Standard TVs Filter Their Color, the Hisense UR8 Creates Its Own

For decades, every television has made color the same way, filtering a single blue light down into red, green, and blue until something resembles a picture. The Hisense UR8 ditches that habit. Instead, it creates red, green, and blue light individually, right at the source, through what Hisense calls Chromagic display technology built on its RGB MiniLED architecture. UR8’s RGB MiniLED, powered by Chromagic display technology, builds color differently, using red, green, and blue light individually to deliver natural and real color that looks closer to life. It’s a real design shift, overdue by a few decades.

Conventional MiniLED TVs work by shining a single blue light and filtering it into color, a process that removes light rather than creating it. The brighter and richer the scene, the more that filtering process quietly throws away. It’s not exactly a flaw, just a limitation baked into how these screens have always been built. Hisense decided to rebuild that process instead of tweaking around it.

Designer: Hisense

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The UR8 swaps that single-source filtering for up to nearly 15,000 individual RGB LEDs working independently across the panel. Instead of dimming zones guessing at brightness, each LED produces its own hue and intensity without needing a filter to correct it later. It’s a quiet redesign most viewers won’t think about, even while doing most of the work behind a different picture.

What that translates to on screen is surprisingly specific. Sunsets look warm, skin tones look natural rather than processed, and viewing feels easier on your eyes. Hisense backs this up with a claimed 100% BT.2020 color coverage and Pantone-validated accuracy, though you don’t really need the certifications to notice it.

All of that is pointless if the screen turns into a mirror the second you flip on a lamp, which is where the UR8’s Obsidian panel comes in. The Ultra-Low Reflection Obsidian Panel dramatically reduces reflection so the picture stays clear in any room. Dark scenes are up to 3x darker for rich and deep blacks, never gray, never washed out. That’s a practical call for people who watch TV in living rooms, not theaters.

Gaming is where the UR8’s engineering choices show off. Native 180Hz motion processing reduces blur in fast-moving content so you can follow the action clearly, whether it’s a live game or a quick-cut sequence. Game Booster 330 with the Enhanced Game Bar supports VRR up to 330 and AMD FreeSync Premium Pro certification for smooth, tear-free gameplay. Four HDMI 2.1 ports mean a console or gaming PC doesn’t fight for bandwidth.

That same motion handling pays off during live sports, when a fast break or a corner kick doesn’t turn into a blur of jerseys. Pair that with color that looks closer to what you’d see in person, and the UR8 becomes the kind of screen that naturally holds a room’s attention. A television already sits at the center of most living spaces, planned or not.

There’s a quieter benefit in this RGB engineering. Because RGB MiniLED creates natural and real color directly rather than filtering light, it wastes less energy and uses 40% less overall. Hisense says the UR8 also delivers nearly 50% less harmful blue light than standard MiniLED displays, independently certified by TÜV Rheinland. It’s a rare case where a design choice made for better color also means an easier bill and easier eyes.

The software side keeps pace with the hardware. Google TV with Gemini lets you chat with a conversational AI assistant, discover what to watch with personalized recommendations across 10,000-plus apps, or find content by simply describing what you want. Sound comes from a built-in 2.1.2 multi-channel speaker system tuned by Devialet, with Dolby Atmos support, so the audio doesn’t feel bolted onto an otherwise impressive screen.

The UR8 lineup spans 55, 65, 75, 85, and 100 inches, with pricing starting at $1,299 and available at Best Buy, backed by a two-year warranty. That range matters because it puts a genuinely different approach to color inside apartments and larger family rooms, not just showroom displays. Good engineering ideas usually take years to trickle down to accessible prices. This one arrived a little faster than expected, and it shows.

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The Hisense U7SG TV Was Built for Bright Rooms, Not Dark Showrooms

Despite what showroom demos suggest, nobody actually watches TV in a blacked-out room with the blinds drawn. Real living rooms have windows, afternoon sun, and someone walking in front of the screen mid-game. The Hisense U7SG seems to understand that, building its picture quality around the messy, bright rooms people actually watch in, not the dark theater fantasy TVs are usually sold on.

That starts with the panel itself. Thousands of MiniLEDs pack behind the screen, each one controlled with enough precision that bright highlights and deep blacks sit right next to each other without either blowing out. Hisense calls it MiniLED Pro with Full Array Local Dimming, but what it means is a sunset scene doesn’t wash out and a night scene doesn’t turn into a gray, murky mess.

Designer: Hisense

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None of that matters much if the picture disappears under glare the moment the sun hits the window, which is where the anti-reflection layer earns its keep. Hisense uses a dual-layer screen treatment that goes further than the usual single-layer coating most TVs rely on, so afternoon light, overhead fixtures, and that one lamp nobody turns off stop being the enemy of a clear picture.

Motion is where a lot of TVs quietly fall apart once a game picks up speed. A native 165Hz refresh rate paired with Hisense’s own motion processing keeps fast breaks, corner kicks, and quick camera pans from turning into smeared pixels. It’s a small thing until you notice its absence, the kind of detail that only becomes obvious once a cheaper TV can’t keep up.

Gamers get their own reason to care. Game Booster 330 uses HSR technology to push refresh rates up to 330Hz VRR for smoother motion and less input lag, and the on-screen Game Bar lets you check FPS, VRR, and HDR settings without pausing whatever you’re playing. Four HDMI 2.1 ports also mean nobody argues over which console gets the good input, since all four handle 4K at 165Hz.

Color gets the same careful treatment. Hisense’s Hi-QLED panel is Pantone validated, which sounds like a checkbox until you notice how natural team uniforms, grass, and skin tones actually look instead of oversaturated. Add support for Dolby Vision, HDR10+, and IMAX Enhanced, and the U7SG stops caring what format your content showed up in. It just plays it, accurately, without asking you to think about it.

Sound tends to be an afterthought on most TVs, but not here. A 2.1.2 multi-channel setup tuned by Devialet pushes up to 60W across the room, with Dolby Atmos adding height overhead. Dialogue stays clear over crowd noise, commentary carries over stadium chatter, and reaching for a soundbar remote doesn’t feel as urgent as it usually would on a new television.

Google TV runs the show on the software side, now with Gemini built in for conversational searches instead of typing clumsy keyword strings. Ask it what to watch, and it pulls from more than 10,000 apps, or describe a vague mood and let it figure out the rest. It also answers questions on sports, cooking, or travel, a strange but welcome bonus for a television.

The U7SG also comes in sizes ranging from 55 inches up to 116 inches, which changes what the TV is for. A smaller set fits quietly into an apartment, but the larger ones turn into the obvious gathering point for a watch party or a family movie night, with a screen big enough that everyone feels like they got the good seat.

There was a time when getting all of this in one TV meant paying flagship prices for it. Hisense has spent the last few years chipping away at that assumption, one MiniLED generation at a time, and the U7SG is what that effort looks like now: a set that doesn’t force a choice between how bright your room gets and how good the picture looks in it.

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While Most TVs Go Off, the Hisense CanvasTV Switches to Art

A television that spends most of its life pretending to be a painting sounds like a gimmick, until you stand in front of one. The Hisense S7 CanvasTV, available in a 65-inch size among others, is built around that idea. It’s a 4K QLED Google TV wrapped in a teak frame, designed to disappear into your wall as art before it plays a single show.

Getting there took real design work. Hisense ships the CanvasTV with its UltraSlim wall mount already in the box, letting the panel hug the wall closely enough to read as a frame rather than a floating screen. Unlike Samsung’s Frame TV, which relies on a separate connection box tucked nearby, the CanvasTV keeps everything built into the panel, so there’s no extra hardware to hide.

Designer: Hisense

Click Here to Buy Now: $1997.99

Once mounted, the fun part starts. Flip on Art Mode, and the screen rotates through more than 1,000 curated artworks, from classic landscapes to abstract pieces, included at no extra cost. There’s no subscription behind that gallery, which matters if you resent paying monthly for something you already own. You can also load your own photos, turning travel shots into rotating wall art.

That gallery also knows when to rest. A built-in Motion Detector keeps art on display only when someone’s in the room, switching to a blank screen once you step out and saving power along the way. That small detail changes how the TV behaves day to day, less like a screen left running from habit and more like art that responds to the room.

Living rooms rarely have controlled lighting, and CanvasTV was built with that in mind. Its Hi-Matte anti-glare panel cuts down on reflections from windows and lamps, keeping artwork and video watchable no matter the time of day. An RGB light sensor also reads the room in real time, adjusting brightness and color temperature so a painting at noon looks as convincing as it does under evening light.

Switch to actual programming and the CanvasTV stops acting modest. It uses 4K QLED with Quantum Dot Color for punchy, accurate tones, backed by a 144Hz native refresh rate for smoother motion during fast scenes or sports. Support for Dolby Vision IQ, HDR10+, and HDR10+ Adaptive rounds things out, so whatever you’re streaming gets the contrast and detail it was mastered with, not a flattened version of it.

None of that would matter without a decent interface, and Hisense chose Google TV for that purpose. That means access to more than 700,000 movies and shows across over 10,000 apps, personalized profiles for family members, and Chromecast built in. Google Assistant handles voice commands, and support for Amazon Alexa and Apple HomeKit means it fits whatever smart home setup you already have.

Design-forward TVs don’t always keep gamers happy, but this one doesn’t ignore them. Two HDMI 2.1 ports support 144Hz Game Mode Pro and variable refresh rate, while a dedicated Game Bar lets you check frame rate and input lag without leaving whatever you’re playing. It won’t outrun a dedicated gaming monitor, but for a household where the console sits below framed art, it holds up well.

Sound comes from a built-in 2.0.2 system tuned with DTS Virtual:X, enough to fill a living room without a soundbar propped under the frame. Everything else ships in the box too: the teak frame, the wall mount, a backlit voice remote, and a two-year warranty. It’s the kind of completeness that lets you mount it once and stop thinking about extra purchases.

Live with it a week and the split personality stops feeling like a novelty. Mornings might show a quiet landscape while coffee brews, evenings hand the wall to a show or a game, and the switch never feels like a compromise. Most TVs ask you to accept a black rectangle once they’re off. This one lets you forget it’s a television at all.

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Hisense U6SF Pro Wraps a 1,200-Nit Mini LED Panel in Glare-Free Screen and $699 Price Tag

If you spent the World Cup squinting at a TV that turned every afternoon match into a reflection of your living room window, I have good news about your timing. The Hisense U6SF Pro is a Mini LED TV with an anti-reflection screen built for bright rooms, plus a native 144Hz panel and a built-in subwoofer. The 65-inch model listed at $1,099 when it launched in March and now sells for around $699. The NFL season kicked off on September 9, so there’s a full season of Sunday afternoon games between you and Super Bowl LXI. That game lands on February 14, 2027, which makes a big TV the easiest Valentine’s Day gift you’ll ever justify to yourself.

Hisense’s own reviewer’s guide is built around hosting, with an “Out Host With Hisense” campaign aimed at the person whose living room becomes everyone’s game-day spot. Super Bowl Sunday is the Olympics of that job, and the 55 to 100-inch size range lets you pick how many friends you’re willing to feed. The early Sunday games are where the U6SF Pro’s coating does the real work, since that 1 p.m. kickoff arrives with full sunlight pouring through the blinds. Tom’s Guide’s reviewer never had to adjust the room lights during testing, which is exactly what a crowded couch needs. That’s a TV designed around the way people actually watch football: loud, bright, and surrounded by snacks.

Designer: Hisense

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Hisense’s anti-reflection, glare-free coating treats the living room as the design brief, cutting reflections from windows, skylights, and floor lamps so the picture holds its punch in daylight. TV showrooms love dim lighting, while real homes are full of glass, so designing the screen around daylight feels like the smarter starting point. Behind that coating sits a Hi-QLED Mini LED backlight with full array local dimming, rated for up to 1,200 nits of peak brightness. Tom’s Guide measured 358 nits in SDR using the most accurate picture mode, outshining pricier sets like the TCL QM7L and Hisense’s own U7 in that test. The Hi-View AI Engine adjusts brightness, contrast, and clarity scene by scene, so switching from a noon kickoff to a night game takes zero fiddling.

The unibody chassis keeps things clean and minimal, with slim bezels that push the picture right out to the edges. At roughly 2.5 inches deep, it sits close to the wall on a 400 x 300 mm VESA mount, and Tom’s Guide found the dual feet sturdy with zero wobble. I like a TV that reads as pure picture when it’s on and a tidy dark panel when it’s off, and this one nails both states. The lineup tops out at a 100-inch model, which makes sense coming from the brand that shipped more 100-inch-plus TVs than anyone in the first half of 2026, according to Omdia. Hisense clearly knows how to make a giant screen look at home on a living room wall.

Sound gets the same room-first thinking, with a 2.1-channel system and a built-in subwoofer that gives explosions and stadium roars real weight. Dolby Atmos and DTS Virtual:X widen the mix, and Tom’s Guide put it among the few built-in TV audio setups its reviewer wouldn’t rush to upgrade. A new AI Sports Mode boosts field and jersey colors while lifting crowd noise without burying the commentary, which feels tailor-made for game day. Color accuracy is a standout too, with Pantone Validated color and a lab-measured Delta-E of just 1.58 (lower is better), better than every similarly priced rival in the same test. Movie nights get Dolby Vision IQ, HDR10+ Adaptive, and Filmmaker Mode, so the same screen shifts from tailgate energy to cinema mode without breaking a sweat.

The native 144Hz panel turns halftime into a gaming session, with two HDMI 2.1 ports running 4K at 144Hz alongside AMD FreeSync Premium Pro, VRR, and ALLM. Tom’s Guide measured just 9.3ms of input latency, nearly matching some of the best gaming TVs out there. Dolby Vision Gaming and HDR10+ Gaming are on board, and Hisense’s Game Bar shows frame rate and VRR status without a trip through the menus. Streaming runs on Fire TV with Alexa+, so you can press the Alexa button and ask it to find a show, check scores, or control compatible smart lights. Amazon’s refreshed interface sorts content into categories like Sports and Live TV, and WiFi 6 keeps streams steady when a full house of phones joins the network.

List prices start at $849 for the 55-inch and climb through $1,099, $1,399, and $1,999 to $3,499 for the 100-inch. The U6SF Pro sits just above the standard U6 in Hisense’s lineup, adding the brighter glare-resistant screen and 144Hz panel that make the biggest difference in a sunny room. It’s available now at Amazon and Best Buy, with full specs on Hisense’s product page. By the time the Lombardi Trophy gets handed out at SoFi Stadium on February 14, you’ll have a whole season of Sunday afternoons logged on this screen. Your friends will figure out whose couch to show up at pretty quickly.

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Hisense E7SF packs MiniLED, 144Hz, and Fire TV into a seriously affordable big-screen TV

There used to be two ways to buy a TV. Go cheap and squint through a mediocre picture, or spend enough that your banking app sends a concerned notification. Hisense’s E7SF exists to blow up that choice entirely. It runs a native 144Hz MiniLED panel, Hi-QLED color, and as many as 260 local dimming zones, paired with Fire TV and Alexa+, across six sizes from 50 inches up to a genuinely massive 100. The 50 inch model has already been spotted selling for under $400.

That price point used to buy a TV that struggled in daylight and looked worse the second a game turned on. MiniLED is the technology that fixed most of that, and until recently it was reserved for sets that cost real money. Hisense’s approach over the past few years has been to move formerly premium display technology down the price stack faster than the rest of the industry, and the E7SF is that philosophy in its most direct form. The brand’s role as the Official Sponsor of the FIFA World Cup 2026 and its standing as the number one brand globally in 100-inch and larger TVs gave it a huge stage this year, but the bigger takeaway is simpler: everyone now wants a bigger, brighter screen at home, and far more people can actually afford one.

Designer: Hisense

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MiniLED backlighting replaces the standard LED array behind an LCD panel with a system that improves how light is managed across the screen and brings out more detail in every scene. More zones means tighter control over which parts of the image are bright and which go dark, producing better contrast, deeper blacks, and more vivid highlights across the panel. On the E7SF, that backlight scales to up to 260 dimming zones depending on the screen size selected. Hi-QLED color technology layers on top of that foundation, designed to keep every shade, scene, and skin tone looking true to life, rendering every scene convincingly real, just as the creator intended. The result is a picture that competes meaningfully with displays that cost significantly more just two or three years ago.

AI Picture runs continuously in the background, reading what’s on screen and instantly fine-tuning the picture so colors pop, details shine, and everything looks natural and clear, without any manual settings required. The E7SF supports Dolby Vision IQ, HDR10+ Adaptive, HDR10, and HLG, covering every major HDR format, which brings brighter highlights, deeper contrast, and richer color in every scene no matter what’s on screen. Dolby Vision IQ adjusts the picture based on ambient lighting in the room, keeping the image calibrated whether the curtains are open or the lights are off. Filmmaker Mode preserves the original aspect ratio, color, frame rate, and sound so viewers watch movies exactly as directors intended. The full HDR stack future-proofs the set against whatever content the studios push out over the next few years, which matters more than any single format badge on the box.

Sports content gets dedicated handling, with the TV automatically recognizing sports content and adjusting picture and sound settings for the action, delivering smoother motion, clearer details, and boosted crowd audio that recreates the excitement of being in the stadium. Dolby Atmos handles the immersive audio experience more broadly, pulling picture and sound together so viewers see, hear, and feel like they’re right in the middle of the action. The E7SF carries a 20W 2.0 multi-channel system on the 50 to 85 inch models and steps up to a 50W 2.1 system with a dedicated woofer channel on the 100 inch. Bluetooth Audio rounds it out for wireless headphone setups, and the whole audio package scales sensibly with the screen size it’s attached to.

Native 144Hz on a TV at this price tier does real work, particularly in gaming, where many competing sets still pad the marketed refresh number through motion interpolation rather than delivering it natively from the panel. Two HDMI 2.1 ports run at full 4K at 144Hz, keeping the signal chain from a PlayStation 5 or Xbox Series X completely uncompromised. AMD FreeSync Premium matches the TV’s refresh rate to the connected graphics card, delivering reduced lag, minimized tearing, and fluid motion for a more immersive gaming experience. Dolby Vision Gaming and HDR10+ Gaming keep HDR active during play without requiring a manual mode switch. Game Booster 240 and ALLM, which switches the set into game mode automatically when a gaming device is detected, round out a feature set that sits well above what most TVs at this price level bother to include.

Hisense spent the World Cup cycle positioning itself as the brand for communal, big-screen viewing, and the E7SF still feels like the clearest expression of that idea after the tournament dust has settled. Fire TV manages the smart platform, with Alexa+ built into the voice remote for cross-app content search, smart home management, and watchlist sync, all handled through natural speech. Six sizes span from 50 to 100 inches, and a 100-inch MiniLED television at a mainstream price point is genuinely new territory. A screen that size used to require a custom installation budget. Now it’s an off-the-shelf decision. That shift is arguably the bigger story the E7SF is telling, and at the price Hisense is asking, it’s a hard argument to walk away from.

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Sylvox Made A Bezel-less 75″ Outdoor TV That Plays 4K Movies In Rain, Sun, and Snow: Hands-on at IFA 2026

An outdoor TV isn’t really judged by its screen, it’s judged by everything protecting the screen. Sunlight readability, a sealed chassis, and an operating range that survives both August and January are what separate a patio television from a regular one dragged outside against its will. Sylvox showed up at IFA Berlin this week leaning into that definition, then added a twist the category rarely bothers with, the Frameless Pro 2026, a 75 inch 4K set with 2000 nits, an IP56 rating, and a bezel trimmed down by 90 percent. The obvious question is whether shaving the frame down actually changes what an outdoor TV is, or just what it looks like. Either way, it’s the most interesting thing on Sylvox’s stand that isn’t running on a hand crank.

Bezels exist for a reason on any screen meant to survive weather, they’re where the gaskets, sealing, and wiring actually live, so trimming one down is a real engineering problem, not just styling. Sylvox says the Frameless Pro hits a 95 percent screen to body ratio while still holding IP56 and a range from negative 22 to 122 Fahrenheit. It wasn’t the only bezel story at IFA this year, Tecno showed a concept phone with a claimed 0mm bezel a few halls over, only for early testers to find a raised metal lip still doing the bezel’s job along one edge. That’s usually how these claims go, the border doesn’t disappear, it just moves somewhere less obvious.

Brand: Sylvox

An IP56 rating means dust can’t meaningfully get in and water thrown at the case from any angle won’t get through, which matters since most indoor TVs would die from a humid August afternoon. Brightness works the same way, 2000 nits is a requirement more than a flex, since anything dimmer washes out in direct sun, and Sylvox’s own Cinema Pro, last year’s IFA Innovation Award winner, pushes past that to 3500 and 5000 nits. The bezel claim is separate from all this. The spec sheet lists a 90 percent thinner bezel and 95 percent screen to body ratio, both about the visible border around the glass, not the television’s overall size. The unit is still 3.41 inches deep, since that depth now holds the sealing and wiring a fat frame used to carry.

Sylvox wasn’t the only brand playing this game in Berlin. Tecno debuted its Next-Gen Bezelless Concept Phone a few halls over, claiming a true 0mm display border through internal stacking and an inverted rear panel. Hands on reports found a raised metal frame still sitting above the screen, catching thumbs on swipes. Same pattern as the TV, a border hidden rather than eliminated, moved into the structure instead of removed from it. Two products, same trick, same asterisk, which is a better story than either press release admits.

At $5,299, the 75 inch Frameless Pro looks steep next to a similarly sized living room TV, but that number needs context most spec roundups skip. Anyone shopping for a 75 inch outdoor television already owns a backyard big enough to justify one, and at that point $5,299 reads less like a barrier and more like a rounding error on the pool or pergola it’s about to sit next to. Against Samsung’s Terrace and SunBrite’s Veranda, both of which still treat a thick edge as part of the design language, the Frameless Pro is a serious entry, though it deserves a more honest word than frameless, since the frame didn’t disappear, it just stopped being the first thing you notice. Sylvox’s booth also had a hand crank emergency TV in development nearby, likely the stranger story out of Berlin. For now, the Frameless Pro is a good looking outdoor TV wearing a name that oversells its own trick, aimed at people for whom that oversell was never going to matter.

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Perlegear AX1 TV Mount Knows You’re Sitting, Standing, or Lying Down

Anyone who has mounted a TV at a fixed height knows the compromise that follows. What works perfectly from the couch turns into a neck strain when standing at the kitchen counter, and a mount set for family movie night rarely suits solo reading in bed. Perlegear’s AX1 Smart Adaptive Mount, unveiled at IFA 2026, treats that mismatch as solvable, building a wall mount that repositions itself instead of asking people to keep adjusting around it.

The AX1 relies on viewing-position sensing to figure out where someone actually is in the room, then shifts the screen’s height through a motorized lift to match. Sitting on the couch, standing near the doorway, or reclining flat on the floor all call for a different sightline, and the mount recalculates rather than leaving the screen locked in one static position that only serves one posture.

Designer: Perlegear

Multi-posture recognition sits at the center of how the AX1 behaves once it is installed. The system distinguishes between sitting, standing, and reclining, adjusting the screen height for each without requiring someone to fumble with a remote or manually crank a lever. It is the kind of adjustment that used to require moving furniture or squinting at an awkward angle, now handled quietly by the mount itself.

Multiple people sharing one living room rarely share the same ideal viewing height, and the AX1 accounts for that through custom user profiles. Each person can save their preferred height setting, so the mount remembers whether someone prefers the screen slightly lower for reading subtitles or raised higher for movie night on the couch. It turns a shared TV into something closer to a personalized display, without anyone needing to remount hardware.

Control options extend beyond the mount itself, reaching into the smart home setups already running in most living rooms. The AX1 responds to a companion app, voice commands, and gestures, with compatibility built in for Alexa and Google Assistant. Someone lounging under a blanket can adjust the screen without standing up, treating the mount like any other connected device on the network.

On the hardware side, Perlegear built the AX1 to fit TVs between 50 and 90 inches, pairing its motorized lift with a 10-degree tilt range and plus-or-minus three degrees of leveling after installation. That leveling detail matters more than it sounds, since most mounts get slightly thrown off during drilling and mounting, leaving screens tilted just enough to notice during a long viewing session.

None of this changes what people watch, but it quietly removes one more obstacle standing between a person and a comfortable view. A mount that moves with the room, rather than forcing the room to work around it, treats posture and viewing comfort as part of the actual design brief instead of an afterthought solved by a thicker cushion or a taller side table.

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Apple TV 4K Is Coming September 9, With a Gemini-Powered Siri You Can Actually Talk To

Apple’s next Apple TV 4K is expected on September 9, and the headline feature is a Siri you can hold a conversation with. Siri AI runs on a custom 1.2 trillion parameter Google Gemini model inside Apple’s Private Cloud Compute, which Apple reportedly pays Google around a billion dollars a year to license. It should reach the public with tvOS 27 in mid September, most likely around Monday the 14th. Leaked code in the macOS 26.7 release candidate lists an unreleased controller as ATVRemote1,5. Four years after the last box shipped, the living room finally gets the good Siri, and the remote gets demoted.

The current model has been on sale since November 2022 with an A15 Bionic chip, making it the longest running Apple TV between updates. Apple raised its price anyway in June, from $129 to $199 for the Wi-Fi version and $149 to $249 with Ethernet, blaming the memory chip shortage. The new box is rumored to carry an A17 Pro chip or newer, 8GB of RAM, and Apple’s N1 wireless chip for Wi-Fi 7, Bluetooth 6, and Thread. Apple has confirmed exactly none of it. My interest is in the stick, because a conversational assistant changes what a remote is even for.

Designer: Apple

The Siri Remote has always been the awkward part of this product. The 2015 glass touchpad version was famously easy to hold upside down. The 2021 aluminum redesign fixed orientation with a circular clickpad and a jog ring, but it stayed thin, cold, and easy to lose in a couch. Nobody expects ATVRemote1,5 to look radically different, although one can hope. The rumor mill’s best guess is a second generation Ultra Wideband chip for Precision Finding, which is a nice way of saying Apple is finally building a remote finder into the remote instead of asking you to turn your house upside down, or worse, strap a clunky AirTag to it.

Siri AI’s 1.2 trillion parameter Gemini model dwarfs the roughly 150 billion parameter models Apple’s own Foundation Models run on, and Google built it specifically to handle summarizing and multi step planning, the tasks Siri has failed at for over a decade. Apple’s answer to the privacy question is architectural rather than rhetorical: queries route through Private Cloud Compute, Apple’s own server silicon, so the assistant is Google’s brain wearing Apple’s skin. Whether Apple TV gets the full version or a scaled down version tied to on device processing is still unconfirmed.

None of this works without new silicon, which is presumably why Apple TV and HomePod mini were left out of the WWDC keynote entirely despite tvOS 27 shipping Apple Intelligence frameworks in its beta code. Current Apple TV and HomePod hardware simply cannot run it. That is also the best explanation for why Apple hiked the price of four year old hardware by 54 percent in June rather than discounting it toward obsolescence. The company was buying time, not margin.

What I find genuinely interesting is the inversion. For a decade, the remote was the product’s weak point and the box quietly did fine. Now the box is getting the transplant everyone wanted, and the remote becomes almost optional, a fallback for when you would rather not talk to your television. If Apple pulls off a Siri that understands “put on the thing with the guy from that show” without three follow up questions, the aluminum wand in your couch cushions finally gets to retire.

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The LG Rolling TV That Went Viral Is Now 32 Inches, 4K, and $1,299

TVs have stayed mostly where you put them. Whether wall-mounted or parked on a stand, they tend to define the room around them. Portable screens have existed on the margins, mostly small and underpowered, better suited for camping trips than everyday home use. The idea of a full-featured smart display that doesn’t need a power outlet and can move freely from room to room is still a fairly new proposal.

The LG StanbyME 2 Max pushes that concept further than its predecessors managed. It’s the largest StanbyME yet at 32 inches, now with 4K resolution, and a built-in battery lasting up to 4.5 hours without any outlets nearby. The screen area is roughly 40% larger than the 27-inch model it succeeds, which makes a genuine difference when you’re watching something rather than just glancing at a display.

Designer: LG

The battery is a 144Wh cell, a meaningful step up from earlier StanbyME versions that started with three hours of playback back in 2021. When the charge runs low, a USB-C port accepts input from an external power bank, so you don’t have to hunt for a wall outlet mid-movie. A magnetic clip-on mini remote stores against the side of the display, keeping the overall setup clean.

The display detaches from its wheeled floor stand with a single click and comes with a second tabletop stand for positioning on a desk or counter. Landscape and portrait orientations are both supported, so it adapts to what you’re watching or doing. The wheeled base lets you roll the setup from one room to another without lifting anything, which is what made earlier StanbyME models a social media phenomenon.

The jump to 4K UHD means the 32-inch panel renders at 3,840 x 2,160 pixels, which holds up well at the close-up distances a screen of this kind naturally invites. Dolby Vision handles HDR content, while side-firing speakers output Dolby Atmos supported by AI Sound Pro processing. The α8 AI Processor Gen3 handles picture enhancement automatically, detecting what’s on screen and adjusting the image accordingly.

Running on webOS, the StanbyME 2 Max behaves like LG’s current smart TV lineup, giving access to more than 400 free LG Channels alongside major streaming services. Mood Maker turns it into an ambient display when idle, while built-in touchscreen apps include board games and Let’s Draw for sketching. HDMI and USB ports cover external connections for laptops, gaming consoles, and set-top boxes.

The StanbyME 2 Max earned a CES 2026 Innovation Award in the Content & Entertainment category, building on the iF Design Award and Red Dot Design Award that its predecessor picked up. LG has kept the visual profile clean enough that it doesn’t look conspicuous propped beside a bed or rolled into a kitchen. It’s available for pre-order now at $1,299.99.

The first StanbyME was a genuinely strange product that found an audience anyway. This one is harder to dismiss as a novelty. At 32 inches with 4K resolution, a 4.5-hour battery, and HDMI connectivity for consoles and laptops, it competes as much with a secondary monitor as it does with a conventional TV. The $1,299.99 price tag is the part that asks the most of prospective buyers.

The post The LG Rolling TV That Went Viral Is Now 32 Inches, 4K, and $1,299 first appeared on Yanko Design.

C Seed’s Sculptural Bugatti N1 folding TV carries dynamic flair of the Tourbillon supercar

Modern display technologies have come a long way in the last couple of decades, and so have the viewing experiences. Talking of the latter, no one does it better than C Seed, even though at a steep price. The Austrian high-end design brand has awed us with the 165-inch 4K MicroLED TV that disappears into the floor when not in use, and later with a TV that folds into itself within a metallic structure.

Anything new coming from them is deemed to be at the epitome of modern tech design, and that’s what the C Seed x Bugatti collaboration has materialized into. This is the Bugatti x C Seed N1 TV designed for purists who swear by the Tourbillon hypercar’s magnetism. The very same dynamic flair and emotional connection are now reflected in this sculptural C Seed folding TV.

Designer: C SEED x Bugatti

The car’s flowing contours and the precise measurements bring this colossal display into a league of its own. But it’s the calming Sierra of the display folding down into the Tourbillon’s distinct shape and then sliding off horizontally into the stand’s nest that sets this thing apart. It virtually turns into an architectural marvel in this configuration, and then when it’s time for a movie night, the N1 can open up over the course of 45 seconds with the push of a button. Depending on the sitting arrangement in the room, the TV can rotate 180 degrees like a smooth operator. Everything is effortless and creates an emotional connection, both when it is not in use and when it’s time for some cinematic entertainment with friends and family.

C Seed Bugatti N1 requires no structural integration and sits in your living room just like a luxury furniture piece. According to C Seed, the TV is “shaped by a commitment to precision engineering and uncompromising craftsmanship.” Every single detail, right from the silently unfolding MicroLED technology to the aluminum body in its finest form, is designed keeping in mind elegance, performance, and precision reminiscent of the world of automotive engineering. To keep the overall weight down, C Seed turned to carbon fiber, which speaks volumes about the ultimate refinement of the design.

The classy form of the TV is complemented by the sound system designed by Wisdom Audio. The housing has planar magnetic speakers that target a specific frequency range for perceived depth and clarity, no matter where the listener is positioned. Since we are talking about C Seed wizardry here, the speakers also retract into the sculptural housing when not in use. The display is also top of the line, incorporating the latest and greatest 4K MicroLED tech. Along with the Adaptive Gap Calibration for seamless panel transition for the perfect final unified picture, the stunning visuals match the audio for an immersive experience as a whole.

N1 TV is offered in either 110-inch or 137-inch size, and the patented folding display panel tech creates a single continuous screen even with multiple folding cycles. C Seed very rhetorically describes it as an engineered multi-stage movement that turns technical performance into a choreographed visual experience.”

There is no word about the pricing of this tech-infused kinetic sculpture for your living room, but coming from C Seed, it should carry an eye-watering price tag. One thing is clear: the folding display will come in bespoke colors and sizes for demanding users.

The post C Seed’s Sculptural Bugatti N1 folding TV carries dynamic flair of the Tourbillon supercar first appeared on Yanko Design.