Tag Archives: Modular

This Modular Teak and Aluminum Box Has a Lid That Folds Into a Table

Posted on by

The line between outdoor gear and everyday carry has never been blurrier. More people are treating their camping setups with the same discernment they’d bring to a wardrobe or a home office, hunting for things that work hard but also look intentional. The market has responded, and the range of portable gear sitting somewhere between rugged utility and refined object design has never been broader.

Unito, a Thailand-based brand, has positioned its Container 26L squarely in that territory. The box holds 26 liters of storage and comes loaded with teak wood accents, a foldable table lid, flip-out extension legs, a divider, and a soft pad, all in a full set that retails for $290. It’s built to adapt across environments rather than anchor itself to just one.

Designer: Unito

The choice of anodized aluminum for the body does a lot of the heavy lifting. The finish is more corrosion-resistant than bare metal and tougher than paint, which makes it well-suited for the kind of regular outdoor exposure that would start to wear down lesser materials. The silver anodized variant, in particular, has a clean industrial look that doesn’t try too hard and ages without embarrassing itself.

Teak handles sit on either side of the box, giving you a comfortable grip that reads differently against the metallic finish. The flip-out teak extension legs raise the container off the ground into a standing station. Unito supposedly sources the wood from managed plantation forests in Thailand, where the brand is made, addressing concerns about the choice of material.

The Snow 25L is the lid that ships with the box, but calling it just a lid undersells what it does. It’s a foldable aluminum table weighing 950 grams, and it’s also compatible with Snow Peak’s 25L crate, which broadens the system’s appeal considerably. Stack two containers, and each lid still opens independently, so access isn’t sacrificed in the name of keeping the stack looking neat.

On a campsite, the legs deploy, and the box becomes a prep station for gear, food, or brew equipment. The perforated aluminum body lets air circulate, which matters when you’re storing anything prone to trapping heat or moisture. The included divider helps section off the interior, and a built-in carry handle means you’re not scrambling for a grip when it’s time to pack up.

Back in the studio or at home, the same container holds art supplies, camera gear, or electronics with enough structure to keep things sorted rather than thrown together. The modular system lets you pair containers, add accessories, or use just the box and lid without the legs. It’s the kind of setup that rewards people who’ve thought carefully about their gear.

The post This Modular Teak and Aluminum Box Has a Lid That Folds Into a Table first appeared on Yanko Design.

This Modular Teak and Aluminum Box Has a Lid That Folds Into a Table

Posted on by

The line between outdoor gear and everyday carry has never been blurrier. More people are treating their camping setups with the same discernment they’d bring to a wardrobe or a home office, hunting for things that work hard but also look intentional. The market has responded, and the range of portable gear sitting somewhere between rugged utility and refined object design has never been broader.

Unito, a Thailand-based brand, has positioned its Container 26L squarely in that territory. The box holds 26 liters of storage and comes loaded with teak wood accents, a foldable table lid, flip-out extension legs, a divider, and a soft pad, all in a full set that retails for $290. It’s built to adapt across environments rather than anchor itself to just one.

Designer: Unito

The choice of anodized aluminum for the body does a lot of the heavy lifting. The finish is more corrosion-resistant than bare metal and tougher than paint, which makes it well-suited for the kind of regular outdoor exposure that would start to wear down lesser materials. The silver anodized variant, in particular, has a clean industrial look that doesn’t try too hard and ages without embarrassing itself.

Teak handles sit on either side of the box, giving you a comfortable grip that reads differently against the metallic finish. The flip-out teak extension legs raise the container off the ground into a standing station. Unito supposedly sources the wood from managed plantation forests in Thailand, where the brand is made, addressing concerns about the choice of material.

The Snow 25L is the lid that ships with the box, but calling it just a lid undersells what it does. It’s a foldable aluminum table weighing 950 grams, and it’s also compatible with Snow Peak’s 25L crate, which broadens the system’s appeal considerably. Stack two containers, and each lid still opens independently, so access isn’t sacrificed in the name of keeping the stack looking neat.

On a campsite, the legs deploy, and the box becomes a prep station for gear, food, or brew equipment. The perforated aluminum body lets air circulate, which matters when you’re storing anything prone to trapping heat or moisture. The included divider helps section off the interior, and a built-in carry handle means you’re not scrambling for a grip when it’s time to pack up.

Back in the studio or at home, the same container holds art supplies, camera gear, or electronics with enough structure to keep things sorted rather than thrown together. The modular system lets you pair containers, add accessories, or use just the box and lid without the legs. It’s the kind of setup that rewards people who’ve thought carefully about their gear.

The post This Modular Teak and Aluminum Box Has a Lid That Folds Into a Table first appeared on Yanko Design.

Framework Laptop 13 Pro arrives with major redesign, longer battery life, and touch display

Posted on by

Framework is known for a league of laptops that other manufacturers dare not. Six years in, and the company is pushing its boundaries, building laptops that are robust, high on performance, yet respect the consumers’ right, allowing them the option to repair, upgrade, and run the software of their choice.

For 2026, the modular computing company returns with Framework Laptop 13 Pro, a new and upgraded version of its current favorite repairable laptop – Laptop 13. “Framework Laptop 13 Pro is a complete ground-up redesign,” the company informs. Before we get into the details, this new laptop and wireless touchpad keyboard coming our way via the Framework [Next Gen] Event 2026 are, according to the company, built based on the direct feedback received from its fans.

Designer: Framework

Laptop 13 Pro comes pre-loaded with Ubuntu. Its major highlight is the massive leap in battery life and the new full CNC aluminum chassis, which is first for any Framework laptop. Like the Laptop 13, however, the new model is repairable, upgradable, and fully customizable. It comes with an Intel Core Ultra series processor paired with LPCAMM2 memory, a haptic touchpad, and a purpose-built power-optimized touchscreen display.

Framework says that the Laptop 13 Pro is its first system featuring a chassis machined from a single block of 6063 aluminum. The construction makes it robust yet ensures its lightweight. The 15.85 mm thick laptop only weighs 1.4 kg. It is currently available for preorder starting at $1,199 for the DIY edition. The pre-built device with complete configuration will set you back $1,499. The shipping is expected to start in June 2026.

Framework has really worked on the battery life of Laptop 13 Pro, particularly because battery life was the primary concern that came up in the feedback received from fans. The system has an enhanced battery to 74Wh (rated for up to 1000 cycles), which is 22% better than that of the predecessor. Powered by a 100W GaN Power Adapter, the fast-charging battery can last for up to 20 hours while streaming Netflix in 4K, Framework’s test reveals.

A major update here is the inclusion of Intel’s latest Core Ultra Series processors. Laptop 13 Pro is available in Core Ultra 5, Core Ultra X7, and Core Ultra X9 variants, which makes the device “insanely efficient,” with up to 16 cores of processing prowess. This processing power is paired with equally capable LPCAMM2 memory, which is a modular LPDDR5x RAM format that runs at speeds up to 7467 MT/s. Available in 16GB, 32GB, and 64GB capacities, it is replaceable and upgradable. For storage, the laptop features a PCIe Gen5 M.2 2280 slot. It supports up to 2TB Gen5 SSDs or larger Gen4 drives.

A great leap from the predecessor, the 13.5-inch touchscreen 2880×1920 resolution display of Laptop 13 Pro is also particularly interesting. It now packs within a redesigned bezel, which arrives sans the rounded corners. Provided with a 30-120Hz variable refresh rate, up to 700 nits brightness, and an anti-glare matte polarizer for better visibility in bright light, the display is paired– for the first time in a Framework laptop – with a Dolby Atmos-enabled audio system.

Framework Laptop 13 Pro with a haptic touchpad that uses piezo electric feedback, is backward compatible. Laptop 13 users can replace the innards (or even the chassis) without having to replace the system entirely. For connectivity, the new laptop features Wi-Fi 7 and the BE211 radio. It also has four Thunderbolt 4 ports.

The post Framework Laptop 13 Pro arrives with major redesign, longer battery life, and touch display first appeared on Yanko Design.

Edge clamp-on power strip brings desk-level charging exactly where you need it

Posted on by

We’ve spent years upgrading our desks with sleeker materials, smarter layouts, and better ergonomics. But somehow, the humble power strip has remained stuck in the past design ethos. It still lives on the floor, tangled in cables, collecting dust, and forcing you to awkwardly reach under the desk every time your laptop needs juice. Edge: A Clamp-On Modular Power Solution, feels like one of those ideas that makes you wonder why it didn’t exist sooner.

Instead of treating power as something hidden away, Edge brings it right to the desk’s edge, exactly where your hands already are. The shift sounds simple, but it completely changes the interaction. No more bending down, no more blindly searching for an empty socket, and no more dealing with cables stretching across the floor. It turns power into something immediate and accessible, almost like an extension of the workspace itself.

Designer: ChangZhou University

A worthy winner at the New York Product Design Awards, the product leans heavily into flexibility. Rather than locking you into a fixed setup, Edge follows an “add power anywhere” philosophy. You can clamp it wherever it feels right, move it when your setup changes, and adapt it to different desks without any tools. Whether it’s a home office, a shared workspace, or even a temporary setup, the system adjusts without friction. What makes the clamp particularly clever is its over-center, self-locking mechanism. As it closes, it passes a neutral point and locks into place, making it resistant to loosening over time. That matters more than it sounds, especially when you consider the constant push and pull of plugging in devices, cables tugging from different angles, or the occasional bump. The extended contact surfaces further stabilize the grip, reducing wobble and keeping everything firmly in place.

Functionally, Edge splits its eight outlets across two sides. Four sit on top for quick, everyday access, perfect for devices you’re constantly plugging in and out. The other four are tucked underneath, designed for chargers and connections that stay put. It’s a small but thoughtful detail that keeps the surface cleaner and prevents cables from turning into a visual mess. Lifting the power strip off the floor also solves a range of problems you might not immediately think of. It reduces exposure to spills, keeps it away from cleaning water, and eliminates the risk of stepping on it or snagging cables with your chair. The modular segmented body adds another layer of refinement, helping distribute stress while allowing the form to adapt across different desk setups.

I love the idea of Edge, as it simply repositions itself in a way that makes sense for how we work today. And in doing so, it transforms a neglected accessory into something that feels intentional and surprisingly satisfying to use.

The post Edge clamp-on power strip brings desk-level charging exactly where you need it first appeared on Yanko Design.

Desire Paths, Plywood, and a Stool That Gets It

Posted on by

Have you ever noticed the worn-down patches of grass in a park where people have chosen to walk instead of staying on the designated path? That’s a desire path, and urban planners have a complicated relationship with them. Some see them as a nuisance, proof that people refuse to follow the plan. Others see them as data, clear evidence that the original design missed something. Fabrício Reguelin Auler falls firmly in the second camp, and his Shortcut Stool is one of the more thoughtful pieces of furniture I’ve come across in a while.

The concept behind the Shortcut Stool (or Atalho Bench, as it’s also known) is deceptively simple: what if furniture was designed around the way people actually use it, rather than the way designers intended? That means acknowledging all the small, unconscious behaviors we exhibit at home. Sitting on the very edge of a stool instead of the center. Resting a bag on it before finding somewhere better. Perching on it for thirty seconds while tying a shoe. Using it as a surface for a glass of water when every other surface is occupied. None of this is “correct” use. And yet, all of it is completely normal.

Designer: Fabrício Reguelin Auler

This is where I think a lot of furniture falls short. Design, especially at the higher end of the market, tends to be prescriptive. There’s an implied right way to use a piece, and deviating from it can feel almost disrespectful. Reguelin Auler flips that thinking entirely. The Shortcut Stool doesn’t pretend that people will interact with it perfectly. It welcomes the imperfection, and that’s genuinely refreshing.

Materially, the piece holds its own. It’s made from marine pine plywood, assembled through a system of interlocking joints that require no screws, bolts, or complicated hardware. What holds it all together is tensioned sisal rope, and this is the detail that makes the whole thing click, visually and structurally. The rope isn’t decorative in the way that so many “natural element” additions can feel forced. It’s actually doing the work, reinforcing the structure while giving the stool a texture that you want to reach out and touch. It makes the design feel honest, which is appropriate given what the piece is trying to say.

The modular nature of it is worth mentioning too. Single units can be connected to form a longer bench configuration, which means the Shortcut Stool scales with need rather than requiring you to commit to one fixed form. The flat-pack assembly and disassembly is straightforward, making it easy to move, store, or reconfigure. It comes in natural pine as well as painted versions in a deep cobalt blue and a muted sage green, both of which look sharp in context. The blue one especially has a kind of confident visual energy that punches well above the stool’s modest size, which is something I didn’t expect from a plywood bench.

What strikes me most is how the Shortcut Stool manages to make a philosophical argument without being heavy-handed about it. It’s not a design that comes with a manifesto attached. You can simply look at it, use it, and decide it works. But if you sit with the concept for a moment, there’s a bigger idea underneath: that the gap between how objects are designed and how they’re actually lived with is rarely addressed honestly in product design. Most things are built for ideal conditions. This stool was built for real ones.

It also raises a question I keep returning to: how many products in our homes are quietly working against us because they were designed without accounting for how people actually behave in real time? The Shortcut Stool is a small answer to a larger problem, and I appreciate that it arrives without fanfare, just plywood, rope, and a clear point of view. Fabrício Reguelin Auler has made something that earns its place in a home not by demanding attention, but by already understanding you. That’s a rare quality in any object.

The post Desire Paths, Plywood, and a Stool That Gets It first appeared on Yanko Design.

GAMEMT E5 MODX handheld’s detachable control module can be connected to Magsafe phones

Posted on by

The craze for handhelds over the last 24 months has driven a surge in portable gaming consoles. We’ve seen it all, right from retro handheld devices to modern consoles that can handle AAA titles without breaking a sweat. GAMEMT has been in the thick of things with a Android handheld released last month and a unique portable console with a dial knob.

Now the Chinese manufacturer has revealed yet another handheld, which is an eye turner for sure. This is the E5 MODX console based on the original E5 released in 2024. The console has a removable modular display that can be connected to your MagSafe-compatible smartphone. It would be safe to say that the handheld draws inspiration from the MCON controller, but we haven’t seen a detachable-display handheld yet. Now, that’s downright cool.

Designer: GAMEMT

In its native form, the handheld looks and feels just like any other 3:4 display device. However, when you detach the 5.5″ screen (1024 x 768) and connect its controller module magnetically to a mobile phone, it turns into an altogether different beast. The gaming machine comes with the MTK6771 Helio P60 chipset, which is not that highly rated in the tech circles, given its inconsistent performance. Still, it’ll be interesting to see what GAMEMT has managed to achieve with this microchip in terms of hardware and software compatibility in the E5 MODX. The chipset is paired with a 3GB RAM for optimized performance, and 32 GB internal memory is more than enough to store the suite of AA games.

You can expect to emulate PS1 games, or the option to pair with the Dreamcast/N64/PS2 and GameCube emulation. Clearly, you would better explore the retro arcade game library with this one, to be honest. The real magic happens when you connect the device to your flagship smartphone, and the fun of playing AAA games is again real. For now, it is unclear whether the magnetically detachable accessory pairs via Bluetooth or works with the physical connection, and also for low latency.

According to GAMEMT, the first 3D prototype of the E5 Modx is in the works, and there is no word yet on when the handheld will be released. For now, the idea sounds very interesting, given the landscape of handheld consoles that gamers now can choose from.

The post GAMEMT E5 MODX handheld’s detachable control module can be connected to Magsafe phones first appeared on Yanko Design.

This Lounge Chair’s Shape Is Precisely Why Two of Them Make a Sofa

Posted on by

Modular seating tends to be either complicated or a compromise. The sectional sofa has never really solved the fundamental problem that living situations change, people move, and the enormous L-shaped configuration that worked in your last apartment probably doesn’t fit your new one. Furniture that adapts to circumstance sounds like an obvious idea, but the designs that actually pull it off cleanly remain surprisingly rare.

Liam de la Bedoyere, the designer behind Bored Eye Design, takes a direct approach to the problem with Bunch, a modular seating concept that begins from a deceptively simple premise. Each unit is a fully functional lounge chair on its own. The idea, however, is that it was designed from the beginning to combine with others, and the way it does that is where the concept gets genuinely interesting.

Designer: Liam de la Bedoyere

The mechanism is in the staggered relationship between the two parts of each chair. The backrest sits elevated and set back, while the seat extends forward, creating a stepped profile from the side. That offset is precise enough that when a second chair is placed alongside it, the seat of one slides naturally into the space left open by the recessed back of the other. No connectors, no assembly, just geometry.

The result, when two or more units are pushed together, is a sofa that reads as a continuous and intentional piece rather than a row of chairs touching each other. The staggered rhythm carries across the joined units, producing a silhouette that looks considered rather than accidental. It’s the kind of configuration that takes a moment to understand, but once you do, it feels like it couldn’t have worked any other way.

The standalone chair holds up on its own terms, too, and isn’t just a sofa segment that happens to function independently. It sits directly on the floor with no visible legs, giving it a relaxed lounge quality. The proportions keep the form compact enough to live in smaller spaces, which matters when the concept is something you might realistically buy gradually, one unit at a time.

Both the backrest and the seat share the same rounded-rectangle silhouette, upholstered in a thick, textured fabric with the warmth of bouclé. That material, combined with the legless, floor-hugging profile, gives the chair a deliberately unhurried quality, the kind of object that makes a room feel slightly slower and more settled than it did before.

The scalability is part of the appeal. Two units make a small sofa, three make a longer one, and the concept seems to extend indefinitely. When units in different tones are combined side by side, the color contrast adds a visual layer that a single chair doesn’t have. There’s also something honest about a design whose best version requires more than one, an admission that’s built directly into the name.

The post This Lounge Chair’s Shape Is Precisely Why Two of Them Make a Sofa first appeared on Yanko Design.

The 1970s Desk That Figured Out Modular Before We Did

Posted on by

We spend so much time talking about modular design like it’s a modern revelation. Adjustable phone stands, swappable watch bands, magnetic laptop accessories, customizable everything. We talk about it like it’s a product of our era, born from Silicon Valley thinking and the rise of personal personalization. And then you come across Alex Linder’s Executive Desk from the 1970s and suddenly realize none of it is new at all.

Linder, a Danish designer, built this desk sometime in the 1970s, and it is, by most accounts, extremely rare. Looking at it today, you’d be forgiven for thinking it was designed last year. The top is finished in black leather and framed with aluminum, resting on a solid metal base. The proportions are clean, the materials are considered, and the overall effect is exactly what good Scandinavian design tends to produce: something that looks inevitable, like there was never any other way to do it. But the real story isn’t the leather top or the beautiful lines. It’s what sits right in the center of the desk.

Designer: Alex Linder

Linder built a recessed aluminum rail directly into the desk surface. Into that rail, you slot accessories: a rotating desk lamp, a clock, a calendar, a mechanical countdown timer presumably for meetings, small storage compartments for pens and miscellaneous objects, and, because it was the ’70s, an ashtray. Each piece sits flush and intentional, like it belongs. The desk also has no drawers, which feels like a deliberate statement rather than an oversight.

Think about what that actually means as a design decision. Linder looked at the way people used a desk and decided that the answer wasn’t more storage hidden underneath, but a curated surface system you could reconfigure based on what you actually needed. That’s not a small idea. That’s the kind of thinking that entire product categories are built on today. It’s about designing for adaptability rather than completeness, which is a genuinely harder problem to solve.

The modular design conversation is everywhere right now. We have monitor arms with built-in cable management, desk mats with snap-in wireless chargers, pegboard setups that practically have their own aesthetics communities on social media. Framework made a modular laptop and built a devoted following around it. The concept of making something that can evolve with the user’s needs has become a selling point, sometimes the selling point. And here’s Linder, decades earlier, doing it quietly on a leather-topped desk in Denmark.

That’s the thing about design that predates the internet: it didn’t have the benefit of going viral. Pieces like this stayed in offices, got passed through estates, ended up in European vintage markets for people who happened to stumble across them. Today, you can find Linder’s Executive Desk listed on resale platforms, tagged as “extremely rare,” priced around $5,000, and shipped from the Netherlands. It’s the kind of object that makes you wonder how many other brilliant, ahead-of-their-time designs are still sitting in storage somewhere, quietly waiting to be rediscovered.

It’s also worth noticing what the desk says about how people worked in the 1970s. A countdown timer for meetings built directly into the furniture is either a sign of remarkable efficiency or remarkable anxiety, possibly both. The rotating lamp suggests someone thought carefully about task lighting at a time when most offices were settling for overhead fluorescents. Even the ashtray has a designated place, literally, which says something about how deliberately every inch of that rail was considered.

Good design doesn’t expire. That’s the lesson Linder’s desk keeps teaching every time someone spots it online and does a double take. It doesn’t look like a relic. It looks like something a design-forward brand would release today with a waitlist and a product launch newsletter. The fact that it came out of a Danish workshop fifty years ago is almost beside the point. The thinking was right then, and it’s still right now.

The post The 1970s Desk That Figured Out Modular Before We Did first appeared on Yanko Design.

This Concrete Desk Organizer Snaps Together as Your Workspace Grows

Posted on by

A messy desk is one of those problems that feels minor right up until it isn’t. You reach for a pen, knock over a cup, lose a paperclip into some void between your keyboard and monitor, and suddenly, five minutes are gone. Most organizers solve this with dividers and compartments, which is fine, but they tend to sit on your desk like afterthoughts, plastic trays that slide around and rarely match anything else in the room.

BloomCase approaches the problem from a different angle. Made from concrete, metal, and stone, it is heavy enough to stay put without any grip pads or rubber feet, and that weight is load-bearing in a more literal sense, too. The concrete body gives it a raw, architectural presence that feels deliberate rather than decorative, the kind of object that reads as intentional rather than incidental on a desk that already has some thought behind it.

Designer: Somya Chowdhary

The form itself is where things get interesting. Circular basins sit alongside parallel rectangular bays, each with a specific job. The basins are contoured to cradle small loose items, thumbtacks, paperclips, and the miscellaneous hardware that scatters across every flat surface it touches. The bays run parallel and are angled to hold pens and pencils upright and accessible, so what you reach for most is what you find fastest. There is a satisfying logic to that division, one that needs no instructions to grasp.

What separates BloomCase from a standard tray is the interlocking system. Two or more units snap together so that separate pieces merge into a single continuous footprint. The connection is designed to feel secure and repositionable, which matters when your desk layout shifts with a project, or when you realize three months in that you needed more pen space all along. The name comes from this behavior, units blooming outward across the workspace as organizational needs grow.

The aesthetic sits at an interesting intersection. Concrete and geometric curves do not usually share a design brief, but the combination here avoids the coldness that brutalist objects can carry in domestic or office settings. The raw material quality of the concrete against the softer basin profiles creates enough contrast to hold visual interest without tipping into decorative territory. It looks like a tool that was designed carefully, which is a harder thing to pull off than it sounds.

The modular logic is a genuinely smart idea, but it only makes practical sense if you actually need more than one unit. A desk covered in connected concrete trays starts to raise honest questions about how much surface you are willing to trade for organization. There is also the matter of audience: heavy raw materials appeal most to designers and architects who already have a taste for that kind of object on their desks, which is a narrower group than the broader market for desk tidiness.

The post This Concrete Desk Organizer Snaps Together as Your Workspace Grows first appeared on Yanko Design.

This Wireless Mouse Splits in Half to Reveal a Hidden Game Controller

Posted on by

Most people who game on a PC own two things that do roughly the same job at different times: a mouse for the desk and a gamepad for the couch. They live side by side, occasionally getting in each other’s way, and neither one is going anywhere. Pixelpaw Labs, a hardware startup from Bangalore, India, thinks that arrangement is wasteful and has built something to prove it.

The Phase is a wireless mouse that physically separates down the middle into two independent halves. Snapped together, it sits on a desk and works like a normal mouse. Pull it apart, and each half reveals a joystick, triggers, a D-pad on the left side, and face buttons on the right, a split gamepad that was hiding in plain sight the whole time.

Designer: Pixelpaw Labs

That missing scroll wheel is not an oversight. Fitting a traditional wheel in the center of the body would have made the split mechanism impossible, so Pixelpaw replaced it with a capacitive touch strip along the top of the left button. Flicking a finger across it scrolls through documents and web pages, with a glide feature that lets the momentum coast rather than stop abruptly. It’s a trade-off that works around a real geometric constraint.

As a mouse, the Phase is competitive on paper. A 16,000 DPI optical sensor pairs with a 1,000 Hz polling rate when connected via the included 2.4 GHz USB dongle. Bluetooth LE is available for convenience and multi-device pairing across up to three devices, though the polling rate drops to 125 Hz in that mode, a gap that matters in fast-paced PC games.

Up to 18 customizable buttons are mappable through the Pixelplay companion app, and a Layer button doubles each button’s function capacity without adding physical complexity. Battery life is rated at 72 hours per charge over USB-C, which is more than enough to outlast dedicated gaming sessions on either side of its personality.

The controller halves use mechanical tactile switches, which is more than most mobile gaming clip-ons bother with. Pixelpaw also has an accessory called the Phasegrip, a bracket that holds the two separated halves apart with a smartphone mounted in the center, turning the setup into a handheld console for mobile gaming. The Phase works across PC, Android, iOS, iPadOS, and ChromeOS, so switching between devices doesn’t require swapping hardware.

Everything shown so far is pre-production, and the company has been upfront that the final surface finish will differ. That’s a meaningful caveat for a product whose physical fit and feel will determine whether the concept actually holds up. Whether they’ll be able to deliver this Holy Grail of PC gaming, however, is the real question that can only be answered in time.

The post This Wireless Mouse Splits in Half to Reveal a Hidden Game Controller first appeared on Yanko Design.