Tag Archives: Architecture

These Nest-Like Pods Show Prefab Architecture Doesn’t Have To Look Prefab

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Nestled within China’s Senbo Amusement Parks, a new architectural vision is taking root. The Forest Nests Treepod Project by Doarchiwow challenges everything we thought we knew about modular construction, transforming prefabricated building into an art form that breathes with its surroundings. These aren’t your childhood treehouses. Each dwelling rises from the landscape like a sculptural organism, its steel skeleton wrapped in layers of wood shingles, weathering steel, aluminum, and glass.

The genius lies in how these materials work together, creating structures that feel less constructed and more cultivated. They could be oversized cocoons suspended in time or nests woven by some mythical creature. What they don’t look like are typical modular buildings, and that’s entirely the point. Doarchiwow, a subsidiary of DO Architects specializing in high-quality prefabricated systems, spent years developing this concept. Design work began in 2021, with the 441.92-square-meter project finally completing in 2025 across two locations in Rizhao, Shandong and Wuhan, Hubei.

Designer: Doarchiwow

Step inside and the experience shifts. Smart home systems and digital networks handle the technical side while floor-to-ceiling glass opens up views of the canopy. The interior curves follow those same organic lines from the exterior. It’s surprisingly spacious for a micro-living unit. Doarchiwow was trying to solve a tricky problem here: how do you mass-produce something that still feels custom? The standardized shell allows for efficient construction, but the spaces inside feel tailored. The pods work as individual retreats while functioning as part of a larger network.

The sustainability angle goes deeper than surface-level green building tactics. Tang Jiajia, Wang Wenrui, and Jiang Hong led a design team that built a three-part environmental strategy into the project. Passive design, active environmental tech, and construction methods that respond to microclimate conditions. Prefabrication keeps ground disturbance minimal. Material waste drops. On-site labor requirements shrink. Each pod essentially runs as its own environmental system, capable of adjusting to different settings and weather patterns.

That adaptability matters because this model could theoretically pop up anywhere. Urban green spaces, protected natural areas, coastal zones, mountain forests. The fluid shapes refuse to look out of place, which is rare for modular buildings. Most prefab structures announce themselves loudly. These ones settle in quietly. It’s a replicable approach that doesn’t require starting from scratch each time.

Doarchiwow seems interested in changing how we think about vacation spaces and construction methods at the same time. They’re targeting boutique resorts, high-end campsites, rural tourism markets. Forest Nests makes the case that prefab doesn’t mean compromising on design or environmental responsibility. You can have efficiency and beauty. The structures prove it’s possible to build quickly without bulldozing the site or creating eyesores. Whether this becomes a widespread model remains to be seen, but it’s a compelling direction for sustainable resort development.

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Top 5 Reasons 3D-Printed Homes Are the Future of Affordable Housing

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The growing fascination with 3D-printed homes stems from their remarkable potential to cut construction costs and drastically shorten building timelines. By embracing this cutting-edge technology, the housing sector is entering a transformative era where homeownership becomes more affordable, sustainable, and accessible. Traditional construction methods are gradually giving way to a streamlined, tech-driven approach that promises efficiency without compromising on quality.

This addresses global housing challenges, such as the construction of resilient, budget-friendly homes in developing regions, and highly personalized, eco-conscious designs. Here is how 3D printing enables the creation of smarter, functional, and visually striking homes for the future.

1. Reduces Construction Costs

One of the biggest advantages of 3D printed homes is their ability to sharply lower construction costs. Automated robotic systems print walls layer by layer, reducing the need for large on-site crews and expensive labor. By incorporating locally sourced, affordable materials, builders can further cut expenses, making homeownership more attainable.

This approach is not only faster but also highly precise. A machine can construct a home in days rather than months, using only the material required. The result is less waste, lower costs, and a more environmentally friendly building process, benefiting both your budget and the planet.

Japanese architecture studio Lib Work, in collaboration with Arup and WASP, has introduced the Lib Earth House Model B, a 1,076-square-foot residence 3D-printed primarily from soil. This single-story home in Kumamoto Prefecture demonstrates how ancient, locally sourced materials can be transformed through modern technology to create environmentally conscious architecture. With gently curved walls, ribbed textures, and a flat roof designed for solar panels and rainwater collection, the structure is subjected to natural constraints while offering a futuristic yet rooted aesthetic.

Built from a mix of soil, sand, lime, and natural fibers, the house celebrates imperfection through visible striations and organic textures that evolve beautifully over time. Inside, the design merges earthy warmth with modern comfort, featuring open-plan spaces, natural light, and climate-regulating walls. Discreet sensors monitor performance, ensuring durability and efficiency. The project redefines sustainable architecture, blending tradition, innovation, and adaptability into a living blueprint for eco-conscious design.

2. Faster Construction

3D-printed homes can be built at remarkable speed, setting them apart from traditional construction. Walls for a small house can be printed in just 24 to 48 hours, a task that would take conventional crews weeks or months. This rapid pace is especially crucial in areas with urgent housing needs, such as disaster-hit regions or communities facing shortages.

The faster building process allows homeowners to move in sooner and turns lengthy projects into efficient, streamlined undertakings. For developers, it means quicker returns and easier scaling. Accelerated construction makes quality, affordable housing more accessible to those who need it most.

3D-printed architecture is moving beyond novelty to become a practical solution for affordable and sustainable housing. In Louth, eastern Ireland, HTL.tech has completed Grange Close, a three-unit terraced social housing project spanning 330 sq m (3,550 sq ft). Each home offers 110 sq m (1,184 sq ft) across two levels, constructed with COBOD’s BOD2 printer. The project was delivered in just 12 working days, from site preparation to handover, making it 35% quicker than conventional methods. Walls were printed using a cement-like mixture extruded layer by layer, while builders added roofing, electrical systems, and finishes.

The homes blend seamlessly into modern housing design, avoiding the ribbed texture typically associated with 3D printing. This contemporary appearance ensures residents feel they are living in fully finished, high-quality dwellings. HTL.tech expects future builds to be completed in as little as nine days, signaling how 3D printing can revolutionize construction by providing faster, cost-effective, and sustainable homes.

3. Enhances Design Flexibility

3D printing gives architects design possibilities beyond traditional construction. Complex curves, unconventional shapes, and intricate details that are costly or impossible with wood or brick become achievable. This technology enables the creation of truly unique, personalized homes that break free from standard rectangular layouts.

From sweeping curved facades to detailed interior wall patterns, 3D printing makes full customization accessible. Homeowners can design spaces that reflect their personal style and lifestyle, turning houses into bespoke works of art. The possibilities are nearly limitless, empowering creativity and allowing each home to be as distinctive and individual as the people who live in it.

QR3D, designed by Park + Associates, is Singapore’s first multi-storey 3D-printed home and a striking vision of future domestic architecture. Rising four stories in Bukit Timah, the house explores how digital manufacturing can transform urban living in a city where space is scarce and innovation is essential. Its façade departs from convention with layered, grooved concrete that openly reveals its 3D-printed origins. With 97% of the walls printed on-site, the structure unites precision and
craft, using texture as both finish and framework while creating visual continuity that flows from exterior to interior.

Inside, a dramatic central void ties the four levels together, bringing daylight and ventilation deep into the plan while amplifying spatial openness. Floating stairs and bridges soften the vertical expanse, turning the void into the home’s defining feature. Combining expressive form with functional efficiency, QR3D showcases how technology and design can converge to create sustainable, adaptable, and distinctly modern housing.

4. Enhancing Sustainability

Sustainability is a major advantage of 3D-printed construction. The process applies materials precisely where needed, producing far less waste than traditional methods. Many 3D printing materials are recycled or locally sourced, reducing transportation and environmental impact while lowering the project’s overall footprint.

Beyond efficiency, 3D-printed homes can incorporate durable, energy-saving features like improved insulation and optimized ventilation. By cutting waste and using eco-friendly materials, these homes support climate-conscious building practices. They benefit the planet while also offering homeowners long-term savings on energy costs, proving that sustainable design can be both practical and environmentally responsible.

Designed by BM Partners and built with COBOD’s BOD2 printer, this residence in Almaty, Kazakhstan, stands as Central Asia’s first 3D-printed home. Created to endure seismic risks and extreme weather, it showcases the resilience of 3D construction. The walls were formed using a specially developed cement mix with a compression strength of nearly 60 MPa, which is much higher than conventional brick or stone, enabling it to withstand earthquakes up to magnitude 7.0. To address Kazakhstan’s harsh climate, insulation of expanded polystyrene concrete was incorporated, ensuring strong thermal and acoustic performance against temperatures ranging from –57°C to +49°C.

After the layered printing process, the structure was finished with doors, windows, and interiors using traditional techniques. The single-floor home spans 100 sq m, featuring a simple yet functional layout, generous glazing, and a bright living space. Completed within two months, it demonstrates the efficiency, durability, and design possibilities of modern 3D-printed construction.

5. Resilient and Accessible Housing

3D-printed homes offer exceptional strength, often exceeding that of traditional construction. Their continuous, monolithic walls have no weak points, making them highly resistant to extreme weather, earthquakes, and other natural disasters. This durability provides safety and peace of mind, especially in vulnerable regions.

Beyond resilience, 3D printing makes housing more accessible worldwide. Lower costs and faster construction allow organizations to deliver high-quality, permanent homes to disaster-affected areas and low-income communities. This technology serves as a powerful tool for social impact, providing secure, dignified housing and helping to address global housing challenges efficiently and effectively.

3D-printed architecture is proving to be a promising answer to housing accessibility, by Portugal-based Havelar. The single-storey home spans 80 sq m and was printed in just 18 hours using COBOD’s BOD2 printer. The process involved extruding a cement-like mixture in layers to form the structure, followed by traditional building work such as adding windows, doors, roofing, and other amenities, and the project was completed within two months.

The residence features ribbed walls that reveal its 3D-printed origin, with a layout comprising a central kitchen and dining area, two bedrooms, a living room, and a bathroom. Though modest compared to luxury printed homes, it prioritizes practicality and efficiency.

3D-printed homes deliver remarkable durability, often surpassing traditional construction. Their seamless, monolithic walls eliminate weak points, making them highly resistant to extreme weather, earthquakes, and other natural hazards. This inherent strength ensures safety and peace of mind, particularly in areas prone to environmental risks.

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This 110-Sq.Ft. Backyard Studio Was Transformed Into A Work, Family, and Everyday Space

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Sometimes, the simplest ideas bring the deepest joy. When a Seattle couple reached out to Linework Architecture with an email titled “Tiny Project?”, they weren’t asking for grandeur or luxury. They were simply searching for breathing room, two quiet, functional workspaces that would let them stay productive without losing touch with family life. Their 1919 bungalow had run out of space, and their small backyard shed, barely 110 square feet, had become too tight for two full-time remote jobs, a toddler, and a new baby on the way.

Linework Architecture saw the limitations not as obstacles but as an opportunity for invention. Instead of expanding the footprint or tearing down what existed, the design team chose to embrace constraint as a creative tool. They reused the original shed platform, keeping the 110-square-foot base intact. This decision saved cost, reduced construction waste, and preserved the roots of a nearby heritage tree. It also grounded the project in a sense of humility, a reminder that mindful design doesn’t always begin with a blank slate.

Designer: Linework Architecture

With only 55 square feet allotted to each workspace, the challenge became how to make such small rooms feel open, bright, and inviting. The architects introduced a pair of cantilevered “saddlebags,” subtle extensions that created full-depth desks, extra seating, and a surprising sense of spaciousness. The effect is both functional and poetic, a balance between precision and comfort, achieved entirely through smart thinking rather than excess building.

Light became the most transformative design element. Linework Architecture raised the walls to the zoning height limit and wrapped the upper section in translucent polycarbonate panels. These diffuse panels invite soft daylight to filter through the branches of the heritage tree, filling the space with shifting patterns of light and shadow. The glow changes throughout the day, giving each workspace a living quality, calm in the morning, dappled at noon, and gently luminous by sunset.

The process of building the WORK_shed became a story of collaboration across generations. Parents, grandparents, and even the couple’s toddler joined in, turning the construction into a shared act of creation. What started as a functional necessity grew into a family ritual, measuring, sanding, lifting, and celebrating every small milestone together. The shed became more than a place to work; it became a space of presence and shared pride.

The finished structure embodies the idea that comfort and creativity can thrive within constraint. The WORK shed is small, but it feels expansive, filled with light, care, and purpose. It reminds us that when designers work within limits, they often discover their most elegant solutions. And that sometimes, the simplest projects,

built with honesty, restraint, and joy, leave the most lasting impact.

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This Glowing Dome Just Turned Shanghai’s Park Into a Moon

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There’s something magical about stumbling upon an unexpected glow in a city park. Shanghai’s Century Park recently hosted one of those rare moments where art, architecture, and cultural tradition converge into something you can actually walk inside and experience. The Osmanthus Moon, a temporary installation by HCCH Studio, turned a semicircular lawn into an enchanted space that reimagined what public art can be.

Picture this: a translucent dome that looks like someone captured the full moon and gently placed it on the grass. It’s not just pretty to look at, though that’s certainly part of the appeal. The structure is actually a sophisticated dance between old and new, tradition and innovation. The framework itself is made of bronze lattice patterned with osmanthus flowers, those tiny blooms that perfume Chinese autumns and carry centuries of cultural meaning. The vines seem to twist and intertwine across the surface, creating shadows and light that shift throughout the day.

Designer: HCCH Studio (Photos by Guowei Liu)

The designers at HCCH Studio stretched a lightweight, elastic fabric across this bronze skeleton, and the result is something that breathes and glows. During daylight hours, natural light filters through, creating this soft, diffused atmosphere inside that feels almost meditative. You enter through irregular openings (because perfect circles would be too predictable), and suddenly you’re cocooned in this luminous space where the outside world feels both close and distant at the same time.

But here’s where it gets really interesting. This wasn’t just about creating something beautiful for Instagram. The installation was commissioned by the Power Station of Art in Shanghai specifically for the Mid-Autumn Festival, that traditional Chinese celebration when families gather to admire the full moon and eat mooncakes. The osmanthus flower isn’t randomly chosen either. In Chinese culture, these tiny golden blooms are practically synonymous with autumn, appearing in everything from tea to poetry to folk tales about moon palaces.

What makes this project stand out is how it connects with folk art heritage. HCCH Studio collaborated with a Zao Hua artist, someone who practices the traditional craft of stove flower painting, which is actually recognized as intangible cultural heritage. The patterns painted on the ground mirror the bronze lattice overhead. It’s like they’re having a conversation across space, each one a reflection of the other, grounding the ethereal structure in literal earth and tradition.

When night falls, though, that’s when the Osmanthus Moon really comes alive. Internal lighting transforms the pavilion into this semi-transparent beacon that seems to float in the darkness. The bronze framework casts shifting shadows across the glowing fabric, creating gradients of light that change as you move around and through the space. It becomes less of a building and more of an experience, something that exists between sculpture and shelter.

The whole thing only lasted twelve days, which feels both generous and tragically brief. That temporariness is part of the point, though. Like the Mid-Autumn Festival itself, like the brief season when osmanthus blooms fill the air with fragrance, this installation was meant to be a moment rather than a monument. At 7.2 meters in diameter and 3.6 meters high, it wasn’t trying to dominate the landscape or make some grand permanent statement. Instead, it created an intimate space for contemplation and celebration.

HCCH Studio, a Shanghai-based practice that’s been gaining recognition for their innovative approach to materials and form, managed to pull off something genuinely special here. They took cultural symbols that could have felt heavy-handed or purely decorative and wove them into a structure that feels contemporary without abandoning its roots. The technical execution, from the fabric tension to the lighting design by ADA Lighting, serves the conceptual vision rather than overshadowing it.

The Osmanthus Moon found that sweet spot where beauty, meaning, and accessibility overlap when public either too obscure or too obvious. It proved that temporary installations can create lasting impressions, and that looking backward to traditional motifs doesn’t mean you can’t move forward in how you bring them to life.

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From Multi-Story to Single-Level: Häuslein’s New Eire Targets Guest Accommodation Market

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Australian tiny house manufacturer Häuslein Tiny House Co has just launched its newest model, the Eire, marking a significant departure from its traditional multi-story designs. The new Häuslein Eire tiny house has been crafted with inspiration from Ireland (homeland of Scott, who designs all our tiny houses!), bringing a distinctly fresh aesthetic to the company’s established lineup.

Designer: Häuslein Tiny House Co.

Design Philosophy Rooted in Natural Light

The Eire represents a bold shift toward single-level living, featuring a single-story layout that puts the focus firmly on daylight through panoramic glazing that maximizes natural light and connection to the outdoors. This design philosophy prioritizes openness and connectivity with nature, a hallmark that sets it apart from the company’s traditionally compact, multi-level offerings.

Crafted with spacious design, vast windows, and an all-new colour palette, the Eire brings a fresh, elegant look to our tiny house range, while maintaining the same high standard in design and finish that Häuslein customers have come to expect.

 

Strategic Market Positioning

Unlike Häuslein’s larger family-oriented models, the Eire targets a specific niche in the tiny house market. The first layout is primarily designed for guest accommodation, though the company has indicated that a possible second layout for long-term living will also be developed with customer interest.

The company has identified two primary use cases for the Eire. For Airbnb guests, the tiny house lends itself well to guest accommodation as a simpler, more cost-effective Airbnb tiny house with everything 1-2 guests may need for a very enjoyable stay. For property owners seeking extra accommodation, the Eire has been specifically designed for 1-2 family members or friends to have a very enjoyable stay on your property with their own kitchen, loft bedroom, toilet, and shower, and chill out space.

At an Introductory Special price starting at $135,080 (inc GST), the Eire positions itself as one of Häuslein’s more accessible options, making quality tiny house living available to a broader market segment. This pricing strategy reflects the model’s streamlined design and targeted functionality.

The Eire represents Häuslein’s evolution toward more specialized, purpose-built designs that address specific market needs while maintaining their commitment to quality craftsmanship. With its Irish-inspired aesthetic and focus on natural light, the Eire offers a compelling option for those seeking elegant guest accommodation or compact living solutions without compromising on design excellence.

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This 390-Square-Foot Tiny Home Feels More Like A Luxury Apartment

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The tiny home movement has found its newest poster child in the Beachcomber, a striking 390-square-foot dwelling that challenges everything we thought we knew about compact living. Built by New Hampshire-based Backcountry Tiny Homes, this remarkable structure represents a significant evolution in compact living design. Measuring an impressive 38 feet long by 10 feet wide, the Beachcomber sits atop a triple-axle gooseneck trailer that elevates it both literally and figuratively above standard tiny home offerings.

The extra width proves transformative, creating interior spaces that feel genuinely apartment-like rather than merely functional. Design publications have unanimously praised this approach, with New Atlas noting the home delivers “apartment-style living on wheels” that surpasses traditional tiny house expectations. The interior layout showcases masterful space planning, with a full-height king-sized bedroom loft anchoring one end and offering genuine standing room, rather than the cramped quarters typical of tiny home sleeping areas. The kitchen commands serious square footage, featuring a dedicated dining space and full-sized appliances that would feel at home in a conventional apartment.

Designer: Backcountry Tiny Homes

Storage solutions appear throughout, from clever built-in nooks to a separate storage loft, addressing the perpetual challenge of tiny home organization. What sets the Beachcomber apart isn’t just size but intentional design choices that maximize both functionality and comfort. The open floor plan flows seamlessly from kitchen to living area, with ceiling heights reaching 13.5 feet that eliminate any sense of confinement. Even practical elements like the full bathroom and washer/dryer capability receive thoughtful integration rather than afterthought placement, ensuring every square foot serves multiple purposes.

Strategic window placement floods the interior with natural light while creating panoramic views that expand the perceived space beyond its physical boundaries. This thoughtful approach to natural illumination transforms the compact dwelling into something that feels genuinely spacious and inviting. The design team clearly understood that successful tiny living requires more than just efficient space planning; it demands creating environments that feel emotionally comfortable and visually expansive, making residents forget they’re living in less than 400 square feet.

Backcountry Tiny Homes offers three distinct purchasing tiers, recognizing that buyers have varying finish preferences and budgets. The shell option starts at $78,650, providing the structure and essential systems while allowing owners to complete interior finishes according to personal taste and timeline. The unfurnished model at $169,200 delivers a complete interior minus non-essential furnishings like furniture and decorative elements. The turnkey option at $185,000 includes everything needed for immediate occupancy, from carefully selected furniture to all necessary appliances, allowing buyers to move in and begin their tiny living journey.

The pricing reflects the home’s positioning at the premium end of the tiny house market, yet industry observers suggest it represents solid value considering the quality and space provided. The NOAH certification ensures compliance with recreational vehicle standards, enabling legal placement in RV parks and similar communities where traditional tiny homes often face zoning restrictions. For couples or individuals seeking a permanent tiny home solution that doesn’t sacrifice comfort for portability, the Beachcomber represents a compelling evolution in small space design, proving that tiny living can embrace both mobility and luxury while creating spaces that feel genuinely livable rather than merely survivable.

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ZHA’s Dramatic Canyon-Cut Tower Tops Out In Shenzhen’s Cultural District

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The latest Zaha Hadid Architects project to rise in Shenzhen looks like it belongs in another world entirely. The Yidan Center, which just topped out this month, cuts a dramatic figure against the city skyline with its rippled, canyon-like form that seems to defy conventional building logic.

This isn’t just another flashy tower, though. The 165,815-square-meter complex will serve as headquarters for the Yidan Prize and the Chen Yidan Foundation, both the brainchild of Tencent co-founder Dr. Charles Chen Yidan. The building sits at the heart of Shenzhen’s emerging cultural district, right next to the new Qianhai Museum, positioning itself as a serious player in the city’s cultural landscape.

Designer: Zaha Hadid Architects

Nature Meets Architecture

What makes this building truly striking is the massive outdoor void carved right through its center. ZHA calls it a “canyon,” and the comparison isn’t hyperbole. The architects drew inspiration from the natural valleys and gorges that crisscross the region, creating a central space that feels both dramatic and purposeful. Terraces and balconies wrap around this central void, turning what could have been a simple courtyard into something far more dynamic.

The idea is to get people moving between levels, encouraging the kind of spontaneous encounters that spark collaboration. It’s a bold move that transforms circulation into an architectural event. The building’s skin tells its own story through layers of external louvers that create deep shadows and changing patterns throughout the day. These aren’t just for show – they block harsh sunlight while preserving views out to Qianhai Bay, a practical solution wrapped in compelling form.

Green Ambitions

For all its sculptural drama, the Yidan Center takes sustainability seriously. The project targets China’s top-tier three-star green building certification plus LEED Gold, no small feat for a building this complex. The design incorporates hybrid ventilation systems and smart glazing to handle Shenzhen’s notoriously humid climate without relying entirely on mechanical systems. Principal Patrik Schumacher and Project Director Manuela Gatto led a team that had to balance the building’s artistic ambitions with its practical requirements.

The result feels both otherworldly and grounded in real-world constraints. The building’s mission centers on education and innovation, housing research facilities and exhibition spaces that will support the foundation’s work in educational reform. Visitors will enter through landscaped gardens that slope down to the canyon floor, where a large skylight floods the interior with natural light. The lower levels will house YiPai, a community-focused learning initiative designed to welcome people of all ages. It’s an ambitious social program that uses architecture as a catalyst for broader educational goals.

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Kengo Kuma’s Wave-Inspired Tower Rises in Busan

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There’s something mesmerizing about watching waves crash against a harbor, the way they ripple and fold into themselves with an effortless rhythm. Japanese architect Kengo Kuma must have spent some time observing this when designing the Busan Lotte Tower, because he’s managed to bottle that exact energy and stack it into the sky.

Rising from the former City Hall site in South Korea’s bustling coastal city, this skyscraper isn’t your typical glass-and-steel rectangle reaching skyward. Instead, Kengo Kuma and Associates have created something that feels alive, like the building itself is caught in a gentle oceanic current.

Designer: Kengo Kuma and Associates

The tower’s design captures the wake patterns left by ships moving through Busan’s busy harbor. Think about those moments when you watch a boat glide through calm water, leaving behind those beautiful, undulating trails. That’s exactly what Kuma’s team translated into architecture. The facade features horizontal bands that ripple across the exterior, creating a continuous line that wraps around the entire structure.

What makes this approach so clever is how it blurs the usual architectural boundaries. The glass shifts seamlessly from transparent to gently tinted, mirroring the changing colors of Busan’s coastal sky throughout the day. It’s not trying to dominate the landscape but rather reflect and celebrate it. This is pure Kuma, who’s known for his philosophy of creating buildings that harmonize with their surroundings rather than fight against them. The structure itself is conceived as a stack of curved transparent volumes, each layer subtly offset to suggest motion. This creates an interplay of concave and convex surfaces that echo, you guessed it, more waves. It’s architecture as poetry, where form doesn’t just follow function but captures feeling.

At ground level, the experience shifts. Those curved glass volumes frame glimpses of the activity happening inside, connecting the rhythm of urban life with the broader cadence of the harbor nearby. It’s like the building is breathing with the city, offering passersby windows into the life happening within while simultaneously pulling in the energy of the port. When evening arrives, the tower transforms again. Soft interior lighting brings those horizontal lines into subtle relief, creating the impression of an illuminated current rising through the building. Imagine standing at the waterfront at dusk, watching this glowing structure that looks less like a conventional skyscraper and more like captured light moving upward through water.

The project, which began construction in August 2023 under Lotte Construction with structural engineering by Arup and CNP, is expected to complete by 2028. It’s been ongoing under Kuma’s direction, and if you’re familiar with his body of work, this fits perfectly into his architectural language. This is the same designer who gave us Tokyo’s Olympic Stadium and the Nagasaki Prefectural Art Museum, projects that similarly prioritize integration with their contexts over architectural ego.

What sets Kuma apart in contemporary architecture is his resistance to creating monuments to himself. While many starchitects chase dramatic, instantly recognizable signatures, Kuma seems more interested in creating buildings that feel inevitable in their settings, as if they grew there naturally. The Busan Lotte Tower embodies this approach perfectly. It’s bold without being brash, distinctive without being disconnected from its environment.

For a city like Busan, which lives and breathes its maritime identity, having a landmark that doesn’t just acknowledge but celebrates that connection feels right. The tower doesn’t sit on the harbor pretending to be anywhere else. Instead, it amplifies what makes Busan special, turning the patterns of ships and waves into something permanent yet fluid. This project shows us what happens when an architect truly listens to a place. The result isn’t just another tall building competing for attention in an increasingly crowded skyline. It’s a vertical landscape that captures the essence of where land meets sea, where urban energy meets ocean rhythm, where glass and steel somehow manage to feel as natural as water itself.

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This 24-Foot Tiny Home Costs $55K & Fits On Your Next Weekend Adventure

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Nordic & Spruce has crafted something special with the Weekender, a tiny home that embraces its transient nature rather than fighting it. This isn’t a house trying to be everything to everyone – it’s a thoughtfully designed escape pod that knows exactly what it wants to be. At 24 feet long and 241 square feet, the Weekender sits comfortably in the middle of Nordic & Spruce’s lineup, larger than their compact Overnighter but more nimble than the full-featured Homesteader. The double-axle trailer foundation provides stability while maintaining roadworthiness for those who crave mobility over permanence.

The exterior makes an immediate impression with its clean metal cladding available in sophisticated black or crisp white, complemented by warm wooden accents that soften the industrial edge. Generous glazing floods the interior with natural light, while optional skylights can transform the space into a sun-drenched retreat. The contrast between the sleek exterior and the organic interior materials creates visual interest without overwhelming the compact footprint. The interior finishes reflect Nordic & Spruce’s attention to material selection, offering bleached pine for those seeking Scandinavian minimalism or plywood for a more industrial aesthetic that complements the abundant natural light.

Designer: Nordic & Spruce

Step through the single-glazed door and the kitchen greets you immediately, featuring a practical half-kitchen setup with sink and induction cooktop. For those who take their culinary adventures seriously, upgrading to the full-size kitchen opens up possibilities for proper meal preparation and additional storage. The adjacent dining area adapts to your lifestyle – choose traditional table and chairs for formal meals or opt for the bench seating with integrated storage for a more casual, space-efficient approach. This flexible arrangement ensures the space works whether you’re hosting intimate dinners or simply need somewhere comfortable to work remotely.

The bedroom occupies one side of the layout with a comfortable double bed. However, the optional mezzanine bunk bed configuration shown in Nordic & Spruce’s photos demonstrates the design’s flexibility for families or groups. This elevated sleeping solution maximizes floor space while maintaining the cozy atmosphere essential to tiny home living. The bathroom, positioned opposite the bedroom, covers all the essentials with a shower, sink, and your choice of composting, flushing, or incinerating toilet systems. The small storage loft above provides additional space for linens and personal items without cluttering the main living areas.

What makes the Weekender particularly appealing is its honest pricing and customization options. Starting at $55,000, it offers an accessible entry point into tiny home ownership while providing room to grow through upgrades like appliances, a fireplace, or mini-split air conditioning. The ability to extend the length up to 34 feet means the design can evolve with changing needs, allowing owners to start small and expand as their requirements or budget permits. This scalability sets it apart from many tiny homes that offer limited modification potential.

The Weekender succeeds because it doesn’t pretend to be a permanent residence – it’s designed for the life you want to live on weekends and vacations, making every getaway feel intentional and well-designed. Both material choices create spaces that feel larger than their square footage suggests, while the single-floor layout ensures accessibility and ease of movement. This tiny home represents Nordic & Spruce’s understanding that sometimes the best homes are those that encourage you to explore beyond their walls.

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World’s First Robot-Made Ceramic Tiles Change Color With Sunlight

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There’s something deeply satisfying about watching a potter’s wheel spin, the way human hands coax wet clay into form. But what happens when you hand that craft over to a robot? Designers Yutao Chen and Yiwen Gu asked that question, and their answer is CeraShingle, a façade system that’s reimagining what ceramic can do for architecture.

Picture a building wrapped in ceramic tiles, but not the flat, uniform squares you’re used to. CeraShingle modules are 3D-printed clay shingles with intricate textures, delicate perforations, and color gradients that flow across the surface like watercolor on paper. Each piece measures roughly 400 by 130 millimeters and weighs just over a kilogram, light enough to handle but substantial enough to feel real. When you install them with calculated overlap, they create a skin that seems to breathe with the light, shifting appearance as the sun moves and as you change your viewing angle.

Designers: Yutao Chen, Yiwen Gu

The magic happens in the making. Robotic arms deposit clay layer by layer, building up surface details that would be impossible with traditional molds. Think micro-ribs that catch shadows, patterns that emerge only at certain times of day, gentle curves that couldn’t be pressed or cast. It’s precision meets poetry. The parametric design workflow means each shingle can be unique while still fitting together on site, varying in thickness, texture, and shape within families of compatible parts.

What strikes me most about CeraShingle is how it refuses the usual digital-versus-handmade debate. Instead of replacing the warmth of craft with cold precision, it uses computational tools to amplify what makes ceramics special. The robot doesn’t erase the human touch; it extends what human hands can achieve. You get the intimacy of clay with possibilities that would make traditional ceramicists weep with joy.

The environmental story is equally compelling. The 3D printing process deposits material only where it’s needed, cutting waste dramatically compared to subtractive methods. Chen and Gu specify locally sourced clay and low-temperature glazes, reducing both transportation costs and firing energy. When a module gets damaged, you replace just that piece rather than a whole panel, extending the façade’s lifespan and keeping embodied carbon low. In an era when construction is responsible for nearly 40 percent of global carbon emissions, these details matter.

But CeraShingle isn’t just solving problems; it’s proposing a new aesthetic language. Contemporary cladding tends toward two extremes: either sleek industrial materials like glass and metal, or nostalgic brick and stone that look backward. CeraShingle occupies a third space. It’s clearly contemporary, born from digital tools and computational thinking, yet it carries ceramic’s ancient warmth. It’s sculptural without being precious, technical without being cold. The system scales beautifully. You could use it for a small architectural installation, an accent wall, or an entire building envelope. The modular logic means projects can grow organically, and repairs stay simple. For architects tired of choosing between innovation and practicality, that flexibility is powerful.

Set to launch in 2026, CeraShingle arrives at an interesting moment. We’re seeing renewed interest in craft and materiality after decades of smooth minimalism. People are hungry for texture, for surfaces that respond to light and touch, for buildings that feel less like sealed boxes and more like living things. At the same time, climate concerns are pushing architecture toward lighter, more efficient assemblies. CeraShingle threads that needle. It gives you the sensory richness of traditional materials with the performance and adaptability of contemporary systems. It’s a building skin that can think, that can vary and respond while staying grounded in earth and fire.

What Chen and Gu have created isn’t just a clever product; it’s a provocation. It asks what happens when we stop treating digital fabrication as a replacement for craft and start seeing it as craft’s next chapter. The answer, wrapped around a building and catching the afternoon light, might just be the future of how we clad our world.

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