Xiaomi just launched its flagship 17 Ultra by Leica phone that may make you feel bad about your current device's cameras. Naturally, it's a spec monster, with a 1-inch sensor 50MP f/1.67 main camera and 1/1.4-inch 200MP periscope telephoto camera. But it also offers an interesting new mechanical feature: a manual zoom ring that activates the camera automatically when you rotate it.
Both the regular Xiaomi 17 Ultra and Leica edition come with a Snapdragon 8 Elite Gen 5 SoC with up to 16GB of LPDDR5X RAM and 1TB of UFS 4.1 storage, along with a 6.9-inch 120Hz AMOLED display that can hit up to 3,500 nits of peak brightness. On top of the impressive main and telephoto lenses, they offer a 50MP ultrawide and a 50MP selfie camera. And battery life shouldn't be an issue, thanks to the 6,800mAh silicon-carbon battery that supports 90 watt wired and 50 watt wireless charging.
Xiaomi
The 17 Ultra by Leica adds some very, well, Leica touches. Those include a two-tone finish, red dot status symbol on front, textured edges and film simulations like Leica's Monopan 50 black and white. As for the zoom ring, Xiaomi says "its rotation [eliminates] the need for tedious screen taps... and can detect displacements as small as 0.03mm." It can be reprogrammed for functions like exposure compensation and manual focus as well.
Other features unique to that model include a "Leica Moments" 3:2 aspect ratio, special encryption chip, and dual-satellite connection. And as befits a special edition, it comes in a custom box with a lens cap, lanyard, magnetic case and branded cleaning cloth.
The one caveat is the price. Where phones for the Chinese market are often cheaper than North American models, Xiaomi's 17 Ultra by Leica and the regular 17 Ultra start at CNY 7,999 ($1,140) and CNY 6,999 ($995) respectively with 512GB or storage and 16GB of RAM — right up there with the latest high-end Pixel 10 and Galaxy 25 models.
This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/xiaomis-17-ultra-leica-edition-smartphone-comes-with-a-manual-zoom-ring-093502893.html?src=rss
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I read somewhere that Nostalgia sells harder than Innovation and it really made me do a double-take. Does it make sense? Well, not really, considering how fast things are progressing on the robotics and AI front – but here’s where I’d like to believe that statement rings true. Take a look at culture – old music is in again, Taylor’s new album is an homage to the old. Thomas Bangalter of Daft Punk made his first stage appearance in nearly a decade. What about movies, you ask? They’re shooting the next Shrek film, Robert Downy Jr. is back at Marvel, and heck, Shia LaBoeuf just announced his return to Transformers. Tech is playing the retro game very well too, whether it’s reissuing of old-style hardware, emulators, or even trends like transparency that remind us of the Nintendo GBA and the iMac G3. The grand point I’m making here, is that this last year has been an absolute pendulum, swinging between extremes, aesthetic styles, ideologies, and eras.
So we zeroed down to 20 designs (spread across two articles) that represent what 2025 gave us. These are the first half of our top picks from the year, gathering designs that we as editors loved, but also taking you, the reader into account. After all, we don’t write in a vacuum. We try to find designs and tech that genuinely impress or inspire you, and if you’ve been spending 2025 doing a bunch of other things (like surviving) apart from reading Yanko Design, here are 10 handpicked (yes, I picked them myself!) designs that encapsulate the BEST of 2025. Stay tuned for part 2!
1. Google Pixel Headphones by Sidhant Patnaik
Sometimes concept renders accomplish more than actual products ever could. Designer Sidhant Patnaik’s Google Pixel Headphones exist only as pixels and Photoshop layers, yet they have sparked more genuine excitement than most real hardware launches Google has executed in years. The design borrows visual cues from the Pixel phone lineup, clean geometric forms, two-tone color blocking, subtle branding, while integrating Gemini AI as a core feature rather than an afterthought. Imagined controls include gesture-based interactions, seamless Pixel ecosystem integration, and the kind of ambient intelligence that Google keeps promising but rarely delivers in satisfying ways. It looks credible enough that people keep asking where to buy it, which is both flattering to the designer and damning to Google’s actual product strategy.
Here’s the uncomfortable truth this concept exposes: Google has all the pieces to dominate the premium headphone market but refuses to assemble them. They own best-in-class voice recognition, industry-leading AI through Gemini, deep Android integration, and more audio patents than most people realize. Apple charges $550 for AirPods Max and can barely keep them in stock. Nothing launched Headphone (1) at $299 and sold out immediately despite being a first-generation product from a startup. Meanwhile Google sells Pixel Buds that nobody talks about and leaves the over-ear category completely vacant. The demand is screaming at them through every comment section under this concept. When a render generates this much enthusiasm, it stops being fantasy and starts being a market signal Google is choosing to ignore.
2. Concept Plumage by Jet Weng
One of the ‘best’ designs of 2025 is actually from nearly 13 years ago! Isn’t that insane?! But that’s how you define ‘ahead of its time’, I guess. Designed by Jet Weng, this absolutely genius keyboard design solves the modern-day smartphone’s BIGGEST problem – the fact that touchscreen keyboards still suck. Concept Plumage is a flip-case that integrates a full QWERTY keyboard into the back of your phone’s protective cover. When you need to type something longer than a text message, you flip the case around to reveal physical keys that give you actual tactile feedback. When you’re done, it folds back flush against the phone, adding virtually no bulk to your everyday carry. The whole system lives within the footprint of a standard phone case, which means you get BlackBerry-level typing precision without sacrificing the sleekness of modern smartphone design.
What makes this concept so painfully relevant in 2025 is that we are still dealing with the same frustrations Weng identified over a decade ago. Autocorrect still mangles sentences. Thumbs still obscure half the screen. Typing anything substantial on glass remains an exercise in patience and typo correction. The design world spent years convincing us that we would eventually master touchscreen typing, that our muscle memory would adapt, that software would get smarter. Instead, we just learned to accept mediocrity. Plumage refused that compromise, offering a solution that feels both retro and futuristic, like someone time-traveled from 2013 with the one idea we should have mass-produced immediately.
3. Public Library by Thilina Liyanage
Some libraries try to attract bookworms. This one commits to the metaphor so completely that walking inside feels like stepping between pages. Thilina Liyanage’s Public Library‘s exterior mimics an open book mid-read, with two curved structures meeting at a spine, their forms arching upward like paper caught in a breeze. Floor-to-ceiling glass panels stretch across both halves, flooding the interior with natural light that shifts throughout the day, casting reading nooks into soft afternoon glow or sharp morning clarity depending on where the sun sits.
Inside, the architect abandoned the grid entirely. Shelves curve with the walls, following the book-like contours instead of fighting them. Reading spaces cascade across multiple levels connected by flowing staircases that feel more like narrative transitions than functional infrastructure. The central atrium, positioned where the spine would be, rises through all floors and functions as both circulation hub and dramatic gathering space. Materials skew minimal and futuristic, lots of white surfaces, polished concrete, transparent railings, so nothing competes with the architecture’s bold gesture. It is the kind of space that makes you want to linger even if you didn’t come to read, which might be the highest compliment you can pay a library in 2025.
4. HubKey Gen2 by HubKey
The modern laptop gives you two USB-C ports and expects you to figure out the rest yourself. Most people end up with a drawer full of dongles, one for HDMI, another for ethernet, maybe a card reader that works half the time, all daisy-chained together in configurations that feel temporary but somehow become permanent. HubKey Gen2 consolidates that mess into an 11-in-1 hub with an unusual twist: it includes physical shortcut keys and a rotary knob on top, turning connectivity infrastructure into an actual control surface. Four programmable buttons and a central dial let you trigger macros, adjust volume, skip tracks, or launch applications without reaching for the keyboard. It treats the hub as something you interact with regularly rather than plug in once and forget about.
The headline upgrade is dual 4K at 60Hz, both HDMI outputs running simultaneously without bandwidth compromises or resolution drops. Add 100W pass-through charging, a 2.5Gbps ethernet port, 10Gbps USB-A data transfer, SD and microSD slots, and a 3.5mm audio jack, and you have covered most desk setups without needing secondary adapters. The customizable keys support complex shortcuts through companion software, which means editors can bind them to timeline controls, designers can trigger layer actions, and anyone else can just use them for Spotify and Zoom mute. It is a small addition that changes how the device sits in your workflow, shifting it from passive infrastructure to active tool. Most hubs disappear under your desk. This one earns a spot within arm’s reach.
5. Switzerland Passport Re-design by RETINAA
Most passports are exercises in bureaucratic minimalism, but Geneva-based studio RETINAA treated Switzerland’s passport redesign like a cartographic love letter. The new passport centers around water, Switzerland’s most defining geographic feature, with a hydrological map of the country’s rivers and lakes spreading across the inner cover. Each page features detailed illustrations of Swiss landmarks, architectural icons, mountains, and valleys rendered in precise line work that feels equal parts technical drawing and fine art. The design draws heavily from Switzerland’s rich tradition of cartography and graphic design, honoring the country’s obsessive attention to visual detail while meeting all modern security requirements. It is rare to see a government document that looks like it could hang framed in a design museum, but this one legitimately pulls it off.
The hidden layer makes it even better. Under ultraviolet light, topographic contour lines emerge across the pages, revealing Switzerland’s dramatic elevation changes in glowing detail. The Alps materialize as layered ridges, valleys sink into shadow, and the whole document transforms into something that feels alive. Water remains the conceptual anchor throughout, a nod to the country’s hydroelectric infrastructure and the way rivers and lakes have shaped Swiss identity for centuries. RETINAA managed to make a security feature feel poetic, which is not an easy trick. This is what happens when you let actual designers loose on something usually handled by committee and compliance officers. The passport does not just represent Switzerland, it performs the country’s design ethos with every page turn.
6. Modern Apple iPod by Zac Builds
See?! This is where Nostalgia really sells harder than Innovation! YouTuber Zac Builds took a fifth-generation iPod Video and resurrected it into what Apple should have made if they had any interest in keeping the product line alive. The outside looks nearly identical to the 2005 original, same click wheel, same proportions, same satisfying tactile response. Everything else is 2025. He swapped the 30-pin connector for USB-C, added Bluetooth 5.0 for wireless audio, upgraded the storage to a modern SD card solution, and installed custom firmware that supports FLAC, ALAC, and basically every audio format iTunes ever refused to acknowledge. Most importantly, the whole thing syncs like a standard USB drive, no iTunes required, no proprietary software gatekeeping your music library. Just drag and drop files like it’s 2003 but without the artificial limitations.
The build represents everything people loved about dedicated music players before smartphones absorbed their function. No notifications interrupting an album. No battery drain from a hundred background apps. No accidental skips from a touchscreen registering phantom taps in your pocket. Just a device that plays music exceptionally well and does nothing else. The fact that it took a hobbyist with a soldering iron to deliver this rather than Apple themselves says everything about where consumer electronics have drifted. Zac’s version honors the iPod’s legacy while fixing its most dated frustrations, which might be the perfect definition of thoughtful nostalgia. This is not a museum piece. It is a working argument for why single-purpose devices still matter in a world obsessed with convergence.
7. TobenONE 6-in-1 Hub by TobenONE
HDMI cables are the cockroaches of tech, somehow surviving every wireless revolution that should have killed them off by now. We beam 4K movies through the air, charge devices without plugging them in, and send gigabytes of data across continents in seconds, but connecting a laptop to a projector still means crawling under desks hunting for the right dongle. The TobenONE T1 finally addresses this absurdity with a transmitter-receiver combo that handles video streaming wirelessly while doubling as a fully functional USB-C hub. Plug the transmitter into your laptop, connect the receiver to your TV or monitor via HDMI, and the two talk to each other over 5G Wi-Fi at distances up to 30 meters. No network required, no firmware updates, no app to download and immediately forget your password for.
What separates this from the dozens of other wireless HDMI solutions is the fact that it doesn’t just replace one cable, it replaces six. The hub side includes multiple USB-A ports, an SD card reader, and pass-through charging, which means your laptop stays powered while streaming a presentation or mirroring gameplay. It handles 1080p at 60Hz, which is not cutting-edge but plenty adequate for most use cases outside of competitive gaming or pixel-peeping design work. The real appeal here is convenience compounded, eliminating both the video cable and the separate hub most people already carry. Conference rooms, living room setups, and anyone tired of the “which adapter did I forget this time” ritual will find this particularly satisfying. It is one of those products that feels obvious in hindsight, which usually means someone should have made it years ago.
8. LEGO Snow Globes by ItzEthqn
LEGO has been mining nostalgia so effectively for years that it barely registers as a strategy anymore, it just feels like what LEGO does. But every so often they drop something that reminds you how good they are at packaging childhood wonder into adult-friendly formats. These buildable LEGO snow globes hit that sweet spot perfectly: tactile enough to justify the LEGO branding, decorative enough to sit on a desk without looking like a toy, and seasonal enough to qualify as a gift without feeling like obligatory holiday merch. Each globe contains a miniature scene, winter villages, festive characters, iconic moments, all rendered in brick form and sealed inside a transparent sphere that sits on a buildable base.
The genius is in the scale and execution. These are not massive display pieces that demand shelf real estate and explanations to guests. They are compact, self-contained, and instantly recognizable as both LEGO and snow globe, which means they work as decor, conversation starters, or stocking stuffers without needing context. The build process is simple enough to be relaxing but detailed enough to feel rewarding, which is basically LEGO’s entire value proposition distilled into a seasonal format. They tap into two separate nostalgia streams simultaneously: the childhood joy of LEGO construction and the sentimental pull of snow globes as holiday symbols. It is a perfect example of nostalgia not just selling, but selling smart, giving people something familiar enough to want and novel enough to justify buying in the first place.
9. Plus Pool by Dong-Ping Wong, Oana Stanescu, Archie Lee Coates IV & Jeffrey Franklin
New York City has not had a functional public swimming spot in its rivers for generations, mostly because jumping into the East River carries the same appeal as bathing in a toxic soup. Plus Pool fixes this with an ambitious solution that sounds too simple to work but somehow does: a floating, self-filtering swimming pool that pulls water directly from the river and cleans it in real time. Shaped like an oversized plus sign, the design allows multiple swimming zones, kids’ area, lap lanes, lounging sections, all configurable depending on how many people show up. The filtration system uses multiple straining layers to remove debris and particles, then hits everything with UV treatment for disinfection, no chlorine involved. Construction finally started in 2025 after 14 years of bureaucratic delays, fundraising hurdles, and engineering challenges.
The pool itself is a 320-ton steel structure currently undergoing testing before it gets anchored near Pier 35 on Manhattan’s Lower East Side. A walkway will connect it to the shore, making it accessible without boats or special permits. Once operational, it will filter over half a million gallons of river water daily while people swim in it, turning one of the city’s most neglected natural resources into usable public space. The project represents a rare kind of urban optimism, the belief that infrastructure can do more than just function, it can invite people back to landscapes they abandoned decades ago. If it works as promised, Plus Pool will be the kind of civic landmark that makes people wonder why nobody thought to build it sooner, even though the answer is clearly that it took this long because ambitious public projects always do.
10. Dash Cam 4K T800 by 70mai
Most dash cams cover what is directly in front of you and maybe behind if you spring for the dual setup. That still leaves your sides completely vulnerable and your interior as an afterthought, which is a problem when insurance disputes or break-ins hinge on angles your camera never captured. The 70mai 4K T800 fixes this with three synchronized lenses: 4K front-facing, 1080p rear, and an interior camera that rotates 360 degrees. The front camera handles road footage with Sony STARVIS 2 sensor clarity, the rear covers tailgaters and parking lot incidents, and the interior lens can swivel to monitor the cabin or point sideways through windows to catch side-impact collisions and door dings. Together they eliminate the blind spots that turn minor accidents into he-said-she-said nightmares.
The system records all three feeds simultaneously and displays them in picture-in-picture mode on a 3-inch screen, giving you mission control visibility without needing to dig through separate files later. Built-in GPS tracks your route, the G-sensor triggers emergency recording on impact, and 24-hour parking surveillance keeps an eye on things when you are not around. At $323, it sits at the higher end of dash cam pricing, but it delivers the kind of comprehensive coverage that single and dual-lens setups simply cannot match. The logic is straightforward: if you are going to mount a camera system in your car, it might as well see everything worth seeing. This one does.
Japanese camping brand Tokyo Crafts has brought something unusual to the American market. The Grayhus tent landed stateside this past August through distributor Kōrogi, and it’s turning heads at campsites across the country. This isn’t your standard dome tent. The polyhedral shelter reads more like an art installation than camping gear, with sharp geometric angles that create an almost alien silhouette against mountain backdrops and forest clearings. It’s the kind of tent that makes neighboring campers do a double-take.
Those angular walls aren’t just for show. Large windows cut into the structure frame whatever landscape surrounds you, turning mornings and evenings into something worth lingering over. There’s something satisfying about the way the tent’s rigid geometry plays against the organic curves of nature. Set one up near a lake or in a meadow, and you’ve got an instant focal point. Tokyo Crafts clearly understands that camping gear can do more than keep you dry. The Grayhus makes a statement while it shelters you.
The tent’s real cleverness shows up when the weather changes. On mild days, it works as an airy canopy. When mosquitoes show up at dusk, mesh panels turn it into a screened room. If wind picks up or rain moves in, you can batten everything down into a fully enclosed shelter that’s been tested to 55 mph winds. That’s proper storm protection, not just a rating on paper. The Grayhus shifts between configurations without requiring you to pack different shelters for different conditions.
Here’s where Tokyo Crafts made an interesting call. The tent has no built-in floor. Most campers expect integrated groundsheets, but ditching that feature opens up the interior and makes setup faster. The walls and roof use waterproof, weatherproof materials that handle whatever falls from above. Below, you’re free to arrange things however you want. Throw down a tarp, layer rugs, or go minimal. The floorless design gives you options instead of locking you into one setup. It’s a smarter approach than it might first seem.
Tokyo Crafts says the Grayhus sleeps four comfortably, though the roomy interior could fit more if you’re flexible about personal space. The safari-tent vibe skews toward glamping rather than backpacking. At $1,200 for the base model, it’s not an impulse purchase. That price puts it squarely in premium territory, which makes sense given the materials and design work. You’re paying for something that stands apart from the sea of identical camping shelters cluttering outdoor retailers.
The Grayhus is part of Tokyo Crafts’ bigger push into the US market, bringing Japanese camping aesthetics to American buyers who might not know what they’ve been missing. The brand offers add-ons like living sheets and TPU windows if you want to dial in your setup. What sets Tokyo Crafts apart is the refusal to separate form from function. The Grayhus works well and looks striking while doing it. For campers who care about design as much as they care about staying dry, it’s a tent that finally treats both priorities seriously.
On the sands of Miami Beach, where the horizon usually belongs to water and sky, Es Devlin has inserted something unexpected: a library that moves. Unveiled as the major centerpiece of Faena Art Miami Art Week 2025, Library of Us is a vast, glowing amphitheater of books, sound, and slow choreography. Commissioned to mark ten years of Faena Art in Miami Beach, the installation stretches across the shoreline as both spectacle and sanctuary, an architecture that asks visitors not to consume, but to pause, read, and share time.
At the heart of the work stands a kinetic, 6 meter tall triangular bookshelf, monumental yet gentle in its motion. The structure is 15 meters long and holds 2,500 books, arranged not as static objects but as part of a living system. The entire bookshelf rotates on its axis once every ten minutes, a pace slow enough to feel almost imperceptible. This gradual movement creates a quiet sense of drift, as if the architecture itself were breathing.
The bookshelf is encircled by a shallow mirrored pool that reflects the structure, doubling its presence and softening the boundary between object and environment. Steel, marine plywood, mirror, water, and LED elements work together to transform the beach into a reflective, fluid landscape. In this setting, text does not shout, it glides. A continuous 10 meter LED line streams words across the spine of the bookshelf, making language visible as light and motion. Here, text moves at the pace of tides and pages rather than notifications.
Surrounding Library of Us is a monumental circular reading table that seats hundreds. The table is divided into two concentric rings. The outer circle remains still, while the inner circle rotates with the sculpture. This subtle architectural decision reshapes the act of reading into a collective experience. With every slow rotation, readers find themselves facing a new passage, a new book, and a new person across the table. Without instruction or spectacle, the installation creates moments of shared temporality and quiet connection.
Sound further deepens the atmosphere. A 250 excerpt audio score, read by Devlin herself and layered with music, fills the space with a polyphonic field of voices, memories, and literary fragments. The result is neither performance nor background noise, but something in between, a sonic environment that blurs the boundary between private reading and public ritual.
On view until December 7, 2025, Library of Us functions simultaneously as a public library, an illuminated sculpture, and an arena for collective reading. It also continues Devlin’s ongoing investigation into libraries as kinetic sculptures. Earlier in 2025, she presented Library of Light at the Pinacoteca di Brera in Milan, where daily collective readings drew nearly 200,000 visitors. In Miami, that inquiry expands outward, scaled to the openness of the beach and the civic ambition of Faena Art Week.
The project’s afterlife is just as considered as its form. When the week concludes, all 2,500 books, supplied through a partnership with Penguin Random House, will be donated to public libraries, schools, and community organizations across Miami, extending the work’s impact beyond the shoreline.
Two additional commissions complete the experience. Inside the Faena Cathedral, The Reading Room takes shape as a 14 meter bench integrated with a bookshelf and LED screen, built from phrases contributed by the hotel’s staff including housekeeping, gardeners, security, restaurant teams, maintenance, and long time collaborators. Nearby, Tracing Time presents drawings and paintings on glass, paper, and screens that reveal Devlin’s process through layers, repetition, and mark making. Together, these works form a rare portrait of Es Devlin’s multidisciplinary practice. Library of Us is not simply an installation to be seen. It is an architecture that reads back, reminding us that language gains its greatest power when it is shared, slowed down, and held in common.
Yanko Design’s new podcast, Design Mindset, continues to bring fresh perspectives from design leaders around the world. Every week, this series (Powered by KeyShot) explores critical questions shaping the future of design, from recognition and validation to the evolving role of awards in our digital age. Episode 15 tackles a particularly timely subject: whether design awards still hold relevance when every designer has Instagram, Behance, and LinkedIn at their fingertips.
Jova Zec, Vice President of Red Dot Awards, joins host Radhika Seth for a candid discussion about the changing landscape of design recognition. As the second generation leading one of the world’s most prestigious design competitions (founded by his father, Professor Dr. Peter Zec), Jova brings a unique vantage point on how awards have transformed over three decades, from insider validation to global influence. He’s actively reshaping what recognition means in 2025 and beyond, viewing it as a responsibility rather than simply a reward.
From Visibility to Validation: What Awards Mean Now
Jova recalls a time when getting recognized meant appearing on TV or in newspapers. For designers especially, having their own platform was nearly impossible. But now, with Instagram profiles and countless social media options, the landscape has completely changed. This shift has fundamentally altered what design awards need to offer the creative community.
The focus has pivoted from providing visibility to providing qualification. Awards have evolved from megaphones to validators, from amplifiers to authenticators. Jova explains that nowadays, the emphasis lies on being qualified by Red Dot as somebody who produces something that carries genuine value, helping designers prove that their work matters beyond popularity metrics. In a world drowning in content, expert validation proves that a designer’s work holds timeless value beyond digital noise.
The Four Qualities That Separate Impact from Noise
Red Dot evaluates submissions based on four core qualities: functionality, use, responsibility, and seduction. Interestingly, Jova highlights seduction as perhaps the most important. This quality creates the emotional connection that makes consumers genuinely want a product. While functionality and responsibility might seem self-explanatory, seduction is what really drives desire and adoption in the marketplace.
This evaluation approach allows Red Dot to look past short-term viral gimmicks that might rack up likes online. The judges evaluate products on timeless criteria that have remained consistent across the award’s history. Washing machines, for instance, might all look similar to casual observers, but there’s often extraordinary design work happening in the details. Quality never changes; it’s about the experience. If you experience a quality moment with a product, that experience stays the same whether it happened 50 years ago or will happen 100 years from now.
Meta-Categories: Recognizing Invisible Excellence
One of Red Dot’s most significant evolutions has been the introduction of meta-categories. While core principles remain constant, these categories allow Red Dot to highlight specific aspects of design that deserve elevation. The innovative category, for example, recognizes technologically advanced ideas that may lack polish but carry revolutionary potential. Red Dot has also introduced a sustainability meta-category to encourage environmental responsibility.
When Radhika presents Jova with a hypothetical scenario (a sustainable packaging startup with genuinely innovative biodegradable materials that’s technically brilliant but doesn’t photograph beautifully), his response perfectly illustrates this approach. Such a product would win both the innovative award for finding a solution that could revolutionize the industry and the sustainability award for its environmental impact. Winners of these meta-category awards then gain access to a network that includes experts in visual and seductive design, fostering collaboration that can yield products blending sustainable innovation with high aesthetic quality. Leaving such innovation unrecognized is never an option.
Validation Matters at Every Career Stage
The conversation turns personal when discussing how recognition affects designers differently throughout their careers. Jova’s observation is insightful: the importance to the person themselves always stays the same. Whether you’re a design legend or an emerging talent, validation matters deeply.
For established professionals and design legends, winning a Red Dot confirms they’re still performing at the level they believe they are, that they remain in the mindset of the current generation. For young designers trying to establish themselves, awards serve as career kickstarters. Jova shares stories of students who took part in Red Dot, won something, and immediately got employed by major companies wanting their design talent. Beyond career advancement, recognition provides crucial feedback from professionals who aren’t involved in your project and may have never met you before. This validation boosts self-esteem and helps designers affirm they’re on the right path, especially when they’ve just created something great and need confirmation to continue in that direction.
Recognition as Responsibility: Creating a Better World
The overarching theme throughout the conversation is that recognition has evolved significantly in its purpose and meaning. As Jova reflects, he’s watched recognition transform from something designers hoped for to something they expect, from validation to influence, from celebration to obligation. Today, every designer has a platform, every product gets shared instantly, and everyone’s fighting for the same attention. The question isn’t whether awards still matter; it’s whether they’re measuring the right things.
When asked during the rapid fire round what recognition should ultimately create, Jova offers two words: a better world. The biggest misconception designers have about awards? That it’s all a scam. The most overrated aspect of design recognition today? Just designing something that is very popular but lacks usefulness. This episode of Design Mindset crystallizes something important: in an age when anyone can go viral and content floods every feed, expert validation becomes more critical than ever. Awards that maintain rigorous standards and evaluate based on timeless principles fulfill a vital function, steering the design community toward values that matter: quality, responsibility, innovation, and seduction. The future belongs to awards that actively create conditions for great design to flourish.
Design Mindset, Powered by KeyShot, premieres every week with new conversations exploring the minds shaping the future of design. Listen to the full episode with Jova Zec to hear more insights on recognition, Red Dot’s evolution, and what makes design truly timeless.
