Apple has officially rolled out iOS 26.5 Beta 3, a software update designed to enhance system performance, resolve bugs, and introduce subtle feature improvements. This update is available globally for developers and compatible devices, alongside updates for iPadOS, macOS, tvOS, watchOS, HomePod OS, and VisionOS. While it does not introduce major overhauls, it focuses on […]
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If Instagram has been turning your color photo posts into black and white recently, don’t worry, there’s no problem with your camera or your account. The Meta-owned app has confirmed to Engadget that the issue is caused by a bug that’s affecting HDR photos in particular. "Earlier today, a technical issue caused some HDR photos to appear incorrectly as black-and-white for a subset of accounts,” Instagram has told us. However, we see complaints dated April 18 and 19, so the issue has been going on a bit longer for some people.
Regardless of when the bug started causing problems, the Instagram team said it has since corrected the issue. If your posts are still showing up in black and white, Instagram said the fix will automatically turn your affected photo posts back to their original state over the next few hours. “We apologize for any inconvenience,” they added.
This article originally appeared on Engadget at https://www.engadget.com/apps/instagram-says-a-bug-turned-your-photos-black-and-white-061802389.html?src=rss
NotebookLM and Claude Design provide a structured approach to converting research into professional deliverables, addressing the needs of users across various fields. NotebookLM focuses on distilling complex datasets into clear, actionable summaries, which is particularly useful for academics and business professionals. However, its design outputs, such as basic PowerPoint slides, may not meet the aesthetic […]
The post Why Pairing NotebookLM with Claude Design Changes Everything About AI Research appeared first on Geeky Gadgets.
Apple is entering a pivotal moment in its history as Tim Cook steps down as CEO on September 1, 2026, after 15 years of leadership. John Ternus, a 25-year Apple veteran and Senior Vice President of Hardware Engineering, will assume the role of CEO. This carefully orchestrated transition reflects Apple’s dedication to both stability and […]
The post Apple’s New CEO: Why Tim Cook Hand-Picked John Ternus to Lead the Future appeared first on Geeky Gadgets.
Google’s announcement of the Fitbit Air introduces a screenless, passive wearable designed for unobtrusive health monitoring. According to TechAvid, the device collects metrics such as VO2 max, heart rate recovery and sleep quality, emphasizing simplicity and actionable insights over traditional smartwatch features. Central to its functionality is Google Gemini, an AI system that converts raw […]
The post Google Fitbit Air Revealed : Screenless Design Meets Gemini AI Tracking appeared first on Geeky Gadgets.
Apple is implementing significant changes to ensure its devices last longer and remain more functional over time. These updates are largely influenced by the European Union’s (EU) new sustainability regulations, which emphasize durability, repairability, and environmental responsibility. For you, this means your iPhone, iPad, MacBook, and other Apple devices will stay reliable for extended periods, […]
The post Apple’s Huge Shift: Why Your Next iPhone Is Designed to Last Longer appeared first on Geeky Gadgets.
There’s a reason Mother’s Day gifts tend to pile up in the “I tried” category. Flowers wilt, spa vouchers go unused, and the scented candle collection grows to unreasonable proportions. What actually lands is something that fits into her daily life with ease, something she’d reach for without thinking, something that quietly signals she’s seen and loved. That standard isn’t hard to meet when the starting point is thoughtful design, the kind that observes how people actually live and fills the gaps they didn’t know were there.
This year’s roundup leans into exactly that idea. Every product here was chosen for how well it earns its place, whether that means sitting on a counter without looking out of place, or arriving with features that genuinely simplify something she does every day. Form matters as much as function, and ideally, the two are inseparable. If you’ve been putting off the search, consider this your shortcut.
Those photos sitting three years deep in her camera roll, the ones from the holiday she keeps meaning to print, the candid from someone’s birthday that came out perfectly, deserve better than a scroll-past. The Arzopa D14 turns that ever-growing collection into a living memory gallery, one that sits on her shelf, rotates through her favorite moments, and actually gets looked at every day. It pulls photos wirelessly from a phone to a champagne gold frame that looks genuinely elegant on a shelf or bedside table, and with 8+125GB of built-in memory backed by cloud storage, there’s room for an entire family’s worth of memories without ever worrying about running out of space. The patented gold frame finish sets it apart from the sea of black plastic rectangles that tend to dominate this category, giving it the kind of presence that makes it feel like a decor choice rather than a tech gadget.
The feature that earns it a place on this list, though, is the remote transfer. Kids living in another city, a partner traveling for work, a sibling across the country, anyone in her life can upload photos or videos directly to the frame from wherever they are, and she’ll see them cycle through her display in real time. The app is designed with simplicity front and center, trimming the upload process down to just three steps from phone to frame, which means she won’t need anyone to walk her through it twice. That combination of effortless setup and ongoing remote connectivity (along with a cool 8% discount) is what separates the Arzopa D14 digital photo frame from a standard digital frame. For a Mother’s Day gift, the elevator pitch almost writes itself: she gets a beautiful object for her home, and a quiet, ongoing reminder that the people she loves are thinking of her.
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Developed in collaboration with The Metropolitan Museum of Art, this 3,179-piece LEGO Art set is built around one of Monet’s most iconic works, his 1899 painting “Bridge Over a Pond of Water Lilies,” now a centerpiece of The Met’s permanent collection. The build translates Monet’s Impressionist technique into brick form with impressive fidelity, using a diverse range of LEGO elements including butterflies, flowers, and fruit to recreate the layered texture of the original. Slender willows, rounded water lilies, and the arched footbridge stretching across shimmering water are all rendered in delicate hues of green and blue that closely follow Monet’s characteristic palette. The finished piece measures roughly 20 by 16 inches and comes with a built-in wall hanging mechanism, so it goes straight from box to wall display without any additional hardware. At $249.99, it sits in a price range where it feels like a genuine gift rather than a casual impulse buy.
Rated for ages 18 and up, this is squarely positioned as an adult build, the kind that takes its time and rewards it. The LEGO Builder app offers 3D instructions to guide the process, which makes what could be an overwhelming piece count feel much more manageable. For a mother who appreciates art, has a soft spot for Impressionism, or simply enjoys a build that ends with something genuinely beautiful on her wall, this is one of the more thoughtful things on this list. The Met collaboration gives it a cultural weight that most LEGO sets don’t carry, and the fact that the original painting is one of the most recognizable works in Western art history doesn’t hurt the gifting story at all.
Skincare has always operated on a degree of faith. You buy the serum, follow the routine, hope something shifts, and repeat. The SIMETRA AI Mirror, designed by Second White, is built around the idea that guesswork in front of a mirror is a problem worth solving at the hardware level. Rather than functioning as a passive reflective surface, it reads light, image, and depth data in real time, translating what it captures into precise, measurable feedback about skin condition, texture, and change over time. The intelligence is specific to the person standing in front of it, which puts it in a different category from the generic skincare advice that tends to recycle the same four suggestions regardless of who’s asking.
What keeps this from feeling like a dermatologist’s waiting room transplanted into a bathroom is how restrained the design is. The form is calm and geometric, built around a circular mirror disc that sits beside a fluted, rounded column, with a fabric-covered base, brushed metal details, and soft edges throughout. The fluting gives the hardware body texture and warmth, grounding what could easily have read as clinical equipment in something that feels much more like a considered object. Second White describes the intent as precision and empathy coexisting within a single form, and looking at the result, that brief clearly held through to the final product. For a mother who takes her skincare seriously and appreciates when technology earns its place in a room without announcing itself, this is a genuinely compelling gift.
Designer Bo Zhang’s Stretch Color series sits in that rare category of objects that reward you for simply being in the room with them. Built from layered acrylic and spray coloration, each vase in the series transitions from dense, saturated pigment into full transparency, causing sections of the form to visually dissolve depending on where you’re standing. From one angle it reads as a solid vessel; shift slightly, and the edges flatten into something closer to a painted surface, a gradient suspended in mid-air. The series comes in three sizes, with each scale altering how the color stretches and where the dissolution happens, so no two feel quite like the same object even within the same collection.
What makes this genuinely compelling as a gift is how it behaves over time in a space. The vases don’t simply sit in a room; they negotiate with it, stretching color, dissolving edges, and quietly asking whoever’s looking to reconsider what they’re seeing. That quality, of an object that keeps revealing itself, translates beautifully into a home where someone actually pays attention to the things around her. It has the visual intrigue of art without the remove of something untouchable, and the function of a vase without the plainness of one. For a mother who finds beauty in things that don’t immediately explain themselves, this is the kind of piece that earns a permanent spot on her shelf.
Wearable technology has had a persistent identity crisis for years, defaulting to plastic shells, visible sensors, and utilitarian forms that sit awkwardly against everything else a person wears. The AI Smart Gemstone Earpiece takes a genuinely different position. Rather than asking the wearer to accommodate technology, it integrates the hardware into the vocabulary of personal adornment, shaped and finished to read as jewelry before it reads as electronics. The earpieces are built around celestial gemstones, combining fine jewelry craftsmanship with AI-assisted audio in a single object that could sit comfortably alongside a pair of earrings without looking out of place. For a woman who pays attention to how things look on her, that consideration alone puts this in a separate category from anything Apple or Sony is currently shipping.
The audio capability is backed by AI that adapts to the listening environment, which makes it a legitimately capable pair of earbuds tucked inside a form that never looks like one. The design is aimed specifically at female users, and that focus shows in every detail, from the gem-forward aesthetic to the way the earpiece sits against the ear, chosen for elegance first rather than as an afterthought. It’s the kind of object that tends to invite questions, the “wait, are those earbuds?” moment that very few wearables ever manage to pull off. For a Mother’s Day gift, it lands in that appealing territory where something beautiful also turns out to be genuinely useful.
Kitchen objects that earn their counter space tend to have a double life, useful when called upon, worth looking at when not. Peleg Design’s TriveTiles land squarely in that territory. What looks at first like a single large trivet is actually three separate pieces fitted together in a Moroccan-patterned composition, each one a puzzle-cut segment that slots into the others to form a complete decorative tile. The Mediterranean-inspired geometric patterning across the surface means they look deliberate and considered whether they’re displayed together as a unit or pulled apart for individual use across a table spread. For a mother who treats the kitchen as an extension of how she decorates the rest of her home, that distinction matters more than it might seem.
The functional thinking behind them is equally strong. Laid flat and stacked together, they serve as a single large trivet for bigger pots and dishes. Separated, each piece handles a different spot on the table independently, which makes them especially practical when multiple dishes are being served at once. The stacking design also means they store compactly, with no extra drawer space needed beyond what a single trivet would take up. It’s the kind of quiet ingenuity that tends to reveal itself gradually, the more she uses them, the more she appreciates the thought behind how they were designed. As a Mother’s Day gift, they sit at that appealing intersection of beautiful, affordable, and genuinely well considered.
The idea of a kitchen herb garden tends to run into the same problem every time: space. A windowsill can only hold so many pots, and a separate planter competes with everything else already claiming floor or counter real estate. BloomingTables solves this by folding the garden directly into the furniture itself. The table features a planter built beneath a glass tabletop surface, turning what would otherwise be dead negative space into a fully functional growing area. Herbs, vegetables, microgreens, succulents, vining plants, the range of what can be cultivated there is genuinely broad, and the glass top means the planting below stays visible, making it a design feature rather than something hidden away. It holds the distinction of being billed as the world’s first living furniture series, with a patent pending on the concept.
For a mother who cooks seriously, tends to plants, or simply appreciates having fresh herbs within arm’s reach of the table, the appeal is fairly immediate. The design itself is minimal and clean, with the planter integrated so naturally into the table’s silhouette that it reads as intentional rather than retrofitted. As apartments shrink and outdoor growing space becomes less reliable, having greenery built into a dining table starts to feel less like a novelty and more like a genuinely smart allocation of space. It’s the kind of gift that changes something about how a room functions every single day, which is a harder brief to meet than it sounds.
The post Stop Buying Moms Candles. Top 7 Smarter Mother’s Day Gifts in 2026 first appeared on Yanko Design.
For roughly six months of the year, Sweden is cold enough to keep its people reliably indoors. That is long enough to matter, and long enough to shape how a Swedish design team thinks about what a kitchen surface, a kitchen color, or a kitchen appliance should feel like when it is the primary thing a person looks at during the months when the outdoors is largely inaccessible. Electrolux, drawing on research conducted across European markets, found that nature is the single most common answer when people are asked where they go for emotional restoration. The brand’s response to that finding, expressed through a design philosophy called Lagom, the Swedish concept of balance and just enough, arrived in Milan this week at Via Melzo 12 in the Porta Venezia district.
The space was staged as an argument made physical. Concrete plinths topped with living moss carried CMF swatches in muted blush, warm sand, dusty teal, and speckled stone-effect recycled plastic. A pine and wood scent developed by studio Koyia moved through the air. A breathing exercise was built into the programme, alongside a cross-country pizza competition that Turkey ultimately won. The sequence of it, material samples resting on moss, scent designed to recall a forest, appliances displayed in front of a photographic print of Scandinavian woodland, was too consistent to be coincidence. Electrolux arrived at Milan Design Week 2026 with a single, well-developed idea: that the kitchen is an emotional environment, and that the most sophisticated thing its design language can do is bring the outside in.
Designer: Electrolux
Rafael Alonso, who leads Electrolux’s Taste Design team, describes the modern kitchen plainly: a crowded space where people live, cook, manage family life, and absorb the friction of daily routine. Designing for that room means designing for that reality. Lagom, in his framing, is the response: meaningful solutions built around purpose and balance rather than specification and performance alone. The philosophy travels well beyond Sweden. Everybody needs a bit more balance in their lives, and the kitchen, as the room that absorbs the most daily activity, is where that balance is most frequently lost and most worth recovering.
Amelia Chong, based in Electrolux’s Stockholm office and leading Color, Material, Finish Design for the taste category, traces the palette back to something more concrete than trend cycles or stylistic preference. When Electrolux surveyed users across Europe about where they find emotional restoration, nature came back as the most consistent answer. For Chong’s team, that finding becomes a set of material conditions. Scandinavian light is lower in contrast and more diffused than much of Europe, and the colour preferences that emerge from living within that light tend toward the muted and the gentle. The goal is to establish colour and material in a long-lasting, timeless relationship rather than a short-term one.
The swatches at Electrolux’s showcase make that intention legible. Across the Ceramic White Colour Family, the Colour Matt Glass and Recycled Plastics range, and the anodised metal samples, the palette holds a consistent register: warm sand and dusty teal, soft blush and speckled stone-effect off-white, warm bronze and low-sheen aluminium. Several finishes are built from post-consumer recycled plastic, and the acid-etched glass surfaces carry none of the glossy visual aggression that has dominated premium kitchen aesthetics for the better part of a decade. Chrome is absent. Matte black, another recent default for high-end appliances, does not appear either. What replaces both is a surface language that reads as organic, with textures referencing stone, compressed earth, and raw ceramic.
That material thinking finds its form in a new family of conceptual small appliances. A toaster, electric kettle, coffee machine, espresso machine, and air fryer were all presented with a unified design language that feels both calm and confident. Each product shares a primary body finished in a soft, linen-like white, but the most distinctive feature is the base. A warm, speckled finish, reminiscent of granite or raw ceramic, grounds each appliance, giving it a visual and textural weight that connects it to the natural materials referenced in the CMF library. The effect is cohesive and deeply considered; the appliances feel less like industrial objects placed on a countertop and more like a collection of stoneware that has grown out of it.
This approach is not confined to the kitchen. A vacuum cleaner, displayed with the same attention to sensory detail, extends the Lagom philosophy into the broader home. Its body carries the same muted, gentle tone as the kitchen concepts, but its top surface is finished with a warm, walnut-panel wood trim. It is a simple but effective move that transforms a utility object into something closer to furniture. The design choice suggests that balance, and the deliberate presence of natural textures in everyday objects, belongs to the whole home, softening the technological footprint of our tools and integrating them more harmoniously into our living spaces.
The neuroaesthetic research informing Chong’s approach is concrete: considered colour selection can reduce perceived stress by as much as 35%, a figure that reframes what a hob surface or a coffee machine body is quietly doing in a room. They contribute actively to the sensory quality of the spaces we inhabit. In a field where brands largely compete on technology, connectivity, and performance metrics, that may be the most quietly confident thing Electrolux brought to Milan: the conviction that calm, deliberately designed, is a specification worth meeting, and that the palette which carries it was drawn from the landscape just outside the window.
The post Electrolux Wants Your Kitchen to Feel Like Nature: First-Look at Milan Design Week 2026 first appeared on Yanko Design.
Most tiny homes ask you to compromise. The Audrey by Australia’s CozyCo Tiny Homes is built around the idea that you shouldn’t have to, delivering a compact, single-level build that makes efficient living look effortless. At just 7.2 metres (23.7 ft) long and mounted on a triple-axle trailer, the Audrey punches well above its footprint.
Its exterior is a clean mix of corrugated aluminium and timber-look panels, a combination that gives the home a timeless aesthetic that could slot into a bush property, a coastal block, or a suburban backyard without missing a beat. A small external box handles propane storage, keeping things tidy on the outside.
Designer: CozyCo Tiny Homes
Step inside, and the single-level layout immediately makes sense. Designed to sleep up to two people comfortably, the Audrey works equally well as a short-stay rental, a guest suite, a granny flat, or a semi-permanent retreat. The open studio configuration keeps circulation easy, while sliding glass doors flood the interior with light and make the space feel far larger than its dimensions suggest.
The build quality is where CozyCo makes its case. R2.5 insulation, VJ paneling, and double-glazed windows work together to keep thermal comfort dialed in across seasons. Gas, hot water, and air conditioning mean the Audrey handles year-round living without compromise. A storage bed rounds out the interior, removing the need for bulky furniture and keeping the floor plan clean.
For those who want to go further off-grid, CozyCo offers optional packages that include solar power systems, eco-friendly toilets, and water storage. The brand sources materials locally and builds each home to residential standards, backing every Audrey with a seven-year structural warranty and a lifetime warranty on the trailer. That’s a level of confidence that’s rare in the tiny home space.
CozyCo is an Australian outfit that brings real construction industry experience to the table, with a clear focus on builds that minimise environmental impact and maximise longevity. The Audrey is architecturally designed and finished to a premium standard, not a flat-pack workaround, but a proper home that happens to be mobile.
Whether the goal is Airbnb income, a low-maintenance guest house, or a quieter way of living, the Audrey makes a compelling argument. It’s proof that you don’t need more square footage. You need better decisions about the space you already have.
The post Why the Audrey by CozyCo Might Be the Most Practical Tiny Home on the Market first appeared on Yanko Design.
Amazon and Anthropic are strengthening their ties once again, with steep financial commitments made on both sides. Today, Amazon announced that it will invest $5 billion in the AI company, along with as much as $20 billion in additional payments if certain milestones are met. This news follows the initial $4 billion investment Amazon made in Anthropic in 2023 and a second $4 billion round from 2024.
On Anthropic's side, it has committed to continued use of Amazon's custom Trainium silicon for its AI models. The latest agreement will see Anthropic promising to spend more than $100 billion on AWS technologies over the coming decade. It will secure up to 5 gigawatts of current and future chip capacity for training and powering its models. Their partnership is also bringing Anthropic's Claude platform to Amazon Web Services customers within the AWS portal, removing the need for additional credentials.
This article originally appeared on Engadget at https://www.engadget.com/ai/amazon-will-invest-up-to-25-billion-in-anthropic-in-a-broad-deal-225239302.html?src=rss