Tag Archives: Modular

Michael Jantzen’s Garden Retreat Has 30 Panels to Rearrange by Hand

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Most garden structures ask one thing of you: sit still and enjoy the shade. A pergola is a pergola, a gazebo is a gazebo, and neither one particularly cares what the afternoon light is doing. Michael Jantzen’s Interactive Garden Pavilion operates on a different premise entirely, one where the occupant has as much say over the structure as the designer did.

Built from sustainably grown stained wood and painted a uniform forest green, the pavilion sits on an octagonal support frame fitted with 30 slatted hinged panels across its walls and roof. Each panel pivots independently, sliding and rotating along the frame before locking into position. Open them wide on a hot afternoon, and the interior breathes. Angle them down against the glare, and the space dims considerably.

Designer: Jantzen

That last point is where the design earns its name. Most adjustable outdoor structures offer a single variable, usually an awning or a retractable canopy, within an otherwise fixed form. Here, the entire skin of the building is the variable. The wall panels, roof panels, and ground-level platform extensions can all be repositioned, which means the pavilion can look substantially different from one afternoon to the next.

Pull the panels shut on three sides, and the structure becomes a genuinely private enclosure. Splay them open, and the interior connects fully to the garden around it. In one arrangement, it reads as a dense closed form. In another, the structure opens up entirely, and the slatted framework becomes almost sculptural against the lawn.

Inside, two benches with adjustable backrests run the length of the interior, facing each other. The seating is built into the frame, which keeps the floor plan clean and leaves room to recline fully. When the overhead panels are partially open, sunlight enters in sharp parallel bands that shift across the benches as the day moves, a quality that is either meditative or distracting depending on what you came in for.

The construction logic is also notably practical. The pavilion is a prefabricated modular system, so the components can be scaled before assembly or joined with additional units to form a larger cluster. No foundation is required in most configurations. Given its size and type, a building permit is unlikely to be needed in many jurisdictions, which removes one of the more tedious barriers between an interesting design and an actual garden.

Jantzen has spent decades proposing architecture that responds dynamically to its occupants, much of it remaining on paper. This pavilion is one of the cases where the idea got built, and the result holds up at close range. The slatted wood is honest about what it is, the green paint ties the structure to the garden without trying to disappear into it, and the hinge mechanism does exactly what it promises.

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This Laptop Stays Cool by Asking You to Move Your Own Keyboard

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Laptop thinness has always been a trade-off dressed up as progress. The slimmer the chassis, the less room there is for the thermal infrastructure that keeps processors from throttling, and that compromise has long passed as the cost of portability. Inventec’s VeilBook, a 14-inch concept under 10 mm thick, took home an iF Design Award 2026 by rethinking not the materials but the physical behavior of the person using it.

The defining feature is a detachable keyboard that doesn’t stay fixed at the front of the deck. Most laptops position those fans beneath the keyboard, which occupies the upper area of the deck, and the keyboard itself limits how freely air can escape upward. Removing that obstruction improves airflow enough to keep the processor and memory from throttling under sustained load.

Designer: Inventec

At rest, the keyboard covers the touchpad and palm rest, leaving the vent area above the cooling fans completely unobstructed. When you do need to use the touchpad, you can simply lift the keyboard and place it toward the back, a more natural position as far as traditional laptops are concerned. You can keep the keyboard there or put it back over the touchpad, depending on your needs and workflow.

That repositioning comes with a catch. To get the best thermal performance out of the VeilBook, the touchpad has to stay covered. If a workflow runs on keyboard shortcuts or an external mouse, that trade-off barely registers. For anyone accustomed to resting their palms beside the touchpad while typing, or reaching for it mid-sentence, it’s a more disruptive ask than the concept’s clean renders suggest.

When the keyboard stays back and the touchpad is exposed, it doubles as a shortcut surface, a secondary input layer available without requiring a full posture shift. The VeilBook also incorporates behavior-linked power management, tying energy consumption to actual usage states rather than running at a fixed profile. When the keyboard is stowed and input activity drops, the system scales back power draw, which at least means the thermal compromise isn’t a constant condition.

What the VeilBook makes visible is a problem the industry has spent years papering over. Thin laptops throttle partly because keyboards sit on top of vents, and the obvious fix, moving the keyboard, apparently needed a concept award to surface. Whether blocking the touchpad is an acceptable price for better sustained performance is a question every potential user will answer differently, depending on how much of their day actually runs through that glass rectangle.

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Leucos Just Turned Ceramic Tiles Into 3D Glowing Wall Art

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Imagine treating a tile as a medium for light. Not the ambient glow of a strip along the ceiling, or the directional punch of a spotlight, but something more architectural and intimate. That’s the premise behind Glowtile, a modular lighting system designed by RedDuo for the Italian lighting brand Leucos, and it’s one of those concepts that sounds obvious in retrospect, yet somehow nobody had quite pulled off this way before.

Leucos has been making handblown glass lamps since 1962, born just outside Venice where craftsmanship and artisanship have been synonymous for centuries. Over more than 60 years, the brand has built a reputation around the kind of quality that doesn’t cut corners. RedDuo is the newer voice in this partnership: a Milan-based interior design and creative studio founded in 2020 by Fabiola Di Virgilio and Andrea Rosso, two former fashion industry professionals with a material-first, fashion-informed approach to everything they do. The pairing makes sense the moment you see the result.

Designers: RedDuo for Lucos

Glowtile works around a deceptively simple concept: glazed ceramic tiles, each fitted with an egg-shaped handblown glass diffuser set inside a ring of anodized aluminum. Two tile formats make up the system: a square 15×15 centimeter module and a rectangular 30×10 centimeter one. You can arrange them in grids, stagger them, mix both formats together, install them on walls, ceilings, or even set them on the floor to shoot light upward. It’s the same compositional freedom you’d have with any standard tiling job, except your tiles glow.

What makes this genuinely compelling is the material honesty of it. The ceramic tiles come in three finishes, all beautifully named: Chalk Blue, which reads like the inside of an old swimming pool; Oyster White, creamy and warm; and Mineral Grey, which skews more architectural and serious. Each feels considered rather than arbitrary, and the finish you choose radically changes the mood of the whole installation. Pair Chalk Blue tiles in a close grid on a wall and you get something gallery-like and almost cinematic. Spread Oyster White modules across a ceiling and the whole effect softens into something residential and dreamy.

The handblown glass diffuser deserves a moment of appreciation on its own. A glassblower gathers molten glass on the end of a long metal pipe and shapes it entirely through breath and rotation. No two pieces come out exactly the same. That built-in human irregularity, something most manufacturers would rather engineer out of their products, is here embraced as part of the whole point. Every Glowtile carries a small trace of the person who made it, which is a quietly radical thing for a modular system to hold onto.

The system made its debut at Matter and Shape in Paris on March 6, 2026, and the images from the event show off just how wide the range of Glowtile can be. In one configuration, it’s a wall-mounted composition that functions like art. In another, the pieces sit low on the floor, functioning almost like a glowing sculptural seat. That flexibility matters because lighting is a category where most products are good at exactly one thing. Glowtile seems designed by people who find that limitation boring.

Whether it ends up in mainstream interiors or stays squarely in the territory of architects and design-forward clients is an open question. The handcrafted materials and the obvious care involved in production suggest this won’t be the most affordable wall treatment you’ll consider. But cost is almost beside the point here. What Glowtile really asks is whether your wall and your light need to be two separate things. Most rooms have never been offered that question before.

For Leucos, this feels like another chapter in a quiet but genuine transformation: a brand rooted in over six decades of Venetian glass tradition that’s become increasingly curious about what lies beyond it. Collaborating with RedDuo, a studio that came from fashion rather than classical industrial design, is probably exactly why Glowtile ends up feeling like nothing else currently in this space.

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This 4-in-1 Dispenser Ends the Sticky Sauce Bottle Chaos

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There is a particular kind of table chaos that happens at a backyard barbecue or a casual dinner. Four or five sauce bottles crowd around the food, each one sticky at the cap, half of them tipped on their side. It is a small problem but a persistent one, and it is the exact friction that the Drippl is designed to remove. The device consolidates four condiments into a single, upright dispenser.

The Drippl stands 20cm tall and 7cm wide, sized to sit comfortably in one hand. Its four wedge-shaped compartments each hold 150ml of sauce for a combined capacity of 600ml. The form is composed: a white base with frosted, semi-transparent chambers that let you see the sauce inside without fully exposing it, keeping the table looking calm rather than congested with mismatched packaging.

Designer: Drippl

The interaction is straightforward. Rotate the selector dial at the base to the sauce you want, feel a tactile click when it locks in, and squeeze. Only the selected chamber opens; the remaining three stay fully sealed. Turn to the fully closed position, and all outlets are blocked, which matters when the unit is in a bag on the way to a picnic or packed into a cooler for an outdoor cookout.

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The valve system treats sauce viscosity as a variable worth solving for, rather than applying a single nozzle to everything. A large valve handles creamy, thick sauces like mayo; a medium valve suits ketchup and mustard; a small valve controls thinner pours like soy sauce or hot sauce. The valves are interchangeable, so the configuration adapts to whatever combination you fill it with on a given day.

Cleanup is just as stress-free thanks to a fully detachable design. Every compartment, spout, and the selector base separates for hand washing or the dishwasher. The materials are food-grade and BPA-free, with compartments designed to resist staining and odor absorption. The unit also handles sauces up to 70°C (158°F), covering warm applications like heated barbecue sauce, though anything beyond that temperature falls outside its range.

What the Drippl addresses, beyond pure consolidation, is the presentation problem that standard sauce bottles ignore entirely. Most condiment packaging is designed for storage and retail shelf presence, not for the experience of using it at a table. The frosted compartments and white base give it the visual grammar of a considered object, rather than a row of utilitarian squeeze bottles.

That said, the design raises practical questions worth sitting with. At roughly 800 to 850g when fully filled, it is not a lightweight carry. Consolidating four sauces works smoothly when your preferences stay consistent, but swapping out one sauce mid-rotation requires cleaning that compartment first, reintroducing some of the same friction the product is trying to eliminate.

The Drippl is currently in prelaunch, so there are no answers yet on how the sealed valve system holds up across repeated use with thicker sauces, or whether the tactile selector stays reliable after months of daily rotation. Those are fair questions for any mechanism-dependent kitchen product. The concept is well-reasoned, but durability at the valve level will ultimately determine whether this stays on the table or gets retired to a shelf.

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The Brax open_slate is a modular tablet that lets you actually own what you buy

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Most tablets arrive as sealed objects with decisions already made for you: storage is fixed, the battery is buried somewhere inaccessible, and the operating system is whatever the manufacturer chose. You use the device on those terms until it slows down or falls out of software support, and then you replace it. Brax Technologies, the company behind the BraX3 privacy smartphone, is betting there’s a different way to do this.

The open_slate is a 12-inch 2-in-1 tablet that treats its hardware as a starting point rather than a finished product. Inside the chassis sits an M.2 2280 slot, a standard used in laptops and desktops, allowing owners to swap in faster storage, add capacity, or eventually slot in a network card. There’s also a user-replaceable battery, which sounds mundane until you consider how few tablet makers have bothered to include one in years.

Designer: Brax Technologies

That battery holds 8,000mAh and carries a claimed 20-hour runtime, a figure that tracks given how efficiently ARM processors handle light workloads. The MediaTek Genio 720 chip pairs two Cortex-A78 performance cores with six Cortex-A55 efficiency cores. It’s a capable mid-range processor, not a desktop replacement, but paired with either 8GB or 16GB of RAM and a 120Hz display, daily use should feel smooth for the tasks the device is designed for.

That 12-inch IPS screen runs at 1600 x 2400 resolution with Gorilla Glass protection and supports a stylus at 4,096 levels of pressure sensitivity. Connectivity covers Wi-Fi 6E, Bluetooth 5.3, GPS, and two USB-C ports, one supporting DisplayPort 1.4 output. Someone writing on the go, sketching ideas, or running a Linux terminal while connected to an external monitor could reasonably treat this as a primary machine, provided the software cooperates.

On that note: the open_slate ships with BraxOS, a de-Googled Android build, and targets Ubuntu support through MediaTek’s Genio developer platform. Brax acknowledges that some Linux features may not be complete at launch, which is an honest position for a small team working outside the mainstream supply chain. ARM Linux has improved considerably, but it still surprises you at inconvenient moments.

The physical kill switches are the most distinctive feature on paper. Dedicated toggles cut power to the cameras, microphone, Wi-Fi, Bluetooth, and GPS at the hardware level, not through a software setting that an app might quietly bypass. This design logic comes from the secure laptop world, and applying it to a consumer tablet is unusual enough to notice. For anyone who’s thought seriously about what their devices transmit and to whom, the appeal is immediate.

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This Rugged Phone Ships With 2 Batteries You Can Hot-Swap

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Dead battery anxiety is real, and for most people, the solution is either a power bank they forgot to charge or a desperate search for an outlet. Flagship phones have been getting faster at charging for years, but none of them have gone back to the one fix that actually solves the problem: a battery you can take out and replace with a fresh one, right there on the trail.

That is exactly what the RugOne Xever 7 does. It ships with two 5,550 mAh batteries and a built-in buffer cell that keeps the phone alive during the swap, so you never have to restart. The whole process takes under 180 seconds. There is no hunting for a socket, no waiting out a charging cycle, and no watching the percentage tick up while your plans sit on hold.

Designer: Ulefone

The phone is IP69K and IP68 rated, survives drops per MIL-STD-810H certification, and weighs 325 g, which is heavy but not unusual for a rugged device with this much packed inside. The 64 MP night vision camera uses four built-in infrared lights to shoot in complete darkness, which is genuinely useful if you have ever tried to photograph a campsite at 2 a.m. with a regular phone and gotten nothing.

There is also a 50 MP main camera with optical image stabilization, a 50 MP ultra-wide with a 117.3-degree field of view, and a 32 MP front camera. The phone supports underwater photography as well, with controls you can operate while submerged. Video tops out at 2K at 30 fps, which is fine for most outdoor documentation but a step behind phones at similar price points that record at 4K.

The display is a 6.67-inch AMOLED panel running at 120 Hz with a 2,200-nit peak brightness, which holds up well in direct sunlight. Inside is a MediaTek Dimensity 7025 chipset paired with 12 GB of RAM and 512 GB of storage, expandable to 2 TB via microSD. That chipset is mid-range by current standards, so this is not a performance-first phone, but it handles everyday tasks without friction.

Charging runs at 33W over USB-C or 18W through the Pogo Pin dock that comes in the box. The dock charges the spare battery simultaneously, so by the time your current battery runs low, the backup is already full and ready. That closed loop is the smartest part of the whole system, and the detail that makes the swappable battery feel like a considered design decision rather than a novelty.

Android 15 runs clean here, with Google Gemini built in, a 230-lumen flashlight, an X-axis linear vibration motor, and a 3.5 mm headphone jack that has no business still being this satisfying to find on a phone. The Xever 7 does not try to reinvent what a rugged phone is. It just fixes the one thing that frustrates people most, and lets everything else do its job quietly.

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This Rugged Phone’s Action Camera Pops Off to Become a Wearable

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Action cameras and rugged phones have always solved slightly different problems. One survives the adventure; the other documents it. Bringing both means two devices, two cables, and two things to lose in a river. Ulefone’s RugOne Xsnap 7 Pro tries to close that split by putting a detachable magnetic action camera directly on the back of the phone, so both jobs start from one object.

The module snaps onto the rear chassis magnetically, drawing obvious design inspiration from the Insta360 GO series, and peels off into a fully independent wearable. Stick it on a helmet or a bike frame, and it films hands-free while the phone handles viewing and charging. The two pieces are built as a single system, not as separate products that happen to coexist on the same body.

Designer: Ulefone

Ulefone has not yet disclosed the module’s sensor resolution, video specifications, or battery life. Given its thumb-sized form, runtime is likely limited; the Insta360 GO 3S manages roughly 30 minutes per charge in a comparably small body. That is workable for a short trail run or a surf session, but it will not replace a dedicated action camera for a full day out. The production specs will matter a lot once they arrive.

The phone itself is not an afterthought. A MediaTek Dimensity 8400 5G chipset sits inside, paired with a 50 MP OIS main camera, a 64 MP night vision lens, and a 9,000 mAh battery behind a 6.67-inch 1.5K AMOLED display at 120 Hz. That night vision lens is the kind of spec aimed at people who are actually outdoors after dark, not those who like to imagine they could be.

Ulefone is also pitching the magnetic dock as the base for a broader module ecosystem, with planned additions that include thermal imaging, night vision enhancement, and a professional lens suite. That framing is familiar territory in the modular phone space and has collapsed under its own ambitions before. Tracking how many of those planned modules actually ship, rather than staying on a roadmap slide, will be worth watching.

Pricing has not been set, and a mid-2026 commercial launch is the current target. The things that will actually determine the phone’s value, including how quickly the module detaches, how reliably the phone recognizes reattachment, and how cleanly footage syncs, are details that only a finished unit in regular use can settle.

Rugged phones have spent years stacking specs that most owners never actually invoke, so a design decision that changes what the phone physically does day to day is worth paying attention to. The module ecosystem is what separates a compelling demo from a genuinely useful product, and that part of the story depends entirely on whether the follow-through arrives on time and in one piece.

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From Magnetic Modules to Neon Lights: TECNO’s Wild Phone Concepts

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For years, smartphone makers have been quietly taking things away. The removable battery went first, then the headphone jack, then anything else that made a phone feel repairable or adaptable. TECNO showed up at MWC 2026 with a different idea, bringing a collection of concepts that go in the opposite direction, adding to the phone rather than stripping it down. Some of these ideas are genuinely practical. Others are just fun to think about.

The most developed concept is the Modular Magnetic Interconnection Technology, which lets you snap hardware modules onto the phone magnetically. Telephoto lenses, action cameras, extra battery packs, and over a dozen other components can attach and detach as needed. TECNO presented two design versions: ATOM, with a clean white-and-red palette built around the idea of efficient, intentional use, and MODA, which takes the same modular logic but wraps it in a bolder, more aggressive look. The phone stays slim by default, and you only add bulk when the situation actually calls for it.

Designer: TECNO

MODA

The POVA Ecosystem takes a more focused angle, targeting mobile gamers specifically. POVA Metal is the world’s first full-metal unibody 5G phone, and it pairs with a POVA Controller Slide that supports a 0 to 25-degree adjustable viewing angle and is optimized for both FPS and MOBA games. The controller also supports wireless charging, which is a small but welcome detail. A POVA Earphone with dot-matrix lighting rounds out the set, giving the whole ecosystem a consistent visual identity.

POVA Ecosystem

AI EINK is one of the quieter ideas in the lineup. The back panel reads colors from the camera and shifts its appearance to match, with further adjustments available through an app. How often someone would actually use this outside a case is a fair question, but the idea of a phone that responds to its surroundings rather than just sitting there is at least an interesting one to sit with.

AI EINK

POVA Neon is the concept that most clearly exists as a statement rather than a solution. It uses ionized inert gas lighting, the same technology behind neon signs, to create a glowing effect on the back panel. The renders show branching blue light that looks like something between a lightning bolt and a screensaver. It’s hard to argue that it solves a problem anyone has, but not everything at a concept showcase needs to. Sometimes a phone that looks like it’s charging from a thunderstorm is just fun to put on a table.

POVA Neon

These are all still concepts, which means most of them won’t ship in this form, if they ship at all. The modular system is the one worth watching most closely, since the core tension it tries to address, keeping phones lightweight while making AI and computing demands heavier, isn’t going away. We can only hope that TECNO will fare better than others who also tried to make the modular phone dream a reality.

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Lenovo Built a Laptop Whose Keyboard, Screen, and Ports Come Apart

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Business laptops have spent years getting thinner without getting more useful. The result is a category of machines that travel well and perform adequately, but ask them to flex beyond their fixed configuration, and they politely refuse. A second screen means a separate bag. Different ports mean a separate adapter. Lenovo’s ThinkBook Modular AI PC Concept, announced at MWC 2026, starts from the premise that the laptop’s form factor itself is the problem worth solving.

The concept is built around a 14-inch base unit in dark navy aluminum, conventional enough in isolation. The keyboard detaches completely over Bluetooth, and a secondary display module connects via pogo pins, the same spring-contact system that keeps the pieces in reliable communication without cables between them. That secondary display is the part that does the most work.

Designer: Lenovo

Positioned alongside the base on its own kickstand, it functions as a portable travel monitor in portrait or landscape orientation. Swapped with the keyboard instead, it turns the system into a dual horizontal screen setup with a combined viewing area of roughly 19 inches. Mounted on the top cover, it faces outward, which makes sharing content across a table a matter of flipping a panel rather than rotating an entire laptop.

The IO port modules are a smaller but equally considered detail. Each is a compact cube carrying a single connector, USB-A, USB-C, or HDMI, that slots into a shared housing on the base. Rather than committing to a fixed port arrangement, the base accepts whichever combination a given situation calls for, swapped out as needed, and stored in a small clamshell case that travels with the system.

The honest tension in all of this is that modularity trades one kind of inconvenience for another. A fixed laptop is limiting but uncomplicated. A modular one is flexible but requires keeping track of several small components that each have their own way of going missing. The pogo-pin connection is a good answer to the cable problem, and the accessories shown are compact enough to fit in a jacket pocket, but the system only works as promised if all its pieces arrive together.

What the concept gets right is identifying that most professionals don’t use their laptops the same way twice in a single day. The morning commute, the desk setup, the client meeting, and the hotel room at the end of it all make different demands, and a device that can reconfigure itself for each of them without requiring a separate piece of hardware for every scenario is a reasonable thing to want.

Whether the modularity holds up to daily handling, with real wear on the pogo pins and real risk of leaving the keyboard module in a conference room, is a question that only a shipping product could answer. For now, the ThinkBook Modular AI PC Concept is an argument that the laptop doesn’t have to be a fixed object, but one that can adapt to your needs and lifestyle.

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Synth Modular Controller Treats Music Making Like Building with Blocks

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Modular synthesis has a split personality. There are racks of patch cables that promise infinite sound design but also scare off newcomers who don’t know what an oscillator actually does. Then there are small, playful instruments and construction toys that invite you to just start pressing things and see what happens. There’s room for a hardware system that borrows the friendliness of toys while still behaving like a serious instrument, one that teaches as you build.

Synth is a modular music synthesizer concept that treats every function as a physical block. Keys, pads, knobs, sequencer, effects, and display all live on separate modules that snap into a base. The designer cites inspiration from playful minimalism and block-based logic, but the project is independent and not affiliated with any existing brands; it simply borrows that spirit of approachable, interlocking parts that make complex things feel accessible.

Madhav Binu

The base acts like a studded board, and each module clicks into place wherever you want it. A beginner might start with a simple strip of keys, a small display, and a single effects block. As they grow more confident, they can add more modules, rearrange the order, or build a performance-focused layout with pads and big knobs up front, all without opening a settings menu or diving into software preferences.

Arranging modules from left to right or top to bottom mirrors the path sound takes through a synth. Oscillator, filter, envelope, effects, each block is a step in the chain, you can literally see and touch. Clear visual cues and simplified controls help users understand what each stage does, turning abstract synthesis concepts into something you learn by rearranging tiles instead of reading manuals.

This approach makes Synth less intimidating for beginners, who can treat it like a musical construction set, while still giving advanced users a flexible playground. Someone focused on live performance might cluster pads, faders, and a sequencer near the edge, while a sound designer might build a long row of modulation and effects modules. The same hardware adapts to very different workflows without needing firmware updates or screen menus.

The warm, tile-based aesthetic, with bold colors and minimal controls, invites experimentation rather than caution. The layout feels like a board game or building set, which lowers the psychological barrier to trying odd combinations. That sense of play is intentional; the project wants sound design to feel like a hands-on, spatial activity instead of a dense screen full of parameters you’re afraid to touch.

Synth reframes music production as something that grows alongside the user. Instead of buying a fixed box and learning to live with its quirks, you build your own interface, then rebuild it when your needs change. Even as a concept, it hints at a future where modular music hardware isn’t only about swapping electronic modules in a rack, but about reshaping the very surface you touch while you create.

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