It’s been a weekend of crypto scams, hacks and deepfake chaos. Late on Friday, someone hacked 50 Cent’s accounts to push memecoin GUNIT and made off with millions. The exact amount is unclear; Fiddy himself wrote on Instagram, “whoever did this made $3,000,000 in 30 minutes.” The rapper’s X account and website were hacked at the same time.
Then, multiple deepfakes of Elon Musk were spotted on YouTube, telling viewers to deposit their crypto on a suspicious website, promising free crypto in return. Now taken down, the looped video showed Musk at what looked like a livestream from a Tesla event, with an AI-generated version of his voice instructing viewers to visit a website and deposit their Bitcoin, Ethereum or Dogecoin to enter the competition. Over 30,000 viewers tuned into the stream at one point, pushing it to the top of YouTube’s Live Now recommendations.
Don’t take investment advice from rappers and social media network owners.
Astronauts Butch Wilmore and Suni Williams, who flew on the heavily delayed first crewed flight of Boeing’s Starliner craft, won’t be returning from the International Space Station until sometime next month, instead of, well, earlier this month. NASA announced last night that it’s pushing the date of their return trip even further to review problems with Starliner’s first flight.
I love it when an Engadget writer solves a problem I have. You might be used to using VPNs to stream video content from other regions, but it falls apart a bit if you’re trying to view it on your TV. That’s where this guide comes in. Alongside guides for smart TVs and TV dongles, there’s a great tip I hadn’t thought of: using an HDMI cable to pipe video directly from your phone. Smart!
A federal jury in Las Vegas found five defendants guilty.
Jetflicks once boasted visitors could watch just about any TV show or movie “Anytime. Anywhere.” A jury in a Las Vegas federal court found the people behind the site guilty of conspiracy to commit criminal copyright infringement. Jetflicks used computer scripts and software to scour the internet for illegal copies of movies and television shows and posted hundreds of thousands of illegal copies as far back as 2007 from torrent and Usenet sites — back when illegally watching shows and movies was a little more challenging.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-elon-musk-deepfakes-are-pushing-crypto-giveaways-111500963.html?src=rss
A YouTube Live broadcast that ran for five hours today used a deepfake of Elon Musk to push a cryptocurrency scam, in the latest of a series of similar bogus streams. The video, which has has since been taken down, showed a clip of Musk that was meant to look like a livestream from a Tesla event, with an AI-generated version of his voice instructing viewers to visit a website and deposit their bitcoin, Ethereum or Dogecoin in order to participate in a giveaway. The message, playing on a loop, promised the system would then “automatically send back double the amount of the cryptocurrency you deposited.”
Over 30,000 viewers were tuned into the stream at one point (though we can’t discount the possibility these numbers were inflated by bots), pushing it to the top of YouTube’s Live Now recommendations. The account masquerading as Tesla, @elon.teslastream, had the Official Artist Channel verification badge, so we may be looking at an account hack. Both the video and the channel were removed after Engadget reached out to Google. We’ll update this article if we hear back with any more information.
Screenshot by Cheyenne MacDonald/Engadget
These Elon Musk deepfake scams seem to have surged over the past couple of months, in each instance using an account posing as one of Musk’s companies. This one was titled “Tesla's [sic] unveils a masterpiece: The Tesla that will change the car industry forever.” Earlier in June, Cointelegraph reported on similar scams run by 35 accounts pretending to be SpaceX around the time of the Starship launch. Scammers in April attempted to get in on the eclipse hype using the same tactic, as Mashable reported at the time. And there have been numerous reports of fake Musk livestreams posted on Reddit recently.
Crypto scams targeting Musk’s followers on social media have been a problem for years, as have those involving celebrities in general. Just this Friday, 50 Cent was hit by a hack that used his accounts to carry out a pump-and-dump scheme.
This article originally appeared on Engadget at https://www.engadget.com/deepfakes-of-elon-musk-are-pushing-crypto-giveaway-scams-on-youtube-live-200700886.html?src=rss
Sometimes we all need to just turn off the ol’ brain for a bit and have some dumb fun. That’s the kind vibe I was after when searching the Playdate Catalog for a new game to play this weekend, and let’s just say I got more than I could ever ask for in Touch Egg. The game, made by Joelle Tindall, is simple: crank wildly to extend a finger Pinocchio-style and poke the egg as many times as you can, but don’t let the horrifying man in the room see you or you’ll lose said finger. It’s all about chasing the high score, and you have 60 seconds to try and get those pokes in.
There is no story (well, none beyond “He lays the eggs and doesn’t want you to touch them”), so no explanation as to who the man is, what sort of creature would hatch from the egg, why you’re bothering it and why everything is so creepy. Don’t worry about any of that, just crank.
You can only touch the egg when the man’s eyes are closed. Three exclamation points will appear in succession to signal that his eyes are about to open and you need to stop cranking. You can also put him to sleep for a few seconds by hitting the ‘A’ button, but this can make it so there’s no warning when he’s going to open his eyes. All the while, the unusually wide cat clock is ticking.
The visuals are wonderfully unsettling, and, just to add to the absurdity of it all, you can unlock little accessories like sunglasses that are worn on the thumb. There are also a few secrets to uncover as you play and — I’m sorry — Egg-Chievements to be earned. I clicked on Egg Touch solely because it made me think of the I Think You Should Leave egg game, and ended up being unable to put it down for a solid hour. (Unlike in ITYSL, there are no NSFW surprises here).
Egg Touch is only $1 on the Playdate Catalog and free on itch.io. Now get outta here and go touch that egg.
This article originally appeared on Engadget at https://www.engadget.com/touch-egg-is-the-most-ridiculous-playdate-game-ive-tried-yet-and-im-hooked-173155394.html?src=rss
In this installment of What We're Listening To, Engadget editors dive into some of the recent music releases we've been playing on repeat. Yes, Brat has us in a chokehold, too.
Uncle Acid and The Deadbeats - Nell’ Ora Blu
When I first heard Uncle Acid and the Deadbeats was putting out an album inspired by 1960s-70s giallo films, I felt like my interests, personally, were being targeted. It’s the kind of crossover that now seems like it had to happen at some point, but I never realized my need for it until this moment. (One person on Reddit, though, was really onto something with the idea last year). Lo and behold, Nell’ Ora Blu dropped last month and it scratches a very specific itch in my brain.
It is not at all the usual fare you’d expect from Uncle Acid, very much taking on the structure of a soundtrack with a lot of ambient instrumentals and short dialogue tracks voiced by genre regulars Edwige Fenech, Franco Nero and Luc Merenda (it pulls influence from the poliziotteschi crime/action films as well). The scores in these movies often feel like psychedelic horror experiences in themselves — with heavy moments that really drag you in, only to be offset by something so delicate it’s almost disorienting — and unsurprisingly, Uncle Acid absolutely nails this. This is the perfect album to pop on in the background while you’re trying to get some art or writing done, ideally as a thunderstorm rolls in. It's pretty long, coming in at around an hour and 17 minutes, but I almost always replay it at least once per sitting.
Nell’ Ora Blu isn’t necessarily going to be an automatic hit with Uncle Acid fans. It’s more for the person who watched Deep Red or The Bird with the Crystal Plumage or anything of that ilk and immediately sought out the soundtrack afterward. Still, I expect there’s a fair amount of overlap between those groups, considering the band does generally have the whole sleaze horror vibe going anyway. Honestly, I want more. We don't need to stop at giallo — give me Uncle Acid's take on Jean Rollin and the fantastique next (please).
— Cheyenne MacDonald, Weekend Editor
Nathy Peluso - Grasa
Admittedly, I’m late to the Nathy Peluso bandwagon. I was first introduced to her after falling down a rabbit hole of BZRP Music Sessions (collab tracks made by Argentine producer Bizarrap and various Latin music heavyweights) and listened to hers (#36). Her second album, Grasa, just dropped and represents her latest full body of work released since the Grammy-nominated Calambre came out in 2020. Grasa is likely my album of the summer — and certainly a top pick for the whole year — thanks to its engaging experimentation and its marriage of a bunch of different styles including hip hop, latin trap, bolero, salsa and straight-up pop. There are no skips on this album, at least half a dozen bangers and I personally love the transitions from the snarling, fast-paced tracks to the few ballads and slower songs peppered throughout.
Peluso already proved she was a great singer on Calambre, but I think her vocal performances on this album, particularly in ballads like “Envidia” and “El Día Que Perdí Mi Juvendtud,” standout as high points. And then there are the bangers, as it were: “Aprender a Amar” gets in your face with fierce rapping and blaring horns; “Legendario” might be the most obvious potential single off the whole album thanks to its signature pop tempo and sound; and “La Presa” is basically a salsa IV straight to your veins. There are plenty of others I’m not naming here, but anyone who has even a passing appreciation for Latin pop (regardless of if you speak Spanish or not — I don’t) shouldn’t sleep on Grasa.
Young Miko - att.
Puerto Rican artist Young Miko’s first full-length album, att., is the definition of “a vibe.” After collaborating with Karol G, Bad Bunny and other Latin superstars, Miko has solidified her space in the Latin pop scene with this project. While I don’t think it’s a career-defining album, it’s a great showcase of her laid-back, Spanglish-style rapping that marries genres like reggaeton and Latin trap, and her ability to create a clear mood with such fusion, plus a healthy dose of great beats. Ultimately, it’s simply easy listening from front to back. Personal highlights include “arcoíris,” “tamagotchi” and Feid collab “offline.”
Charli XCX - brat
Brat is 100 percent worth the hype. Eloquent music critics and writers have bestoweda lot ofpraise onto this album already, so suffice to say that I agree with most of them (and you should go read their analyses). Standouts include “Club classics,” “Sympathy is a knife,” “So I,” and “B2b,” but arguably my favorite is the closer “365.” A riff off of the opener “360,” this track ups the ante in every way, and the transition to it from the penultimate “I think about it all the time” is so satisfying and euphoric.
It's been 10 years since Norwegian producer and DJ Todd Terje declared that it was, finally, album time. He had made a name for himself as a DJ and remixer in the 2000s, but It's Album Time marked his first (and sadly, only) full-length collection on which he is the singular driving force. It's a gloriously oddball collection that flips between dramatic, movie score-style symphonic pieces and true dance-disco bangers. (After a recent listen, I convinced myself that Terje could help Dua Lipa make the best album of her career.)
For my money, the 10-minutes combo of "Straandbar" and "Delorean Dynamite" encapsulate the best things about the album. It's a gloriously funky build-up with intricate percussion, fat synths, bouncing bass lines and a ridiculously simple but incredibly infectious guitar lick that comes in halfway through "Delorean Dynamite" that makes me want to run through a brick wall. You'll know it when you hear it.
And, of course, there's "Inspector Norse," a song that caught fire in 2012 and paved the way for the rest of It's Album Time. If Terje never makes another album (he's only 43, so there's plenty of time!), "Inspector Norse" serves as seven perfect minutes of his career. Maybe he'll swing by and take us to his planet again, but it's hard to be sad about his lack of output when It's Album Time is so damn perfect.
— Nathan Ingraham, Deputy Editor, News
XG - Woke Up
Cocona shaves her head in this video. Just because she wanted to. This song is great. XG is life.
— Aaron Souppouris, Executive Editor
This article originally appeared on Engadget at https://www.engadget.com/what-were-listening-to-nell-ora-blu-grasa-brat-and-more-130028558.html?src=rss
The following contains spoilers for “Empire of Death.”
“Empire of Death” is the typical Russell T. Davies series finale: It’s bombastic, dense and totally uninterested in resolving its own story. The episode bounces around for the requisite amount of time before leaping to its climax with an arresting visual of little substance. Because what Davies is really interested in is the scenes afterward, and the all-too-brief moment where Ruby Sunday gets coffee.
Bad Wolf / BBC Studios
At the end of “The Legend of Ruby Sunday,” the Doctor (Ncuti Gatwa) and (classic-series companion) Mel (Bonnie Langford) are face to face with Sutekh’s minion (Susan Twist). Sutekh begins spraying its dust of death, a cloud of dust that turns whoever it touches into a pile of dust themselves. The Doctor and Mel outrun the cloud on Mel’s scooter in an action sequence that feels like it ate the bulk of the episode’s budget.
The pair head back to UNIT HQ to reunite with Ruby at the time window. Sutekh’s dog form is still clutching the TARDIS as a prized possession and wipes out the rest of the UNIT staff, including Kate (Jemma Redgrave), Rose (Yasmin Finney) and Morris (Lenny Rush). (Three deaths you just know won’t last for longer than half an hour.)
Sutekh explains to the Doctor he clung to the TARDIS (at some point) and followed it around on every step of the Doctor’s journey. Every planet the Doctor landed on, he planted a Susan Twist character there, each one lingering both as a trap for the Doctor and to sow Sutekh’s murderous dust. And he used the TARDIS’ perception filter to hide what he was doing. Did you know the filter operates at a distance of 73 yards? It’s a callback!
The Doctor, Ruby and Mel hightail it into the memory window’s TARDIS, which turns out to be the Memory TARDIS (which is just a regular TARDIS). This was a small, cobbled-together set from the 60th anniversary framing series Tales of the TARDIS, in which classic series actors introduced classic series episodes to new viewers. While in flight, the trio see what Sutekh has done to the universe, rendering it cold and empty, and giving Ncuti Gatwa a chance to scream his frustration into the literal void.
It’s now very important to uncover the identity of Ruby Sunday’s mother, especially given that Sutekh is interested in the answer. The trio take the Memory TARDIS on one final voyage to the dystopian future as shown in “73 Yards.” That’s where evil prime minister Roger ap Gwillam has instituted compulsory DNA testing to ensure the UK is a racially-pure nation. (Yes, it is a bit yikes.) But it’ll also give the Doctor the chance to identify who Ruby’s mother is from the records.
Once the information is on screen, they’re all pulled back to UNIT HQ in 2024 by Sutekh who is similarly curious. Sutekh uses his power to pull the Doctor to the floor, threatening his life, unless Ruby shares the information held on the gizmo she’s holding. But as she gets close to the pooch, she smashes the screen with the data on it and clips a piece of smart rope to Sutekh’s collar to ensnare him.
The Doctor then whistles for the TARDIS to come back to him, where he and Ruby clip the other end of the lead to the console and dematerialize. They then take this giant, evil alien dog on a walk through the time vortex which, uh, ah, something something brings everyone back to life. Try not to think too hard about it and enjoy the arresting visual of the TARDIS dragging a giant evil dog through some nice CGI.
There’s then some words about the Doctor having to become a killer in order to stop Sutekh killing. He casts Sutekh into the vortex. Given that’s what he did last time, I’m not sure why it’s more successful now but, as I said, coherence was never the focus of the episode.
Back at UNIT HQ, with everyone revived and eating pizza, they’re able to track down Ruby’s mother. She got pregnant at 15 and gave her daughter up to avoid the reprisals from some sinister stepfather who may have harmed the child. But she never sought to track down her daughter afterward, and didn’t even tell the father of the child that she’d had a baby. As for why Sutekh was interested in Ruby’s mother, the Doctor says it’s because people had invested time and emotion into her. Which feels like Davies chiding the audience for focusing on questions he himself laced into the series for this purpose.
And while I can see what Davies was trying to say, it’s not as if he’s played fair here – pointing a neon sign at Ruby saying that she was important. We don’t know why she can bend reality to her will, or make it snow whenever she thinks about her abandonment. We didn’t obsess over this question because we apply meaning to meaningless things, but because the show and its characters ascribed meaning to them.
The Doctor and Ruby stand outside a coffee shop where Ruby’s mother is now sitting, drinking and staring at her phone. The Doctor suggests that, since her mother never cared enough to look for her, she isn’t interested in connecting. But Ruby is undeterred and walks in, orders a coffee and sits on a big bench across from her mother, so that when the waiter calls her name, her mother looks up.
From there, we see the Sundays catching up. But for all the wonders of the universe the Doctor wishes to see, this apparently joyful reunion isn’t one of them, choosing to leave Ruby there. He says they'll meet again but, given he left his own granddaughter, it’s just as likely he’ll forget all about her.
And so the TARDIS sets off for pastures new.
Bad Wolf / BBC Studios
I don’t think “Empire of Death” paid off the previous episodes with any degree of satisfaction but I never expected it to, either. Davies's modus operandi is to ignore the mechanics of storytelling in favor of vibes and those brief moments of touching character drama. The whole giant dog in space is weightless compared to the scene where Ruby sits across from her mother. Ironically, it was here that we should have dragged things out — the anticipation of if she would speak up would have been a better use of the show’s time than a lot of what happened last week.
But the ending did make me wonder about who in this world gets the privilege of a happy ending. Davies nearly died of a drug overdose in the mid ‘90s and then lost his partner to a brain tumor in 2018. He’s a cynical, nihilistic writer who feels humanity is only ever one or two missed meals away from the most evil forms of fascism. And yet, it’s rare that he ever plays a minor note at the conclusion of an episode of Doctor Who.
No companion leaves without a parting gift big enough to sooth the pain of being separated from the Doctor. In fact, on two separate occasions, a companion gets their own personal clone of David Tennant. Here, does Ruby get a happy ending by being reunited with her mother, or is it her mother who gets the greatest of absolutions? She never sought her daughter out, never looked to remedy the rupture, yet here she’s welcomed with love.
In fact, this episode provokes plenty of questions for me, including if it’s okay for the people who abandon you to get to live their lives with the comfort of moving on? What about the weird twist that the Doctor kills Sutekh but allows his wave of resurrection to reanimate planets full of evil beings? After all, Telos — one of the Cybermen’s hangouts — gets namechecked as a place that has been saved. Maybe it’s just better to remember that, sometimes, you need to turn your brain off and just feel Doctor Who. See you for the Holiday special.
Mrs Flood Corner
Mrs. Flood is disconnected from Sutekh, breaking the fourth wall at the end of the episode while dressed as a glam rock Mary Poppins. She tells the audience that the Doctor’s ending is on the way and is delighted by the idea, further stoking thoughts that she’s playing a longstanding villain. The obvious guesses — given Mrs. Flood is played by a woman — is that it’ll be some future incarnation of Missy or The Rani. Fine?
This article originally appeared on Engadget at https://www.engadget.com/doctor-who-empire-of-death-review-take-your-dog-for-a-walk-004516577.html?src=rss
Replacing a talent like the late Kevin Conroy, the man who voiced Batman in fan favorites like Batman: The Animated Series and the Arkham game trilogy, must be a monumental feat. Conroy’s deep, steady voice defined the character for decades — it’s a challenge just to think of a cartoon Batman and not hear Conroy’s voice behind the mic. Sadly, Conroy passed away in 2022 and Batman must carry on without him.
A new series is coming to Amazon Prime starting on August 1 called Batman: Caped Crusader and Vanity Fairrevealed that actor Hamish Linklater will provide the voice for Batman/Bruce Wayne on the new noirish animated series. Linklater is best known for roles in movies including The Big Short and Midnight Mass, and shows like the recent Apple+ limited series Manhunt,where he played President Abraham Lincoln.
Batman: Caped Crusader aims to be more of an old-fashioned detective story with the art style of the original 1939 comics. Linklater’s take on the character seems more subdued to match the tone, and it’ll be interesting to see how a Batman show will work in the style of a Mickey Spillane-esque story.
No Batman movie or show is complete without his menagerie of villains. Only three of the voice actors have been revealed so far: Christina Ricci will voice Catwoman/Selina Kyle, Diedrich Bader will voice Two-Face/Harvey Dent and Jamie Chung will play Harley Quinn.
Based on the full cast list, there should be more villains on the roster. The series will also feature the voices of McKenna Grace, Minnie Driver, Gary Anthony Williams, Tom Kenny, John DiMaggio and Michelle C. Bonilla, according to the Internet Movie Database.
Fans of Batman: The Animated Series and Batman: The Brave and the Bold will also be happy to know that some of those shows’ original writers and creators are joining the new Amazon Prime series. Bruce Timm, the artist and co-creator of Batman: The Animated Series, and James Tucker, the producer and one of the writers of Batman: The Brave and the Bold, are the showrunners and executive producers of Batman: Caped Crusader.
This article originally appeared on Engadget at https://www.engadget.com/hamish-linklater-is-the-new-voice-of-batman-214608627.html?src=rss
The illegal streaming service Jetflicks once boasted on its website that visitors could watch just about any TV show or movie “Anytime. Anywhere.” Now the five people behind the bootleg streaming service are facing some serious jail time.
A jury found Kristopher Dallman, Douglas Courson, Felipe Garcia, Jared Jaurequi and Peter Huber guilty in a Las Vegas federal court on Friday for conspiracy to commit criminal copyright infringement. Dallmann was also found guilty on two counts of money laundering and three counts of misdemeanor criminal copyright infringement for leading the Jetflicks operation, according to court documents and a US Department of Justice press release.
Jetflicks used computer scripts and software to scour the internet for illegal copies of movies and television shows and posted hundreds of thousands of illegal copies as far back as 2007 from torrent and Usenet sites. The defendants created a catalog of bootleg shows and movies bigger than the combined collections of streaming services including Netflix, Hulu, Vudu and Amazon Prime, according to the Department of Justice.
Users could pay a subscription fee to access the site on pretty much any media streaming device with a web browser. Jetflicks claimed to “offer more than 183,200 television episodes and have more than 37,000 subscribers,” according to the initial indictment filed in the Eastern District of Virginia in 2019.
Dallmann, the leader of the group, and his co-conspirators “made millions of dollars streaming and distributing this catalog of stolen content,” according to the press release.
At one point, operators and employees of Jetflicks were making hundreds of thousands of dollars a year from its subscription service. Dallman wrote in an online chat that his site made $750,000 in one year, according to the indictment.
The Motion Picture Association of America (MPAA) took notice of Jetflicks in 2012 and sent cease and desist letters to the site’s operators. Four years later, the Federal Bureau of Investigation (FBI) started its undercover operation of the site by paying for a six-month subscription. Undercover agents recorded multiple instances of illegal uploads of shows like Shameless, Ray Donovan, The OA and SyFy’s 12 Monkeys alongside charges for accessing them. Then the agents traced those charges back to the defendants’ bank accounts, according to court records.
A sentencing hearing has yet to be scheduled. The Department of Justice says Dallman could face up to 48 years in prison and the four remaining defendants could each face five years in prison.
This article originally appeared on Engadget at https://www.engadget.com/five-men-face-jail-time-for-running-the-illegal-streaming-service-jetflicks-202758485.html?src=rss
Instagram is rolling out another way for users to engage with a smaller group of friends and followers starting today. Close Friends on Instagram Live does what it says on the tin: you’ll be able to limit the viewership of livestreams to just your list of Close Friends. Up to three other people will be able to join your more-intimate broadcasts.
This could help users plan trips, collaborate on homework or simply catch up, Instagram suggests. The update will also give influencers an option for hosting livestreams for a private (and perhaps paid-up) audience.
Since November, users have been able to limit the reach of posts and Reels to their Close Friends. According to Instagram, users are looking for ways to connect with friends and followers more privately. The popularity of features like DMs, Close Friends and Notes attests to that.
Speaking of Notes, Instagram has flagged a couple of under-the-radar aspects of that feature that it introduced in recent months. You can now essentially post a video as a note. This will temporarily replace your profile photo. You’ll also see an Easter egg (in other words, confetti animations) when you wish a friend a happy birthday in a note. This will appear when you include the words “happy birthday” or use birthday-related words while @-mentioning a pal.
Last but not least, Instagram has introduced a welcome feed update. You now have the option to add music to carousel posts that include videos. Until now, it was only possible to add music to carousels comprised solely of photos.
Instagram
This article originally appeared on Engadget at https://www.engadget.com/you-can-now-restrict-instagram-lives-to-close-friends-150023794.html?src=rss
The march of big-budget Tolkien fantasy has hit gaming yet again. While ignoring Gollum’s misadventures, another game, Tales of the Shire, offers a gentler, low-stakes way to play in the universe of Bagginses, lembas bread, and Gandalf.
Set somewhere between the end of The Hobbit, but before it all kicked off in Lord of the Rings, Tales of the Shire sees you settling into Bywater, helping fellow villagers achieve their tasks and dreams. That involves fishing, farming vegetables and cooking up a storm to improve your relationships and unlock new recipes and possibly other activities.
The game’s simple but effective home decoration system allows you to move a single book or an entire table (and everything on it). In fact, the whole of Tales of the Shire seems designed as a gentle introduction to cozy gardening game mechanics, with its cooking and general good-neighborly activities. A cute system of bluebirds helps you navigate the snug but packed hamlet. (If it’s not a village, it’s a hamlet, right?). And when you run – you don't run, you skip.
If anything, it’s a bit too familiar. You can fish, farm and cook some dishes, and these activities offer rewards that can all be tracked elsewhere in the village, just like countless other farming and village life sims. The overarching aim is to help turn Bywater into a bonafide village by helping your neighbors with their various projects and challenges. During a brief demo, I was tasked with developing a new menu for the local inn. I had to pick my ingredients and seasonings carefully to hit the right flavor profile of dishes representing the story of Bilbo Baggins’ adventures to steal treasure from a dragon. But Tales of the Shire isn’t reinventing the genre.
The Tolkien references are present but not overwhelming — this is another cute countryside village that needs a bit of help — just that everyone has hairy big feet. The development team told me their writing team included a “Tolkien expert” to make sure that sidequests, stories and characters still fit cohesively into the author’s vision. I think that generally means maximum whimsy. Expect lots of food-based chilling by the riverbanks and cozy errands.
Weta
Even the relationship mechanism between your customizable character and the rest of the village is based on making dinner to forge bonds and deepen connections. Hosting a mean dinner party opens up more quests, and – just as crucial – more potent recipes for schmoozing and feeding other villagers. Meal crafting itself is a relatively short minigame in which you can riff off base ingredients to incorporate your guests’ favorite flavors. Some fish, for example, may have a salty or hot flavor profile, improving your odds of making a new friend. A little graph guides your cooking prep as you aim for the best consistency and texture for your culinary creations.
According to the team behind it, Tales of the Shire is intentionally slow-paced. It aims to be forgiving and doesn’t punish the player if they mess up a task or fail to complete it. Time passes slowly, giving the player enough time to walk (or skip) to other parts of the village. My demo was a relaxing, if predictable, jaunt around the Shire, but could be a tempting new game for Animal Crossing or Stardew Valley fans, all with the cultural pull of Tolkien.
Tales of the Shire will be released later this year for PC, Nintendo Switch, PS5, and Xbox Series X/S.
Catch up on all of the news from Summer Game Fest 2024 right here!
This article originally appeared on Engadget at https://www.engadget.com/tales-of-the-shire-is-a-cozy-village-sim-where-you-cant-run-but-you-can-skip-130027018.html?src=rss
Nintendo sidestepped sharing the spotlight with all the other gaming companies at Summer Game Fest last week, promising its own Direct later in June. And that happened yesterday, teasing a lot of new games with Nintendo favorites. Mario games, yes. Zelda games, yes, and even a new Metroid game, confirmed. (More on that below the fold).
The funny thing is the new Zelda game is all about… Zelda. You play as the princess in The Legend of Zelda: Echoes of Wisdom. It opens where most Zelda games finish, with Link defeating Ganon. But just as he frees Princess Zelda, our usual hero is sucked into an alternate dimension. The game is played top-down and borrows the art style of the Link’s Awakening remake. However, Zelda’s main weapon and tool is the trirod. With this, she can copy many items and use these “echoes” to navigate the world. You can even create echoes of monsters to fight for Zelda.
Nintendo’s 40-minute update also included release dates for the forthcoming Dragon Quest remake, a new Mario Party title and news that feline adventureStray is coming to Switch.
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The Solo Buds cover the basics, but that’s about it. Audio quality is flat, unless you’re listening to Dolby Atmos content in Apple Music, but at least the earbuds are comfy with long battery life. Then again, they only cost 80 bucks.
Fisker has officially declared bankruptcy. The US-based startup filed for Chapter 11 protections and plans to restructure its debt and sell its assets. This means the Alaska EV with a designated cowboy hat space — not a joke — will likely never happen. Fisker revealed in a recent report that it had produced 10,193 units of its sole EV available, the Ocean SUV, in 2023, but only delivered 4,929 vehicles.
Habbo Hotel: Origins, on Mac today, revives the 2005 PC game in all its nostalgic glory. If you never played Habbo Hotel 20 years ago, the game is an online community, in the format of, well, a hotel. Your avatar can chat with your friends in the virtual hotel lobby and spend in-game credits on furniture and accessories.
After 18 years and a complete reboot, Samus Aran will return in Metroid Prime 4: Beyond, next year. We got our first glimpse of the game too, with Samus duking it out with aliens in typical Metroid style. The teaser ends with the reveal of a new big bad. It’s wearing a suit like our hero but is flanked by two floating metroids. Ominous? Yes.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-the-biggest-announcements-from-nintendo-direct-111547910.html?src=rss