included.

The post The Hisense XR10 Packs 6,000 Lumens, Liquid Cooling, and Devialet Audio Into One Very Serious 4K Projector first appeared on Yanko Design.