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8 Best Home Objects So Cleverly Designed They Make Your Entire Furniture Setup Look Boring

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The most interesting objects in a room are rarely the loudest ones. They are the ones that sit quietly in plain sight, behaving like one thing until you look closely and realize they were always something else. A table that swallows a book. A clock that hides its own hands. A speaker tucked inside a tin dollhouse from the 1930s. The best design of 2025 and 2026 is hiding in plain sight, and it is hiding on purpose.

This listicle exists for the person who finds more satisfaction in a well-considered object than in a loud one. Every product here has a second identity — a behavior, a trick, or a material logic that reveals itself slowly. Some are available to buy right now. Some are concepts that deserve to exist in production. All of them share the same quality: they make you stop, look again, and want one.

1. NjommNjomm

Say the name out loud, and you already understand the concept. NjommNjomm, by Stuttgart-based designer Deniz Aktay, is a cuboid coffee table made from sustainable plastics with a bevelled internal compartment that does something no coffee table has managed before: it makes a book appear to vanish inside it. Slide the right-sized book into the slot, and the table appears to swallow it whole, the pages disappearing into the body of the furniture with an optical sleight of hand that stops every person who walks into the room.

What makes it work beyond the trick is the restraint of the form. Nothing about the NjommNjomm announces itself. The exterior is clean, minimal, and almost unremarkable until the moment it is not. The cuboid shape also means the table can be repositioned vertically, giving it a flexibility most coffee tables never offer. For anyone who stacks books on every surface and has quietly given up apologizing for it, this is the table that finally takes their side. It is currently a concept by dezinobjects, and it is the right place to start.

What We Like

  • The optical illusion is genuinely surprising every single time someone encounters it
  • Works horizontally and vertically, making it adaptable to smaller living spaces

What We Dislike

  • Currently, it is a concept with no confirmed production timeline
  • The slot is most effective with books of a specific size

2. Portable CD Cover Player

The Portable CD Cover Player does exactly what its name promises, and the effect is completely disarming. It looks like a CD sleeve. It sits like a CD sleeve. Then you realize it is the player itself. The entire device is designed around the silhouette of the packaging that physical music has always lived inside, turning the most overlooked part of the format into an object. For anyone who still has a collection gathering dust on a shelf, this reframes the entire relationship with the format in a single glance.

There is a specific kind of satisfaction in owning something that makes people pick it up and ask what it is. The Portable CD Cover Player earns that reaction every time it is left on a desk, a shelf, or a coffee table. It brings the physical music experience back without demanding space or ceremony, fitting into a bag or slotting between records with equal ease. Three remain in the YD shop, which is not a large number, and the kind of detail worth noting before moving on.

Click Here to Buy Now: $199.00

What We Like

  • The cover-as-player concept turns a format’s most discarded element into the product itself
  • Compact form factor slots naturally into an existing music collection without demanding its own space

What We Dislike

  • Only three units are currently available in the YD shop
  • Technical specifications for battery life and connectivity are not listed

3. Ghost Clock

Istanbul-based designer Fatih Demirci took a simple question — what if a clock tried to disappear — and turned it into one of the most quietly compelling wall objects of 2025. The Ghost Clock stretches a thin fabric over the hour and minute hands without restricting their movement. The result is two slow-moving bumps that creep around the face of the clock, telling the time and refusing to tell it at the same time. The concept is drawn from the way objects look under drapery, and the reference earns every bit of the eerie quality it produces.

You cannot read the Ghost Clock with the precision a meeting demands, and that is the point. It is a wall object that removes the anxiety from timekeeping and replaces it with something stranger and more honest — a gentle reminder that time is moving without forcing you to count how fast. In a bedroom or a reading corner, this presence is more useful than precision. It is a concept by Fatih Demirci, and it deserves to exist in every room that takes itself a little too seriously.

What We Like

  • The fabric-over-hands mechanism is deceptively simple and visually arresting from across the room
  • Shifts the emotional register of timekeeping without removing its function entirely

What We Dislike

  • Not suited for precision timekeeping and should not be the only clock in a working space

4. Sail Away Tranquility Mobile

DRILL DESIGN is an award-winning Japanese studio, and the Sail Away Tranquility Mobile is the kind of object that explains why it has that reputation. Three interlocking triangles — one lightweight aluminum, one polished steel, one warm walnut — are hand-balanced at a workshop in Ashikaga City, Tochigi Prefecture, until the whole structure finds a perfect equilibrium. Then it sits on your desk and does almost nothing. Until the air shifts, and the triangles begin to move in response, and you realize you have been watching it for considerably longer than you intended.

The secret of the Sail Away Mobile is that it is kinetic without demanding anything from you. No batteries, no charging, no interaction required. The movement comes from the air in the room, which means it is always slightly different and always responding to something real. Weighing just 80 grams and requiring no tools to set up, it is genuinely easy to live with. As a desk object, a housewarming gift, or a quiet act of calm placed in a room that moves too fast, it earns the space it occupies.

Click Here to Buy Now: $129.00

What We Like

  • Entirely passive movement with no power source needed — the room does the work
  • Handcrafted in Japan with meticulous material balance across three distinct and contrasting materials

What We Dislike

  • The gentle movement requires some ambient air circulation to be fully appreciated in still rooms

5. Verse Chair

Most chairs do one thing. The Verse Chair by Liam de la Bedoyere does two, and the second one is so specific and considered that it reframes the entire object. The 3D-printed chair has a curved seat designed for ergonomic comfort, but beneath the seat lies a sharp-angled V-shaped base proportioned precisely to hold a book open at the page you left it. Set the book down mid-chapter, and the chair holds it. Come back later, and the page is exactly where you stopped. The chair remembers for you.

The name Verse refers both to the line-by-line process of 3D printing and the V-shaped form of the base, which is the kind of naming discipline most designers do not manage to pull off. The chair does not shout its bookmarking function. It holds the book quietly, at floor level, in the structure of the legs, visible only when you know to look for it. For anyone who reads in the same chair every day, this is the version of that chair designed specifically around that habit.

What We Like

  • The book-holding function is built directly into the structural logic of the chair, not added to it
  • The name connects form, manufacturing process, and purpose into one coherent idea

What We Dislike

  • Currently a concept and not available for purchase
  • The bookmarking function works most reliably when the chair remains in a fixed position

6. BGN 11

Teenage Engineering has made a sampler that plays only Gregorian chants and a PC chassis with retro-futuristic proportions, so it should come as no surprise that they also made working speakers out of 1930s tin dollhouses. BGN 11, a collaboration with Toronto-based craft collective Bentgablenits, transforms ten salvaged pressed-metal toy buildings — a chapel, a corner shop, a living room, an ice cream parlor — into working TE OD-11 speaker units. Each one was hand-altered, rewired, and reupholstered to broadcast ambient compositions matched to its specific setting.

Only ten units were ever made, shown for three days at a Shopify creative space on Greene Street in Soho, New York, in June 2025. They are gone. BGN 11 sits in this roundup not as something to acquire but as proof of a design argument: that the most interesting audio object is one that makes you forget it is an audio object. A dollhouse murmuring like a congregation. A corner shop that chimes. The speaker disappears completely into the story of the building it lives inside.

What We Like

  • Each unit delivers a specific narrative through both its visual form and its audio content simultaneously
  • The collaboration between Bentgablenits’ tactile craft and Teenage Engineering’s acoustic precision produces something neither could have made independently

What We Dislike

  • The ambient compositions are matched to each specific unit and are not user-configurable

7. Invisible Shoehorn

The Invisible Shoehorn is the most committed object in this roundup. Where other pieces here have hidden functions or optical tricks, this one has a single purpose and has dedicated its entire design language to not being seen while performing it. Made from transparent acrylic, it is built to vanish against any backdrop — a shelf, a closet floor, a basket by the door. Its clear body and ergonomic curved form make it read as a small sculpture before it reads as a tool, and the moment you actually need it is the moment it stops being invisible.

There is a specific kind of confidence in designing something intended to be overlooked. The Invisible Shoehorn sits in a space and contributes nothing visually until the moment it contributes everything functionally, then returns to transparency. For a hallway or entryway that takes its aesthetic seriously, this is the version of the object that belongs there. The ergonomic curve makes it genuinely comfortable and easy to grip, and the transparent material means it works equally in any color palette.

Click Here to Buy Now: $299.00

What We Like

  • Transparent acrylic construction genuinely disappears against almost any surface or backdrop
  • The ergonomic curve makes it comfortable to use without compromising the minimal, tool-free visual

What We Dislike

  • Transparent acrylic shows fingerprints and requires regular cleaning to maintain the invisible effect

8. Magician’s Rope

Close the roundup with the table that should not hold anything, but somehow holds everything. Magician’s Rope, by designer Hanqi Jia, earned recognition at the NY Design Awards by doing something structurally improbable and making it look completely inevitable. A single continuous red metal line bends, loops, and crosses itself into a structure that supports a transparent tabletop. It looks like a drawing. It looks like a gesture caught mid-motion. It does not look like a table, which is precisely why it is such a considered one.

The red line is the detail that holds the whole thing together conceptually. Red, in most design contexts, demands attention. Here it asserts itself visually while the overall form stays quiet — the line says look at me, while the rest of the table says I will be here whenever you need me. The transparent top reduces the visual footprint significantly, making it a strong choice for smaller rooms or spaces already doing a lot of visual work. It is a concept by Hanqi Jia, and it earns the closing position in this list.

What We Like

  • A single continuous red metal line achieves structural integrity through elegance rather than bulk
  • The transparent top reduces the table’s visual presence dramatically in smaller or busier rooms

What We Dislike

  • The red line is a defining feature that will not integrate easily into every interior palette

The Best Objects Don’t Explain Themselves

Every object in this list shares the same quality: it does something you did not expect it to do. The table eats the book. The clock hides the time. The shoehorn disappears. The dollhouse plays a sermon from a tin chapel. None of them announces their second nature from across the room. You have to live with them, look closely, or accidentally slide a paperback into the wrong slot before discovering what they actually are.

That quality — the hidden behavior, the withheld function, the object that rewards attention — is increasingly rare when most products explain themselves loudly and immediately. These eight do not. They ask you to slow down, look again, and sit with something that has more going on than it first appeared. That is a reasonable thing to ask of the objects you choose to keep around you.

The post 8 Best Home Objects So Cleverly Designed They Make Your Entire Furniture Setup Look Boring first appeared on Yanko Design.

Fire-Proof & Forest-Focused: A Holiday Home That Embraces The Australian Bush

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High in the canopy of a eucalyptus forest in New South Wales, a holiday home sits perched like an eagle’s nest, looking out over the landscape with quiet confidence. Amongst the Eucalypts, designed by Jason Gibney Design Workshop, reimagines what it means to live within fire-prone Australian bushland, creating a space that embraces nature while respecting its volatile temperament. The clients came to JGDW with a vision that might seem contradictory: they wanted both refuge and connection, a home that could evoke the immersive experience of camping in nature’s vastness while offering protection from its extremes. They sought a place where family and friends could gather communally yet still find moments of solitude within nature’s embrace.

The architectural response is a study in balance. Set high behind the tree line on a steeply sloped site, the house grounds itself along the hill’s natural contour. Its split form creates intimate, private moments while maintaining what the NSW Architecture Awards jury described as “a quiet dialogue between space and landscape beyond.” This isn’t a home that dominates its setting or shrinks from it. Instead, it unfolds to meet the upper realm of the forest, positioning itself as both observer and participant in the landscape.

Designer: Jason Gibney Design Workshop

Material choices reflect the reality of building in bushfire country. The palette is deliberately raw and robust: plywood, lightweight cladding, and metal sit comfortably within the remote setting, offering low maintenance and crucial protection from fire. These aren’t just practical selections. They’re materials that age gracefully in the elements, developing character rather than requiring constant intervention.

What sets this project apart is its embrace of impermanence. The operable facade allows the home to open and close to the elements, transforming its relationship with the outdoors. Outdoor washrooms and a loose-fit interior reinforce this camping-inspired approach, where the boundaries between inside and outside become negotiable rather than fixed. The architecture suggests a way of living that’s more adaptable, more responsive to seasonal changes and the rhythms of nature.

Built by Midcoast Construction on Worimi land, the home earned a Commendation for Residential Architecture at the 2025 NSW Architecture Awards and recognition in the Sustainable Architecture category at the National Architecture Awards Program. The jury commended the design team for creating a home that addresses the pressing question of how to build responsibly in fire-prone landscapes. Photography by Justin Alexander captures the home’s unique position, revealing how it sits suspended among the eucalypts, neither floating above nor buried within the forest but existing in comfortable coexistence with it.

As climate change intensifies fire seasons across Australia, projects like Amongst the Eucalypts offer more than aesthetic pleasure. They demonstrate that building in bushland doesn’t require choosing between connection to nature and protection from it. The home stands as evidence that thoughtful design can create spaces of genuine sanctuary and contemplation, places where engaging with the landscape occurs with the solace of protection from the extremes.

The post Fire-Proof & Forest-Focused: A Holiday Home That Embraces The Australian Bush first appeared on Yanko Design.

When a Photographer Builds a Fortress: John Dessarzin’s Brutalist Jungle Sanctuary in Costa Rica

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When a National Geographic photographer designs his sanctuary, the lens doesn’t disappear. John Dessarzin’s Brutalist compound in Atenas, Costa Rica, frames the jungle like a permanent viewfinder: all concrete, steel, and calculated sightlines. Perched on a cliff bordering a protected bird sanctuary in the Central Valley, the 2017 residence rejects the neoclassical templates that dominate the region in favor of raw materiality and seismic resilience.

Designer: John Dessarzin

Dessarzin collaborated with noted Costa Rican architect Jaime Rouillon to create a cantilevered complex that includes a two-bedroom main house and three guest villas. The property, now listed at $2.195 million as Dessarzin relocates to Portugal, stands as a study in what happens when photographic composition dictates architectural form. There are no visible neighbors, no decorative flourishes, no concessions to tropical vernacular. Only exposed concrete, industrial glass, and the unfiltered sounds of the jungle.

This isn’t architecture that accommodates the landscape. It’s architecture that isolates and amplifies it.

Material Honesty on Unstable Ground

Rouillon’s design philosophy centers on “honesty to materials,” and here that principle translates to a building with zero wood: only poured concrete, metals, and glass.

The decision wasn’t purely aesthetic. Costa Rica sits on the Pacific Ring of Fire, where seismic activity demands structural rigor. Shear walls anchor the main house to the cliff face, distributing lateral forces through a foundation designed to absorb rather than resist movement. The cantilevered upper level, which houses the primary living space and infinity pool, floats above the slope without appearing precarious. It’s a balancing act that requires precise engineering hidden within minimalist form.

John Dessarzin

Rouillon, whose portfolio includes high-end custom residences like Casa Val and Casa Las Olas, brings a postmodern sensibility to Costa Rican site conditions. His work fuses horizontality with floating roof planes, creating compositions that read as sculptural objects rather than shelters.

In Dessarzin’s compound, that approach manifests as a series of stacked volumes that step down the hillside, each level offering unobstructed views toward the Central Valley. The exposed concrete weathers visibly, accumulating stains and patina that reinforce the material’s permanence rather than diminish it. The textural contrast between raw concrete and industrial glazing establishes the visual language. There are no mediating elements: no stucco cladding, no painted surfaces, no decorative screens. Every material performs its structural role without cosmetic enhancement.

The result feels less like a residence and more like infrastructure repurposed for habitation. Which aligns with Dessarzin’s stated goal: a space that prioritizes utility and sensory immersion over comfort signaling.

What distinguishes Rouillon’s execution here is the restraint. Brutalism often tips into heaviness, where mass becomes oppressive. This design maintains lightness through proportion and transparency, using glass expanses to dissolve boundaries between interior and exterior while the concrete frame remains legible.

Spatial Choreography Across Elevation

The main house organizes two bedrooms across vertical zones: an upstairs primary suite and a downstairs guest suite, with a dedicated office studio that once served Dessarzin’s photography practice.

The upper level opens onto a patio and infinity pool, both positioned to eliminate sightlines to neighboring properties. The spatial logic prioritizes controlled exposure: maximizing connection to the sanctuary while maintaining seclusion from the surrounding development. Circulation between levels feels deliberate, with each transition offering reframed views of the canopy and valley below.

John Dessarzin

Dessarzin added three guest villas to support Airbnb operations. A three-bedroom, two-bath unit for families. A studio villa with en-suite for couples. A compact one-bedroom casita at the entrance for solo travelers. The villas operate independently from the main house, distributed across the hillside to preserve privacy while sharing access to the broader landscape.

This fragmentation (separating program into discrete volumes rather than consolidating under a single roof) amplifies the sense of inhabiting terrain rather than a building. The design avoids conventional hierarchies. There’s no grand entrance sequence, no central courtyard organizing movement. Instead, pathways and terraces establish a loose network where orientation depends on topography and view corridors.

It’s a composition that privileges wandering over procession.

The Photographer’s Eye Encoded in Concrete

Dessarzin’s National Geographic background permeates the spatial organization. Every major window functions as a framing device, isolating specific landscape elements: a particular tree canopy, a slice of valley, a section of sky, all with the precision of a telephoto lens. The infinity pool acts as a foreground element that extends the visual plane toward the horizon, a technique borrowed from photographic composition where layered depth creates dimensionality. Rouillon’s horizontal roof planes reinforce this effect, establishing strong lines that guide the eye outward rather than upward.

The prioritization of light follows photographic logic. Morning sun illuminates the primary suite, while afternoon light floods the upper living area and pool terrace.

Dessarzin positioned glazing to capture specific solar angles throughout the year, treating daylight as a variable input that changes the character of each space across seasons. Shadows from the concrete structure migrate across interior surfaces, creating time-based patterns that wouldn’t exist in a conventionally finished building. The house operates as a light meter calibrated to tropical latitude, where extreme brightness and deep shade occur simultaneously.

Dessarzin describes the surrounding homes as “nothing special.” The dismissal is rooted in their reliance on neoclassical templates that ignore site-specific conditions. His residence rejects that imported vocabulary entirely, opting for a design language that foregrounds geology, climate, and ecological context.

The contrast is stark. Where neighbors deploy columns and arches, Dessarzin’s compound presents unadorned planes and cantilevers. It’s an architectural critique delivered through form rather than rhetoric, arguing that luxury in this setting means unmediated access to the landscape, not decorative reassurance.

The design also acknowledges the owner’s eventual absence. Dessarzin built the property to function as both personal sanctuary and rental asset, structuring the villas to generate income independent of his occupancy. Now, as he relocates to Portugal, the compound transitions from lived project to market commodity. That shift underscores a broader tension: can architecture this specifically calibrated to one person’s vision maintain its integrity under different ownership?

Lifestyle Economics and the Expat Market

Atenas attracts expats from the US, Canada, Germany, and the Netherlands, drawn by climate, cost of living, and proximity to San Jose’s international airport (40 minutes) and Pacific beaches (one hour).

Dessarzin’s decision to sell reflects rising operational costs and the demands of managing Airbnb rentals. The property functions as both retreat and business, and those roles don’t always align.

Maintenance for an all-concrete structure in tropical humidity requires specialized attention, and the remote location limits service access. The $2.195 million asking price positions the compound within Costa Rica’s luxury market, where architectural distinction commands premiums. For design-focused buyers, the property offers a rare synthesis: earthquake-proof engineering, Brutalist materiality, and immersive access to protected nature.

The trade-off is operational complexity and aesthetic uncompromising. This isn’t a turnkey residence that adapts easily to diverse tastes. It’s a fixed statement that rewards occupants who share Dessarzin’s priorities or are willing to engage the architecture on its own terms.

The post When a Photographer Builds a Fortress: John Dessarzin’s Brutalist Jungle Sanctuary in Costa Rica first appeared on Yanko Design.

ZeroVision: Smoke Out the Crooks Home Security

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In today’s world, burglars have become increasingly sophisticated, using techniques like lock picking and signal jamming to breach security systems. However, no matter how advanced their methods, they can’t function without their vision. That’s where the ZeroVision smoke barrier from Verisure comes in.

ZeroVision is an advanced security device that deploys a dense, zero-visibility smokescreen to blind intruders, rendering them incapable of navigating your property. Powered by a specialized fog generator, it fills the room with a harmless but thick smoke that completely obscures the intruder’s view, leaving them disoriented.

Integrated into Verisure’s security system, ZeroVision works with 24/7 monitoring by experts at the Alarm Receiving Centre (ARC). When an intrusion is detected, the ARC verifies the threat and activates the device. Within seconds, the room is filled with non-toxic smoke, forcing the burglar to either flee or remain immobilized until the police arrive.

ZeroVision SIgn
Image: Verisure

ZeroVision is a game-changer in home security. By creating a zero-visibility environment, it prevents burglars from finding valuable items or even locating the exit. This increases the likelihood of the intruder being caught. Additionally, ZeroVision serves as a powerful deterrent; the mere presence of warning signs on your property can make burglars think twice.

Ideal for homeowners and businesses alike, ZeroVision provides an extra layer of security, particularly in high-risk areas or for those with valuable assets. Available exclusively through Verisure’s security packages, pricing is tailored to the specific needs of each customer, with personalized quotes available upon request.

With over 25 years in the security industry, Verisure is dedicated to staying ahead of criminal tactics. ZeroVision is not just a security device but a revolutionary tool that changes the rules of the game. If intruders can’t see, they can’t steal. Verisure remains a leader in innovative security solutions, ensuring you’re always one step ahead of potential threats.

The post ZeroVision: Smoke Out the Crooks Home Security appeared first on OhGizmo!.

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This Low-Energy & Serene Family Home Is Tucked Away In The Rich Forests Of Ontario

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Nestled deep in the Ontarian forest, the Forest Retreat is a beautiful new house designed by Kariouk Architects. Intended to be a family retreat, the home is surrounded by nature on all sides, and this will last throughout the year. The home is intricately connected to the surrounding land, including its exquisite trails and creeks, creating a ‘Canadian homestead’, that is a meeting space for extended family and friends.

Designer: Kariouk Architects

The Forest Retreat is constructed to be a fascinating combination of local materials, craftsmanship, and open space where a family can get together to spend time in the thralls of nature. Immersed amid Canadian nature, the house shares a serene relationship with nature. “Historically, the Canadian identity has been defined by our relationship to the land,’ said the architects. ‘The home honors that emotional connection through visual and material harmonization with its surroundings, but moreover, through responsible material sourcing and site adaptation, as well as energy-saving systems.”

The home is perched on a property of around 100 acres, and the site includes a variety of meadows, rocky outcrops, and wetlands, forming a land with diverse topography. The home is built on a rocky outcrop, so no trees had to be cut down for the construction of the home. It serves a continuous and free-flowing space, topped with a copper-clad roof, which spans at least 60 meters. The entire home is open-plan, although the bedrooms and bathrooms share their own closed-off section. The children’s rooms are placed in a volume above the main floor, and they can be accessed through a catwalk. The roof has a unique tent-like form, which imitates the undulating contours of the site. Glazed walls offer tranquil views of the surrounding trees and landscape.

The interior of the home features hand-crafted elements, in spite of the structural engineering employed for the roof and the raised mezzanine. It is populated with custom fittings and fixtures, and local woodworkers built the shingled paneling, staircases, and cabinetry. The architects made these decisions to incorporate a certain wholesomeness into the space. “The intention was to bring soulfulness to the home by thinking through and resolving details in person and by hand, and not merely on a computer screen,” said the architects.

The post This Low-Energy & Serene Family Home Is Tucked Away In The Rich Forests Of Ontario first appeared on Yanko Design.

This Mexican Lake House Beautifully Accommodates Pre-Existing Trees Without Disturbing The Environment

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Called the Casa Santa Maria del Oro, this picturesque lakeside home in Mexico’s Nayarit state was designed by the Mexican studio MCxA Group. The home is perched on a steep slope, which gently makes its way to the water. The home features circular holes that function as light wells, a courtyard, and spaces for trees. The home is slightly embedded within the earth, and topped by a lovely green roof.

Designer: MCxA Group

“The volume of the house is completely hidden, lost in the slope of the land and leaving only the terraces visible, which coexist with native trees and open to the lake,” said architects MCxA. The home is surrounded by five old trees, and they weren’t disturbed. Curves and holes were created in the floors and ceiling plates to ensure the trees weren’t bothered.

“Circular shapes are subtracted from the volume to honor their presence, allowing these giants to intertwine with the dwelling,” said design team leaders Mauricio Ceballos and Francisco Vázquez. This unique design style was adopted to pay tribute to the natural environment as well as the local community. Construction was conducted in such a way, that it harmonizes with nature, without causing harm to it.

The home occupies 350 square meters, and it contains three levels as well as three bedrooms. All the rooms are concealed from the view on account of the green roof, which also serves as a unique component of the home. You can access it from the upper level through a pathway of cylindrical pillars which create a 20-meter staircase. The staircase is “intricately designed to blend with the site, divert rainwater through the permeability generated by the spacing of the pieces, and serve as a sculptural statement with prefabricated cylindrical concrete steps,” as mentioned by the architects. These volumes feature curved glazed portions which offer lovely views of the trees.

Most of the living spaces are located in the middle story. This floor includes the bedrooms and bathrooms, which are located on both sides of the open-plan lounge and dining area. The home features concrete flooring and earth-toned decor. This decor includes volcanic stone and recycled wooden elements which are further accentuated by dark steel columns and window trims.

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Raised On Stilts, This Wooden Home Features An Interesting Elevated Layout

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Designed by Argentinian architectural studio Berson-Sardin, the Case Libélula is located in the Delta Río Paraná. It is a stunning home occupying 95 sq m and is inspired by the lovely elegance of a dragonfly. The home is raised on stilt-like pilings, which look like the legs of a dragonfly! The home has been elevated to provide protection against frequent flooding. It was built using local traditional construction techniques, which have been used by the people of the area for ages galore. The dwelling was constructed using mainly wood while allowing it to merge with the surrounding landscape. The floorplan of the home is a contemporary take on the local architectural style, exhibiting a new geometric design.

Designer: Berson-Sardin

The home is formed like a massive shaded gallery featuring outward-opening glass facades which convert the indoor space into a cool, and well-regulated area. This design supports cross-ventilation and shading, ensuring that the interiors are always cool irrespective of the weather outside. The home doesn’t utilize synthetic paints and varnishes, in fact, the wooden elements are untreated, allowing them to age naturally. Some of the wooden elements have also been charred to ensure future maintenance isn’t required.

The Casa Libélula includes three interconnected volumes. The bigger volume contains the public spaces like the living room, kitchen, and dining room, while the smaller volumes include the private spaces such as the bedrooms. These different sections feature a cladding of charred wood planks, and they’re all connected via a glass-walled entrance hall. This unique design offers privacy, by projecting the bedrooms ahead, closing them off from the public eye.

The home also includes an ascending and descending platform system which forms an intriguing and dynamic architectural promenade. This promenade moves through the entire home. It starts at the dock and follows a diagonal route that interconnects the ends of the home. These interesting platforms provide different views of the house and the landscape. The three massive volumes team up with this system perfectly, serving as lookout points that can be used for meditation, stargazing, and watching sunsets.

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Govee Outdoor Wall Light: Smart and Stylish Porch Lighting

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Govee has launched its new Outdoor Wall Light, designed to bring advanced lighting options to your porch. This smart light offers customizable effects, Wi-Fi control, and robust durability, making it a standout choice for outdoor lighting.

The Govee Outdoor Wall Light uses RGBIC technology, allowing you to select from millions of colors and various dynamic modes. Whether you want vibrant party lighting or a subtle, calming ambiance, this light adapts to your needs. With the Govee Home app, you can control the light remotely. Adjust settings, schedule timings, and create lighting scenes all from your smartphone. It’s also compatible with Amazon Alexa and Google Assistant, enabling voice control for hands-free operation. Built to endure the elements, this light is weather-resistant, ensuring it remains functional and looking good in various outdoor conditions.

The ability to control your lighting via a mobile app or voice assistant sets this product apart from traditional outdoor lighting solutions. The Govee Outdoor Wall Light is ideal for a range of outdoor spaces, from porches and patios to garden paths and driveways. Its customizable lighting effects make it suitable for both everyday use and special occasions.

The Govee Outdoor Wall Light is available for purchase here. With its blend of functionality, smart features, and durability, it offers a modern solution for enhancing your outdoor spaces.

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