As CES 2026 approaches, one robotics debut is already standing out for its focus on real-world problems rather than incremental upgrades. xLean has confirmed it will showcase the xLean TR1, marketed under the banner “Reinventing Clean for Real Life.” The TR1 aims to rethink what a cleaning robot can be by combining two machines into […]
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When searching for a laptop in the $750 price range, achieving the right balance between performance, design, and long-term value is crucial. This comparison examines four popular options: the Apple M4 MacBook Air, Microsoft Surface Laptop (Snapdragon X Plus), Acer Aspire (Intel Lunar Lake), and Lenovo IdeaPad (AMD Ryzen AI 7350). While each device offers […]
The post Mac vs. Windows at $750: Don’t Waste Your Money on the Wrong Laptop appeared first on Geeky Gadgets.
Most robot vacuum-mop combos on the market right now do an acceptable job on light dust and can push a damp pad across hardwood, but ask them to handle a real kitchen spill or a week’s worth of tracked-in dirt from a dog, and the cracks start to show. Streaky floors, damp patches that take twenty minutes to dry, wheel marks through the mess, and mop pads that smell like a gym locker after three days. The promise has always been “set it and forget it,” but the reality for most owners involves regular pad washing, manual spot cleaning, and a nagging sense that the robot is just redistributing grime rather than actually removing it. Homes with kids, pets, or open-plan layouts where the kitchen flows into the living room need more than a technical pass, they need floors that are genuinely clean and dry enough to walk on immediately.
Roborock’s answer to that gap is sitting on the show floor at CES 2026, and it is called the Qrevo Curv 2 Flow. Positioned as the brand’s first “Real Clean Challenge” hero product, it is engineered specifically around what North American households actually throw at a robot vacuum: sticky spills, pet messes, carpets next to hard floors, and the expectation that a thousand-dollar machine should not become another maintenance project. The pitch centers on “real dry and real clean” performance, delivered through a one-pass roller-mop system, automatic wet/dry carpet separation, and a dock that handles most of the gross maintenance work without intervention. What follows is a walkthrough of the five things that stand out most after watching it run through Roborock’s booth demos, with an eye on what actually matters once this machine is navigating a real living room.
Designer: Roborock
The centerpiece is a 270mm-wide roller mop, noticeably wider than the typical 180mm rollers on most competitors. That extra width means fewer passes to cover the same area, and in booth demos running over simulated coffee spills and muddy pet prints, the difference is visible. The system applies 15N of downward pressure (roughly 2.5 times the previous model, equivalent to about 1.5kg of force) combined with 220 RPM rotation, so the roller scrubs rather than just wipes. Where shorter rollers leave streaks or require a second pass, this one clears the mess in a single stroke and moves on.
What keeps it from smearing dirty water around is the SpiralFlow real-time self-cleaning system. Eight precision hydration points distribute clean water across the roller while a built-in floating scraper removes excess moisture and channels dirty water into a separate wastewater tank. The four-step process (hydrate, control moisture, scrub, collect) happens continuously while the robot moves, so every pass uses a relatively fresh section of roller. The floating scraper automatically adjusts to the roller surface, unlike fixed scrapers on track-mop designs that apply uneven pressure and leave streaks. In controlled spill tests, floors look finished after one pass and dry to the touch within a couple of minutes.
Before the robot reaches a carpeted area, the roller lifts up to 15mm off the floor while a roller shield simultaneously extends to cover the mop, creating a physical barrier that blocks both moisture and dirt from transferring onto carpet fibers. The system works with carpets up to about 13mm pile height, and for taller rugs, the app lets users set custom behaviors. In the demo setup with a kitchen runner adjacent to tile and a living room area rug, the robot transitions cleanly between surfaces without leaving visible damp spots on carpet edges, which is usually where most robots fail.
That edge transition matters for homes with mixed flooring, especially where a spill on hard floor sits right next to a rug. Most two-in-one robots either roll onto the rug and react (leaving damp edges) or force users to draw manual no-go zones around every carpet. The shield solves that by keeping the wet roller physically separated during the entire crossing, rather than relying solely on lift height.
Getting close to walls has always been a trade-off: stay back and leave a visible dirt line, or bump repeatedly into trim and sound like the robot is attacking the baseboards. The Qrevo Curv 2 Flow uses an edge-adaptive roller mop that extends outward to reach within about 10mm of the wall, rather than relying entirely on side brushes. The precision extension mechanism activates when the robot detects an edge, allowing the roller to cover areas that would normally be missed without requiring the entire robot body to press against the wall.
In booth demos around skirting boards, TV cabinet legs, and furniture corners, the coverage is noticeably better than non-extendable designs, which typically leave a 2-3cm gap that accumulates dust. The other advantage is noise and wear. Robots that compensate for short rollers by repeatedly bumping into walls create scraping sounds and can scuff paint over time. The extendable design means the robot maintains a few millimeters of clearance while still getting the roller right up to the edge, reducing both noise and long-term cosmetic damage.
The DuoDivide main brush uses a split design with two counter-rotating arms that move hair from both ends toward the center, cutting transport distance in half. At the center gap, the two brushes spin at slightly different speeds, creating a differential effect that tears apart bundled hair rather than letting it wrap into a solid ring. A precision scraper strips the hair off, and high-flow suction pulls it into the dustbin. After a simulated hair test at the booth (long hair and pet fur spread across hard floor and low-pile carpet), the brush remains visibly clean with no wrapping at the ends and no hair stuck in the dustbin inlet.
The side brushes use dual lifting arc designs with an asymmetrical spiral arc shape. As the brush rotates, centrifugal force pushes hair outward toward the bristle ends instead of letting it spiral inward toward the hub, and a soft rubber baffle at the base blocks hair from wrapping around the mounting point. Both side brushes also lift automatically when switching to mop-only mode or approaching wet messes, preventing them from getting caked with damp debris. Whether the zero-tangle performance holds up over weeks in a real home is the open question, but the engineering choices are mechanically sound approaches to the hair problem.
When the robot returns to wash its roller, the dock first drains the dirty water from the previous clean, then rinses the roller with fresh water, rather than back-washing dirty water into the roller. While the roller is being cleaned, it alternates between forward and reverse rotation while dual scrapers comb through the fibers from both directions. The dock heats wash water to 75°C (Roborock claims 99% bacteria removal) and runs 55°C warm air drying afterward to prevent mildew and odor. Intelligent dirt detection monitors how dirty the water is during washing, and if it detects heavy soiling, it automatically extends wash duration and can trigger the robot to return to heavily soiled areas for an additional mopping pass.
The dock handles auto dust emptying with a 2.5L bag capacity (roughly 65 days under typical use), and more importantly, the roller, roller shield, dirty water tank, and dock base are all designed for quick removal and manual cleaning. Unlike competitor docks with non-removable shields and narrow gaps that accumulate hidden grime, everything that touches dirty water can be pulled out and rinsed. The trade-off is complexity: more sensors, more moving parts, and likely higher consumable costs. But the design philosophy is clear: take on more of the maintenance burden at the dock level so the user does not have to babysit the system daily.
The post Top 5 Reasons the Roborock Qrevo Curv 2 Flow Is Built for Open-Plan Homes With Mixed Flooring first appeared on Yanko Design.
There’s something deeply poetic about watching light pass through layers of colored wire mesh, each one adding a new dimension of color and shadow until you’re not quite sure where the walls end and the air begins. That’s exactly what Japanese architect Moriyuki Ochiai wants you to experience with his latest installation, a tea ceremony house that reimagines one of Japan’s most sacred cultural traditions through an unexpectedly industrial material.
Instead of the typical wooden walls and paper screens you’d expect in a traditional tea house, Ochiai wrapped his structure in layers of diamond-shaped wire mesh, each one a different color. It’s the kind of material you’d normally see around construction sites or industrial facilities, not places of quiet contemplation and ritual. But that contrast is precisely what makes this installation so striking.
Designer: Moriyuki Ochiai (photos by Daisuke Shima)
The traditional tea house has always been about creating a contained microcosm, a small world where every detail is carefully considered to heighten your awareness and bring you into the present moment. Ochiai respects that fundamental principle but completely reframes how it works. Rather than using solid boundaries to create enclosure, he uses layered transparency. The result is something that feels simultaneously open and intimate, grounded and ethereal.
What happens when you layer multiple sheets of colored wire mesh is honestly kind of magical. Light doesn’t just pass through, it gets transmitted, reflected, and diffused across the interior in constantly shifting patterns. As you move through the space, the mesh layers create changing optical depth and spatial ambiguity. Stand in one spot and you see one configuration of color and light. Take a few steps and everything transforms. The installation responds continuously to your movement and viewpoint, making you an active participant in the experience rather than just an observer.
This isn’t Ochiai’s first experiment with unconventional tea house designs. He’s previously created installations like the “Constellation of Stargazing Tea Ceremony House,” showing a continued interest in how traditional Japanese cultural spaces can be reinterpreted for contemporary contexts.
What makes this wire mesh installation particularly relevant right now is how it speaks to broader conversations happening in design and architecture about materiality, transparency, and the relationship between interior and exterior spaces. We’re seeing more designers question the conventional boundaries between inside and outside, public and private, solid and void. Ochiai’s tea house takes those questions and filters them through a specifically Japanese cultural lens.
There’s also something to be said about the choice to use such an industrial, utilitarian material for such a refined, spiritual purpose. In Japanese aesthetics, there’s a long tradition of finding beauty in unexpected places and everyday objects. The tea ceremony itself was developed partly as a way to appreciate simple, rustic materials and unadorned beauty. By wrapping a tea house in construction-grade wire mesh, Ochiai is working within that tradition while also pushing it forward.
The semi-transparent environment he creates challenges our expectations about what a contemplative space should look like. Most meditation rooms and spiritual spaces emphasize solid, quiet boundaries that shut out the world. Ochiai’s installation does the opposite. It filters the world, refracts it, transforms it, but never fully blocks it out. You remain aware of your surroundings even as they become abstracted through layers of colored mesh.
Photographed by Daisuke Shima, the installation becomes a study in how light and material can work together to create atmospheric effects that shift between architectural intervention and art installation. It’s the kind of project that makes you reconsider what you thought you knew about traditional cultural forms and how they might evolve without losing their essential character.
In an era when so much of design feels like either nostalgic reproduction of the past or aggressive rejection of it, Ochiai’s wire mesh tea house offers a different path: respectful innovation. He’s not trying to preserve the tea house in amber, nor is he discarding its principles. Instead, he’s asking what those principles might look like when expressed through contemporary materials and sensibilities. The answer, rendered in layers of colored industrial mesh, is surprisingly beautiful.
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Let’s be honest: most humidifiers are not so visually pleasant. They’re the appliances we hide in corners, tuck behind furniture, or banish to the bedroom where guests won’t see them. But what if a humidifier was so stunning you’d actually want to show it off? Enter the Balmuda Rain, a Japanese design marvel that’s making us completely rethink what a functional appliance can look like.
The moment you see the Balmuda Rain, you know something’s different. Standing at just over 14 inches tall with a perfectly square footprint, this humidifier looks more like a sculptural vase than a household appliance. And that’s entirely intentional. The Japanese design company Balmuda has built its reputation on transforming everyday objects into things of beauty, and with the Rain, they’ve truly outdone themselves.
Designer: Balmuda
But here’s where it gets really interesting. Most humidifiers make you wrestle with a detachable tank, carrying it back and forth to the sink, water dripping everywhere. The Rain throws that entire concept out the window. Instead, it features a revolutionary tankless design. You simply pour water directly into the top, like you’re filling a vase with fresh flowers. It’s such an elegant solution that you’ll wonder why no one thought of it sooner. The 5-liter capacity means you’re not constantly refilling it, and a subtle LED display lets you know when it’s running low.
Now, before you think this is all style and no substance, let me tell you about what’s happening inside this beauty. The Rain isn’t just humidifying your air; it’s actually purifying it too. A multi-layer filtration system works quietly in the background, with an enzyme pre-filter that captures dust and viruses, plus a silver ion cartridge for antibacterial protection. It uses natural evaporation technology rather than ultrasonic misting, which means no white dust settling on your furniture and a much more energy-efficient operation.
The performance is genuinely impressive. With five adjustable levels, the Rain can push out up to 600 ml of moisture per hour, easily handling rooms up to 28 square meters. There’s an automatic mode that maintains ideal humidity levels between 40 and 60 percent, which is exactly where you want to be for healthy skin and respiratory comfort. In testing, it took just 30 minutes to bring a dry 40-square-meter room from 35% to a comfortable 50% humidity.
The interface is beautifully simple. A circular control ring lets you adjust settings, and you can customize everything from display brightness to speaker volume. There’s even a child safety lock for households with curious little ones. The display automatically dims when you’re not using it, so it won’t light up your bedroom at night. Maintenance is surprisingly easy too. The main filter gets cleaned with warm water and household items like citric acid and baking soda. The enzyme pre-filter just needs a quick vacuum, and the silver ion cartridge rinses under running water. No complicated procedures or expensive replacement parts to track down.
Here’s the thing about the Balmuda Rain: it represents a shift in how we think about the objects in our homes. We’re moving past the era of purely utilitarian appliances that we tolerate because we need them. Instead, we’re seeing a new generation of products that refuse to compromise, offering both exceptional functionality and genuine aesthetic value. Yes, the Rain comes with a premium price tag. But for design enthusiasts, tech lovers, and anyone who believes their space should reflect their taste, it’s an investment in daily delight. This is an object you’ll use every winter and still appreciate five years from now. It won’t feel dated or look tired because good design is timeless. The Balmuda Rain proves that we don’t have to choose between form and function. We can have both, elegantly integrated into one beautiful package. And honestly? That’s exactly what our homes deserve.
The post Balmuda Just Made the Humidifier You’ll Actually Display first appeared on Yanko Design.
Your smartphone camera lets you take 47 photos of the same sunset, delete 46 of them, and still feel like something’s missing. Rolling Square’s new Await Camera takes the opposite approach. You get 24 shots across three rolls, no preview screen, and a full day before you can even see what you captured. The Swiss company unveiled this retro digital camera at CES 2026, pricing it between $70 and $100 as part of a subscription service that prints and ships your chosen photos.
Waiting feels revolutionary in 2026. Await forces you to consider each shot before pressing the shutter, then sit with your choices for 24 hours while the photos sync to the cloud and “develop.” Only after that delay can you review what you captured, select the keepers, and wait again for physical prints to arrive at your door. This deliberate friction contradicts every principle of modern digital photography, yet that’s precisely the point. Patience, not megapixels or computational processing, separates memorable photos from forgettable ones.
Designer: Rolling Square
The design language screams disposable camera aesthetics but with actual build quality behind it. Rolling Square went with a translucent lower body that shows off the internals, which feels very Y2K revival but somehow works here. The top fascia snaps off and comes in colors that would make a highlighter jealous: yellow, lime green, turquoise, cobalt blue. At 98 x 67.5 x 15.5mm and just 95 grams, this thing disappears in your pocket. The front keeps it minimal with a viewfinder, xenon flash (yes, actual xenon, not LED), the lens, and a tiny speaker grille. Flip it over and you get a small OLED display showing your remaining shot count, another viewfinder window, and an orange shutter button. That’s the entire interface. No menus, no settings, no mode selection hell.
Rolling Square stripped out everything people actually hate about photography in 2026. There’s no “share to Instagram” button begging you to post immediately. No WhatsApp integration pushing you to dump photos into group chats. No sticker library, no caption prompts, no AI restyling that makes everything look like it passed through the same algorithmic blender. Await functions as a camera, period. You point, you shoot, you move on with your life. The three-roll system divides your 24 photos into eight-shot chunks, creating natural break points that encourage thinking in sequences rather than spray-and-pray shooting. The OLED counts down your remaining exposures, which creates this low-key anxiety that actually improves your photography because suddenly you care about composition again.
Here’s where it gets interesting. After you burn through your shots, you connect Await to your phone and the photos upload to the cloud. But you can’t view them for 24 hours. Rolling Square artificially enforces this development window, and honestly, it’s the smartest friction they could have added. That delay prevents you from judging your work in the moment, which means you approach editing with fresh eyes instead of deleting anything that doesn’t match your initial expectation. Film photographers lived with this for decades and somehow produced the most iconic images in history. Maybe instant feedback actually makes us worse at evaluating our own work.
Once the 24 hours pass, you open the app and see your roll. Now you pick which shots deserve to become physical prints through the subscription service (monthly or annual plans, though Rolling Square hasn’t dropped exact pricing yet). Selected photos get printed and shipped to your address, which adds another waiting period between shooting and holding the final product. The whole process can span a week or more, turning photography back into something that produces tangible objects rather than files that die in your camera roll. Physical prints demand different engagement. You can stick them on a fridge, write on the back, hand them to someone, lose them in a drawer and rediscover them years later. They exist independent of devices, batteries, or cloud services, which gives them staying power that Instagram stories will never match.
Rolling Square hasn’t announced a firm release window, although the crowdfunding campaign should launch any time around end of January or the first half of February. Pricing allegedly will land between $70 and $100 for the hardware, plus subscription costs for the print service. The target audience seems to be people exhausted by infinite scroll and computational perfection, which describes roughly everyone under 30 and most people over it. Await won’t replace your smartphone or convince serious photographers to ditch proper gear, but for specific moments when you want to shoot more thoughtfully than another burst of instantly-forgotten phone snaps, this approach makes sense. Patience rarely feels like a feature until you realize how completely you’ve lost it.
The post Tired of AI filters and endless selfies? Retro‑styled Await Camera makes you wait 24 hours to see your photos first appeared on Yanko Design.
To further push the limits of consumerism, Google has launched a new open standard for agentic commerce that's called Universal Commerce Protocol (UCP). In brief, it's a framework that combines the power of AI agents and online shopping platforms to help customers buy more things.
Thanks to the introduction of UCP, Google is offering three new online shopping features. To start, Google's AI mode will have a new checkout feature that allows customers to buy eligible products from certain US retailers within Google Search. Currently, this feature works with Google Pay, but it will soon add PayPal compatibility and incorporate more capabilities, like related product discovery and using loyalty points.
On the merchant side, Google also established the Business Agent feature, which Google said will be "a virtual sales associate that can answer product questions in a brand’s voice." The Business Agent will launch tomorrow with early adopters including Lowe’s, Michaels, Poshmark, Reebok and more. Also for retailers, the UCP is responsible for the new Direct Offers feature, which lets companies advertising with Google to "present exclusive offers for shoppers who are ready to buy, directly in AI Mode." The Direct Offers feature will work in tandem with the ads in AI Mode that Google is testing.
With UCP, Google Search, retailers and payment processors are joining forces to make online shopping even easier, whether it's figuring out what product to buy, completing the purchase or offering "post-purchase support." According to Google, UCP is compatible with existing industry protocols, like Agent2Agent, Agent Payment Protocols and Model Context Protocol. UCP was even co-developed with industry giants like Shopify, Etsy and Walmart, and was endorsed by even more companies in the commerce ecosystem, including Macy's, Stripe, Visa and more.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/googles-new-commerce-framework-cranks-up-the-heat-on-agentic-shopping-212433122.html?src=rss
There’s a specific moment that happens when you first hear deep bass done properly. Your brain needs a second to process what’s happening because the sound doesn’t match what you expect from a speaker that size. I experienced that exact moment at CES 2026 while listening to Brane Audio’s Party Pro prototype, and for the sake of the rest of the hotel guests, Brane only limited the demo to 10 seconds and played its audio at 25% capacity. The sound is so thundering (especially the base notes), Brane had to quite literally hold its speaker back to avoid noise complaints.
Brane Audio structured their CES presentation strategically, starting with the Brane X to establish their credibility against established competition. Then they unveiled the Party Pro, and the difference was staggering. The low-end reproduction didn’t just sound powerful; it revealed details in familiar tracks that had been buried under inadequate bass response for years. Only after the demo did they mention the kicker: we’d been listening to a single RAD2 driver at half capacity. The shipping version with two drivers will hit four times harder, which means this might legitimately be the first speaker good enough to make your neighbors consider moving.
Designer: Brane Audio
That single driver, the RAD2, is the whole story here. It’s the second generation of their Repel-Attract Driver tech, and the numbers are just absurd. They claim a 30-fold deep-bass advantage over conventional drivers, which sounds like marketing fluff until you hear it for yourself. The genius is in how it handles the lowest frequencies. Instead of just producing a generic boom, it articulates the bass, letting you hear textures and notes in the sub-100Hz range that are usually a muddy mess. You start hearing things in your favorite songs you swear were never there before, which is a wild and slightly surreal experience.
Closer look at the RAD2 Driver
The way it prepares for that bass is mechanically fascinating. The original RAD driver in the Brane X used a small air pump to create the necessary pressure differential. For the RAD2, they’ve engineered a system of small mechanical legs that physically push the driver cone outward to prime it before the music even starts. This pre-tensioning creates the pressure needed for its massive excursion without the lag or potential noise of a pump. It’s a clever bit of electromechanical engineering that solves a very specific physics problem, and watching it happen is almost as impressive as hearing the result. It’s a purely functional design choice that looks incredibly cool.
This level of mechanical control allows for some seriously smart audio processing. Brane’s team explained that the speaker’s internal DSP analyzes the incoming audio in real-time to identify the resonant frequency of each specific track. It then adjusts the driver’s behavior to perfectly match that frequency, essentially tuning itself to every song it plays. This is a huge leap beyond simple EQ presets. The speaker is actively collaborating with the music, ensuring that the bass response is not just powerful but also perfectly in sync with the artist’s original intent. It explains why the bass felt so integrated and clean, rather than being a loud, detached layer on top of the music.
So you take that resonant frequency matching, add the mechanical priming system, and then remember the demo was at quarter-power. The final Party Pro, with its two drivers, will displace a full 1000cc of air, which is an immense amount of sound pressure from a portable enclosure. Brane is essentially breaking Hofmann’s Iron Law, that old rule about deep bass, small boxes, and power efficiency being mutually exclusive. They’ve found a way to have all three. This technology is a new blueprint for how to generate low-frequency sound. I walked away from that demo feeling like I’d just seen the audio equivalent of the first flat-screen TV. The Party Pro will hit shelves later this year, with a price range between $1000 and $1500. You honestly may need to take permission from your Homeowner’s Association before you buy one!
The post CES 2026’s Loudest Flex: Brane Party Pro Hits The Bass Notes So Hard I Actually Got Goosebumps first appeared on Yanko Design.
The loss of the federal EV tax credits may have been a huge blow to prospective buyers, but California wants to fill that gap for its residents. Governor Gavin Newsom's proposed budget for 2026-2027, which was released on Friday, includes a "light-duty zero-emission vehicle (ZEV) incentive program" that details a one-time infusion of $200 million.
According to the budget summary, this incentive program is "a critical part of the Administration's strategy to keep ZEVs affordable and accessible for all." The proposed budget still has to make it through the state's legislature later this year, but if passed, the new incentive would help continue the momentum of EV adoption across California. In the third quarter of 2025, the state saw almost 30 percent of auto sales being EVs, according to the California Energy Commission.
There are no details in the budget summary outlining how exactly the $200 million would break down on a per-vehicle basis, but USA Today reported that the rebate would be an "on the hood" instant discount for EVs. Previously, buyers would get up to $7,500 back in federal tax rebates on new EV purchases and up to $4,000 on used EVs. For California's proposed incentives, the chairwoman of the California Air Resources Board, Lauren Sanchez, told USA Today that the state is still trying to figure out if it will offer tax credits for those who buy used EVs.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/californias-governor-plans-to-set-aside-200-million-for-state-ev-tax-credits-194446449.html?src=rssDon't be surprised if you see even more drones delivering groceries across the US since the Alphabet-owned Wing announced another service expansion with Walmart over the next year. The partnership said that drone delivery services will be available at 150 more Walmart locations in Los Angeles, St. Louis, Cincinnati, Miami and more metros that have yet to be announced.
According to Wing, its top 25 percent of customers have ordered its delivery drones up to three times a week. To meet growing demand, Wing and Walmart said it will serve up to 40 million US customers and build up a network of 270 delivery locations by 2027. The partnership launched its service in August 2023 with the inaugural deliveries offered to the Dallas-Fort Worth customer base. In June 2025, Wing and Walmart increased drone delivery coverage to 100 more stores across Atlanta, Charlotte, Houston, Orlando and Tampa. Last month, the two companies launched their delivery service in Atlanta and are planning to kick off deliveries in Houston on January 15.
Before Walmart, Wing broke into the US market by working with Walgreens to deliver health and wellness products in April 2022. Since then, the Alphabet subsidiary has partnered with DoorDash and Apian, a London-based healthcare logistics company. Besides its commercial partnerships, Wing has been working on a larger delivery drone that will be able to fly at up to 65 mph and carry up to five pounds, or double its current capacity.
This article originally appeared on Engadget at https://www.engadget.com/transportation/wings-drone-deliveries-are-coming-to-150-more-walmarts-180708189.html?src=rss