Tag Archives: Modular

Fairbuds 2 Earbuds Let You Swap Worn Batteries Instead of Buying a New Pair

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Wireless earbuds have come a long way, ever since Apple started the trend of removing the 3.5mm headphone jack from smartphones. Most sound fine or even great, but batteries both in the buds themselves as well as charging cases still pose a longevity problem. Taking a cue from its larger Fairbuds XL headphones, Fairphone’s new Fairbuds 2 make both those batteries replaceable, so that declining battery life doesn’t have to send the whole set into retirement.

On the outside, the Fairbuds 2 look fairly conventional, with rounded earpieces and short, flat stems. Forest Green offers an alternative to the familiar black, which is also an available option, and the matching case has softened corners rather than a rugged shell. The useful detail is a removable silicone sleeve around each earbud, hiding the opening that lets you reach its battery when it eventually needs replacing.

Designer: Fairphone

Remove that sleeve and the earbud’s battery compartment becomes accessible without tools. The charging case does require a Torx T5 screwdriver to reach its cell, but nothing you can’t get from a hardware store. Fairphone lists seven replaceable parts, including the case body and individual earbuds. Losing one earbud therefore doesn’t require buying another pair, which is reassuring if your usual storage system involves the bottom of a crowded bag.

Of course, easy repairs won’t make you enjoy a playlist if the sound doesn’t suit you. The Fairbuds 2 use 0.43-inch bio-cellulose drivers, with four presets and a five-band equalizer in the companion app. LDAC support adds a higher-bitrate option on compatible Android devices, but it isn’t a shortcut to guaranteed sound quality, and iPhone owners don’t get that particular audio codec.

Active noise cancellation handles the isolation side, with Fairphone claiming up to 45dB of reduction. Six microphones support noise management and calls, while multipoint connectivity keeps two devices connected simultaneously. You can move between a laptop and phone without pairing from scratch every time. The earbuds remember up to six devices, although that doesn’t mean six audio streams competing for your ears.

Battery life is a separate consideration from battery replacement. Fairphone claims up to eight hours of listening, or 40 hours with the charging case, with noise cancellation switched off. Turn it on, and the earbuds’ estimate drops to six hours. That could cover a commute and some desk time, but charging remains USB-C only, so a wireless charging pad won’t help here.

There’s a practical limit to the repair story, though. Seven replaceable parts don’t mean every internal component can be fixed separately, and continued use still depends on getting the right spares. Fairphone includes replaceable ear tips and silicone sleeves in that count. The IP54 rating provides dust and splash resistance for daily wear, but don’t mistake it for permission to take them swimming.

The US price is $119.99, with a November 2, 2026 release scheduled. Fairphone offers warranty coverage of up to three years, but a battery wearing out isn’t automatically a warranty claim. Fortunately, replacing it yourself doesn’t void coverage when done correctly. That leaves owners with two different ways to keep listening: support for manufacturing faults, and accessible spare parts for things that wear out.

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Tilta’s modular iPhone case lets you swap a card holder for a kickstand

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Phone cases have become accessories with accessories, from folding stands to little wallets stuck on the back. Useful as those extras can be, you might not want the same arrangement every day. To address that need, Tilta’s Khronos Core Limited Edition Kit offers four interchangeable backplates for the iPhone 18 Pro and Pro Max, changing its everyday functions without replacing the metal frame itself.

The case starts with a single block of aluminum, shaped through CNC machining rather than molded into a soft cover. Recessed panel outlines and an angular camera surround give it a distinctly mechanical appearance. Burgundy makes that character particularly noticeable, while Glacier, Lunar Silver, and Titanium Gray offer alternatives. That last name describes a color, of course, not a different metal hiding underneath.

Designer: Tilta

The Kickstand Backplate combines a folding support with a silicone finger ring, keeping two familiar additions in one panel. Prop the phone up for a video call, then use the ring when you’re holding it again. This plate also comes with the standard case. The kit’s other three backplates are what make the tool-free swapping system worth exploring beyond that initial setup.

The Ring Backplate replaces that setup with a metal finger ring that rotates through 360 degrees. You can change its angle as you reposition the phone, rather than having your grip follow a fixed loop. Interchangeable number tags give the panel a more personal touch. They look a little like an equipment label, except you’re choosing the numbers rather than reading specifications.

Personalization takes a rather different turn with the Transparent Backplate, which has a windowed compartment for photographs and small keepsakes. Your phone might already contain thousands of pictures, but this gives one of them a place outside the screen. A printed family photo can stay visible without waking the display, bringing something sentimental to an exterior that otherwise resembles professional camera equipment.

The Card Holder Backplate is less about decoration and more about leaving something at home. A latched cover encloses space for up to three cards, enough for an ID, bank card, and transit pass. That could spare you a separate wallet on a short outing. Losing the phone would also mean losing those cards, so keeping everything together has its own compromise.

The kit also includes short and long straps, with magnetic quick-release connections and multiple mounting points on the frame. Use the shorter option for everyday carrying, or wear the phone across your body with the longer one. That’s handy when you’re carrying bags and have nowhere convenient to put the phone, although turning it into a dangling accessory won’t suit every outfit or activity.

Of course, buying the complete kit means paying for choices you might not use. The US list price is $249, with a current $224.10 sale price. Leave three backplates in a drawer, and most of that flexibility stays there too. If all you want is a folding stand, the standard case already includes it, without three spare backplates taking up room at home.

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FUSEBOOX’s Hidden Home Office Slides Away After Work

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Putting a laptop away doesn’t solve every problem with working from home. A video call still needs some privacy, and recording a voiceover beside the dishwasher is a negotiation nobody particularly wants. I like furniture that helps a room do more, but a folding desk only addresses half the issue. Sometimes the missing piece is a door.

FUSEBOOX, designed by Czech architect Vojtěch Kolínský of Prague studio Indivizual, proposes a home office that slides out when needed and retracts into the surrounding interior afterward. It’s a built-in acoustic workspace, presented at DesignBlok 2026, rather than another freestanding booth asking for permanent floor space. The problem it tackles is straightforward: finding somewhere to concentrate without dedicating an entire room to it.

Designer: Vojtěch Kolínský

The module has three positions. Open, it works as a desk within the larger room, so you can stay connected to whatever’s happening around you. Extended and closed, it becomes a private enclosure intended to reduce noise traveling in and out. Retracted, the workspace disappears behind its exterior panels. A custom-developed mechanism handles extension and retraction automatically, according to the maker. That’s a more useful distinction than simply calling it a disappearing desk.

In the supplied images, the interior looks invitingly domestic. Pale wood-grain surfaces, textured wall panels, a narrow shelf, and warm lighting surround a compact desk. The exhibition setup includes a microphone and a metronome, while another image shows a guitar mounted above the worktop. Those details suggest a space for practicing and making things, not merely surviving the next calendar invitation. I’d rather see that than a miniature corporate meeting room.

The acoustic ambition deserves a closer look. FUSEBOOX describes a multilayer construction with sealed contact edges that limits sound transmission, alongside treatment intended to control reflections and reverberation inside. In practical terms, keeping household noise out and reducing echo around a microphone are separate jobs, and the design aims to address both. The supplied release promises studio-quality sound, but provides no measured isolation figures or independent testing to establish that claim.

Ventilation and adjustable lighting are included, with the website specifying variable brightness and color temperature. These are sensible priorities for a small enclosed workspace. I’d want airflow and lighting considered alongside the moving panels, because a booth that looks good from the couch still has to make sense from the chair. The tall glazed side panels visible in the images also keep the enclosure from looking like an opaque cabinet.

The hidden position is the strongest part of the idea for me. Closing a laptop leaves the desk, cables, and unfinished work in view. Closing up an entire workspace could give the living room a more convincing end to the workday. That isn’t a promise of better productivity or instant relaxation. It’s a physical boundary you can see, which feels more useful than another reminder to log off.

Of course, the module doesn’t manufacture extra square footage. Its built-in portion still occupies space, and the extended enclosure needs clear floor area in front. A coffee table or an awkward circulation path could complicate the arrangement. I see it as borrowing space at different times, rather than making space disappear. That makes the surrounding room layout just as important as the mechanism.

FUSEBOOX is designed and made in the Czech Republic, with configurable layouts, materials, fittings, upholstery, and exterior finishes. The company plans to open preorders in January 2027; prices and detailed dimensions haven’t been published yet. Those omissions matter for anyone picturing it at home. A custom built-in belongs in a renovation conversation, and renters would need to discuss installation with their landlord.

I’m drawn to the restraint of the proposal. The images suggest you could finish the exterior to read as ordinary cabinetry, leaving the more elaborate engineering behind it. A home office doesn’t always need to announce itself from across the room. If the acoustics and installation prove convincing, FUSEBOOX could offer something genuinely useful: a place to work, followed by permission to stop looking at it.

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Razer Wolverine V4 Pro has four back buttons, but none have to stay

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Extra buttons on a game controller can be handy, at least until they get in the way of holding it. Razer’s Wolverine V4 Pro gives players a little more say in that arrangement, with magnetic back buttons you can remove instead of simply ignoring them. Available for Xbox and PC, the wireless controller also lets you change its thumbstick caps and even take off its faceplate.

The four rear buttons come off without tools, making it possible to keep all of them, use only a pair, or clear the back entirely. Blank inserts replace the unwanted controls, following the controller’s contours rather than leaving little gaps behind. It’s a small detail, but an important one when that surface is where your fingers spend most of their time during a game.

Designer: Razer

Of course, keeping those buttons attached makes sense when you’re juggling several actions at once. Their mouse-click switches can handle commands such as jumping or reloading, letting your thumbs stay on the sticks while your other fingers do the work. Two additional shoulder buttons bring the total to six remappable inputs, giving frequently used actions somewhere to go besides the familiar face buttons.

The thumbsticks get their own set of options, changing both their height and the surface beneath your thumbs. Short convex caps provide a rounded surface, while tall concave versions give your thumb a recessed resting spot and more height to work with. Razer recommends the taller caps for precise aiming. You can mix the supplied options, but swapping caps doesn’t mean you’re replacing the sensors underneath.

That flexibility continues with the triggers, which can switch between a short mouse-click action and a full analog pull using rear-mounted locks. The shorter setting suits firing in a shooter, while the longer travel lets you ease onto the throttle in a racing game. Through Razer Synapse, you can also adjust each trigger’s activation point to suit how you play.

Even the exterior is open to a little tinkering, thanks to a magnetic faceplate that lifts off without tools. Personalize that panel, or leave it off entirely to reveal the translucent housing underneath. The working components remain enclosed, so you’re changing the controller’s outer appearance rather than exposing its electronics. It’s an option for people who prefer seeing a bit of machinery.

The software takes care of the changes you can’t make with magnets. Four onboard profiles hold different button assignments and sensitivity settings, so a racing setup doesn’t have to overwrite your shooter preferences. You can also adjust thumbstick dead zones, deciding how much movement registers as input. That said, greater sensitivity can pick up tiny thumb movements you didn’t intend.

At $199.99 in the US, this level of customization doesn’t come cheap, and there’s no included carrying case to keep the removable pieces together. You’ll have to find your own place for spare caps and unused buttons. After spending that much on a controller you can rearrange, a dedicated home for the bits you’ve removed would have been rather welcome.

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The Eggshell Lamp You Can Rearrange So You Never Buy Another

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I have a soft spot for lamps, but less patience for the way we buy them. Pick a shape, pick a spot, and hope both still make sense after the next move or furniture shuffle. If they don’t, the lamp goes into a closet and we start shopping again. Joanne Odisho’s Mod-u offers another option: a light designed to be rearranged as a room changes. Its most surprising feature is that the pieces are made from discarded eggshells.

Mod-u takes its name from “modular” and “you,” which tells you where Odisho wants the creative control to sit. The lamp is made from rearrangeable blocks, so its silhouette isn’t fixed when you first bring it home. One arrangement might feel right beside a sofa; another could give a bedroom a different focal point. I like that the design makes room for a change of mind. With most lighting, choosing the object means accepting its shape for as long as you own it. Here, that decision can be revisited.

Designer: Joanne Odisho

The blocks have a chunky, stacked quality that makes Mod-u look almost like a tabletop sculpture. That playfulness matters. Modular furniture can sometimes feel like a puzzle you have to solve before you’re allowed to enjoy it, but this looks inviting even before you understand how it works. Odisho has described the project as a lamp that can grow, shrink, and change with the spaces people inhabit. It’s easy to imagine adjusting it after a move, but also after a much smaller shift, like deciding that a corner needs less visual weight.

Then there are the eggshells. Odisho collects them from local cafés, sterilizes and dries them, and grinds them into a powder. Mixed with a biopolymer, the powder becomes a moldable material that sets without firing. She leaves the pieces to dry naturally for about a week. The finished blocks retain the subtle variations of the shells because she doesn’t add dye. That seems like the right call to me. The material has an origin worth seeing, and its warm, uneven tones give the lamp more character than a perfectly uniform finish would.

Eggshells are an appealing starting point, but they aren’t the whole story. A product can use discarded material and still become another object we tire of quickly. Mod-u’s more convincing sustainability argument is that its design gives an owner a reason to keep using it. Reconfiguration won’t make a lamp fit every room or every taste, and it doesn’t remove the need to think about the complete product at the end of its life. It does, however, challenge the assumption that wanting a fresh look requires buying a fresh object.

That’s also why Mod-u feels more interesting to me than a lamp that simply advertises its unusual ingredients. The eggshell composite catches your attention, but the invitation to rearrange the blocks is what might hold it. We often talk about adaptable design as though it’s purely functional, all efficiency and clever engineering. This has a more personal appeal. You can respond to your own space rather than trying to preserve the exact arrangement a designer photographed. The result may be less polished, but it would be yours.

Odisho’s idea has already received significant recognition: Mod-u won the 2026 Australian Furniture Design Award. The award includes an opportunity to work with furniture company Stylecraft toward commercial production, which makes the next step especially interesting. A compelling design concept has to survive the realities of making, selling, and using it at a larger scale. I’d be curious to see how much of Mod-u’s tactile, experimental quality carries through if it reaches more homes. That quality is central to its appeal, not a detail to smooth away.

For now, Mod-u offers a useful way to rethink a familiar household purchase. A lamp is often treated as the finishing touch, something you choose after the room is settled. But rooms rarely stay settled for long, and neither do the people living in them. Odisho has made a light that acknowledges both changes. The eggshells give it a memorable story; the movable pieces give it a reason to stay. Between those two ideas, Mod-u makes a thoughtful case for keeping what we own interesting a little longer.

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This Roman Column Vase Treats a Single Stem Like the Main Event

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Flower vases are meant to put the focus on floral arrangements and disappear into the background. But while that may work for large bundles like a bouquet, more minimalist arrangements like the Japanese art of Ikebana will leave a single cutting looking abandoned in a large container. Column Vase is a concept that tries to address that dichotomy by offering a sculptural solution inspired by the most unlikely structures: harsh Roman columns.

It’s not like the iconic design structure was simply replicated and shrunken down. The vase doesn’t copy a Roman’s decorative capital or base, for example, and instead focuses on the cylindrical forms and vertical grooves that have become iconic of this architectural motif. The columns are seemingly cut up into different heights and attached at different points, creating a shape that is interesting even without the flowers.

Designer: Juhyun Lee

Of course, as living things, plants don’t always follow such neat arrangements, nor do they need to. One long stem can be inserted into the tallest cylinder, while shorter sprigs can be placed on the sides. A trailing leaf can even be left alone, creating a less formal but more natural arrangement. The contrast of the ceramic cylinder and the delicateness of the plants makes what would otherwise be a cold, dead object feel a little bit warmer.

One advantage of the modular design is that you don’t need a full arrangement to use it. Place a single module on your desk with a single flower, then bring out the rest and stack them up when you have more to display. On a narrow shelf, they take up separate spots instead of claiming one stretch of space.

Even the material helps with the architectural reference. Soil and sand are incorporated into the ceramic, giving its surface a speckled, slightly rough appearance that feels closer to stone than glossy tableware. The recycled material isn’t simply a detail for the product description, either. Its grain makes the cylinders look substantial beside a fragile blossom or a thin branch collected on a walk.

That material could have looked rather severe if every version were the same pale stone color. Instead, the concept explores shades including muted green, blue, warm terracotta, and off-white. The colors don’t erase the column reference, but they do make it easier to imagine these compact ceramic pieces on an ordinary desk or side table, rather than on a pedestal in a museum.

There are limits to what those slim openings can comfortably hold. A large bouquet might feel crammed into a collection designed for individual stems, and anyone expecting it to hold every bouquet could be disappointed. But if you tend to keep a few cuttings from the garden or a branch from a weekend walk, the smaller openings make that modest habit look intentional.

When there are no flowers around, the cylinders can still stand together as a small ceramic composition. Move one to another room when you find a stem worth keeping, then put it back when it’s empty. Column Vase makes that change feel natural, since the pieces can always be arranged again. Without a roof to hold up, these columns can afford to move around.

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MAKERphone 2.0 Assembles Like LEGO, Calls Like a Real 4G Phone

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Most phones arrive finished, sealed behind glass before you open the box. MAKERphone 2.0 flips that script. It ships as loose parts that only become a phone once you build it yourself: no soldering iron, no electronics background, just a screwdriver and about two hours. Once assembled, it’s a working 4G device that makes real calls and sends texts over a live network.

The build is what really sells the design. Every piece, from the board to the display to the numpad and to the joystick, clicks or screws into place. The entire endeavor is guided by an illustrated manual that reads like a LEGO instruction booklet, with video walkthroughs for anyone who gets stuck. By the time you finish, you’ve seen the processor, the modem, and the battery close, not used them.

Designer: CircuitMess

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Pop in a nano-SIM and the phone comes alive on 4G networks, handling calls and texts like any device off a shelf. There’s a music player, a photo and video gallery, a calendar, notes, and a handful of retro games loaded onto that small color screen. What’s missing says as much: no app store, no social feed, nothing designed to keep anyone scrolling past bedtime.

That absence is the whole appeal for anyone shopping for a kid’s first phone. It calls and texts the people a child needs to reach, without opening the door to an internet’s worth of distraction. When a kid wants a new app or game, the answer isn’t downloading one; it’s building it. Screen time stops being something to limit and starts being something to spend making.

That building happens inside VibeBoy, the phone’s companion coding studio that runs on a computer. Describe an idea in plain English, like a taco dodging falling pickles, and the AI writes code sent to the phone with one click. The goal isn’t to let AI do all the thinking but to let VibeBoy teach users to read that code, question it, and eventually rewrite it.

That teaching happens across four stages built into the same app. Beginners describe what they want and watch it appear on-screen, before moving on to reading and tweaking the Python code the AI generates. Eventually, they write their own Python and C++ from a blank file. Nobody stays at one skill level long; the ladder is designed so most people climb it faster than expected.

Six snap-on modules turn the phone into something closer to a small hardware platform than a single-purpose device. A camera module captures pixelated stills and video, a bigger speaker adds volume, and a flashlight adds utility. An environment sensor reads temperature and humidity, an infrared module controls other devices, and a bare perforated board lets anyone solder a custom circuit and plug it in.

A companion smartwatch called MAKERband follows the same idea, arriving as a kit to assemble rather than a sealed gadget. Once built, it pairs with the phone over Bluetooth and also works with iOS and Android, running 15 watchfaces and five mini-games out of the box. It connects to VibeBoy, so a custom watchface, say, a pixel cat that naps after 9 PM, is a prompt away.

The company behind it, CircuitMess, has spent years building kits like this from a small studio in Croatia. It has shipped hundreds of thousands of units to customers across more than 100 countries, developed dozens of products, and earned coverage from outlets like Wired and The Verge. Just as important, the MAKERphone 2.0 isn’t a rendering or an early prototype: the hardware is finished and ready for production.

What sticks with you isn’t any single spec but the sequence. A pile of components turns into a working phone, and that phone turns into whatever its owner decides to code next. Somewhere between the last screw and the first successful call, the device stops feeling like something you bought and starts feeling like something you actually built, one working call at a time.

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Power Banks Make You Pick a Size, Trozk T3 Lets You Build One

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Most power banks force a single decision at checkout: buy the huge one for peace of mind, or the tiny one for your pocket, and live with whichever tradeoff you picked. The Trozk T3 Module Power Bank refuses that choice entirely, building a charging system out of three separate pieces that snap together or peel apart depending on what the day actually calls for. Capacity becomes something you assemble, not something fixed at the factory.

Each piece plays a distinct role instead of just being a smaller copy of the whole. Module A holds the control button, the ports, and a charging cable that’s already built in, acting as the brain of the system no matter how many other pieces get attached. Module B adds a hefty 10,000mAh reserve for a full day of use, while Module C packs 5,000mAh into something closer to a lipstick tube than a battery pack.

Designer: Trozk

That size difference in Module C matters more than it sounds. On a day when a bag feels like overkill and a phone just needs a quick top-up before heading out the door, Module C alone plugs directly into a device without any cable dangling from a pocket. Add Module B back in for a commute or a work trip, and the same system scales up to 10,000mAh without buying a separate product for each scenario.

Stack all three together, and the full setup climbs to 15,000mAh, enough to get a phone through repeated charges during a long travel day or a weekend away from an outlet. Every configuration still charges at up to 22.5W over PD and QC fast-charging protocols, so swapping modules never means swapping down to a slower charging speed. The system scales in capacity without asking anyone to compromise on how fast a device actually fills back up.

Inside Module B and Module C sit automotive-grade 21700 battery cells, the same cell format used in electric vehicles, chosen here for the higher energy density that keeps output steady rather than tapering off as the charge drops. A flame-retardant PC housing rated UL94 V-0 wraps around that battery core, paired with overcharge, over-discharge, and short-circuit protection working together as a layered safety net rather than a single point of failure.

None of that hardware stays hidden behind a plain status light either. Module B carries an animated color display that shows total battery percentage alongside the status of each connected piece, turning what’s usually a boring number on a phone screen into something worth glancing at on a desk. Connecting different module combinations even triggers its own visual response, giving the display a bit of personality most charging bricks never bother with.

Owning one system that reconfigures itself changes how you think about packing a bag in the first place. Instead of choosing between a bulky charger you rarely fully use and a small one that runs dry too soon, the same three pieces cover both extremes and everything between them, snapping together only when the day actually demands the extra capacity.

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The Mac Mini Belongs on a Desk, This Build Runs It From Your Hands

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Most people who outgrow a Mac Mini just buy a bigger one. One builder went the opposite direction, gutting an M4 Mac Mini down to its bare motherboard and squeezing the entire machine into something you hold in two hands. The result runs full macOS, plays games with real controllers, and never touches a wall outlet, proving Apple’s desktop silicon was never actually tied to a desk in the first place.

The trick starts with restraint rather than miniaturization. Instead of ripping out Apple’s factory heatsink and blower fan to save space, the build keeps that original cooling setup intact, letting the M4 chip run demanding workloads without throttling under heat. The motherboard and its cooling system then slide into a custom 3D-printed shell nicknamed the Mac Nano, treating Apple’s silicon less like a sealed product and more like a component waiting to be rehoused.

Designer: Shing Solutions

That shell doesn’t bolt permanently into the cyberdeck’s body. It slides in and out on rails instead, resembling something closer to a Game Boy cartridge than a soldered motherboard. Pull it free, and the rest of the handheld, its screen, its keyboard, its controllers, stays behind as a shell ready for whatever core gets slotted in next, whether that’s a repair, an upgrade, or an entirely different chip generation down the line.

Up front sits a 7-inch touchscreen running at 120Hz, paired with a shrunken QWERTY keyboard that includes its own built-in touchpad. That keyboard began as a wireless accessory, but its battery got pulled and rewired to draw power straight from USB instead, trimming both weight and one more thing that could run out of charge mid-session.

Gaming input came from an unexpected donor. Circuit boards pulled from genuine Nintendo Joy-Con charging grips now sit on rails built into both sides of the cyberdeck, wired directly rather than paired over Bluetooth. Since macOS has no native support for wired Joy-Cons, Steam’s controller mapping layer bridges that gap, turning what looks like a stripped-down laptop into something that plays games with console-grade tactile controls in hand.

Wiring that many peripherals into one small chassis created its own bottleneck. The fix came from combining two miniature USB splitter boards into a single custom three-port hub, stripped of their bulky original connectors to fit the tight internal layout. A bank of rechargeable cells rounds out the build, feeding a custom power delivery setup that keeps the whole machine running for hours without a cable in sight.

None of these choices were about making the smallest possible Mac Mini. They were about proving a desktop chip could be pulled apart, rehoused, and handed a battery without losing what made it worth owning in the first place. That kind of modular thinking, where the computer becomes a swappable cartridge rather than a sealed box, points toward a version of portable computing that upgrades in pieces instead of getting replaced whole.

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Finally, One Tower Replaces Your Speaker, Lamp, and Wine Fridge

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Anyone who has tried to furnish a studio apartment knows the specific defeat of running out of surfaces before you run out of gadgets. The speaker needs an outlet and a shelf. The lamp needs its own corner. The mini fridge for wine wants counter space that doesn’t exist. Each object is fine on its own, but stacked together on a single console table, they start to look like a garage sale that lost an argument with a design magazine. That is the exact problem South Korean designer Jung Hyun Kim set out to solve with Babel, a concept he built for people who live in small rooms but refuse to shrink their idea of what home should feel like.

Kim designed Babel for a very specific and very real slice of the population, twenty somethings through mid thirties starting their independent lives in modest apartments, often around 500 to 550 square feet, the kind of footprint that is common from Seoul to Brooklyn to any first apartment in a city with real rent. His answer wasn’t to make each device smaller. It was to stop thinking about furniture and electronics as separate categories entirely, and instead build a single vertical column where every function gets its own segment, stacked like a totem instead of scattered like clutter.

Designer: Jung Hyun Kim

The tower reads almost like a figure standing in the room. At the top sits an eye shaped ambient lamp, its lens glowing warm and soft, the kind of light you’d want next to a couch at eleven at night. Below that, a red, fabric wrapped module houses the main speaker drivers, angled like a face with two eyes looking back at you, which is a genuinely clever piece of anthropomorphism for an object meant to live in your peripheral vision all day. The tapered midsection functions as the control hub, complete with a discreet volume display, and the whole thing terminates in a rounded black base that turns out to be a hidden drawer, a small cooling compartment for a couple of wine bottles. Four completely different jobs, one silhouette.

What makes this more than a novelty is the modularity built into the stacking logic. Nothing about Babel demands you use all four segments in one order. You can pull pieces apart, rearrange them, or run just the parts you need that week. A studio dweller might want the lamp and speaker without the bar module. Someone hosting more often might stack the drawer higher for easier reach. The design treats a small home the way a good capsule wardrobe treats a small closet, fewer pieces, each one doing more, none of them wasted.

I like that Babel doesn’t pretend the solution to small space living is owning less. It assumes you still want a good lamp, a good speaker, and a cold bottle of wine within reach, and it simply refuses to let those wants cost you three separate footprints. That feels more honest than most minimalist design advice, which tends to ask people to want less rather than design better. The name is a nice touch too, a nod to the biblical tower where many languages tried to reach the same point, which tracks neatly onto a product where lighting, sound, cooling, and control all speak different technical languages but rise from the same base.

Whether Babel ever becomes a shippable product is beside the point right now. It exists as a Behance concept, a portfolio piece from a designer who clearly thinks in systems rather than single objects, and that thinking is worth paying attention to regardless of manufacturing timelines. Apartment living isn’t getting more spacious anywhere, and the appetite for objects that look intentional rather than accumulated is only growing, especially among people who grew up curating every shelf for how it photographs. A stacked, sculptural answer to gadget clutter fits that mood perfectly.

Babel won’t fit every home, and a four function tower is a commitment, not an impulse buy. But as a piece of thinking about how to live well in less square footage, it’s one of the more clear headed ideas I’ve seen come out of a design program in a while. Sometimes the fix for too many objects isn’t fewer objects. It’s better posture.

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