Gemini can now draw on your Google data to personalize the images it generates

Your Google Photos library could soon influence the kind of images you can generate with Gemini. After letting users personalize the AI assistant's responses with data from Gmail, Search and YouTube, Google says it's bringing that same "Personal Intelligence" to Nano Banana 2 to make it easier for users to create personalized images with the AI model.

The goal is to have the data affiliated with your Google account — your YouTube history, emails, Google Photos, etc. — provide context to Nano Banana 2 so you don't have to. Rather than prompting Gemini's image generation model with information about you or photos of your belongings, a direction to "create a picture of my desert island essentials" should produce an image that includes the things you care about without any extra context. Similarly, if you use labels in Google Photos to identify people or pets, you can tell Gemini to "create a hand-drawn illustration of mom," and it should be able to use Google Photo's labels to find the right reference photo and create an image of the right person.

A gif of someone generating an image with Gemini using Personal Intelligence.
Google

If Gemini creates images that don't look right, you can still send a follow-up prompt to refine the result, or select a new source image from Google Photos with the "+" button. Google says you can also click the "Sources" button to view what images the AI referenced in the first place, or ask it directly for the attribution and sources used for a specific image.

Personalized user data is one of the unique advantages Google has over companies offering competing AI assistants, so expanding Personal Intelligence to an already popular feature like image generation is a natural way to build on that lead. For now, this more personalized version of Nano Banana 2 is available in the Gemini app for eligible AI Pro and AI Ultra subscribers. Google says the feature will come to Gemini in Chrome and other users "soon."

This article originally appeared on Engadget at https://www.engadget.com/ai/gemini-can-now-draw-on-your-google-data-to-personalize-the-images-it-generates-160000269.html?src=rss

The first real trailer for the Street Fighter movie is filled with crowd-pleasing moments

We finally have a real-deal trailer for the upcoming Street Fighter movie, after a short teaser dropped at The Game Awards last year. This is nearly three minutes of fighting, silly dialogue and, of course, Easter eggs from the games.

To the latter point, there's a scene of Ken beating up a car like in the bonus stages from Street Fighter II and footage of Ryu powering up one of his famous Hadoken fireballs. There's even a cheeky reference to Chun-Li's notoriously-large and powerful thighs. This is all helped along by the fact that the actors all look very silly and mostly accurate to the games.

The plot looks to be fairly standard for this type of adaptation. There's a big, important fighting tournament and Chun-Li is recruiting people from around the globe, acting like the franchise's Nick Fury or something. Ken and Ryu are beefing, M. Bison is involved in a criminal conspiracy (big surprise) and everyone else is punching and/or making snarky asides. It looks campy as hell, which is a good thing.

Street Fighter is directed by Kitao Sakurai, who made the film Bad Trip and was heavily involved with The Eric Andre Show. It hits theaters on October 16.

The cast is actually stacked. Noah Centineo and Andrew Koji lead the film as Ken and Ryu, but Jason Momoa is playing Blanka and Curtis '50 Cent' Jackson is portraying Balrog. Other actors involved include David Dastmalchian, Callina Liang, Cody Rhodes and Orville Peck.

This is the third attempt at a live-action Street Fighter adaptation. The 1994 film is famous for Raul Julia's iconic performance as M. Bison and 2009's Street Fighter: The Legend of Chun-Li is famous for being very bad.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-first-real-trailer-for-the-street-fighter-movie-is-filled-with-crowd-pleasing-moments-153145868.html?src=rss

Meta isn’t setting its Oversight Board free just yet

The Oversight Board — the policy body Meta created to weigh its most impactful moderation rulings — has seen its role within Mark Zuckerberg's empire come into question due to shifting content policy priorities and dwindling investment. The Oversight Board has taken steps to formalize its long-contemplated desire to work with other companies, but Engadget has learned Meta has thus far declined to move forward with that process. 

Over the last year, board members have become increasingly interested in artificial intelligence policy and how their experience shaping Meta's content rules could translate into advising companies in the generative AI space. That interest has intensified as some AI companies have privately signaled they would be open to working with the board, according to a source familiar with the organization who was not permitted to speak publicly. The board began talks with Meta last fall about the possibility, which would require the company to sign off on changes to the legal documents that govern the board's operations. But Meta officials have not indicated whether the company is willing to make those changes, which would likely require approval from top executives. 

Platformer, which first reported on Meta's budget negotiations with the Oversight Board, noted that the company "has long encouraged the board to seek additional funding sources." So far, no other company has publicly shown interest in working with the group, though the board has had conversations with other firms behind the scenes. 

Oversight Board co-chair Paolo Carozza told Engadget in December that there had been "really preliminary" discussions between the board and AI companies, though he declined to name which ones in particular. "It feels like quite a different moment now, largely because of generative AI, LLMs, chatbots [and] the way that a variety of retail-level users of these technologies are facing a whole new set of challenges and harms that's attracting a lot of scrutiny," he said at the time. 

Meta has readily agreed to amend the board's governing documents in the past — like when the trust that controls the Oversight Board's budget funded a new organization to mediate content moderation disputes in Europe. While Meta executives once promoted the idea of its ostensibly independent Oversight Board working with other social media platforms, the prospect of the group working with a competitor as it pursues AI superintelligence is apparently more complicated. 

Over the last five years, board members have received briefings from officials at Meta about the inner workings of its moderation systems and other non-public details as part of their work with the company. That raises practical questions about how the board would safeguard Meta's proprietary information, as well as larger strategic questions about whether Meta would want its Oversight Board to work with some of the companies it's now fiercely competing with, the source said. It's not clear how invested Meta's current leadership is in ensuring a future for the board. Former president of global affairs Nick Clegg, who was one of the most vocal champions of the board's work, left the company last year.

Meanwhile, other board members have publicly made the case that the group, which consists of free speech and human rights experts from around the world, is well-positioned to guide AI companies grappling with an increasing number of real-world harms. When Anthropic published a "Claude Constitution" earlier this year, the board published a lengthy analysis from member Suzanne Nossel arguing that Claude also needed the kind of "oversight" the board has provided for Meta. She made a similar argument for the wider AI industry in an op-ed in The Guardian last month.

While Nossel denied that she was directly pitching the Oversight Board to Anthropic, she said that AI companies face many of the "same dilemmas" as social media platforms. "When the board was first created, there was the notion that we might work across the industry," she told Engadget. "Now, as the world shifts toward an AI-centric paradigm, we're very interested in what our experience can bring to that conversation." 

Oversight Board members, who naturally have a vested interest in expanding their purview, aren't the only members of the industry who have warned that generative AI platforms are essentially speed-running social media companies' playbook. A former OpenAI researcher recently wrote that "OpenAI Is Making the Mistakes Facebook Made," citing the AI company's moves toward optimizing for engagement and its plans for in-app advertising. The researcher cited Meta's Oversight Board as an example of the kind of independent governance that's needed in the AI industry.

The question of working with other companies has taken on new urgency as the Oversight Board faces the possibility that it will lose its backing from Meta. In a statement, a Meta spokesperson pointed to previous reports that Meta has committed to funding the board through 2028 and said that "nothing has changed." But a source familiar with the board tells Engadget that Meta has so far only handed over half of the smaller tranche of 2028 funds to the board amid ongoing discussions about its future, including whether it will expand its purview beyond Meta. 

There are also very real questions about how the Oversight Board fits into Meta's current strategy around content moderation. Zuckerberg announced last year that Meta was shifting away from most proactive moderation, ending fact-checking in the United States and rolling back hate speech rules. Zuckerberg himself reportedly led the push for these changes following a meeting with then President-elect Donald Trump. The Oversight Board, which Meta has sometimes asked to advise on major policy changes, was not consulted. The company recently said it plans to reduce the number of human moderators in favor of AI-based systems.

"The Oversight Board is currently engaged in meaningful discussions with Meta regarding its future and the evolution of its model to ensure the organization can address the most urgent emerging challenges in AI governance, standards, and accountability," an Oversight Board spokesperson said in a statement. "At this time, no decisions have been made about the Board’s future, and the organization’s day-to-day work and mandate remain unchanged.”

Critics have long said that the board, which has received more than $280 million from Meta, moves far too slowly. In a little more than five years of operation, the board has published more than 200 decisions about specific moderation issues, which Meta is required to uphold. Those decisions — a tiny fraction of the millions of requests it receives — can take months, though the board can opt to move more quickly. The board has also made hundreds of policy recommendations, which Meta has to respond to but isn't required to implement. The company has agreed to at least some changes in response to 75 percent of recommendations, according to the board. 

For the Oversight Board, working with a company besides Meta would begin to address some of the challenges it now faces. It would boost the group's credibility at a time when Meta seems to be re-evaluating its relationship with the board, and it would open up the possibility of new sources of funding. But the situation underscores another long-simmering tension when it comes to the role of the "independent" oversight organization. Meta has always been in control of how much influence the group can actually have. And it's not clear that the company is ready to let the board, which has spent the last five years learning the minutiae of Meta's content moderation and policy processes, advise the companies it's now competing with.

During its work with Meta, the Oversight Board has weighed in on its rules for AI several times. The board has criticized the company's "manipulated media" policy that governs deepfakes and other content, which led to Meta adopting new rules around AI labeling. In its most recent decision dealing with AI, the board urged Meta to invest in better AI detection tools and to collaborate more closely with other platforms. The company has not yet formally responded to those recommendations. 

This article originally appeared on Engadget at https://www.engadget.com/social-media/meta-isnt-setting-its-oversight-board-free-just-yet-153000172.html?src=rss

Dozie Kanu Just Turned His Life Story Into Tables for Knoll

A table is just a table until it isn’t. That’s the kind of thinking that gets lost in a lot of design conversations, where we spend so much time talking about materiality and silhouette that we forget to ask what an object is actually carrying. The Dozie Kanu Table Collection for Knoll, debuting at Salone del Mobile 2026, makes that question impossible to ignore.

Kanu is an American artist who grew up in Texas with Nigerian immigrant parents. That detail matters enormously here, because it shaped a perspective that doesn’t fit neatly into any one cultural box. He’s spoken openly about the displacement that came with that upbringing, about not being fully accepted by the Black community, about existing in-between. “Growing up in Texas with Nigerian immigrant parents, I was not fully accepted by the Black community… it created a feeling of displacement. And that feeling is everywhere in my practice.” And that sense of in-between-ness is exactly what makes his design language so compelling to look at.

Designer: Dozie Kanu for Knoll

The collection itself is three pieces: a console, a coffee table, and a side table. All three are built with taut leather surfaces and rounded steel rod edges, and all three trail floor-length leather tassels that move with a life of their own. The tassels are the thing that catch your eye first, and they’re meant to. They pull from African drums, from African ceremonial dress, and from the fringed leather jackets of Texas cowboy culture. That last reference might seem like an odd pairing, but that’s kind of the point. Kanu isn’t choosing between his influences. He’s letting them coexist.

Available in two colorways, bronze and a dark grey manganese, the pieces have a quiet formality that makes the tassels even more striking. The restraint of the forms makes the ornamentation feel intentional rather than decorative. You don’t look at these tables and think “maximalism.” You think “precision.” The tassels earn their place because everything else is so considered.

Knoll, for the record, is not a brand that takes collaborations lightly. Their roster has historically included Eero Saarinen and Mies van der Rohe, which means choosing Kanu for this moment says something. It says they’re paying attention to who’s shaping the conversation around contemporary design. Kanu, who has built a practice across sculpture and installation, is exactly the kind of artist who brings a point of view that doesn’t get diluted in the translation to mass production. His own framing of the work says it perfectly: “It’s not screaming ‘identity’ or ‘autobiography.’ But the best thing I can do is make what I know.”

That line is worth sitting with. We’re living through a design moment where cultural narrative has become something of a selling point, and there’s a real risk of it becoming performative. What Kanu is doing feels different. It’s not a press release in object form. It’s more like a very personal shrug that happens to be beautiful. The tassels don’t announce themselves as symbols. They just exist, and they carry the weight of a story without demanding that you read it.

Running alongside the Knoll launch, Kanu also has an installation at ICA Milano in collaboration with the Nicoletta Fiorucci Foundation, featuring a structure built from reinforced cardboard. It’s a reminder that his practice spans a lot of registers, that the tables and the gallery work are part of the same ongoing conversation he’s having with himself. I appreciate that kind of consistency in an artist. You can feel the through-line even when the mediums are completely different.

If I’m being honest about what this collection does to the broader design conversation, I think it’s a useful reminder that furniture doesn’t have to be neutral to be functional. A table can have a perspective. It can come from somewhere very specific without being inaccessible. And when a brand like Knoll gives that kind of work the platform it deserves, the results are worth paying attention to far beyond the walls of Milan Design Week. Dozie Kanu’s tables are at Salone del Mobile 2026. They move when you walk past them. And they’ve got a lot to say.

The post Dozie Kanu Just Turned His Life Story Into Tables for Knoll first appeared on Yanko Design.

Anna’s Archive told to pay Spotify and record labels $322 million over unprecedented music scraping

The open-source library and search engine Anna’s Archive has been ordered to pay Spotify and the three of the world’s largest music labels $322 million in damages after it claimed to have scraped the entirety of the streaming platform’s library of music.

Spotify, Universal Music Group, Warner Music Group and Sony Music Entertainment, sued Anna’s Archive in January for a slightly comical $13 trillion. They alleged Anna's Archive had illegally scraped 86 million songs — a significant chunk of all the music on the planet — and intended to make them available for download via BitTorrent. At the time, Spotify called the scraping a "brazen theft of millions of files containing nearly all of the world’s commercial sound recordings."

In a since-deleted blog post, Anna's Archive stated the scraping was an act of preservation. Still, a New York federal judge sided with the plaintiffs after the archive's anonymous operator failed to respond to the lawsuit.

The court order finding Anna's Archive guilty of direct copyright infringement, breach of contract and violation of the Defense Contract Management Agency (DCMA) was filed on April 14. A further claim of violation of the Computer Fraud and Abuse Act (CFAA) was dismissed by the judge.

The total breakdown of damages includes $7.5 million to each of Sony and Universal Music and $7.2 million to Warner Music, with the remaining $300 million going to Spotify. The latter figure amounts to $2,500 for each of the 120,000 scraped music files already made available by Anna’s Archive. The remainder of the 86 million files were due to be released to the public at a later date.

The court also ordered Anna’s Archive to "immediately destroy all copies and phonorecords of any work ‘scraped,’ downloaded, copied or otherwise extracted from Spotify," but whether it actually does this, or indeed hands over a penny of the damages, remains to be seen. The bizarre reality of this case is that the person (or people) behind Anna’s Archive remains a mystery.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/annas-archive-told-to-pay-spotify-and-record-labels-322-million-over-unprecedented-music-scraping-151034032.html?src=rss

Bluesky blames DDoS attack for server outages

Bluesky is once again having a wobble. The platform said some of its systems are down and that it’s “investigating an incident with service in one of our reginos” (that’s Bluesky’s typo, not mine). The issue appears to have started at 1:42AM ET and was still persisting as of 11AM when this story was originally published. Since then, the site has been experiencing intermitent interuptions, including at times to its status page where users should be able to monitor outages.

At 7:47PM ET, the platform explained that it’s been attempting to mitigate “a sophisticated Distributed Denial-of-Service (DDoS) attack, which intensified throughout the day.” It said the attack had caused interruptions to users’ feeds, notifications, threads and search, all of which the Engadget team experienced first-hand at various points through the day. While DDoS attacks are frequently used as virtual smokescreens for hacks, Bluesky says it has “not seen any evidence of unauthorized access to private user data.” The social media service had another brief outage earlier this month.

In a later update on April 17, Bluesky noted that the DDoS attacks are “ongoing” but that the service has been stable since about 9PM PT last night. The company also reaffirmed that it hasn’t seen any evidence of access to user data. The next update is set to arrive by end of day Friday.

Update, April 17, 12:47PM ET: This story was updated with Bluesky’s latest outage update.

Update, April 16, 8PM ET: This story was updated after publish with an of the outage from Bluesky.

This article originally appeared on Engadget at https://www.engadget.com/social-media/bluesky-blames-ddos-attack-for-server-outages-150515882.html?src=rss

Samsung Galaxy Z Fold 8: July 22 Unpacked Date and London Venue

Samsung Galaxy Z Fold 8: July 22 Unpacked Date and London Venue A stylus resting near a foldable display, illustrating the rumored S Pen comeback on Galaxy Z Fold 8.

Samsung has officially announced its next Unpacked event, set to take place on July 22 in London. This highly anticipated event will showcase the latest additions to Samsung’s foldable lineup, including the Galaxy Z Fold 8, Galaxy Z Wide Fold, and Galaxy Z Flip 8. These devices promise to deliver substantial improvements in design, performance, […]

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Meta Quest headset prices are going up on April 19

The RAM crisis has prompted another company to jack up hardware prices. Meta says it will be increasing the price of Quest headsets on April 19. The Meta Quest 3 will get a $100 hike to $599, while the Quest 3S will be $50 more expensive at $350 (for a version with 128GB of storage) and $450 (256GB).

Meta is blaming the increases on the rising costs of RAM, which has skyrocketed in price due to a shortage of chips as AI companies gobble up as much memory as they can for their data centers. Sony recently bumped up the prices of PS5 consoles and the PlayStation Portal handheld for similar reasons. Microsoft made its Surface PCs more expensive this week too.

Meta Quest accessories are staying at the same prices, but refurbished Quest units are somehow getting more expensive as well. Refurbished Quest 3S units will be also be $50 more at $320 (128GB) and $410 (256GB). Meta is increasing the price of a refurbished Quest 3 by $100 to $550. I’m not exactly sure how the company can pin those changes on increased manufacturing costs. Meanwhile, Meta told The Verge that it doesn’t expect to increase the prices of its smart glasses anytime soon.

Correction April 16, 2026, 11:28AM ET: This story initially stated that the price of a refurbished Quest 3 is increasing by $170. It’s going up by $100. We regret the error.

This article originally appeared on Engadget at https://www.engadget.com/ar-vr/meta-quest-headset-prices-are-going-up-on-april-19-143259031.html?src=rss

Desire Paths, Plywood, and a Stool That Gets It

Have you ever noticed the worn-down patches of grass in a park where people have chosen to walk instead of staying on the designated path? That’s a desire path, and urban planners have a complicated relationship with them. Some see them as a nuisance, proof that people refuse to follow the plan. Others see them as data, clear evidence that the original design missed something. Fabrício Reguelin Auler falls firmly in the second camp, and his Shortcut Stool is one of the more thoughtful pieces of furniture I’ve come across in a while.

The concept behind the Shortcut Stool (or Atalho Bench, as it’s also known) is deceptively simple: what if furniture was designed around the way people actually use it, rather than the way designers intended? That means acknowledging all the small, unconscious behaviors we exhibit at home. Sitting on the very edge of a stool instead of the center. Resting a bag on it before finding somewhere better. Perching on it for thirty seconds while tying a shoe. Using it as a surface for a glass of water when every other surface is occupied. None of this is “correct” use. And yet, all of it is completely normal.

Designer: Fabrício Reguelin Auler

This is where I think a lot of furniture falls short. Design, especially at the higher end of the market, tends to be prescriptive. There’s an implied right way to use a piece, and deviating from it can feel almost disrespectful. Reguelin Auler flips that thinking entirely. The Shortcut Stool doesn’t pretend that people will interact with it perfectly. It welcomes the imperfection, and that’s genuinely refreshing.

Materially, the piece holds its own. It’s made from marine pine plywood, assembled through a system of interlocking joints that require no screws, bolts, or complicated hardware. What holds it all together is tensioned sisal rope, and this is the detail that makes the whole thing click, visually and structurally. The rope isn’t decorative in the way that so many “natural element” additions can feel forced. It’s actually doing the work, reinforcing the structure while giving the stool a texture that you want to reach out and touch. It makes the design feel honest, which is appropriate given what the piece is trying to say.

The modular nature of it is worth mentioning too. Single units can be connected to form a longer bench configuration, which means the Shortcut Stool scales with need rather than requiring you to commit to one fixed form. The flat-pack assembly and disassembly is straightforward, making it easy to move, store, or reconfigure. It comes in natural pine as well as painted versions in a deep cobalt blue and a muted sage green, both of which look sharp in context. The blue one especially has a kind of confident visual energy that punches well above the stool’s modest size, which is something I didn’t expect from a plywood bench.

What strikes me most is how the Shortcut Stool manages to make a philosophical argument without being heavy-handed about it. It’s not a design that comes with a manifesto attached. You can simply look at it, use it, and decide it works. But if you sit with the concept for a moment, there’s a bigger idea underneath: that the gap between how objects are designed and how they’re actually lived with is rarely addressed honestly in product design. Most things are built for ideal conditions. This stool was built for real ones.

It also raises a question I keep returning to: how many products in our homes are quietly working against us because they were designed without accounting for how people actually behave in real time? The Shortcut Stool is a small answer to a larger problem, and I appreciate that it arrives without fanfare, just plywood, rope, and a clear point of view. Fabrício Reguelin Auler has made something that earns its place in a home not by demanding attention, but by already understanding you. That’s a rare quality in any object.

The post Desire Paths, Plywood, and a Stool That Gets It first appeared on Yanko Design.

iPhone Ultra Leak: Apple’s First Foldable is Only 4.5mm Thick

iPhone Ultra Leak: Apple’s First Foldable is Only 4.5mm Thick Market chart illustration showing foldable design trends, with Apple iPhone Ultra rumor compared against Samsung models.

Apple is reportedly preparing to make a significant impact on the foldable smartphone market with the highly anticipated iPhone Ultra. This device is rumored to introduce a fresh perspective on foldable design, moving away from the tall, narrow configurations that currently dominate the market. Instead, the iPhone Ultra is expected to feature a shorter, wider […]

The post iPhone Ultra Leak: Apple’s First Foldable is Only 4.5mm Thick appeared first on Geeky Gadgets.

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