Tag Archives: author_name|Mariella Moon

Apple is reportedly developing a comedy film based on The Oregon Trail

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The Oregon Trail, which is probably one of the most recognizable computer games for people who grew up in the 80s and 90s, is set to become a movie. According to The Hollywood Reporter, Apple is developing a live-action film adaption for the game, with Will Speck and Josh Gordon attached to the project as directors and producers. Seeing as the collaborators are known for films like Blades of Glory, The Oregon Trail movie will likely be a comedy rather than a depressing drama about a 19th-century pioneer family dying off one by one due to dysentery and starvation. 

The Hollywood Reporter's sources also said that the movie will feature a couple of musical numbers "in the vein of Barbie." Benj Pasek and Justin Paul, known for La La Land and Dear Evan Hansen and who were recently nominated for an Emmy for a number Steve Martin performed in the past season of Only Murders in the Building, will reportedly produce original music for the film. Kenneth and Keith Lucas (Judas and the Black Messiah), along with Max Reisman, are writing the screenplay. It's still very early days for the production, though: There are no actors attached to the project yet, and Apple hasn't even formally announced it. 

Originally created by Don Rawitsch, Bill Heinemann and Paul Dillenberger, the original Oregon Trail game was first released in 1971. In the game, you're supposed to buy supplies, hunt for food and travel west at a reasonable pace while trying to keep your caravan your caravan alive. 

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/apple-is-reportedly-developing-a-comedy-film-based-on-the-oregon-trail-110022317.html?src=rss

Apple wins $250 in Masimo smartwatch patent case

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The legal battle between Apple and medical technology company Masimo rages on, with the bigger company — sorta, kinda — winning their latest face off. A federal jury has agreed with Apple that previous versions of Masimo's W1 and Freedom (pictured above) watches infringed on its design patents, according to Reuters. It only awarded Apple $250 in damages, which is the smallest amount that could be awarded for patent infringement, but the company's lawyers reportedly told the court that it wasn't after money anyway. 

What Apple, which is worth $3.5 trillion, wanted was an injunction on the sales of Masimo's current smartwatch models. However, the jury determined that those newer models don't violate Apple's intellectual property. That is why Masimo is also treating the jury's decision as a win, telling the news organization that it's thankful for the verdict that's "in favor of Masimo and against Apple on nearly all issues." Apparently, the ruling only affects a "discontinued module and charger." As for Apple, it told Reuters that it was "glad the jury's decision today will protect the innovations [it advances] on behalf of [its] customers."

Masimo sued Apple in 2021, accusing it of infringing on several of its light-based blood-oxygen monitoring patents, while the tech giant countersued a year later. A court sided with Masimo in 2023, forcing Apple to pause sales on its latest smartwatch models, as the US International Trade Commission blocked all Watch Series 9 and Ultra 2 imports into the country. The company appealed and was ultimately able to sell its watches in the country earlier this year by removing the technology from the units offered in the US. 

This article originally appeared on Engadget at https://www.engadget.com/big-tech/apple-wins-250-in-masimo-smartwatch-patent-case-150020340.html?src=rss

Apple wins $250 in Masimo smartwatch patent case

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The legal battle between Apple and medical technology company Masimo rages on, with the bigger company — sorta, kinda — winning their latest face off. A federal jury has agreed with Apple that previous versions of Masimo's W1 and Freedom (pictured above) watches infringed on its design patents, according to Reuters. It only awarded Apple $250 in damages, which is the smallest amount that could be awarded for patent infringement, but the company's lawyers reportedly told the court that it wasn't after money anyway. 

What Apple, which is worth $3.5 trillion, wanted was an injunction on the sales of Masimo's current smartwatch models. However, the jury determined that those newer models don't violate Apple's intellectual property. That is why Masimo is also treating the jury's decision as a win, telling the news organization that it's thankful for the verdict that's "in favor of Masimo and against Apple on nearly all issues." Apparently, the ruling only affects a "discontinued module and charger." As for Apple, it told Reuters that it was "glad the jury's decision today will protect the innovations [it advances] on behalf of [its] customers."

Masimo sued Apple in 2021, accusing it of infringing on several of its light-based blood-oxygen monitoring patents, while the tech giant countersued a year later. A court sided with Masimo in 2023, forcing Apple to pause sales on its latest smartwatch models, as the US International Trade Commission blocked all Watch Series 9 and Ultra 2 imports into the country. The company appealed and was ultimately able to sell its watches in the country earlier this year by removing the technology from the units offered in the US. 

This article originally appeared on Engadget at https://www.engadget.com/big-tech/apple-wins-250-in-masimo-smartwatch-patent-case-150020340.html?src=rss

Lyft will have to tell drivers how much they can truly earn, with evidence

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Lyft has agreed to to tell its drivers how much they can truly earn on the ride-hailing platform — and back it up with evidence — as part of its settlement for a lawsuit filed by the US Justice Department and the Federal Trade Commission. The lawsuit accused the company of making "numerous false and misleading claims" in the advertisements it released in 2021 and 2022, when the demand for rides recovered following COVID-19 lockdowns in the previous years. Lyft promised drivers up to $43 an hour in some locations, the FTC said, without revealing that those numbers were based on the earnings of its top drivers. 

The rates it published allegedly didn't represent drivers' average earnings and inflated actual earnings by up to 30 percent. Further, the FTC said that Lyft "failed to disclose" that information, as well as the fact that the amounts it published included passengers' tips. The company also promised in its ads that drivers will get paid a set amount if they complete a certain number of rides within a specific timeframe. A driver is supposed to make $975, for instance, if they complete 45 rides over a weekend. 

Lyft allegedly didn't clarify that it will only pay the difference between the what the drivers' earn and its promised guaranteed earnings. Drivers thought they were getting those guaranteed payments on top of their ride payments as a bonus for completing a specific number of rides. The FTC accused Lyft of continuing to make "deceptive earnings claims" even after it sent the company a notice of its concerns in October 2021, as well. 

Earlier this month, the company launched an earnings dashboard that showed the estimated hourly rate for each ride, along with the driver's daily, weekly and yearly earnings. But under the settlement, Lyft will have to explicitly tell drivers how much their potential take-home pay is based on typical, instead of inflated, earnings. It has to take tips out of the equation, and it has to to clarify that it will only pay the difference between what the drivers get from rides and its guaranteed earnings promise. Finally, it will have to pay a $2.1 million civil penalty. 

This article originally appeared on Engadget at https://www.engadget.com/transportation/lyft-will-have-to-tell-drivers-how-much-they-can-truly-earn-with-evidence-120011572.html?src=rss

Lyft will have to tell drivers how much they can truly earn, with evidence

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Lyft has agreed to to tell its drivers how much they can truly earn on the ride-hailing platform — and back it up with evidence — as part of its settlement for a lawsuit filed by the US Justice Department and the Federal Trade Commission. The lawsuit accused the company of making "numerous false and misleading claims" in the advertisements it released in 2021 and 2022, when the demand for rides recovered following COVID-19 lockdowns in the previous years. Lyft promised drivers up to $43 an hour in some locations, the FTC said, without revealing that those numbers were based on the earnings of its top drivers. 

The rates it published allegedly didn't represent drivers' average earnings and inflated actual earnings by up to 30 percent. Further, the FTC said that Lyft "failed to disclose" that information, as well as the fact that the amounts it published included passengers' tips. The company also promised in its ads that drivers will get paid a set amount if they complete a certain number of rides within a specific timeframe. A driver is supposed to make $975, for instance, if they complete 45 rides over a weekend. 

Lyft allegedly didn't clarify that it will only pay the difference between the what the drivers' earn and its promised guaranteed earnings. Drivers thought they were getting those guaranteed payments on top of their ride payments as a bonus for completing a specific number of rides. The FTC accused Lyft of continuing to make "deceptive earnings claims" even after it sent the company a notice of its concerns in October 2021, as well. 

Earlier this month, the company launched an earnings dashboard that showed the estimated hourly rate for each ride, along with the driver's daily, weekly and yearly earnings. But under the settlement, Lyft will have to explicitly tell drivers how much their potential take-home pay is based on typical, instead of inflated, earnings. It has to take tips out of the equation, and it has to to clarify that it will only pay the difference between what the drivers get from rides and its guaranteed earnings promise. Finally, it will have to pay a $2.1 million civil penalty. 

This article originally appeared on Engadget at https://www.engadget.com/transportation/lyft-will-have-to-tell-drivers-how-much-they-can-truly-earn-with-evidence-120011572.html?src=rss

NASA’s Webb telescope detects the first potential brown dwarfs outside our galaxy

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The James Webb Space Telescope is making it possible to detect more celestial objects we previously wouldn't be able to, including ones that can further our knowledge on how our universe began. A team of astronomers, for instance, detected a "rich population of brown dwarf candidates" outside our own galaxy for the first time. The image above was captured using the telescope's Near-InfraRed Camera (NIRCam) instrument. 

We already know of the roughly 3,000 brown dwarfs inside the Milky Way, but Webb made it possible to find candidates 200,000 light years away from our planet. "Only with the incredible sensitivity and spatial resolution in the correct wavelength regime is it possible to detect these objects at such great distances," said Peter Zeidler, the team leader from AURA/STScI for the European Space Agency. "This has never been possible before and also will remain impossible from the ground for the foreseeable future."

Brown dwarfs are neither planets nor stars. They're free-floating objects around 13 to 75 times larger than Jupiter, and they aren't gravitationally bound to a star like exoplanets are. Yes, they're bigger than the biggest gas giants, but they're also not big enough to produce massive amounts of light, which is why they're sometimes called "failed stars." According to the scientists in this study, their observations support the theory that brown dwarfs form like stars do, they merely "don’t accrete enough mass to become a fully fledged star." As NASA notes, scientists think it's possible that a "great deal" of the universe's mass comes in the form of brown dwarfs. Seeing as they're mostly dark and can barely generate any light, they could help answer the "missing mass" problem that astronomers are still trying to solve. 

The team found the new brown dwarf candidates in a star cluster called NGC 602 near the outskirts of the Small Magellanic Cloud dwarf galaxy. They explained that older Hubble observations showed that the cluster contains very young low mass stars, but Webb made it possible to look at them more closely. Based on what they've seen, the cluster exists in an environment comparable to the early universe, which means studying the brown dwarfs could provide more clues on how stars and planets formed billions of years ago.

This article originally appeared on Engadget at https://www.engadget.com/science/space/nasas-webb-telescope-detects-the-first-potential-brown-dwarfs-outside-our-galaxy-120007295.html?src=rss

Amazon’s God of War series hires Ronald D. Moore as showrunner

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A few days ago, Deadline reported that several key personnel behind Amazon's upcoming live-action God of War adaptation have left the project. But the series' production will still push through, and according to the publication, Ronald D. Moore will now serve as its showrunner, as well as one of its writers and executive producers. He's replacing original showrunner Rafe Judkins (Wheel of Time) and EPs Mark Fergus and Hawk Otsby (Children of Men and Iron Man). It'll be Moore's first project with Sony TV after returning to the studio with a multi-year deal in June. 

Moore is known for developing and producing the Battlestar Galactica reboot and for writing dozens of Star Trek: The Next Generation and Deep Space Nine episodes. His writing credits also include several Star Trek movies, Mission Impossible II, and Philip K. Dick's Electric Dreams for Amazon. He worked with the studio for a decade, developing shows that include Outlander for Starz and For All Mankind for Apple TV+, before departing in 2020. 

Judkins, Ferus and Otsby had already written multiple scripts for the show, but Amazon reportedly wanted to move in a different creative direction. Deadline previously reported that in addition to hiring someone new to lead the production, Amazon was also looking to put a new writers' room together. Several EPs from Santa Monica Studio (the game's developer) and PlayStation Production who had been involved from the start are still with the project. 

The God of War series will be based on 2018 game that's inspired by Norse mythology. It will focus on Kratos, as he embarks on a journey with his son to spread the ashes of his late wife from the highest peak. They battled gods, monsters and other entities before they reached their destination, and they unearthed secrets about each other and the realm they live in along the way. 

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/amazons-god-of-war-series-hires-ronald-d-moore-as-showrunner-133004763.html?src=rss

Arm cancels Qualcomm’s license to use its chip design standards

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Arm has taken its feud with Qualcomm to the next level, two years after filing a lawsuit against its former close partner. According to Bloomberg, the British semiconductor company has canceled the architecture license allowing Qualcomm to use its intellectual property and standards for chip design. As the news organization notes, Qualcomm, like many other chipmakers, uses Arm's computer code that chips need to run software, such as operating systems. Arm has reportedly sent Qualcomm a 60-day notice of cancelation — if they don't get to an agreement by then, it could have a huge impact on both companies' finances and on Qualcomm's operations. 

The SoftBank-backed chipmaker sued Qualcomm in 2022 after the latter purchased a company called Nuvia, which is one of its other licensees. Arm argued that the US company didn't obtain the necessary permits to transfer Nuvia's licenses. As such, Nuvia breached their contract and it had terminated its licenses, Arm explained in its lawsuit. Qualcomm has been using Nuvia-developed technology in the chips designed for AI PCs, such as those from Microsoft and HP. But Arm wants the company to stop using Nuvia-developed tech and to destroy any Arm-based technology developed prior to the acquisition. 

Qualcomm will have to stop selling most of the chips that account for its $39 billion in revenue, Bloomberg says, if the companies don't resolve the issue within the next 60 days. It seems the US chipmaker believes this is a tactic by Arm to threaten its business and to get higher royalties, because its spokesperson told Bloomberg and the Financial Times: "This is more of the same from Arm — more unfounded threats designed to strong-arm a longtime partner, interfere with our performance-leading CPUs, and increase royalty rates regardless of the broad rights under our architecture license." Qualcomm also accused Arm of attempting to disrupt the legal process, called its grounds for licensing termination "completely baseless" and said that it's confident its "rights under its agreement with Arm will be affirmed."

Meanwhile, an Arm spokesperson told us: "Following Qualcomm’s repeated material breaches of Arm’s license agreement, Arm is left with no choice but to take formal action requiring Qualcomm to remedy its breach or face termination of the agreement. This is necessary to protect the unparalleled ecosystem that Arm and its highly valued partners have built over more than 30 years. Arm is fully prepared for the trial in December and remains confident that the Court will find in Arm’s favor."

Update, October 23, 2024, 11:33PM ET: This story has been updated to add Arm's statement.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/arm-cancels-qualcomms-license-to-use-its-chip-design-standards-123031968.html?src=rss

Spotify debuts an in-app cover art maker for playlists

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Spotify already lets you upload your own pics to use as playlist covers, but now it has launched a feature that gives you an easy, in-app way to customize them. The audio streaming service's new Create Cover Art feature comes with a set of tools you can use to crop images in different shapes, such as hearts and stars, and then place them against backgrounds in the colors of your choice. It will also give you access to an effects toolset, which includes the fish-eye and radiar blur effects, as well as text tools that you can use to add cover titles in different typefaces. And yes, you can use the effects to transform any text you add to your images. Finally, you can choose from a bunch of stickers to further personalize your cover. 

While the company is releasing Create Cover Art in its beta form, it is rolling out to 65 markets around the world. To try it out, you'll need to be on the mobile app. Find the ellipsis (...) context menu when you open one of your playlists and then look for "Create Cover Art" among the options that pop up. The toolset will show up from there, and you can share anything you create with it on social media if you wish.

Create cover art
Spotify

This article originally appeared on Engadget at https://www.engadget.com/apps/spotify-debuts-an-in-app-cover-art-maker-for-playlists-130026423.html?src=rss

Blade Runner 2049 producer sues Elon Musk for image used in Cybercab launch

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When Elon Musk introduced Tesla's robotaxi, the Cybercab, earlier this month, he showed a slide during his presentation that probably looked familiar to Blade Runner 2049 fans. It featured the back of a person wearing a trench coat against a desert-like landscape with high-rise buildings in the background. Now, a producer behind the movie is suing him for copyright infringement. According to The New York Times, Alcon Entertainment accused him of using "AI-created images mirroring scenes from Blade Runner 2049, including one featuring a Ryan Gosling look-alike." It said that it previously denied a request by Musk, Tesla and Warner Bros. Discovery to use imagery from the film as part of the Cybercab event. The companies were also named as defendants in the lawsuit. 

Alcon called Tesla's use of AI to create images nearly identical to scenes from the movie an "intentionally malicious gambit." It argued that by connecting the product announcement to the movie, the automaker made the event "more attractive to a global audience" and misappropriated "the Blade Runner 2049 brand to help sell Teslas." In its lawsuit, Alcon said that the connection between Musk and its film has a financial impact on the company, even going so far as calling the defendants' actions as a "massive economic theft," because it's currently in talks with other potential automative partners for its upcoming Blade Runner 2099 television series. 

"Any prudent brand considering any Tesla partnership has to take Musk's massively amplified, highly politicized, capricious and arbitrary behavior, which sometimes veers into hate speech, into account," it reportedly wrote in its complaint. It said it "adamantly objected" to being associated with Musk or any of his companies, and that Musk was personally aware that it refused his company's request. "He thus personally knew and understood that to incorporate ‘BR2049’ into the event presentation at all would be improper and an unauthorized misappropriation of ‘BR2049’ goodwill," the producer wrote. It's worth noting that Musk mentioned Blade Runner during the event, saying that he loves the franchise, but he doesn't "know if we want that future." Musk is one of the biggest supporters of Republican presidential nominee Donald Trump and is known for making divisive, controversial tweets. He had also been caught retweeting fake news in the past, including a doctored Kamala Harris video. 

Alcon called the movie still that Tesla allegedly copied "one of the most iconic images" from Blade Runner 2049. We took the image above from Tesla's live stream, and you can see the still from the film below. 

A man in a trench coat with a car and a desert landscape in the background.
Warner Bros. Picture

This article originally appeared on Engadget at https://www.engadget.com/transportation/blade-runner-2049-producer-sues-elon-musk-for-image-used-in-cybercab-launch-120048345.html?src=rss