What qualifies a video game as “depressing?” The most obvious answer is that game you simply cannot beat no matter how hard you try, but that’s not what we’re talking about here. Instead, we’re looking at games that just have a pall over them, whether it’s directly from story beats or a more subtle vibe given off by the visuals, music or activities the player has to participate in.
The games on this list don’t have a lot in common on the surface — there are big-budget action thrillers, smaller independent titles and at least one visual novel / deck-building game. But they can all put you in a somber mood, if that’s what you're looking for. Next time the rain is pouring down and you’re feeling a bit of melancholy, we have options to keep you company.
In What We're Listening To, Engadget writers and editors discuss some of the recent music releases we've had on repeat. This installment has everything from jazz standards to The Jesus Lizard.
Lady Gaga - Harlequin
I wasn’t even a minute into Harlequin before I had the realization, Oh, I am going to become so annoying in my love for this. Unfortunately for everyone in my life (and doubly so because I’m singing along), I’ve had it blasting all weekend since the surprise drop on Friday.Gaga is a powerhouse, and as much as I adore her take on pop, I’m always blown away when I hear her do jazz. And Harlequin is brimming with it.
Harlequin is a companion album to a soon-to-be-released movie (Joker: Folie à Deux) and almost entirely comprises cover songs — a combination that might typically put me off. But Gaga’s breezy versions of classics like “World on a String” and “Smile” are almost chilling. Her energy in tracks like “Gonna Build a Mountain” is through the roof. I could have done without “Oh, When the Saints,” but I’m really just nit-picking now. There are only two original songs on the album and they are completely different beasts, each impactful in its own way. “Happy Mistake” is a clear standout, and I’ll be softly weeping to that one for years to come.
Babe Haven - Nuisance
On the exact opposite end of the spectrum, I’ve been really into punk band Babe Haven’s most recent album, Nuisance, lately. It’s 25-ish minutes of queer femme rage and I can't get enough of it. Check it out on Bandcamp.
— Cheyenne MacDonald, Weekend Editor
The Jesus Lizard - Rack
Even laudatory reviews of comeback albums lean on expectations tempered with preemptive apology or pity praise. A comparison to headier days of musical urgency is inevitable; it stings for the same reasons as hearing "you look great for your age." I wish there were some way to take stock of Rack without that baggage, because The Jesus Lizard doesn't merely sound better than a band which took three decades off has any right to, it simply does not sound as though time has passed at all.
Rack broods with baffling inconspicuousness amid their oeuvre. Sure, "What If?" doesn't reach the slash and sprawl of earlier meanderings like "Rodeo in Joliet," but "Lord Godiva" glides on the most Duane Denison of Duane Denison riffs, lightning and crude oil. The manic physicality of David Yow's voice is unaltered — neither more harried after 60+ years of swinging at ghosts, nor attenuated by the effort.
So many bands seemingly frozen in amber reemerge denuded, as though covering themselves. They'd be frantically recapturing their glory days, if they had the energy to do anything frantic anymore. Rack, through sheer ferocity, is instead a band continuing to do exactly what it always has, just as well as it always has, and sounding really fucking cool doing it.
— Avery Ellis, Deputy Editor, Reports
Sabrina Carpenter - Short n' Sweet
There's a part of me that hates keeping up with pop music, and that's the part of me that cringes when I realize the last few albums I've listened to have been the ones by pop princesses Ariana Grande, Billie Eilish, Taylor Swift and more. That's also the part of me that resisted listening to Sabrina Carpenter's latest album for months (and probably the part of me that refused to watch the incredible Schitt's Creek until this year).
I say all that only to explain why I'm so late to appreciate the goodness that is Short n' Sweet. And the non-self-judgy part of me has unabashedly loved Carpenter's new music and been asking all my friends if they've listened to her songs. When I talked to my various friend groups about her, what became clear is how there's something for everyone, regardless of the variety in our tastes.
I'm a fan of R&B, hip hop and basically anything I can dance or sing to. The tracks "bet u wanna," "Taste" and "Feather" have become highly repeated items on my playlist and yes, I did go back into her older discography for some of those titles. However, my current absolute favorite is "Espresso." It's got a catchy hook, clever lyrics and a groovy beat that delicately straddles the line between upbeat and lowkey. I love the wordplay and how, when woven with the rhythm and melody, it initially sounded to me like Carpenter was singing in a different language. And as someone who works in tech and is occasionally a gamer, I especially adored the use of the words "up down left right," "switch" and Nintendo. Truly, rhyming "espresso" with "Nintendo" wasn't something I would have expected to work, but work it did.
But back to the point I was making earlier: Even if that sort of chill dance club vibe isn't your thing, there's plenty in Short n' Sweet that might appeal to you. I wasn't as huge a fan of "Please please please," for example, but I know friends who love it. And while "Bed Chem" and "Good Graces" aren't hitting my feels the same way "Espresso" is, those two are among her highest played songs on Spotify. I'm also starting to warm up to "Juno."
All that is to say, we all have different tastes. Maybe you're more of a Chappell Roan fan. I like some of her latest tracks too, just not as much as I've enjoyed Carpenter's. I also really enjoy the brilliance that is "Die With a Smile" by Bruno Mars and Lady Gaga, which is something I'll be adding to my karaoke duet repertoire, but am already playing less frequently nowadays. If you have a preference for music from the likes of Ariana Grande, NewJeans and Doja Cat, you'll probably have a good time with Sabrina Carpenter. And since I'm so late to the party, you probably have already.
— Cherlynn Low,Deputy Editor, Reviews
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/what-were-listening-to-harlequin-or-lg-65-rack-and-more-003037241.html?src=rss
Puzzle games come in a range of styles, from mindless relaxation machines to hardcore logical quagmires, and we have a little bit of everything in this list. From classics like Threes! and Braid to new-school entries like Lorelei and the Laser Eyes and Escape Academy, there’s always a puzzle game to play between meetings, during a slow Sunday afternoon or with a group of friends on the couch. Here we’ve compiled some of the best puzzle games to activate your brain in new ways or unwind after a long day.
Are you tired of feeling safe and happy all the time? Is your daily life overrun by feelings of security, contentment and peace? Do you want an escape from all of the oppressive niceness around you? Well, look no further — these are the games for you.
Here, we’ve collected more than a dozen of the most evocative and disturbing horror games in recent memory. These selections cover a wide range of genres and styles, but each one comes with at least a tinge of unsettling terror. So take a peek, find your game, and prepare your skeleton for some fresh air because you’re about to jump out of your skin.
July 4 isn't really a boon for tech deals. Seasonal sales can be hit or miss if you have things like headphones, tablets and other tech gear on your shopping list — you're actually better off looking for early Prime Day deals (if you're a Prime member) right now, since Amazon has already kicked off the discounts in preparation for its July Prime Day event. But we scoured the internet to find as many of the worthwhile tech deals you can get for July 4 — many of them overlap with Prime Day deals, but there are some from the likes of Solo Stove, Casetify, ThermoWorks and others that appear to be limited-time, seasonal discounts. Here are the best July 4 tech deals you can get this year.
This article originally appeared on Engadget at https://www.engadget.com/the-best-4th-of-july-sales-from-apple-amazon-anker-and-more-090027133.html?src=rss
In this installment of What We're Listening To, Engadget editors dive into some of the recent music releases we've been playing on repeat. Yes, Brat has us in a chokehold, too.
Uncle Acid and The Deadbeats - Nell’ Ora Blu
When I first heard Uncle Acid and the Deadbeats was putting out an album inspired by 1960s-70s giallo films, I felt like my interests, personally, were being targeted. It’s the kind of crossover that now seems like it had to happen at some point, but I never realized my need for it until this moment. (One person on Reddit, though, was really onto something with the idea last year). Lo and behold, Nell’ Ora Blu dropped last month and it scratches a very specific itch in my brain.
It is not at all the usual fare you’d expect from Uncle Acid, very much taking on the structure of a soundtrack with a lot of ambient instrumentals and short dialogue tracks voiced by genre regulars Edwige Fenech, Franco Nero and Luc Merenda (it pulls influence from the poliziotteschi crime/action films as well). The scores in these movies often feel like psychedelic horror experiences in themselves — with heavy moments that really drag you in, only to be offset by something so delicate it’s almost disorienting — and unsurprisingly, Uncle Acid absolutely nails this. This is the perfect album to pop on in the background while you’re trying to get some art or writing done, ideally as a thunderstorm rolls in. It's pretty long, coming in at around an hour and 17 minutes, but I almost always replay it at least once per sitting.
Nell’ Ora Blu isn’t necessarily going to be an automatic hit with Uncle Acid fans. It’s more for the person who watched Deep Red or The Bird with the Crystal Plumage or anything of that ilk and immediately sought out the soundtrack afterward. Still, I expect there’s a fair amount of overlap between those groups, considering the band does generally have the whole sleaze horror vibe going anyway. Honestly, I want more. We don't need to stop at giallo — give me Uncle Acid's take on Jean Rollin and the fantastique next (please).
— Cheyenne MacDonald, Weekend Editor
Nathy Peluso - Grasa
Admittedly, I’m late to the Nathy Peluso bandwagon. I was first introduced to her after falling down a rabbit hole of BZRP Music Sessions (collab tracks made by Argentine producer Bizarrap and various Latin music heavyweights) and listened to hers (#36). Her second album, Grasa, just dropped and represents her latest full body of work released since the Grammy-nominated Calambre came out in 2020. Grasa is likely my album of the summer — and certainly a top pick for the whole year — thanks to its engaging experimentation and its marriage of a bunch of different styles including hip hop, latin trap, bolero, salsa and straight-up pop. There are no skips on this album, at least half a dozen bangers and I personally love the transitions from the snarling, fast-paced tracks to the few ballads and slower songs peppered throughout.
Peluso already proved she was a great singer on Calambre, but I think her vocal performances on this album, particularly in ballads like “Envidia” and “El Día Que Perdí Mi Juvendtud,” standout as high points. And then there are the bangers, as it were: “Aprender a Amar” gets in your face with fierce rapping and blaring horns; “Legendario” might be the most obvious potential single off the whole album thanks to its signature pop tempo and sound; and “La Presa” is basically a salsa IV straight to your veins. There are plenty of others I’m not naming here, but anyone who has even a passing appreciation for Latin pop (regardless of if you speak Spanish or not — I don’t) shouldn’t sleep on Grasa.
Young Miko - att.
Puerto Rican artist Young Miko’s first full-length album, att., is the definition of “a vibe.” After collaborating with Karol G, Bad Bunny and other Latin superstars, Miko has solidified her space in the Latin pop scene with this project. While I don’t think it’s a career-defining album, it’s a great showcase of her laid-back, Spanglish-style rapping that marries genres like reggaeton and Latin trap, and her ability to create a clear mood with such fusion, plus a healthy dose of great beats. Ultimately, it’s simply easy listening from front to back. Personal highlights include “arcoíris,” “tamagotchi” and Feid collab “offline.”
Charli XCX - brat
Brat is 100 percent worth the hype. Eloquent music critics and writers have bestoweda lot ofpraise onto this album already, so suffice to say that I agree with most of them (and you should go read their analyses). Standouts include “Club classics,” “Sympathy is a knife,” “So I,” and “B2b,” but arguably my favorite is the closer “365.” A riff off of the opener “360,” this track ups the ante in every way, and the transition to it from the penultimate “I think about it all the time” is so satisfying and euphoric.
It's been 10 years since Norwegian producer and DJ Todd Terje declared that it was, finally, album time. He had made a name for himself as a DJ and remixer in the 2000s, but It's Album Time marked his first (and sadly, only) full-length collection on which he is the singular driving force. It's a gloriously oddball collection that flips between dramatic, movie score-style symphonic pieces and true dance-disco bangers. (After a recent listen, I convinced myself that Terje could help Dua Lipa make the best album of her career.)
For my money, the 10-minutes combo of "Straandbar" and "Delorean Dynamite" encapsulate the best things about the album. It's a gloriously funky build-up with intricate percussion, fat synths, bouncing bass lines and a ridiculously simple but incredibly infectious guitar lick that comes in halfway through "Delorean Dynamite" that makes me want to run through a brick wall. You'll know it when you hear it.
And, of course, there's "Inspector Norse," a song that caught fire in 2012 and paved the way for the rest of It's Album Time. If Terje never makes another album (he's only 43, so there's plenty of time!), "Inspector Norse" serves as seven perfect minutes of his career. Maybe he'll swing by and take us to his planet again, but it's hard to be sad about his lack of output when It's Album Time is so damn perfect.
— Nathan Ingraham, Deputy Editor, News
XG - Woke Up
Cocona shaves her head in this video. Just because she wanted to. This song is great. XG is life.
— Aaron Souppouris, Executive Editor
This article originally appeared on Engadget at https://www.engadget.com/what-were-listening-to-nell-ora-blu-grasa-brat-and-more-130028558.html?src=rss
Apple's spin on AI is finally here, and it already seems smarter than Microsoft Copilot and Google Bard. Apple Intelligence focuses on privacy and "personal intelligence," with a bit of an assist from ChatGPT. While we haven't tested it ourselves yet, Apple appears to be avoiding the pitfalls of Microsoft's Recall feature, as well as Google Bard's unfortunate early gaffes. The company isn't trying to capture everything you're doing on your computer, and it's being careful about how it's using larger AI models like ChatGPT.
Shortly after the WWDC 2024 keynote ended, Engadget's Cherlynn Low and Devindra Hardawar discussed why they think Apple is taking a more thoughtful approach to AI.
This article originally appeared on Engadget at https://www.engadget.com/how-apple-intelligence-could-avoid-microsoft-and-googles-ai-mistakes-000751533.html?src=rss
In this installment of What We're Listening To, Engadget writers and editors discuss some of the recent music releases we've had on repeat. It's safe to say there's some variety on this list.
Sierra Ferrell - Trail of Flowers
Sierra Ferrell seems almost like an anachronism in 2024, but in the best possible way. She has this effortless, old-timey country style that is at points reminiscent of the likes of The Carter Family or Flatt and Scruggs (her brilliant covers of songs once performed by the latter duo are permanently seared into my brain), and it’s just so refreshing. Trail of Flowers, Ferrell’s second studio album, toes a little further into a more modern sound, but it maintains this deeply Americana feel that just seems to roll off the West Virginia-born artist so naturally.
Country music isn’t just one thing, and neither is Trail of Flowers. It meanders through different flavors — folk, bluegrass, hints of jazz — but it manages to do so in a way that feels cohesive when it’s all taken together. The wistful “American Dreaming” and “Wish You Well” are offset by sillier, whimsical numbers like “I Could Drive You Crazy” or the deep cut cover, “Chitlin' Cookin' Time in Cheatham County.” Tracks like “Money Train,” “I’ll Come Off the Mountain” and “Lighthouse” are instantly catchy. “Why Haven’t You Loved Me Yet” and “No Letter” feel like classics in the making.
And then there’s the cheekily sinister, scorned-lover’s lament, “Rosemary.” It’s one of the songs that first got me hooked on Sierra Ferrell years ago, as I imagine is the case for a lot of fans who have followed Ferrell’s career since her busking days or her unforgettable GemsOnVHS performances. I was almost nervous to hear it on Trail of Flowers, with a full production, after loving the raw, stripped-down recording I’ve been replaying on YouTube for so long. But they’ve done a beautiful job of capturing that magic, and “Rosemary” may be my favorite track on the album. It’s hard to pick, though.
Castle Rat - Into the Realm
Sometime early last year, I discovered something I didn’t realize was missing from my life: medieval fantasy doom metal. I was at a show at the gloriously trippy Brooklyn Made watching an opener ahead of the band I’d gone there to see, and unexpectedly found myself witness to an on-stage choreographed sword fight (well, there was a scythe involved too) between a woman in chainmail and someone wearing a hooded rat mask and lingerie. I’d already been enraptured by the band’s heavy, immersive riffs and the singer’s hypnotic 1970s-esque vocals, but in that moment, yeah, things really clicked into place. This was my introduction to Castle Rat, and it was a damn good one.
I’ve been eagerly awaiting the release of their debut album ever since, and from the second it dropped last month — an LP called Into the Realm — I’ve pretty much been playing it on a nonstop loop. It would actually be embarrassing if you were to check the number of times I’ve listened to the album’s standout ballad, “Cry For Me.” It is a haunting, emotional song that really takes you on a journey and I’m a little obsessed with it. Into the Realm opens strong with the boppy “Dagger Dragger,” and some real heavy-hitters follow in tracks like “Feed the Dream,” “Fresh Fur” and “Nightblood.” “Red Sands” is a slow-building powerhouse, and I’ve even found myself loving the three roughly minute-long instrumental interludes that tie the whole album together.
Doom bands love a good theme (as do I), and we tend to see a lot of weed, witchcraft, science fiction and fantasy pop up throughout the subgenres that fall under this umbrella. Castle Rat definitely isn’t the first to have a shtick, but there’s a certain freshness to the band’s even more specific, self-described medieval fantasy brand, perhaps because they commit to it so hard. Their ‘70s and ‘80s influences are obvious, yet everything they’ve put out so far still feels original. Some people might find the whole thing gimmicky, but I think it’s working. Especially since they have the chops to back it up. I’m excited to see where Castle Rat goes from here.
Honorable Mentions:
Girl with No Face, Allie X— Another song I’ve been listening to an embarrassing amount these days is Weird World, off Allie X’s latest album, Girl with No Face. I somehow haven’t tired myself of it yet, it makes me go absolutely feral. Girl with No Face is full of synth-pop gems, like “Off With Her Tits” — a dancey, angsty anthem sure to resonate with anyone who has experienced dysphoria around their body image — “John and Johnathan,” “Black Eye” and “Staying Power.”
Club Shy, Shygirl — This is just a collection of straight-up bangers. It’s not even 16 minutes long, but it really hits. If you need an instant mood-elevator ahead of a night out, this album is it.
Stampede: Volume 1, Orville Peck — Orville Peck’s first release in his fringeless era is a duets album, the first part of which was released on Friday and features artists including Willie Nelson, Noah Cyrus and Elton John. I haven’t had much time to spend with Stampede: Volume 1 yet, but I’m into it so far. “Conquer the Heart” ft. Nathaniel Rateliff and “How Far Will We Take It?” with Noah Cyrus feel like they combine the best elements of Pony (2019) and Bronco (2022). Bronco came in two waves, so I expect we’ll see a Volume 2 for Stampede before long, too.
— Cheyenne MacDonald, Weekend Editor
Hannah Jadagu - Aperture
Whenever I hear the words “banger” or “bop,” I don’t think about artists like Taylor Swift. I think about the nebulous musical genre known as bedroom pop. Bop, after all, is right there in the name. Hannah Jadagu is a bedroom pop wizard of the highest order. Her first EP was made entirely on an old iPhone and still slaps, though she has since graduated to real recording studios. Jadagu’s latest full-length on Sub Pop, Aperture, is filled with both bangers and bops, and my favorite is the lovelorn “Say It Now.” Listen to this thing. It just may be the perfect pop song and is absolutely crying out for some road trip singalongs. The shoegaze-adjacent “What You Did” is another classic and would be at home on any decent summer playlist.
— Lawrence Bonk, Contributing Reporter
Justice - Hyperdrama
Justice’s first full-length release Cross from 2007 is one of my favorite albums of all time. Not only did it define the crunchy electronic sound of the blog house era in the late 2000s and early 2010s, it also felt like a new French duo had picked up where Daft Punk left off following 2005’s Human After All. Now Justice is back with its fourth album in Hyperdrama. But instead of being inspired by a specific genre of music like we heard in Audio, Video, Disco’sstadium rock tracks or Woman’sdisco-fueled beats, this album feels more like the soundtrack to a moody sci-fi thriller, almost as if this is Justice’s alternate reality take on the Tron: Legacy soundtrack.
“Generator” is a certified banger and probably the song that sounds the most like classic Justice. “Neverender” and “One Night/All Night” are also highlights, though I think Justice may have leaned a bit too heavily on Tame Impala to give this album personality. “Dear Alan” delivers super smooth vibes and Thundercat makes a delightful appearance and finishes things strong in “The End.”
The one thing I really miss is at least one trulydanceabletrack like we got on all of the band’s previous albums. I also have to admit that some of the songs in the middle blend together in a less-than-memorable way. So while Hyperdrama isn’t the top-to-bottom masterpiece that Cross was a decade and a half ago, more Justice isn’t a bad thing.
— Sam Rutherford, Senior Reporter
Utada Hikaru - Science Fiction
Over the past few weeks, I've mostly been listening to songs from Science Fiction, the first greatest hits album by J-Pop artist Utada Hikaru. I've been a fan since they released their debut album First Love back in 1999, when people were far more likely to be weirded out by the fact that yes, you can enjoy music with lyrics in a language you don't understand. Utada has been in and out of the J-Pop scene since then, and there were long stretches of time when I wouldn't hear anything about them. Every new music drop is a gift, especially this album, since it's tied to an upcoming concert tour, which they only do once in a blue moon.
Utada experienced a resurgence in 2022 when their songs “First Love” and “Hatsukoi” — which also translates to “first love” — were featured in a hit Japanese drama series on Netflix called (you guessed it) First Love. Those tracks are, of course, in Science Fiction, which also includes songs from various points in Utada's career.
The album will take you on a journey from when they mostly wrote R&B-inspired pop to an era when their music became more experimental, and it will introduce you to their current sound, which is both mainstream and unique. While some of the re-recorded versions of their older songs like “Traveling” don't quite hit the mark, it's still a good representation of who Utada is as a musician. As a long-time fan, though, this album isn't just a collection of songs to me, but a collection of memories from different stages of my life.
— Mariella Moon, Contributing Reporter
Caroline Polachek - “Starburned and Unkissed”
There are a few reasons that “Starburned and Unkissed” stands out against the I Saw the TV Glow soundtrack, which is replete with not only beloved mainstays like Broken Social Scene's “Anthems For A Seventeen-Year Old Girl” as well as other original songs from luminaries like Phoebe Bridgers and Hop Along's Frances Quinlan. If cornered, I would say the most brilliant thing about “Starburned and Unkissed,” its greatest strength, is that it's just a little too slow.
Every note stretches and yearns with the impatience of adolescence, verges on running out of air, of snapping in two. Much like the scene of the utterly and equally brilliant I Saw the TV Glow it was written for, it captures the sleepy anxiety of a too-warm high school, overcrowded and isolating. The heaviness of its crushing guitars ebbs and flows unsteadily, mimicking the experimentation of callow hands. (It takes the second try on the chorus for the drums and guitars to all come in on cue.)
It's unstable, hopeful. Caroline's voice — gently mangled by intentional autotune pitch shifts — falls out of key in the song's last few refrains, threatening to derail the dreamy beauty of the past three minutes. It ends abruptly, begging for another listen, another return to a time that can't be recaptured.
Honorable mentions:
“Lover's Spit Plays in the Background,” Claire Rousay — Rousay's sentiment is a perfect album for reading outside on an overcast day. I'm not sure I can pick a standout track, as the experience is really in letting the whole thing wash over you, but this one's close enough.
“Stickers of Brian,” Hot Mulligan — Classic pop punk subject matter (“my job sucks and I hate everyone”) but my god what an earworm.
“On Brand,” Ekko Astral — Levels of snottiness previously considered unachievable. Hard not to love what a beautiful mess these folks make.
“Cometh the Storm,” High on Fire — Most of High on Fire's 20+ years of output sounds like — and lyrically is probably about — an axe-wielding barbarian ripping a bong, or whatever other D&D nonsense they're up to. (I say this lovingly. I adore High on Fire.) The title track off the new one is… unusually dirge-like? At first it felt very “old band showing their age” but it's grown on me as an intentional and welcome change. They're not off the hook for using AI for the “Burning Down” music video though. C'mon guys.
— Avery Ellis, Deputy Editor, Reports
This article originally appeared on Engadget at https://www.engadget.com/what-were-listening-to-trail-of-flowers-hyperdrama-science-fiction-and-more-143052023.html?src=rss
Remote and hybrid work is a real possibility for many recent graduates, as is schlepping it to an office every weekday. Some grads may be off to a career in welding and will be free of offices altogether. While we don't have the proper expertise to make recommendations for that latter category, the Engadget staff has decades of collective experience working from home and commuting to offices. These gadgets have helped us get through our workdays more efficiently and comfortably — and make good gifts for any budding professional.
This article originally appeared on Engadget at https://www.engadget.com/best-work-from-home-office-gifts-for-graduates-123015003.html?src=rss
Whether your mom keeps on top of the latest tech trends or still calls you for help logging into her email account, a carefully considered gadget can be a practical way to tell her thanks for, y’know, putting up with you. Sure, the usual flowers, breakfast in bed or complementary spa day will always be worthwhile Mother’s Day gifts, but if you want to take a different (and much nerdier) approach, a good piece of tech can make her life easier even after the holiday has passed. If you need some help brainstorming some gift ideas, we’ve put together a list of gadgets, services and other gear that should bring any mom a little joy.
This article originally appeared on Engadget at https://www.engadget.com/mothers-day-gift-ideas-123010613.html?src=rss