Is it really possible to build a high-performance 1440p gaming PC in 2026 without emptying your wallet? The answer might surprise you. In this breakdown, ETA PRIME walks through how to assemble a powerful yet budget-friendly gaming rig by blending affordable new components with carefully chosen used parts. With hardware prices stabilizing and innovative options […]
The post Budget Gaming PC Build Guide : 1440p microATX SFF Gameplay in 2026 appeared first on Geeky Gadgets.
The Samsung Galaxy S26 Ultra is poised to be a significant milestone in the evolution of Samsung’s flagship smartphone lineup. While much of the attention has been drawn to its design refinements and performance upgrades, one feature stands out as a potentially fantastic option: native satellite communication. This innovation could redefine how you stay connected, […]
The post Why Samsung is Keeping the Galaxy S26 Ultra’s Best Feature a Secret appeared first on Geeky Gadgets.
What if you could transform hours of tedious research, content creation, and data organization into a seamless, efficient process? In this walkthrough, Skill Leap AI shows how NotebookLM’s major upgrades are reshaping the way professionals approach complex tasks. From integrating advanced AI models like Google Gemini to automating slide deck creation and crafting tailored overviews, […]
The post New NotebookLM Updates : Built-In Research Tools & Gemini Integration appeared first on Geeky Gadgets.
What if the next two weeks could redefine the future of artificial intelligence? That’s the question on everyone’s mind as the AI landscape braces for a wave of new releases. Universe of AI breaks down how industry giants like OpenAI, Google, Anthropic, and XAI are racing to outdo one another with their latest models, each […]
The post Claude Sonnet 5 Rumors : Half the Price of Opus 4.5, Launching Soon appeared first on Geeky Gadgets.
Apple’s iOS 26.3 represents a significant update, blending performance enhancements, new features, and ongoing challenges, particularly for older devices. This release underscores Apple’s dedication to refining the user experience while addressing the evolving demands of its ecosystem. Below is an in-depth exploration of what iOS 26.3 offers and how it impacts users across the Apple […]
The post New Privacy Tools in iOS 26.3: Everything in Apple News This Week appeared first on Geeky Gadgets.
Digital nomads, field photographers, and mobile creatives share a common frustration: needing wall outlet power in places that don’t have walls. USB power banks handle phones and tablets, but cameras, projectors, and portable monitors still demand actual AC power. The world’s slimmest AC power bank exists because someone finally asked the right question: why do portable power stations look like car batteries instead of something you’d actually pack? The Noomdot N1 brings 70W of pure sine wave AC output to a device thin enough to slip into the laptop sleeve of a standard backpack.
At 16mm thick, it’s built around portability rather than maximum runtime. The semi-solid-state battery delivers approximately 40 minutes of continuous output at full 70W load, or several hours for lower-draw devices like LED lights or camera batteries. That’s not camping-weekend capacity, it’s designed for day trips, flights, and situations where outlets exist but aren’t convenient. The unit stays flight-safe under 100Wh limits, recharges in 90 minutes, and includes both USB-C PD output and pass-through charging. It’s live on Kickstarter at early pricing before the $259 retail launch.
Designer: PB-ELE
Click Here to Buy Now: $169 $259 ($90 off) Hurry! Only 17 of 200 left.
Years ago, a company called Memobottle had a brilliant, simple idea: since our bags are full of flat things like books and laptops, why are our water bottles round? The Noomdot N1 is the Memobottle of portable power, born from that same flash of spatial intelligence. It abandons the dense, pocket-bulging brick in favor of a slim slab of milled aluminum designed to slide into the forgotten spaces of a laptop sleeve or document pouch. This design is not an aesthetic choice; it is a fundamental understanding of the modern carry ecosystem. The N1 is engineered to be a good citizen in a world of flat devices, integrating seamlessly rather than demanding you build your bag around its awkward shape.
The use of a semi-solid-state battery is what enables this form factor without compromising on safety or longevity. While not a true solid-state cell, this hybrid chemistry significantly reduces the amount of volatile liquid electrolyte, leading to better thermal stability and a much slower rate of degradation. The claim of retaining 99% capacity after 100 full charge cycles is a direct benefit of this technology. For anyone who has felt the disappointment of a lithium-ion pack that barely holds a charge after a year, this focus on durability is a welcome and practical innovation. It reframes the device as a lasting piece of essential kit.
The main event is, of course, the 70W AC outlet. Its pure sine wave inverter is the kind of detail that professionals appreciate, ensuring clean, stable power that will not harm sensitive electronics. This is what separates it from cheaper, modified sine wave alternatives that can introduce electrical noise or even damage delicate circuits in cameras and audio gear. The inclusion of a 60W USB-C PD port is a nod to modern workflows, allowing it to charge a laptop directly or be slowly recharged itself. For a quick turnaround, the dedicated DC input remains king, refueling the entire 20,000mAh capacity in a scant 90 minutes.
Packing an inverter into a 16mm-thin chassis is a thermal challenge, and the N1 addresses this with a feature I’ve never seen in a power bank: an active cooling fan. An internal 6000 RPM fan kicks in during AC output to pull heat away from the core components, ensuring the device can sustain its peak performance without overheating. It is a pragmatic, if slightly brute-force, solution. The tradeoff is acoustics. While the fan is likely tuned to be as quiet as possible, it will not be silent… but that’s honestly a tiny price to pay for running a bunch of appliances or charging gadgets off a ‘wall-less power outlet’.
The N1 is a tool for a very specific mission: bridging the gap when AC power is needed for a short, critical period. It is for the wedding photographer who needs to juice up strobe batteries between the ceremony and reception. It is for the consultant who needs to run a projector for a 30-minute pitch in a conference room with no available outlets. Its 40-minute runtime at maximum load defines its purpose clearly. This is not an off-grid power solution for a weekend in the woods; it is a mobile professional’s get-out-of-jail-free card, ensuring a dead battery never becomes a single point of failure.
An IPX4 rating means it can shrug off a sudden rain shower, and passing a 1-meter drop test suggests it can survive being fumbled out of a backpack. These are not features one typically finds on power banks, and they speak to an understanding of the chaotic nature of travel and fieldwork. Combined with its TSA-friendly sub-100Wh capacity, the N1 is one of the few AC power sources truly designed from the ground up to leave the house and see the world, legally and safely.
You get to choose between two variants – 110V and 220V (depending on the country you live in and the rated voltage its appliances operate on). The Noomdot N1 ships along with a DC adapter for charging it, at a fairly discounted price of $169 ($90 less than its MSRP of $259). The device ships globally starting May 2026.
Click Here to Buy Now: $169 $259 ($90 off) Hurry! Only 17 of 200 left.
The post World’s Slimmest AC Power Bank Can Run Appliances And Charge Your Laptop At Just 0.6 Inches Thick first appeared on Yanko Design.
On the southern edge of the Xilingol Steppe in northern China, architecture does not arrive as an interruption. It emerges as a continuation of the land itself. The Volcano In Visitor Center by PLAT ASIA is embedded within the geological structure of a C-shaped extinct volcano formed nearly 150,000 years ago during the Pleistocene Epoch. Here, design is guided not by monumentality, but by a careful negotiation with time, terrain, and climate, framing architecture as co-growth rather than construction.
Completed in December 2025 as part of the first phase of the Baiyinkulun Steppe and Volcano Tourism Resort, the project occupies a rare and expansive geological context. The Baiyinkulun Steppe and Volcano Area is home to 108 volcanoes and lies approximately 380 kilometers north of Tiananmen Square. The surrounding landscape is a mosaic of ecosystems, including wetlands, forests, lakes, open steppe, sandy land, and seasonal snowfields, where environmental fragility and vast scale exist side by side.
Designer: PLAT ASIA
PLAT ASIA began working in the region in 2021, when early site surveys revealed a large excavated area to the west of the volcanic cone. Exposed for nearly a decade, this disturbed ground had become vulnerable to erosion. Rather than expanding into untouched terrain, the architects deliberately chose to build on this damaged site, using architecture as a stabilizing presence. The visitor center thus becomes part of a broader ecological strategy, limiting further impact while supporting long-term landscape recovery.
Formally, the volcano itself becomes the primary design reference. The architecture follows the existing topography through a continuous curved roof and three circular volumes positioned at different elevations. Together, these elements trace a conical silhouette that echoes the geometry of the volcanic landform. A winding corridor measuring 274 meters connects the volumes into a continuous loop, guiding visitors around the volcanic ash ring. Movement is central to the experience. The project is designed to be walked, circled, and gradually revealed.
As visitors move along the roof corridor, expansive views unfold toward the surrounding steppe, sandy land, lakes, and neighboring volcanoes. In contrast, inward-facing spaces form a crater-like enclosure that houses the program, including visitor services, a cafe, a bookstore, exhibition spaces, administrative offices, and a restaurant. This spatial rhythm shifts between openness and enclosure, mirroring the volcanic landscape itself.
Outdoor spaces are seamlessly integrated into the architectural layout. A visitor service courtyard accommodates temporary events such as art fairs, while an open square between the exhibition and restaurant volumes functions as an outdoor theater. Eco bleachers embedded into the eastern slope provide seating oriented toward both the roof structure and the wider landscape, reinforcing architecture as a viewing framework rather than an isolated object.
Climate plays a defining role in shaping the project. The region experiences a temperate continental climate with strong winds and heavy snowdrifts in winter and spring. Temperatures can drop as low as- 43 degrees Celsius. The building’s curved profile reduces wind pressure and shear forces, while extended roof eaves protect outdoor spaces from snow accumulation and frame expansive views of the steppe. Weather-resistant metal panel cladding improves thermal performance, while glass curtain walls reflect the volcanic terrain and maintain visual continuity between interior and exterior spaces.
Material choices further ground the project in its context. Locally sourced volcanic stone is used across the site to define pathways and public squares through thin stone slabs laid close to the ground. Weathering steel platforms are embedded directly into the terrain, allowing the architecture to age alongside the landscape over time.
Rather than asserting itself as a singular landmark, the Volcano In Visitor Center establishes a spatial framework that responds to geology, climate, and movement. It positions architecture as a restrained extension of the volcanic environment, inviting exploration while preserving a deep and lasting connection between people and the ancient ground beneath their feet.
The post This Steppe Visitor Center Treats a Volcano as Landscape, Not Landmark first appeared on Yanko Design.
Joe Doucet has always been good at saying uncomfortable things politely. His latest provocation, delivered via Columns, a furniture collection with Bulgarian studio Oublier, is that the design industry’s obsession with biodegradable materials might be missing the point entirely. Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.
Oublier, a studio that typically explores forgetting as a cultural and creative act, seems like an odd partner for a project about permanence. But the contradiction makes sense once you see the work. The collection’s name refers to its columnar bases, two cylinders of oak laid horizontally and bridged by a continuous leather top. There are no fashionable details to anchor it to a specific decade, no finishes that will look dated in ten years. The form is so spare it borders on austere, which may be the entire strategy. If sustainability is about what we keep rather than what we compost, then the object has to earn its place across generations. Columns bets on clarity, craft, and a very patient understanding of time.
Designers: Joe Doucet X Oublier
Looking at the piece itself, the argument becomes tangible. The form is elemental, almost architectural, with the two solid oak drums giving it a grounded, permanent presence. The leather top is stretched over this base with a continuous curve, and the hand stitching along the perimeter is left visible. This small detail is a critical part of the story, acting as a quiet signal of human labor and future repairability. It suggests the piece can be opened, its horsehair padding refreshed, and its leather resewn a century from now. There is a thoughtful honesty in showing the construction, which reinforces the idea that this is a working object, not a sealed artifact. It feels built to withstand use, not just admiration.
The choice of materials is a direct commitment to graceful aging. The solid oak is not a uniform, characterless surface; it has grain and life that will deepen over the decades. Similarly, the natural leather is intended to absorb the evidence of its existence, developing a rich patina from sunlight, touch, and time. This philosophy is the complete opposite of designing for pristine, showroom condition. Instead, Columns proposes that wear is a form of beauty, that an object’s value increases as it accumulates a history. This approach redefines luxury away from novelty and toward endurance, suggesting that the ultimate premium is an object that improves with you.
What Doucet and Oublier have created is a subtle but firm critique of disposability. The project opines that true innovation might lie in looking backward, applying traditional techniques and durable materials to a clean, contemporary form. It challenges the prevailing notion that sustainability requires constant material invention and complex recycling systems. Instead, it offers a simpler, more profound solution: make things that last, and are simultaneously too good to throw away. Columns proposes that the most responsible act of consumption is to buy something once and keep it for a lifetime, passing it on as a functional heirloom rather than a problem for a landfill.
The post The Case for Heirloom Furniture in an Era Obsessed With Biodegradable Everything first appeared on Yanko Design.
Tangled Joe is a paper towel holder that refuses to be just another kitchen accessory. Designed like a charmingly tangled mummy, it brings a strong sense of personality, humor, and visual delight into everyday spaces while still delivering excellent functionality. What could have been a purely utilitarian object instead becomes a character-driven design piece that instantly adds life to a countertop, shelf, or dining area.
The form of Tangled Joe is where the design truly shines. The mummy’s wrapped body flows naturally in circular layers, echoing the way paper towels themselves are rolled around the stand. This thoughtful alignment between form and function makes the design feel cohesive and intentional. Rather than simply holding a roll in place, the mummy appears to actively engage with it, as if it is part of the object’s story. The result is playful, clever, and visually satisfying from every angle.
Designer: PELEG DESIGN
Made of durable plastic, Tangled Joe is both sturdy and lightweight, striking a balance that makes it practical for everyday use. One of its most intuitive features is the mummy’s head that extends above the paper towel roll. This detail is not only expressive and fun, but also highly ergonomic. It creates a natural grip point, allowing the stand to be lifted and moved easily with one hand, especially useful during busy moments in the kitchen.
Beyond usability, Tangled Joe adds undeniable character to a space. It fits beautifully into interiors that embrace dark, spooky, or quirky aesthetics, yet it never feels over the top. Instead, it feels playful and confident, making it a great conversation starter. It transforms the act of cleaning up into something a little more enjoyable, reminding users that good design can bring joy into even the smallest routines.
A standout aspect of Tangled Joe is how complete it feels, even without a paper towel roll. When empty, it does not look unfinished or purely functional. Instead, it reads as a sculptural object, almost like a small figurine or design showpiece. This makes it ideal for design-conscious homes where every object is expected to contribute visually, not just practically.
The clean white color further enhances its versatility. While the mummy form introduces a spooky twist, the neutral tone allows Tangled Joe to blend effortlessly into a wide range of interior styles. It works just as well in minimal and modern kitchens as it does in playful, eclectic, or themed spaces, making it easy to style without overpowering its surroundings.
Functionally, Tangled Joe is designed with flexibility in mind. It can accommodate two different sizes of kitchen paper towels instead of being restricted to a single fixed size. It can also hold two toilet rolls at once, expanding its usefulness beyond the kitchen and into bathrooms or studio spaces.
Overall, Tangled Joe is a thoughtful blend of function, humor, and design. It proves that everyday objects do not have to fade into the background. By adding character, adaptability, and ergonomic intelligence, this mummy-inspired paper towel holder turns routine cleanup into a small but delightful design experience.
The post Mummy-inspired Paper Towel Holder looks like a Scooby Doo villain brought to your kitchen first appeared on Yanko Design.
Apex Legends developer Respawn said it's ending Nintendo Switch support for the game this summer, with the release of Season 30. After that point, it'll work with the Switch 2 and all other currently supported platforms, but not the original Switch. "Season 29 will be the final update for Apex Legends on Nintendo Switch," the team wrote in a post on X.
Hey legends, we want to share an important update about Apex Legends on the Nintendo Switch.
— Apex Legends (@PlayApex) January 30, 2026
Season 29 will be the final update for Apex Legends on Nintendo Switch. Future seasons of Apex Legends will continue to be available on Nintendo Switch 2.
- Starting August 4, 2026…
The change will take place on August 4, 2026, so Switch players still have several months left to enjoy Apex Legends on the console and make preparations for their shift to a different platform, if they plan to do so. "All players progress, purchases, and earnings are tied to their individual EA accounts," Respawn said. "Everything that has been earned or purchased, including Apex Coins and cosmetics, will carry over to Nintendo Switch 2, even if you purchase Nintendo Switch 2 after August 4, 2026."
The Switch 2 undoubtedly offers a better playing experience for Apex Legends than the earlier model, but the news is still a blow for current Switch 1 players who didn't have plans of upgrading any time soon. Apex Legends first came to Switch in 2021, two years after the game's launch on other platforms.
This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/apex-legends-wont-be-playable-on-nintendo-switch-after-its-next-season-214153353.html?src=rss