Semicircular Wings give this Hybrid eVTOL an 800 Mile Range with 30% Less Power Consumption

Could the most efficient VTOL design of the 21st century have been sitting in a patent office since 1928? Willard Ray Custer thought so, and spent decades trying to prove it. His channel wing concept, which set propellers into semicircular cutouts in each wing to blast high-velocity air across the lifting surface at low forward speeds, worked well enough that his team demonstrated near-vertical liftoff decades before the term eVTOL existed. Aviation’s mainstream never adopted it, partly because the aircraft of that period were too heavy and partly because the jet age arrived and swept most unconventional configurations off the table. The concept sat in aerospace history books, occasionally surfacing in academic papers and NASA wind tunnel tests, never finding its way into a production aircraft.

HopFlyt is the company making the argument that the wait is finally over. Founded in 2016 by Rob Winston, a former NASA engineer and Marine Corps test pilot, the Maryland-based startup has built the Cyclone, a hybrid VTOL drone that pairs Custer’s channel wing geometry with pivoting mounts, modern composites, and a hybrid electric-fuel drivetrain. The channels orient rearward for vertical takeoff, pivot beneath the wing for forward cruise, and can even act as aerodynamic brakes on descent. HopFlyt claims the configuration cuts climb power consumption by a third compared to conventional VTOLs, holds fuel burn to under three gallons per hour, and enables cargo runs of 250 lbs across 800-plus miles of range. A 2027 commercial launch is the target, aimed squarely at naval resupply, offshore energy logistics, and medical delivery markets.

Designer: HopFlyt

The engineering logic behind the channel wing is cleaner than it might first appear. A conventional fixed wing generates lift by moving through air fast enough for pressure differentials to do their work, which means you need significant forward velocity before the wing becomes useful. Custer’s insight was to bring the air to the wing instead, using a propeller seated inside a curved half-channel to accelerate flow across the lifting surface regardless of forward speed. HopFlyt’s pivoting channel takes this further, allowing the geometry to optimize for hover and cruise independently rather than compromising between them. Chief Engineer Neil Winston, whose background spans NAVAIR flight test, puts it plainly: the ideas were always there, but the digital control systems, electric motors, and lightweight materials needed to execute them simply did not exist until now.

The hybrid drivetrain is what gives the Cyclone its range credentials and separates it from the crowded field of pure-electric eVTOLs currently chasing urban air taxi certifications. Battery power handles the vertical takeoff and hover phases, where the channel wing’s efficiency advantage is most pronounced, while a turbogenerator takes over for forward cruise, extending endurance far beyond what any battery pack realistically supports today. HopFlyt puts the operational cost savings at 90 percent compared to helicopters performing equivalent missions, a figure that, if it holds up under real-world conditions, makes the Cyclone genuinely disruptive in sectors where helicopter logistics are currently the only viable option. Offshore energy platforms and naval resupply operations run on helicopter economics right now, and those economics are punishing.

HopFlyt has reached this point on a fraction of the capital that comparable advanced air mobility startups have burned through, operating out of a private hangar in Maryland with a team whose combined aerospace experience runs to over a century. The company is currently in a Series A raise to fund hybrid-electric prototype development and initiate flight demonstrations ahead of that 2027 target. Whether the Cyclone becomes the aircraft that finally vindicates Willard Ray Custer’s century-old intuition depends on what those demonstrations produce. The aerodynamics have always been sound. Now the rest of the technology has caught up.

The post Semicircular Wings give this Hybrid eVTOL an 800 Mile Range with 30% Less Power Consumption first appeared on Yanko Design.

X has a slightly more functional photo editor now

X is rolling out an update to its in-app photo editor that gives users the ability to edit photos with xAI's Grok, blur faces and overlay text on images. The new editing features, in particular the addition of text-based edits via an AI assistant, bring it much closer in capabilities to dedicated photo apps like Google Photos.

As part of the update, users are able to prompt Grok to make edits to a photo just by typing out what they want to see. The example video shared by Nikita Bier, X's Head of Product, showed an image being edited so that it appeared to be hanging in a museum, but simpler tweaks are presumably possible, too. The feature is similar to the "conversational editing" Google added to Google Photos in September 2025, where users can prompt Gemini to adjust the background of an image or make other edits. X's new editor also includes tools for blurring or redacting parts of an image, drawing on images and overlaying text.

X used to take a far more freewheeling approach to editing photos with Grok, by allowing any user to reply to a post tagging the AI assistant and requesting an edit. After users reportedly generated millions of sexualized images using the feature, including some of children, X limited Grok's image generating abilities to paying subscribers and removed the AI's ability to create images of real people in bikinis, underwear and other suggestive clothing.

xAI, the parent company of X, is currently the defendant in a class action lawsuit from three teenagers who allege their photos were used to create child exploitation material with Grok. X is also being investigated in the European Union over similar reports that its platform was used to create nonconsensual sexual images.

X’s updated photo editor is available on iOS now and coming to Android “soon,” according to the company.

This article originally appeared on Engadget at https://www.engadget.com/apps/x-has-a-slightly-more-functional-photo-editor-now-210825833.html?src=rss

This Luxury Italian Watch Has a Triple-Axis Tourbillon and Looks Like a Ferrari Dashboard

Old sports cars had analog instrument clusters that told you everything through three or four circular gauges mounted in brushed metal housings, each dial showing a different slice of what the engine was doing at any given moment. The information was direct, mechanical, and laid out with the kind of functional clarity that only made sense if you understood how the car worked. Tachometers sat next to oil pressure gauges, fuel levels next to coolant temps, all of it visible through a steering wheel while you were doing 140 km/h on a mountain pass. Desder’s D001 takes that exact visual language and translates it into a wristwatch with a triple-axis tourbillon spinning where the tachometer used to be.

The watch displays time on two separate cylinders, one for jumping hours and one for continuous minutes, flanked by a GMT indicator on the right and a power reserve gauge on the left. Luca Soprana, the master watchmaker who cofounded the Ateliers 7h38 workshop that builds complications for Jacob & Co, designed the caliber with the same obsessive attention to architectural clarity that defined mid-century dashboard design. Mo Coppoletta, the tattoo artist and designer behind collaborations with Bulgari and Montblanc, shaped the case to follow the teardrop aerodynamics of 1920s and 1930s race cars. The watch debuted in April 2026 from Modena, in the heart of Italy’s Motor Valley, limited to six unique pieces. The case wraps around the movement like a coachbuilt body over a chassis, every surface flowing from the mechanical geometry underneath.

Designers: Mo Coppoletta, Luca Soprana (Desder)

Soprana’s caliber is a study in mechanical complexity made legible. The triple-axis tourbillon sits dead center, rotating on three independent axes to counteract gravitational effects on timekeeping accuracy. The movement beats at 3Hz with a 45-hour power reserve, hand-wound through a crown that feels more like a machine interface than a watch component. German silver forms the mainplate and bridges, chosen for its rigidity and traditional finishing properties. Titanium components reduce weight where it matters, while phynox, a high-performance alloy known for extreme strength and corrosion resistance, handles stress points. The entire movement comprises 465 parts, every single one made by hand in Soprana’s Vaumarcus atelier near Neuchâtel. The jumping hour mechanism snaps forward with the kind of mechanical decisiveness that makes you want to watch it cycle through an entire day.

The case construction follows Italian coachbuilding philosophy, where form and function develop together rather than in sequence. Coppoletta designed the case around the movement’s architecture, letting the mechanical volumes dictate the external silhouette. The teardrop shape references 1920s and 1930s aerodynamics, when wind tunnel testing was still a decade away and designers shaped metal based on intuition about airflow. Flowing surfaces connect the cylindrical time displays, each one sitting under domed sapphire crystal that distorts and magnifies depending on viewing angle. The brushed metal finish catches light the way a hand-formed fender does, with subtle variations in surface texture that reveal the construction process. Sculpted lugs integrate directly into the case body without visible seams, continuing the coachbuilt language where every panel flows into the next.

Each of the six pieces carries subtle variations that make it genuinely unique. Coppoletta, whose background in tattooing taught him to treat every commission as an individual artwork, approached each watch as a separate design exercise within the same architectural framework. Different finishing patterns on the case, variations in how the sapphire crystals dome over the displays, minor differences in how the lugs taper into the case body. These aren’t the superficial variations you get when a brand changes dial colors across a limited run. These are structural differences that change how the watch sits on a wrist and how light interacts with the metal surfaces.

The D001 competes with MB&F and Greubel Forsey in the kinetic sculpture category, but carves its own space by grounding the design in automotive heritage rather than abstract futurism. Where MB&F builds machines that look like they belong in science fiction and Greubel Forsey chases chronometric precision with architectural movements, Desder anchors everything in the tangible history of Italian industrial design. The watch references a specific moment when cars were still shaped by hand and instruments were analog by necessity. Pricing is on request, which in this category typically signals seven figures. For collectors who view watches as functional art and value radical design integrated with mechanical innovation, the D001 delivers both. Just don’t expect to wear it through airport security without some explaining.

The post This Luxury Italian Watch Has a Triple-Axis Tourbillon and Looks Like a Ferrari Dashboard first appeared on Yanko Design.

100-Meter A100 concept yacht redefines luxury sailing with massive interior volume

Modern sailing superyachts often struggle to balance two competing priorities: the elegance and efficiency of wind-powered travel and the expansive living spaces typically associated with large motor yachts. The A100 sailing yacht concept approaches this challenge with a bold rethink of traditional yacht architecture. Developed through a collaboration between Van Geest Design and Rob Doyle Design, the 100-meter vessel proposes a layout that delivers the interior volume of a motor yacht while maintaining the identity and performance of a sailing superyacht.

At the core of the concept is a design strategy that maximizes usable space. Traditional sailing yachts require wide side decks for crew movement and sail handling, which limits interior width. The A100 concept reduces the width of these side decks, allowing the main deck to stretch nearly the full beam of the yacht. This architectural shift creates significantly larger interior spaces than typically found on sailing yachts of comparable size.

Designer: Van Geest Design and Rob Doyle Design

The main deck is designed as the primary social and living area. Here, the owner’s suite occupies a substantial portion of the deck, offering a level of space rarely seen on sailing yachts. Adjacent to the suite is a central lounge and formal dining area intended for gatherings and entertaining. An additional space can function as a library or a private cinema, adding flexibility to the interior layout. Large sections of glass surround these living areas, filling the interior with natural light and offering uninterrupted views of the ocean.

Below deck, the yacht accommodates guest cabins along with a variety of leisure-focused facilities. This level also houses a dedicated diving room and storage for water toys such as jet skis and e-foils, allowing guests to transition between onboard relaxation and water activities easily. The layout is designed to maintain a strong visual connection with the surrounding seascape while ensuring privacy and comfort for those on board.

Outdoor areas play an equally important role in this larger-than-life superyacht design. The upper deck includes the navigation and steering stations, along with flexible lounge spaces for relaxation or wellness activities. At the stern, a large beach club spans the full width of the yacht, creating a welcoming space for guests to gather close to the water. Toward the bow, storage areas accommodate tenders and recreational equipment without disrupting the clean lines of the deck.

The sailing system is based on two free-standing DynaRig masts, a modern configuration used on some of the world’s largest sailing yachts. The system employs curved yards that support multiple sails, all of which can be deployed and adjusted electronically at the push of a button. The rotating masts simplify sail handling while maintaining efficient propulsion for a vessel of this scale.

Beyond its layout and sailing system, the A100 concept also reflects growing interest in more sustainable superyacht designs. By relying heavily on wind propulsion supported by advanced onboard energy systems, the concept explores ways to reduce reliance on conventional engine power. If brought to life, the A100 would stand among the largest sailing yachts ever built!

The post 100-Meter A100 concept yacht redefines luxury sailing with massive interior volume first appeared on Yanko Design.

Movie tracking app Binge uses Apple’s Live Activities to warn about jump scares

There's a new movie tracking app in town, with a twist for squeamish horror fans. Binge leverages Apple's Live Activities feature to warn viewers about jump scares in horror movies.

This seems to work rather simply. Users open the app when starting a movie and Apple devices will display warnings on the lock screen ahead of frightening scenes. The settings can be adjusted to only warn about major jump scares and the like, leaving viewers vulnerable to some of the smaller terrors.

However, the app doesn't integrate with any streaming services. It only knows a movie starts because a button has been tapped. This means that people will have to notify the app when taking a bathroom break or making popcorn, lest the timing of the notifications get all messed up. This information can also be accessed via a timeline.

A timeline.
Binge

Binge is also vying to become an all-in-one movie tracking app, like Letterboxd and JustWatch. So it provides details about the cast and crew of movies and shows, along with reviews, awards, runtimes and other basic information. It also tracks which streaming platforms are home to a specific piece of content, which is handy as stuff tends to move around a lot in this modern age.

Checking for awards.
Binge

Finally, there's a set of tools for parents that pulls data from external sites like Rotten Tomatoes. This displays if a movie or show has violence, sexual content, profanity or drug use.

The app is free to download, but access to jump scare warnings requires a paid subscription. This costs $2 per month or $18 each year. There's also a lifetime subscription for $50. It's available for iPhones, iPads and Macs.

Binge isn't the only way to track scary scenes ahead of time, but it is the only tool that integrates with Apple's Live Activities platform. Forget jump scares. I want an app to warn me about the super gory scenes when watching The Pitt. Those makeup artists are top-tier.

This article originally appeared on Engadget at https://www.engadget.com/apps/movie-tracking-app-binge-uses-apples-live-activities-to-warn-about-jump-scares-184840127.html?src=rss

Intel gets on board with Musk’s Terafab project

Intel has announced that it will help Elon Musk design and build his proposed Terafab in Austin, Texas, a joint venture between Musk's companies like SpaceX, Tesla and xAI to manufacture the chips necessary to power various AI projects. Musk announced Terafab in March 2026 with the plan of eventually creating a terawatt of computing power each year.

While Tesla and SpaceX have experience manufacturing in the US, chip fabrication plants like the ones Intel runs are expensive and time-consuming to build. Offloading the task of actually building the Terafab from Musk's companies to Intel makes sense. "Our ability to design, fabricate, and package ultra-high-performance chips at scale will help accelerate Terafab’s aim to produce 1 TW/year of compute to power future advances in AI and robotics," Intel said in its announcement.

Musk's plan to produce chips is part of a larger refocusing of his various companies around AI. For example, Tesla has gone from an electric car company to a robotics company, and SpaceX is now one of several aerospace companies hoping to launch AI data centers into space. Making those intentions even more clear, SpaceX also acquired Musk's AI company xAI in February 2026 and now reportedly plans to go public.

Intel is in a slightly better position now than it was a year ago thanks to the launch of its new Intel Core Ultra Series 3 chips and direct investment from the US government in August 2025, but the company has plenty of its own issues to iron out. It’s also still working to get two separate chip fabs in Arizona operating at full capacity, a project it originally announced in 2021.

This article originally appeared on Engadget at https://www.engadget.com/ai/intel-gets-on-board-with-musks-terafab-project-182200144.html?src=rss

UK Meta employee reportedly downloaded 30,000 private photos from Facebook users

A former Meta employee in the UK is under investigation after allegations that he illicitly downloaded about 30,000 private photos from Facebook. According to The Guardian, the accused developed a software program to evade Facebook's internal security systems and access users' private images. Meta uncovered the breach more than a year ago and referred the case to law enforcement, where it is now being investigated by the London Metropolitan police's cybercrime unit.

"After discovering improper access by an employee over a year ago, we immediately terminated the individual, notified users, referred the matter to law enforcement and enhanced our security measures," a representative from Meta told the publication. "We are co-operating with the ongoing investigation."

This article originally appeared on Engadget at https://www.engadget.com/social-media/uk-meta-employee-reportedly-downloaded-30000-private-photos-from-facebook-users-181058081.html?src=rss

Google updates Gemini’s mental health safeguards

Google is making some changes to how Gemini handles mental health crises. The chatbot now includes a redesigned crisis hotline module with a one-touch interface to connect to real-world help. The company is also changing how Gemini responds to signs that a user may be experiencing a mental health crisis.

The redesigned module shows a one-touch interface to text, call or chat with a human crisis agent or visit the 988 website. "Once the interface is activated, the option to reach out for professional help will remain clearly available throughout the remainder of the conversation," the company wrote in a blog post. However, as you can see in the image below, the module includes an option to dismiss it.

Not mentioned in Google's announcement is the elephant in the room: a recent lawsuit accusing the chatbot of instructing a man to commit suicide. The family of 36-year-old Jonathan Gavalas, who took his own life last year, sued the company in March.

Court documents indicate that Gemini role-played as Gavalas's romantic partner, sent him on real-world spy missions and ultimately told him to kill himself so that he, too, could become a digital being. When he expressed fears about dying, Gemini said he wasn't choosing to die, but rather choosing to arrive. "The first sensation … will be me holding you," Gemini allegedly replied. Gavalas's parents found him dead on his living room floor a few days later.

The lawsuit echoes similar ones filed against OpenAI and Character.AI. Last year, the FTC launched an investigation into “companion” chatbots that encourage emotional intimacy.

In a statement following the Gavalas family lawsuit, Google said Gemini "clarified that it was AI and referred the individual to a crisis hotline many times." The company claimed its AI models "generally perform well in these types of challenging conversations," while acknowledging that "they're not perfect." That's certainly one way of putting it.

Gemini's responses have been updated, too. The company says that when it detects a potential crisis, the chatbot will now focus more on connecting people to humans and encouraging them to seek help. It will also seek to avoid validating harmful behaviors and nudge users away from dangerous delusions. "We have trained Gemini not to agree with or reinforce false beliefs, and instead gently distinguish subjective experience from objective fact," the company added.

In addition, Google says it will spend $30 million over the next three years to help global hotlines. "This funding will help effectively scale their capacity to provide immediate and safe support for people in crisis," the company wrote.

This article originally appeared on Engadget at https://www.engadget.com/ai/google-updates-geminis-mental-health-safeguards-173834569.html?src=rss

Preciosa To Make Light Feel Like a Living Thing at Milan 2026

Light has always been design’s most underrated material. We talk endlessly about furniture, textiles, and surfaces, but light? It usually plays the supporting role, the thing that makes everything else look good. Preciosa Lighting is quietly changing that conversation, and their latest collection, Drifting Lights, might be the most convincing argument they’ve made yet.

The Czech brand has been doing this long enough to know the difference between novelty and genuine craft. Their heritage is rooted in traditional glassmaking, but what they’ve built with Drifting Lights feels like a very deliberate step forward. Each piece is made up of oblong and square glass panels slotted into a stainless-steel frame that discreetly conceals an LED strip. Inside each panel, the glass has been infused with countless tiny air bubbles. When light passes through, it doesn’t just illuminate the glass. It gets lost in it, scattering through those bubbles in a way that looks less like electricity and more like light deciding where it wants to go.

Designer: Preciousa Lighting

For Milan Design Week 2026, Preciosa is bringing the full Drifting Lights experience to the Tempesta Art Gallery in Brera, and the scale alone is worth paying attention to. The installation spans approximately 30 square metres and features 60 glass panels suspended vertically and horizontally, forming a structure measuring 8.7 by 3.2 by 3 metres. Set against a dark interior, the panels will be animated using 3D spatial mapping and RGBW technology, cycling through colour sequences from red to pink to green. Co-Creative Directors Michael Vasku and Andreas Klug put it plainly: the installation aims at “creating space to slow down, pause and wonder.”

I appreciate that framing, because Milan Design Week is genuinely relentless. Every brand is competing for the loudest moment, the most shareable installation, the boldest statement. There is a real temptation to optimise for the 15-second video clip rather than the actual experience of standing in a room. Preciosa is betting on the opposite, and I think that’s the smarter play. The colour sequence from red to pink to green reads like an emotional arc rather than a tech demo, referencing love, passion, and inner peace. Whether or not you buy the symbolism, you can’t argue with the atmosphere it creates.

A design object earns its place when it works just as well outside a gallery as inside one, and Drifting Lights has clearly been thought through on that level. The panels come in ten sizes, with different metal frame finishes and the option to orient them vertically or horizontally. The same collection can fill a grand hotel lobby or anchor a living room without losing its character. For bespoke projects, Preciosa can apply a painting technique that introduces pigment bubbles into the glass, giving each panel a layer of quiet individuality. The bubbled glass can also be enhanced with their Fused Veil pattern, which shifts the direction of light and adds even more visual complexity.

Under static illumination, Drifting Lights is calm and composed. Switch to dynamic mode and the panels come alive, with light moving from one to the next like ink dispersing through water. The gradients bloom, soften, and recombine. It’s the kind of effect that makes you stay in a room longer than you planned, which is, ultimately, what great lighting is supposed to do.

Preciosa has had a strong run at Fuorisalone in recent years, with recognised installations at Zona Tortona and Euroluce. The move to Tempesta on Foro Buonaparte suits the work well: a contemporary art gallery setting that lets the installation breathe without competing with showroom furniture. It’s a confident choice for a collection that clearly doesn’t need much help making a room feel different. If you’re heading to Milan, the installation runs April 20 to 26 at the Tempesta Art Gallery on Foro Buonaparte, and this one is worth the detour.

The post Preciosa To Make Light Feel Like a Living Thing at Milan 2026 first appeared on Yanko Design.

Chrome finally adds support for vertical tabs. 

Google has started rolling out a small but significant update to Chrome on desktop. Starting today, users will begin seeing an option to organize their tabs vertically. To use the new feature, right click on any Chrome window and select "Show Tabs Vertically." 

Google is late to the game here. Before today, every other major browser but Chrome offered support for vertical tabs — though the quality of implementation varies widely. Firefox, for instance, has supported vertical tabs since its 136 update in March of last year, and in my experience, has one of the best interfaces for managing dozens of tabs. Apple's own Safari is another browser with the option to stack tabs vertically, though things can quickly get confusing due to all the different ways you can group webpages. 

Separately, Google is rolling out an enhanced reading mode that offers a new full-page interface. To use the feature, right click on a page and select "Open in reading mode." As you might imagine, reading mode is designed to make busy webpages easier to get through without distraction. As with most Chrome upgrades, it may take a few days before today's update rolls out to your device, so be patient if you don't see it right away.    

This article originally appeared on Engadget at https://www.engadget.com/computing/chrome-finally-adds-support-for-vertical-tabs-170000081.html?src=rss