PlayStation 5 Prism Collection revives the nostalgia of see-through designs in a modern interpretation

The iconic see-through trend of the 90s saw many big brands dress up their most trusted products in translucent hues. For me, that was the coolest era of gadgets from an aesthetics point of view. Remember how cool the iMac G3, Game Boy, Nintendo, and the portable CD players looked?

Sony found it hard to resist diving deep into the nostalgia of transparent gadgets, and they’ve finally revealed the official see-through DualSense wireless controller and face plates for the PlayStation 5 console. Dubbed the Prism Collection, the accessory for your gaming console revives the trend in a modern way just in time for the mega release of GTA 6. According to the PlayStation’s design team, the collection is developed in response to fans’ eagerness for the return of transparent designs in their PS5 setup.

Designer: PlayStation

These translucent controllers and the matching console covers bring a futuristic interpretation of Sony’s trusted gaming machine. The specifications and the hardware inside the three new colored controllers remain the same, with each one priced $15 more than the standard models. The high-gloss treatment on the controllers reveals the innards and the structural assembly, which is dope to look at. They are available in Flare Orange, Emerald Green, and Graphite Gray. I like the Emerald Green, which has a very deep hunter green hue with a touch of smoothness. Show me the understated Graphite Gray in a very smoky yet cool tone, and I’m surely going to buy that one as the second controller for my buddies to play with.

Sony has kept the central metallic panel opaque for a contrasting design ethos and to add a refined industrial touch to the controllers. According to PlayStation, “We wanted to bring back the iconic see-through trend of the late ’90s in a fresh, modern way that complements the PS5’s industrial design.” For the console covers the complementing face plate hues bring the PS5 to life.

The Prism Collection DualSense controllers and their matching console covers are set to arrive on February 4, 202. Pre-orders are going to kick off on November 10, so you better mark your calendars. The controllers will be priced at $85, and the console covers come for $75. For those looking to get new DualSense controllers for their setup, this is a no-brainer. The console covers are an option that you can weigh in on if you have some spare cash to buy goodies.

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A Tiny Japanese Pavilion Has Hidden Benches and Twig Locks

Stopping for a few minutes shouldn’t always require buying a coffee. Yet a walk through a neighborhood can offer plenty of places to spend money and surprisingly few places to simply sit. I have a soft spot for design that takes that small inconvenience seriously. A bench might not sound like an ambitious architectural assignment, but giving people somewhere to pause is a worthwhile starting point.

Japanese practice dobedo studio approaches that problem with ehho!², a built, portable pavilion whose wooden sides fold down into benches. Two people carry the structure between locations, bringing seating to wherever it stops. Its materials come from an agricultural barn dismantled in Gunma Prefecture, Japan. Reclaimed boards, structural logs, corrugated iron, and hand-woven ropes give pieces of that building another job, this time at a much smaller scale.

Designer: dobedo studio

The folding panels are the central design move. Closed, they form the sides of a miniature building beneath a curved metal roof. Lowered on their hinges, they become exterior seats and open the structure to people around it. I like how plainly the transformation communicates its purpose. You don’t need to understand the project’s architectural references to recognize that a wall has become somewhere you’re welcome to sit.

That change also reveals a crimson-painted interior. The studio connects the color to local red spider lilies, known as higanbana, giving the pavilion a reference to its surroundings beyond the reclaimed materials. It’s a welcome interruption to the weathered exterior. An entirely muted palette would have been the obvious choice here, but the red makes opening the panels feel like a deliberate reveal rather than a purely practical operation.

The transportation method takes inspiration from the traditional Japanese kago, a hand-carried palanquin. Here, the passengers arrive after the carrying is over. Two people move the pavilion, then unfold its seating for others to use. There’s an appealing social logic to that sequence, although it also establishes a real constraint. This is portable architecture that needs cooperation, not something one person casually picks up on the way out the door.

My favorite detail is considerably smaller: pieces of tree branch serve as latch pins, holding the folding panels closed during transport. According to the studio, a lost pin can be replaced with a suitable fallen twig. That’s an unusually approachable replacement strategy. Rather than requiring an exact proprietary component, the mechanism allows some flexibility in what can do the job. “Suitable” still matters, of course. Any random stick shouldn’t be assumed to secure a moving structure safely.

The material reuse is similarly direct. Corrugated iron becomes the curved roof, while reclaimed timber forms the pavilion’s structure and panels. Their previous life remains part of the project without preventing a different use. I prefer that approach to treating every salvaged board as too precious to alter. Keeping old materials useful can involve cutting, painting, and rearranging them, not simply displaying their age.

It would be easy to imagine ehho!² at a neighborhood gathering or a temporary street event. Those are possibilities, not documented applications, and a successful outing would depend on more than its charm. Weight, carrying distance, seating capacity, and stability on uneven ground would all influence where it makes sense. Accessibility deserves attention, too. An inviting appearance alone doesn’t establish that a seat will work comfortably for everyone who might need it.

Still, I don’t think an experimental pavilion has to answer every public-furniture question to offer a useful observation. Fixed benches serve an essential purpose, but temporary gatherings can create a need for seating elsewhere. Bringing an entire little structure rather than a stack of chairs adds complexity, yet it also creates a recognizable meeting point. The architecture gives the stop an identity.

That feels like the most persuasive reason for ehho!² to exist. It makes a place to pause out of materials from a building that could no longer stay standing. The hinges let it welcome people; the carrying arrangement limits how easily it gets there. Between those two facts is a modest, thoughtful experiment in where a bench can belong.

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Arctic Fox’s Super Mouse Doubles as a Touchscreen Control Console

Computer mice have gained extra buttons and faster sensors, but most still leave the complicated work to your keyboard. Arctic Fox’s Super Mouse takes a rather different approach, putting a 3.1-inch touchscreen where you’d normally expect a plain palm rest. The idea is to bring shortcuts, quick typing, and even your calendar onto the device sitting underneath your hand throughout the working day.

That screen gives the mouse an unusual silhouette, closer to a tiny control console than the rounded pebble many of us are accustomed to. A broad, almost rectangular body has flared sides, with conventional click buttons and a black scroll wheel at the front. Yellow, white, and gray finishes offer personalities, although the yellow version isn’t interested in disappearing into your desk.

Designer: Arctic Fox

The 720×720 display changes what those fingers can do once they’ve finished clicking. Through the Flow app, you can build layouts for different programs, assign shortcuts, and create macros for repeated tasks. A designer could keep editing commands nearby, then switch to playback controls for another project. Two physical Hyper Keys offer another way to trigger commands without tapping the glass.

That same surface can become a multitouch trackpad, letting you navigate without sliding the mouse around. An on-screen keyboard offers swipe typing for short messages or quick edits, though squeezing a keyboard onto a mouse doesn’t make it a sensible place to write a novel. Arctic Fox promises haptic feedback, giving touchscreen interactions a physical response instead of relying on visual confirmation.

There’s more ordinary housekeeping tucked into that little screen, too. Google Calendar integration is intended to put appointments and reminders within reach, while a calculator saves you from opening another window just to check a number. The Rapid Task feature goes further, launching multiple browser tabs together. Preparing a familiar workspace could become one action, rather than the same routine repeated every morning.

Some controls don’t involve the screen at all. Built-in microphones support voice-to-text for notes or labels, while gyro controls let tilting and rotating the mouse trigger commands for presentations or media. These are different ways of interacting with the same object, rather than more buttons to memorize. Their usefulness, however, depends on how reliably the software translates those movements and spoken words.

The Super Mouse connects through a USB-C cable, with Windows and macOS listed as supported platforms. Flow handles the customized layouts and integrations, so this isn’t a miniature computer you can use independently. That cable might feel rather old-fashioned beside the colorful touchscreen, but it also makes the relationship clear. The software behind the screen matters as much as anything you can press.

Of course, putting more controls underneath your hand doesn’t automatically make them any easier to use. Reading a calendar or choosing an unfamiliar shortcut still means looking down, and that broad screen changes where your palm can rest. The interesting test will be finding which tasks deserve a place on the mouse before another collection of tiny icons becomes its own distraction.

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5 Halloween-Inspired Designs to Get You Into the Spooky Spirit

Halloween decorating doesn’t have to mean covering every surface in cobwebs. Sometimes one particularly playful object does more for a room than a box of props, especially when its seasonal personality comes from its shape or how it works. That’s the appeal of a design that invites a second look, then gives you something to do beyond finding a place to put it for a few weeks each October.

Here, Halloween becomes a reason to look more closely at ordinary objects, from lighting and cookware to the things we display for pleasure. Each selection has a recognizable seasonal connection and a design decision worth discussing beyond its appearance. These are established designs chosen for this collection, not five new launches or products we’ve tested. Some are limited-availability, so treat the selection as inspiration rather than a last-minute checklist.

1. Mood Lamp Brachio

Brachio’s approach to Halloween is to hide from it. Small Splash’s mood lamp, developed with Joguman Studio, takes the shape of a little dinosaur sheltering beneath a sheet. Switched off, it reads as a pale, ghostly mound, with a tail peeking out behind. Switch it on and Brachio’s illustration becomes visible through the surface. The designers cite the lithophane technique as their starting point, using illumination to reveal the character instead of simply lighting up an already obvious cartoon figure.

This is the gentlest Halloween selection here. Its joke comes from the suggestion of a ghost costume, not fangs or skeletal anatomy, making it an appealing direction for anyone who prefers a playful corner to a haunted room. The tail matters because it gives the disguise away before the light does. For a bedside table or quiet shelf, that small narrative feels more considered than a generic ghost with a face stuck on.

What we like

  • Illumination reveals the character rather than merely lighting its exterior.
  • The exposed tail adds personality even with the light off.

What we dislike

  • Current US retail availability remains unconfirmed.
  • The original project documentation doesn’t establish brightness or electrical specifications for a purchase decision

2. PyroPet Kisa Cat Candle

PyroPet Kisa Cat Candle - Black

At first, Kisa looks like a black cat reduced to a series of angular planes. Light the wick, and that silhouette starts to disappear, revealing an aluminum skeleton inside. Designed by Icelandic designer Thorunn Arnadottir for the PyroPet collection, the candle makes melting part of its subject rather than something to disguise. The appeal is deliciously macabre: you buy an animal-shaped candle knowing its most interesting feature won’t become visible until you’ve begun destroying the exterior that gives it character.

That transformation makes Kisa a particularly good fit for Halloween, although it demands more attention than an ornament. 54Celsius recommends a plate at least eight inches across to catch the melting wax, warns that the exposed skeleton becomes hot, and specifies keeping the wick trimmed to a quarter inch. It’s an unscented paraffin candle, so the attraction is the changing form rather than fragrance. Give it a clear, supervised spot where the reveal can unfold without competing with other decorations.

What we like

  • The skeleton reveal makes melting part of the design.
  • Angular cat silhouette works as an unlit ornament.

What we dislike

  • Melting wax needs a suitably sized plate.
  • The exposed metal becomes hot during burning.

3. LEGO Tim Burton’s The Nightmare Before Christmas

LEGO’s official The Nightmare Before Christmas set turns Halloween Town into a collection of crooked buildings and theatrical silhouettes. The 2,193-piece kit connects Spiral Hill, Jack Skellington’s house, and the Halloween Town Hall, giving fans three recognizable settings rather than a single facade. It’s the architecture that earns its place here: steep roofs and the curling hill make the scenery feel as eccentric as its residents. Jack, Sally, and the other included characters supply the cast for your miniature display.

For someone who enjoys making their decorations, the assembly is part of the seasonal appeal. Details such as Jack’s Christmas formula and the walking bathtub reward closer inspection once the buildings are complete. The separate models also give you more freedom to arrange a scene than a fixed, one-piece ornament would. There’s a practical catch for prospective builders: LEGO’s US store currently lists the set as sold out and retiring soon, so this is no straightforward last-minute purchase for Halloween.

What we like

  • Crooked architecture gives the display character beyond its minifigures.
  • Connectible models offer flexibility when arranging the scene.

What we dislike

  • A 2,193-piece build requires assembly rather than instant decorating.
  • Currently sold out at LEGO’s US online store.

4. OTOTO Gracula Garlic Crusher

Gracula is a vampire with an unlikely appetite for garlic. Designed by OTOTO in collaboration with Lilach Eytan, the plastic crusher splits into two parts: open it, add peeled cloves, close it, and twist. Its black hair and pale face form the upper section, while the body becomes the container below. That arrangement gives the character an actual job. You’re turning his head to prepare dinner, which is a better reason for the vampire styling than simply decorating a handle.

This is the small, useful choice for a Halloween kitchen, particularly if your enthusiasm runs to cooking rather than decorating. It can join the meal preparation instead of waiting on a shelf for somebody to notice it. OTOTO specifies hand washing, and you still need to peel the garlic before loading it. Those are ordinary compromises, but worth remembering when a novelty tool promises convenience. The design’s strongest feature is its humor; crushing effort and cleanup would need hands-on assessment.

What we like

  • The vampire’s head doubles as the twisting control.
  • Its function gives it a reason to stay beyond Halloween.

What we dislike

  • Hand washing is required.
  • Garlic cloves must be peeled before loading.

5. Le Creuset Signature Pumpkin Cocotte

Le Creuset’s Signature Pumpkin Cocotte takes the less sinister route into Halloween. Its ribbed, enameled cast-iron body resembles a pumpkin, finished with a sculptural stainless steel knob shaped like a stem. There’s no painted face or cartoon expression to date it to one evening. Instead, the seasonal form wraps around a working cooking vessel intended for soups, stews, braises, and baking. It makes sense for a dinner table where the food, rather than a centerpiece beside it, deserves the attention.

For cooks, the useful specifications sit beneath the pumpkin styling. Le Creuset lists compatibility with all cooktops, including induction, and an oven limit of 500°F, with no seasoning required for the enameled surface. That gives it a role beyond serving candy or dressing up a shelf. At $395 on the US manufacturer site, though, it’s a substantial cookware purchase, not an inexpensive seasonal accent. Choose it because you want the pot, with the autumnal shape as the attraction that follows.

What we like

  • Cookware and a serving centerpiece in the same object.
  • Induction compatibility and an enameled surface that requires no seasoning.

What we dislike

  • The $395 price makes this a considered cookware purchase.
  • Hand washing is recommended.

Editor’s Choice: Chouchin Lantern Candle

The Chouchin Lantern Candle brings a quieter kind of atmosphere to the Halloween table. Designed by James Kaoru Bury and handcrafted in Kurashiki, Japan, it takes its ribbed silhouette from traditional paper lanterns. Different melting points in the inner and outer wax allow the center to burn down while the exterior remains. As the flame descends, the candle’s body becomes a glowing shell, turning the wax into part of the lighting effect rather than fuel alone.

This is an atmospheric addition rather than a Halloween-themed object. Its appeal here is the gradual reveal: the shop says the flickering flame becomes visible through the ribbed wax as it burns inward. Set it on a dinner table with suitable clearance, and let candlelight establish the mood without another pumpkin or plastic skeleton. The lantern reference also gives it a reason to stay on display once the seasonal decorations come down.

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What we like

  • Different wax melting points create an evolving lantern effect.
  • The traditional lantern form suits decorating beyond Halloween.

What we dislike

  • The full lighting effect develops gradually rather than appearing immediately.
  • An open flame requires supervision and safe clearance from decorations.

Let One Object Do the Decorating

Before adding anything seasonal, decide where it will live and what you’ll ask it to do. A display piece needs a good sightline; a kitchen tool needs to fit your routine; a candle needs a safe place to burn. That distinction matters more than matching everything to a color scheme. One object with a clear purpose can be enough to suggest Halloween without turning your whole home into a set.

The other decision is what happens in November. If you want something permanent, give usefulness more weight than the costume. If you want a brief spectacle, accept the setup and cleanup that come with it rather than pretending they’re incidental. Neither approach needs a roomful of purchases. The most satisfying choice is the one whose joke, function, or transformation you genuinely enjoy, even after the seasonal excitement has worn off.

The post 5 Halloween-Inspired Designs to Get You Into the Spooky Spirit first appeared on Yanko Design.

Unreal Engine Now Integrates with Claude AI for 3D Worlds

Unreal Engine Now Integrates with Claude AI for 3D Worlds A walkable 3D environment generated using Claude AI code features

Claude, developed by Anthropic, can help users create 3D virtual environments by generating code and supporting workflows in platforms such as Blender and Unreal Engine. It simplifies traditionally complex development tasks, including scripting and procedural modeling, which often require advanced technical expertise. For instance, users can work toward constructing a detailed virtual castle or recreating […]

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