Apple has released iPadOS 26.3 Beta 2, a developer-focused update that emphasizes performance enhancements, usability improvements, and expanded cross-platform functionality. This update reflects Apple’s ongoing commitment to refining the user experience while introducing meaningful features that align with its broader ecosystem strategy. Below is a detailed look at what this update offers and its potential […]
What if the next leap in AI wasn’t just about generating code but about truly understanding it? Below, Universe of AI takes you through how the leaked details of DeepSeek V4 suggest a bold redefinition of what AI can achieve in software development. With its innovative Ingram architecture and a focus on long-context reasoning, this […]
What if you could design a fully interactive, visually stunning website in half the time, without compromising on quality? Below, AI LABS breaks down how generative AI is not just streamlining web design but transforming it entirely. From crafting animations and visuals to building entire layouts with the finesse of an expert, these advancements are […]
What if your next productivity partner wasn’t human, but an AI that feels like a seamless extension of your workflow? Wes Roth explores how the new innovative Claude Cowork redefines what’s possible in AI-driven productivity. Far from being just another coding assistant, Cowork ventures into uncharted territory, offering file organization, spreadsheet creation, and even browser-based […]
Is this the dawn of a new era for AI-generated anime art? Midjourney’s Niji version 7 has arrived, and it’s already making waves in the creative community. In this overview, Future Tech Pilot explores how this latest update refines the art of anime-style image generation, delivering a blend of vibrant colors, precise prompt interpretation, and […]
The KODAK Printomatic+ packs a 10MP sensor, instant sticky-back prints, and travel-friendly design into a simple, creative camera for everyday moments.
A typical small studio or serious hobbyist handles printing across multiple devices and vendors. One machine for paper, maybe another for vinyl, a separate UV printer if you are lucky, and outsourcing for anything textured, cylindrical, or fabric-based. The friction adds up quickly, juggling vendors, minimum orders, and formats that do not quite align. Longer ePrint tries to pull those scattered workflows back into a single, desk-sized footprint, treating printing as something you do in-house across materials and processes instead of planning around what your gear can handle.
Longer ePrint is a dual-head, 3D-texture personal UV printer that behaves more like a tiny print lab than a single-purpose machine. One printhead is dedicated to UV inks for direct printing onto hard goods, while the other can be configured with a dedicated printhead for DTF inks to handle fabric transfers. The same box can print phone cases, embossed wood panels, and heat-press designs for tote bags without swapping hardware, which changes the kinds of projects you can start and finish in an afternoon.
ePrint runs 12 ink channels across two printheads, CMYK color plus six white channels and two varnish channels in the full model. For textured work, all six white channels stack ink simultaneously, building height up to six times faster than a single channel. For flat prints, the dual-head setup can cut time roughly in half while still holding 1,440 DPI resolution. The point is being able to run more experiments and finish more pieces in the same time block without waiting hours between iterations.
The 60mm embossing height pushes ePrint beyond flat graphics into tactile territory. That build-up lets you create braille signage with real raised dots, relief art that catches light and shadow, dimensional logos on cases and plaques, and prototypes that feel like finished products instead of flat mockups. It turns a UV printer into a way to explore form and tactility, not just color and layout, which is a shift for designers used to thinking flat and outsourcing anything that needs actual depth.
ePrint holds twelve 200ml cartridges and runs an open-ink system, so you can use Longer’s inks or third-party options, including DTF inks, low-migration ink formulations, and fluorescent colors. Combined with support for more than 300 materials and a 10mm high-gap printing capability, it can handle wood, acrylic, glass, metal, leather, stone, curved objects, and textured surfaces without the printhead scraping. That flexibility matters when you are testing new products or saying yes to unusual requests beyond the usual phone case rotation.
The machine supports four mechanical modes that each unlock different outputs. Flatbed mode handles panels, cases, and signs up to 310mm x 420mm. Rotary mode spins bottles, tumblers, and cylindrical objects while the heads print, wrapping designs around curves. Transfer film mode prints onto a special substrate first, then lets you laminate or heat-press onto fabric. Conveyor belt printing automates small-batch runs of rigid items like phone cases without repositioning each piece by hand.
The AI-powered studio offers tools like pattern generation, text-to-image, background removal, and product series generation, helping you respond to ideas or client briefs quickly without outsourcing design work. White-ink circulation and auto-cleaning routines keep the heads from clogging, which is usually a pain point with UV printers, while built-in air purification and sub-60dB operation make it more comfortable to run in a small studio as long as you still keep proper ventilation going.
A machine like this changes how you approach printing. Instead of sending work out for anything unusual or saying no to projects that need specific inks, materials, or texture, you can test ideas in-house, move from a sketch to a raised, textured object in a day, and run small batches without committing to huge minimums or buying another specialized tool. For designers, DIY enthusiasts, and small businesses, Longer ePrint feels less like a printer and more like a compact production partner that happens to live on a desk, letting you expand what you make without expanding the square footage or vendor list you need to manage.
Rezvani Motors stirred up the automotive market for armored vehicles in 2017 when they introduced the world to the Tank SUV. The promise of power, luxury, and security targeted for the ultra-rich and famous is barely challenged by other boutique brands like Paramount Marauder, Terradyne Gurkha, Conquest Evade and Karlmann King.
Given the vulnerable world we are living in with unknown threats looming large in a geo-politically sensitive environment, the armored vehicle has more demand than ever. That’s, of course, if you have a fat bank account to afford it. Rezvani has introduced an upgraded version of the Tank, based on the Jeep Wrangler chassis, to offer buyers more options in a lineup that already features beastly options like the Vengeance and the more subtle Dark Knight. On the outside, the tank-like SUV has an even sharper and aggressive presence, while on the inside, there’s even more beef.
The Irvine-based company has loaded the new Tank with incremental upgrades and a facelift that looks even sharper than the outgoing model. Underneath the hood, it is powered by a hybrid four-cylinder engine that churns out 270 horsepower. Since it’s Rezvani we’re talking about, buyers can go for even more powerful 6.4-liter V-8 engine that produces 500 horsepower, or the mind-numbing 6.2-liter Dodge Demon V8 cracking a 1,000 horsepower on the street. The vehicle gets the optional bulletproof and security package, which according to Rezvani, has the “latest in ballistics armor capable of stopping high caliber weapons and assault rifles.” This time around, the vital components like the fuel tank, radiator, and battery are protected by the Kevlar encasing.
2026 Rezvani has the optional Bond-level additions too, including the thermal night-vision system, run flat tires, electrified doors, underside explosion protection, gas masks for any adversity, and the beefy bumpers to ram down any pursuers. The most interesting addition that makes the Tank 2026 a vehicle fit for spy drama movies is the smoke screen, which releases smoke from the rear to decoy any trackers. The base version gets a four-inch suspension lift for the 37-inch tires, while that can be increased to six inches if you desire 40-inchers. Another optional accessory is the Fox Racing 3.0 Internal Bypass Shocks with DSC. As standard, the vehicle comes with the Dynatec axles and Dynatec ProGrip front and rear brakes.
Base price of the Tank 2026 is $175,000 while the most powerful 1,000 hp variant with the bulletproof options will cost an extra $85,000, and the B6-level version that uses lightweight materials and is capable of resisting high caliber rounds will add $1,45,000 to the base cost. Only 100 examples of the armored SUV will be made to retain exclusivity. The vehicle can be booked right away with a $500 deposit.
The humble shipping container continues to prove its versatility in architecture, and Backcountry Containers’ latest project showcases just how much function can be packed into 20 feet of steel. The Teeny Tiny Haus, nestled in Stonewall, Texas, reimagines vacation living by squeezing a complete home for two into a single standard shipping container. This cleverly designed retreat demonstrates that thoughtful planning can transform industrial materials into comfortable living spaces.
Measuring just 20 feet in length and 8 feet in width, the structure occupies roughly the same footprint as smaller European tiny houses. The compact dimensions forced Backcountry Containers to get creative with every square inch of available space. The result is an optimized 130 square feet that includes a bedroom, kitchen, and full bathroom, proving that essential amenities don’t require sprawling square footage.
The design required significant modifications to the original container structure. Large windows flood the interior with natural light, breaking up what could otherwise feel like a claustrophobic metal box, while a covered porch area extends the living space outdoors. This indoor-outdoor connection becomes essential when working within such tight quarters, giving guests psychological breathing room beyond the container’s metal walls and creating a sense of openness that defies the home’s modest dimensions.
Backcountry Containers has built its reputation on transforming industrial shipping containers into durable, low-maintenance living spaces. The family-run business started with single-unit container homes and has expanded to multi-container custom builds as customer demand grew. Their portfolio now includes everything from container pools and saunas to multi-bedroom residences. The company gained national attention when they appeared on HGTV’s Tiny House, Big Living, building their Kennedy Model. That 40-foot container home featured a bedroom, bathroom, open-concept kitchen and living space, plus a rooftop deck spanning the entire 40-foot length.
The Teeny Tiny Haus sits at Last Stand TX, where guests can book short-term stays through Airbnb. This rental model allows curious homeowners to experience container living firsthand before committing to a purchase. Backcountry Containers offers this same opportunity at several locations, including a 40-foot container home with mountain views and a three-bedroom unit in Shell Lake, Wisconsin. Standard models can be completed and delivered in 6 to 16 weeks.
Container homes appeal to buyers seeking affordable, secure housing that can withstand harsh weather. The structural integrity of shipping containers provides a solid foundation, while their modular nature allows for relatively quick construction. The Teeny Tiny Haus represents the company’s original vision: simple yet robust shipping container getaways that prove small spaces can deliver big experiences. For travelers seeking something beyond standard accommodations, this tiny Texas retreat offers a glimpse into container living’s potential.
In July 2024, an event in Mexico City called the Cheetos Cheesy Verse invited people to experience the Cheetos brand in person. The large installation, designed by PepsiCo, featured ten rooms, each with a unique theme. The concept was to create a fun, explorable space that represented the personality of the brand’s different snacks.
Each room was based on a specific Cheetos product, with distinct visuals and activities. For example, some rooms used hypnotic patterns and bright colors, while others were themed around concepts like Hollywood or sports. The overall project was a success, creating a memorable experience for visitors and winning an A’ Design Award for its interior and exhibition design.
Designer: PepsiCo Design and Innovation
The design here is so visually dense that it commands your full attention. Every surface is covered in saturated oranges, hypnotic swirls, or bold cheetah spots, creating a total environment that feels completely detached from the outside world. This level of immersion is a deliberate choice, engineered to produce highly shareable content. The entire experience is a meticulously crafted backdrop for social media, and that’s not a criticism; it’s a recognition of a very shrewd and effective design objective.
Executing on that objective is the hard part, and it’s where a lot of brands stumble. It’s one thing to have a mood board, but it’s another to translate the “personality” of Cheetos Poffs into a physical space without it feeling forced. The team got around this by anchoring each room to a strong cultural reference. The “Palomitaswood” concept is a perfect example; it’s a clever, immediate signifier for a Hollywood-themed popcorn room. It’s this kind of smart, efficient world-building that elevates the project beyond just a collection of cool-looking sets.
You can see this thinking in every detail. Visitors walk in, take photos against the incredible backdrops, and share them, effectively becoming the brand’s marketing department for the day. Look at the photo with the Shiba Inu; that’s a calculated nod to internet culture, designed to resonate with a specific audience. It shows a deep understanding of how visual trends propagate online, which is essential for making an investment like this pay off. This is what a modern marketing ecosystem looks like.
