Tag Archives: Bench

The Furniture That Looks Like It’s About to Walk Away

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There’s a particular kind of design that stops you mid-scroll and makes you think: wait, what exactly am I looking at? That’s exactly what happened when I first came across the Barefoot Collection by Jorge Suárez Kilzi. At first, you register dark, richly grained wood. Beautiful, but expected. Then your eyes drift downward to the legs, and something shifts. They’re not straight. They’re not tapered. They’re curved, splayed, mid-stride, like a large foot caught in the quiet moment between lifting and landing. It’s subtle enough to feel elegant. It’s strange enough to feel unforgettable. That, to me, is the sweet spot.

Jorge Suárez Kilzi, who signs his work under his mother’s Syrian surname as a personal tribute, is a Barcelona-based architect and designer whose story is inseparable from what he makes. Born in Venezuela to a Spanish father and Syrian mother, he spent his childhood in constant movement, crossing cultures and countries, learning early on that the objects you carry with you carry meaning far beyond their function. That nomadic upbringing, he has said, taught him to see life from more than one angle, and that perspective filters directly into the furniture he creates. He also spent time in Japan working with SANAA and architect Junya Ishigami, and you can feel that influence in how restrained and quietly deliberate his work is.

Designer: Jorge Suárez Kilzi

The Barefoot Collection grew out of a single idea: a coffee table designed to look like it was walking. The legs, built from solid wood and shaped to simulate the arc and flex of a bare foot mid-step, give the piece an uncanny sense of momentum. The top surface stays completely calm and rectilinear. That contrast is the whole point. Stillness above. Motion below. It’s a tension that shouldn’t work as well as it does, and yet here we are.

What I find genuinely compelling about this collection is that it resists the urge to explain itself too loudly. A lot of conceptual furniture falls into the trap of being more interesting to talk about than to actually live with. Barefoot doesn’t do that. You could sit a cup of coffee on it and forget it was ever supposed to mean something. Then a guest walks in, does a double-take, and suddenly you’re having a conversation about impermanence and what it means for a home to change over time. The piece earns that conversation by earning its place in the room first.

The collection has since expanded beyond the original coffee table to include a dining table and a bench, each carrying the same foot-like base into a different scale and context. The dining table version, in particular, has a presence that borders on sculptural. Placed beneath a colorful, painterly work, it holds its own without competing. The bench, spotted in one campaign image walking alongside a tree-lined street in what looks like Tokyo, has a lightness to it that almost reads as humor. Almost. The craft is too careful for it to be purely a joke, and Kilzi clearly intends both readings to coexist.

There’s also something worth noting about how the collection is built to adapt. The design can be reinterpreted across dimensions and formats to suit different interior projects, which is a practical flexibility that a lot of collectible furniture doesn’t bother offering. It acknowledges that real spaces have real constraints, and that a beautiful object with no room to negotiate isn’t as beautiful as it could be.

Kilzi has described his studio as one driven by the desire to create honest objects that coexist naturally with the body and space, not as decorative gestures but as presences that remain. The Barefoot Collection feels like the clearest expression of that to date. It doesn’t demand your attention. It just stays, quietly, on its four walking feet, reminding you that the room you’ve always lived in is still capable of surprising you. That’s a rare thing for a table to pull off.

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This Furniture System Uses Just 2 Materials and No Glue

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Let’s be real about furniture for a second. Most of us want pieces that look great, last forever, and don’t cost as much as a vacation. But we also want to be able to move without having to hire a team of professionals just to disassemble the bookshelf. Oh, and while we’re at it, can it also not destroy the planet? Apparently, that’s been too much to ask. Until now.

Meet LinumTube, a furniture system that manages to check all those impossible boxes at once. This isn’t your typical design project. It’s a collaboration between Studio Jonathan Radetz and the Fraunhofer Institute for Wood Research in Germany, and it’s rethinking what furniture can be from the ground up.

Designers: Studio Jonathan Radetz and Fraunhofer Institute for Wood Research

The concept is beautifully simple. The furniture, which includes benches, chairs, and stools, is built from just two materials: steel tubes and multilayer flax fabric. That’s it. No glue, no bolts, no complicated hardware that you’ll lose during your third apartment move. The flax fabric wraps around the tubular steel frame, creating a self-supporting structure that stays stable through clever engineering rather than industrial adhesives.

What makes this particularly clever is the fabric itself. The team at Fraunhofer developed a specialized multilayer flax textile with open constructions and integrated channels that interact with the steel tubes to create varying levels of stiffness. This means you get support exactly where you need it without adding extra materials or complexity. The seating surface can even be customized with a lamellar structure that provides additional cushioning for those of us who like to linger.

The whole system is modular and completely reversible. Researcher Christina Haxter explains that the goal was to design seating furniture that allows for quick assembly, disassembly, and rearrangement, making it easy to take apart when moving. You can reconfigure pieces depending on your space, separate everything by material type at the end of its life, and send each component back into its own recycling stream. Steel stays with steel, flax goes back to being flax. It’s circular design at its most practical.

But here’s where LinumTube really shines: it doesn’t look like a sustainability lecture. The covers come with or without fringes and are available in both multicolored and natural pastel tones. The aesthetic is minimalist but warm, the kind of thing that would fit just as easily in a modern office lobby as it would in your living room. There’s even an option for integrated LED lighting woven into the fabric, because why shouldn’t sustainable furniture also have a bit of flair?

The project received funding from the German Federal Ministry of Education and Research, and was unveiled at Milan Design Week 2025 during the Materially exhibition. It represents a genuinely different approach to how we think about furniture design. Instead of creating objects meant to be used and discarded, LinumTube embraces the idea that furniture should evolve with us. Need more seating? Add another module. Moving to a smaller place? Reconfigure what you have. Done with it entirely? Return everything to the material cycle without guilt.

This is the kind of innovation we need more of. Not flashy tech for tech’s sake, but thoughtful problem solving that addresses real challenges without sacrificing style or functionality. Furniture has been essentially the same for decades, built on a model of planned obsolescence and complicated assembly instructions. LinumTube proves there’s another way: lighter, smarter, and infinitely more adaptable.

The best part? This doesn’t feel like a compromise. You’re not choosing between design and sustainability, or between affordability and quality. You’re getting furniture that works better precisely because it was designed with all those constraints in mind from the beginning. That’s the kind of thinking that actually changes industries. So next time you’re wrestling with an Allen wrench at 2 a.m., wondering why furniture has to be this complicated, remember that someone out there is already building the alternative. They’re using flax, steel tubes, and some seriously smart engineering to prove that better is possible.

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The Case for Heirloom Furniture in an Era Obsessed With Biodegradable Everything

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Joe Doucet has always been good at saying uncomfortable things politely. His latest provocation, delivered via Columns, a furniture collection with Bulgarian studio Oublier, is that the design industry’s obsession with biodegradable materials might be missing the point entirely. Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.

Oublier, a studio that typically explores forgetting as a cultural and creative act, seems like an odd partner for a project about permanence. But the contradiction makes sense once you see the work. The collection’s name refers to its columnar bases, two cylinders of oak laid horizontally and bridged by a continuous leather top. There are no fashionable details to anchor it to a specific decade, no finishes that will look dated in ten years. The form is so spare it borders on austere, which may be the entire strategy. If sustainability is about what we keep rather than what we compost, then the object has to earn its place across generations. Columns bets on clarity, craft, and a very patient understanding of time.

Designers: Joe Doucet X Oublier

Looking at the piece itself, the argument becomes tangible. The form is elemental, almost architectural, with the two solid oak drums giving it a grounded, permanent presence. The leather top is stretched over this base with a continuous curve, and the hand stitching along the perimeter is left visible. This small detail is a critical part of the story, acting as a quiet signal of human labor and future repairability. It suggests the piece can be opened, its horsehair padding refreshed, and its leather resewn a century from now. There is a thoughtful honesty in showing the construction, which reinforces the idea that this is a working object, not a sealed artifact. It feels built to withstand use, not just admiration.

The choice of materials is a direct commitment to graceful aging. The solid oak is not a uniform, characterless surface; it has grain and life that will deepen over the decades. Similarly, the natural leather is intended to absorb the evidence of its existence, developing a rich patina from sunlight, touch, and time. This philosophy is the complete opposite of designing for pristine, showroom condition. Instead, Columns proposes that wear is a form of beauty, that an object’s value increases as it accumulates a history. This approach redefines luxury away from novelty and toward endurance, suggesting that the ultimate premium is an object that improves with you.

 

What Doucet and Oublier have created is a subtle but firm critique of disposability. The project opines that true innovation might lie in looking backward, applying traditional techniques and durable materials to a clean, contemporary form. It challenges the prevailing notion that sustainability requires constant material invention and complex recycling systems. Instead, it offers a simpler, more profound solution: make things that last, and are simultaneously too good to throw away. Columns proposes that the most responsible act of consumption is to buy something once and keep it for a lifetime, passing it on as a functional heirloom rather than a problem for a landfill.

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This Sculptural Bench Captures Sardinia’s Sea in Recycled Resin

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You know that moment when you’re standing at the edge of the ocean, watching waves roll in with that hypnotic rhythm that makes everything else fade away? Designer Andrea Ponti wanted to bottle that feeling, and honestly, I think he nailed it with Cresta, a sculptural bench that looks like it was pulled straight from the Mediterranean and frozen in time.

Cresta, which means “crest” in Italian, is more than just a place to sit. It’s a love letter to Sardinia’s coastline, where Ponti grew up surrounded by the kind of natural beauty that gets under your skin and never really leaves. The bench captures that raw, untamed energy of water in motion, translating it into something you can actually touch and experience in your own space. And the best part? It’s made entirely from recycled plastics, proving once again that sustainability and stunning design don’t have to be mutually exclusive.

Designer: Ponti Design Studio

Let’s talk about what makes this piece so visually striking. The color alone is enough to stop you in your tracks. Cresta features a gradient that flows from deep ocean blue at the base to crystal-clear transparency at the top, mimicking the way sunlight filters through water. It’s the kind of detail that makes you want to walk around the piece from every angle, watching how the light plays through the material and creates new patterns depending on where you’re standing.

The texture adds another layer of intrigue. Those fine vertical lines running through the resin give it a tactile quality that invites you to reach out and touch it. From certain angles, it almost looks like the surface is rippling, as if the bench is caught in a perpetual state of movement. It’s a clever trick that keeps the piece feeling alive rather than static.

What really sets Cresta apart is its structure. The bench is composed of two distinct elements that work together to create its distinctive character. The top section is designed for comfort, providing seating for two people. But it’s the bottom that steals the show. That wave-like base isn’t just visually dramatic, it’s the heart of the design, giving Cresta its sculptural identity and making it feel less like furniture and more like a piece of contemporary art that happens to be functional.

Now, about that sustainability angle. Ponti and his team at Ponti Design Studio didn’t just slap some eco-friendly marketing on this project and call it a day. They carefully curated a blend of recycled plastics, including PMMA (acrylic), PET (the stuff in water bottles), PC (polycarbonate), and PS (polystyrene). These materials would otherwise end up in landfills or, ironically, polluting the very oceans that inspired this piece. By transforming waste into something beautiful and functional, Cresta makes a quiet but powerful statement about what’s possible when we rethink our relationship with discarded materials.

This approach feels particularly relevant right now. We’re all drowning in conversations about plastic waste and environmental responsibility, and sometimes it can feel overwhelming and abstract. But when you see something like Cresta, it suddenly clicks. Recycled materials don’t have to look recycled. They don’t have to sacrifice beauty or craftsmanship. In fact, they can become something that people actively want in their homes and public spaces.

The bench would be right at home in a contemporary gallery, a modern office lobby, or even a stylish outdoor space where it could echo the natural environment it celebrates. Its clean aesthetic and sculptural form give it versatility, while that unmistakable wave-inspired silhouette ensures it never fades into the background. What I find most compelling about Cresta is how it manages to be both minimal and dramatic at the same time. There’s nothing extraneous about the design. Every curve, every gradient shift, every textured line serves the larger vision. Yet the overall effect is bold and memorable, the kind of piece that makes people stop and ask questions.

In a world where so much furniture blends together into beige sameness, Cresta stands out as something genuinely different. It’s a reminder that good design can tell a story, honor a place, and push us toward better environmental choices, all while looking absolutely stunning. Andrea Ponti took his memories of Sardinian seas and transformed them into something tangible, something that lets the rest of us experience a little bit of that coastal magic, no plane ticket required.

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This Floating Bench Defies Gravity (and Your Expectations)

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Have you ever looked at a mountain peak piercing through clouds and thought, “I want to sit on that”? Well, Miles Hass from Make With Miles did exactly that, and the result is a piece of furniture that looks like it belongs in a modern art museum but would feel right at home in your living room.

The concept is beautifully simple yet wonderfully complex. A massive rock sits at the base, looking like a mountain rising from the floor, while a wooden bench top appears to float right through it. It’s the kind of design that makes you do a double take because your brain can’t quite process what your eyes are seeing. And that’s exactly the point.

Designer: Miles Hass

Miles drew inspiration from that dreamy image of mountaintops emerging from clouds, and somehow translated that ethereal feeling into something you can actually sit on. The execution required heading out to Joshua Tree, where he collaborated with fellow maker Ben Uyeda to bring this impossible-looking piece to life. Because apparently, regular furniture shopping was just too easy.

What makes this project particularly fascinating is the challenge it presents. You can’t just slap a piece of wood on a rock and call it a day. The engineering behind making a functional bench that appears to defy gravity while maintaining structural integrity is no small feat. The rock needs to support weight, the wood needs to actually hold someone sitting on it, and the whole thing needs to look effortlessly elegant. It’s like solving a three-dimensional puzzle where one wrong move means your mountain bench becomes a pile of expensive mistakes.

The aesthetic is pure contemporary design poetry. We’re often surrounded by mass-produced IKEA clones so there’s something refreshing about furniture that tells a story. This bench doesn’t just serve a function, it starts conversations. It’s sculptural enough to be art but practical enough to be, you know, an actual bench. That balance is harder to achieve than it looks.

For design enthusiasts, this project represents a growing trend in furniture making where natural elements meet modern sensibilities. We’ve seen epoxy river tables take over Instagram, live-edge everything dominate Pinterest boards, and now we’re watching makers push even further into territory where nature and craft become indistinguishable. The floating bench takes this concept and cranks it up to eleven.

What’s particularly cool about Miles’ approach is that he shares the entire process. We’re used to only being shown the polished final product so watching the actual building process, complete with challenges and solutions, makes the piece feel more accessible. Sure, most of us aren’t going to Joshua Tree to hunt for the perfect mountain-shaped rock and engineer a bench around it, but seeing it done demystifies the creative process and might just inspire someone to try their own impossible project.

The technical aspects are equally impressive. How do you secure wood to rock? How do you ensure the weight distribution won’t cause catastrophic failure when someone decides to plop down with their morning coffee? These aren’t questions with easy answers, and that’s what makes the finished product so satisfying to look at. This bench exists in that sweet spot where art, engineering, and function converge. It’s impractical in all the best ways while still being completely practical. You could put it in your entryway, and it would be the most interesting piece anyone encounters in your home. You could place it in a gallery, and it would hold its own against any contemporary sculpture.

In a design landscape often dominated by minimalism to the point of sterility or maximalism that verges on chaos, Miles’ floating bench offers something different. It’s bold without being loud, natural without being rustic, and modern without feeling cold. And honestly, isn’t that exactly what we want from design? Something that surprises us, makes us think, and still lets us sit down at the end of the day.

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When a Neighborhood Reclaimed Its Lost Shore With 9,200 Face Masks

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Here’s something you don’t expect to sit on: surgical masks. Nearly 10,000 of them, to be exact. But that’s exactly what Design PY created in Hong Kong’s Tai Kok Tsui neighborhood with Tidal Stories, a spiraling urban installation that quite literally traces where the ocean used to be.

The concept is brilliant in its simplicity. Tai Kok Tsui was once a coastal area, but over a century of land reclamation pushed the shoreline further and further away. Today, most people walking through this district have no idea they’re treading on what was once underwater. Design PY decided to make that invisible history visible again through a helical seating structure that maps the old coastline right onto the public space.

Designer: Design PY

What makes this project especially clever is how it tackles two challenges at once. First, there’s the environmental angle. The pandemic left us with a staggering amount of medical waste, and those 9,200 upcycled surgical masks in the installation are just a tiny fraction of what ended up in landfills and oceans. By incorporating them into public furniture, Design PY transforms waste into something functional and meaningful. Second, there’s the cultural preservation piece. Urban development often erases neighborhood memory, but Tidal Stories brings it back in a form people can literally interact with every day.

The installation isn’t just about looking pretty or making a statement (though it does both). It’s actually being used. Elderly residents rest on the benches. Nearby workers grab lunch there. People passing through stop to sit and chat. The design reactivated what was basically a forgotten corner of the neighborhood and turned it into a gathering spot.

But here’s where it gets even more interesting. The metal tabletops aren’t just tables. They’re engraved with references to Tai Kok Tsui’s industrial and coastal past, functioning as both amenities and educational tools. The whole installation doubles as an informal museum, hosting architectural tours and community events that help people understand how their neighborhood evolved from fishing village to dense urban district.

This kind of design thinking feels especially relevant right now. We’re all grappling with questions about sustainability, about how to deal with waste we’ve created, about preserving cultural identity in rapidly changing cities. Tidal Stories doesn’t just answer these questions theoretically. It shows what’s possible when you combine circular design principles with community engagement and historical awareness.

The helical form itself is striking. It curves and spirals through the space, creating natural gathering points and visual interest without overwhelming the neighborhood’s existing character. You can see the installation from different angles as you approach, and each perspective tells a slightly different story about the relationship between past and present.

What’s refreshing about this project is that it doesn’t lecture. It invites. There’s no heavy-handed messaging about environmentalism or preservation. Instead, it creates an experience that lets people discover the layers of meaning on their own terms. Maybe you just want a place to sit. Maybe you’re curious about the unusual materials. Maybe you start reading the engravings and realize your neighborhood used to look completely different. All of these are valid ways to engage with the work.

The use of surgical masks as a primary material might seem gimmicky at first, but it makes perfect sense when you think about it. The pandemic was a collective experience that generated collective waste. Using that waste to create something that serves the collective good completes a kind of circle. Plus, it’s a reminder that design solutions don’t always require pristine new materials. Sometimes the most sustainable choice is working with what we already have too much of.

Tidal Stories proves that urban furniture can be so much more than benches and tables. It can be a history lesson, an environmental statement, a community hub, and a work of art all at once. That’s the kind of multifunctional thinking we need more of as cities continue to evolve.

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This Solar Bench Just Turned Every City Street Into a Charging Hub

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Picture this: you’re exhausted from walking through the city, desperately need to charge your phone, and suddenly spot the perfect bench bathed in soft light. You sit down, plug in, and realize this isn’t just any piece of street furniture. It’s actually harvesting energy from the sun and transforming the urban landscape around you. Welcome to Perovia, a design project that’s making us rethink what public spaces can be.

Created by TAIWA, a contemporary design laboratory that lives at the crossroads of technology, sustainability, and spatial aesthetics, Perovia is essentially an urban bench on steroids. But calling it just a bench feels like calling a smartphone just a phone. It’s so much more than that.

Designer: TAIWA

The name itself is a clever nod to perovskite, a revolutionary solar material that’s been causing quite a stir in renewable energy circles. Unlike traditional bulky solar panels, perovskite cells are flexible, efficient, and can be integrated into all sorts of surfaces. TAIWA took this cutting-edge tech and asked a simple question: what if our city furniture could work as hard as we do?

The result is something that looks like it rolled out of a sci-fi movie set. Perovia functions as what the designers call “a node of light in the urban circuit.” During the day, it quietly soaks up solar energy through its integrated perovskite cells. As evening falls, it transforms into a glowing beacon, providing ambient lighting that makes public spaces feel safer and more inviting. But it doesn’t stop there. The bench also features USB charging ports, because let’s be honest, in 2025, a dead phone battery is basically a modern emergency.

What makes this design particularly brilliant is how it addresses multiple urban challenges simultaneously. Cities everywhere are wrestling with sustainability goals, trying to reduce their carbon footprints while making public spaces more livable. Street lighting gobbles up enormous amounts of electricity, and providing public charging stations requires complex infrastructure. Perovia tackles both issues in one sleek package.

But beyond the recognition and the tech specs, what’s really exciting about Perovia is its philosophy. TAIWA describes being inspired by “the silent rhythm of cities,” and you can feel that in the design. Cities have their own pulse, their own flow of energy and movement. Most street furniture just sits there passively, but Perovia actively participates in that urban metabolism. It takes energy when the sun is high, gives light when darkness falls, and serves people whenever they need it.

This kind of thinking represents a fundamental shift in how we approach urban design. For too long, sustainability features have been add-ons, afterthoughts bolted onto existing infrastructure. Perovia shows what happens when you bake sustainability into the core concept from the beginning. The result doesn’t just work better, it looks better too. The bench manages to be both futuristic and inviting, high-tech without feeling cold or intimidating.

Of course, the real test will be seeing these benches roll out in actual cities, weathering real conditions and serving real communities. Will the technology hold up? Can it scale affordably? These are questions that only time will answer. But as a proof of concept and a vision of what’s possible, Perovia absolutely delivers.

We live in a world where climate change dominates headlines and cities struggle to reinvent themselves for a sustainable future. So we need designs that don’t make us choose between functionality and environmental responsibility. Perovia suggests we can have both, wrapped up in a package that actually makes our cities more beautiful and livable. That’s the kind of design innovation worth getting excited about.

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Transform Your Living Space into a Fitness Hub with the Highly Compact Gympad All-in-One Bench

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There is a substantial increase in the number of portable home exercisers taking the crowdfunding route. The most recent was the table-size foldable rowing machine for an all-inclusive gym experience at home. During the pandemic, gyms were adversely affected by attendance; people confined themselves to their homes – stocked with exercise equipment somehow – and never looked back at gyms.

Arguably, this number has been constantly increasing since then. Even though, in most cases, this setup is nothing compared to the gear and variety at the local gym. To fill the void, compact all-in-one home exercisers, which look perfectly in place at home and are versatile to permit a range of workouts, are dropping faster than the gyms sprouting in my locality.

Designer: Gympad

Click Here to Buy Now: $799 $1,699 (53% off). Less than 5 days to go. Hurry, 1/50 left!

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Gympad Bench is the latest one to jump onto the bandwagon of an all-in-one home gym system. It is a professional-level home gym that fits into a compact size for easy transportation and values the precious space in your apartment. Despite its small form factor, it can let an enthusiast indulge in a range of workouts, offering dumbbell racks, stretching space, cardio equipment, a strength training machine, and a bench among other options.

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Designed for everyone, who fancies a versatile home gym facility, but doesn’t have the luxury of extra space to create a gym, the Gympad Bench takes as little as 0.35 sqm of space at home. It is made to look like a contemporary piece of furniture; so, when it’s not in use, and is just sitting there unattended, it won’t look off. The compact bench will fit seamlessly in your living environment while opening up to various workout options and comprehensive strength training.

When sitting there on a bench, the Gympad hides all the equipment within, other than the set of dumbbells on the sides. The bench is equipped with a pair of wheels for moving it conveniently from the sitting location to the action spot when you need it. While the standard variant comes integrated with full-body workout machines like dumbbells and barbells, weight machines, leg presses, chest fly, and cable crossover machines; all fitted into one unit, its Plus version adds a rower to the equation, unlocking a whole new range of exercise options.

The Gympad bench is a smart machine that syncs up with your smartphone, using a dedicated app, to display workout data such as fat burns, range of motion, strength score, sets, reps, or even dynamic weight adjustments. Weight adjustments are digital and an external knob is added to control the resistance ranging between 16 to 80kg; the highest in a smart gym bench on the market, the company behind the Gympad claims. Further stating that unlike most other home gyms competitors, which require subscriptions to use their training modules, Gympad bench delivers a comprehensive app for no additional fee.

Click Here to Buy Now: $799 $1,699 (53% off). Less than 5 days to go. Hurry, 1/50 left!

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Cuna Furniture Upcycles Your TV Box Into Sustainable Multifunctional Furniture

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Innovative design often emerges from the desire to solve a problem, and the Cuna furniture collection is a perfect example of this principle. Created as a solution to repurpose cardboard, Cuna is an eco-friendly piece of furniture that is cleverly designed, a multifunctional piece that redefines the concept of sustainability and functionality.

Designer: Valeria CoelloCrafted from cardboard, a material readily available in most households, it is a testament to the idea that there is latent potential in what we often consider to be “waste.” Think about the sheer volume of cardboard boxes that accompany the gadgets, appliances, and packages we receive daily. Rather than relegating this cardboard to landfills, Cuna repurposes it, offering an ingenious solution that is as practical as it is environmentally friendly.

Created from just two sheets of sturdy cardboard joined by five additional pieces, the bench offers a unique aesthetic and DIY experience. It’s a lovely DIY experience that allows one to build a connection with their masterpiece. The brilliance actually lies in the simplicity of its design. By utilizing the principles of joinery, the pieces interlock without the need for screws or adhesives, forming a structure that is remarkably sturdy and surprisingly lightweight.

The genius of the Cuna bench lies in its versatility. When assembled, it can be used in two different ways, depending on the user’s needs. In its standard configuration, it offers a beautifully curved seating area for one person. However, flip it upside down, and an additional layer of cardboard transforms it into a conventional flat bench, capable of potentially seating an extra person. This dual-purpose functionality extends further; the flat-top version can also serve as a table. With two of these benches, you have a complete set—a low table and chairs—perfect for various settings, from hosting parties to day-to-day living.

Despite being made of cardboard, Cuna is surprisingly comfortable. The 6-8mm thickness of the cardboard provides a firm yet yielding surface, which is gentle on the body. The curved design provides a cozy seating experience, with the sides acting as convenient armrests or even as a place to set down a cup or phone. When placed against a wall, it even acts as a makeshift backrest. Furthermore, it can serve as a daybed, allowing you to rest on one side while placing your legs on the other.

Cuna is an ideal option for a wide range of scenarios. Whether you are a student on a budget, a bachelor looking for practical and sustainable furniture or a new homeowner looking to add both comfort and sustainability to your space, Cuna fits the bill perfectly.

The next time you unbox a new TV, microwave, or even the humble pizza, think twice before discarding the packaging. With Cuna, you can repurpose that cardboard, transforming it into a functional piece of furniture that adds an element of sustainability and comfort to your living space.

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Stool has tree shadows printed on top to bring you closer to nature

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Before I started focusing on writing for design, I never really paid attention to how mostly functional things like chairs are designed. As long as I could sit on it comfortably on it, then i believed it did its job and I didn’t really need to choose based on how well designed it is. But there are pieces of furniture out there, or even just as a concept, that were really thought of well by the designers to bring something not necessarily new, but at least interesting, to the table. Or in this case, the chair.

Designer: Shota Uruasaki

Capture the Light is one such design for a stool. The furniture itself is not a groundbreaking stool but is made up of the usual three blocks (seat, two legs) connected together by one small block. It looks just like your typical wooden stool/bench that you might see at a park or at a museum. But what makes this different is what you’ll see on the seat itself. You might think there’s a tree nearby casting its shadow but if you’re inside, then that may be a mystery.

It’s actually the unique design that this stool brings. The shadows casted by trees that you may see at parks or public spaces are immortalized on the seats as the designs are printed on them. The designer went around photographing the patterns that these tree shadows make, carrying a white board with them. The photographs were then inkjet printed on top of the stools and so you have the illusion of trees hovering on you as you sit on them.

It’s a simple design addition to your regular stool/bench but it’s interesting, if you’re into nature and trees. Even if the stool is inside, you get the illusion of still being surrounded by trees because of the shadows. Of course it’s still best to actually be around trees but in cases where you can’t then this stool may be the next best thing.

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