Innovative Packaging Designs from the A’ Design Award that make the perfect first impression of a product

Your product’s packaging is arguably the first thing the consumer sees, as a part of the product experience. It forms the first ever interaction between product and consumer, and a successful interaction means a consumer will pick the product up off the aisle and add it to their cart. Bad packaging design can adversely affect a product’s success or its performance, while a well-packaged product allows it to stand out, prompting someone to pick it up and decide to purchase it. Packaging Design is more than just a box with artwork… it’s the product around the product, and deserves as much attention while designing as the item within it.

Packaging Design forms just one of the various categories of the A’ Design Award and Competition, which spans the popular categories like Architecture, Lighting, and Consumer Electronics, as well as the obscure, lesser-known categories like Cybernetics, Prosumer Products, and Safety Apparel Design. The A’ Design Award’s ultimate goal is to be an umbrella that covers good design across all disciplines, which is why it has 100 different categories for submitting design projects, and 211 jury members (comprising academics, design professionals, and press members) from all around the world collectively judging the works. Winners of the A’ Design Award don’t just secure a trophy and a certificate, but receive an entire PR Campaign dedicated towards pushing their career, clout, and even their projects to newer heights. A’ Design Award’s winners and even its participants are included in its annual award book and business network, while additionally contributing to their country’s overall design ranking that paints a holistic picture of how design-centric and design-forward each country is.

The A’ Design Award is currently accepting entries for the 2022 edition of the award program, so go ahead and give your work and career the push it deserves!

Here are some of our favorite Packaging Design winners from the A’ Design Award & Competition 2021. If you have a potential packaging design project that you think is worthy of an award, Click here to register & participate in the A’ Design Awards 2022. Hurry! The regular deadline ends on September 30th, 2021.

Nefer Perfume by Amr Ibrahim


Getting its name from the Egyptian word for beauty, the Nefer perfume bottle embodies sheer elegance on the inside and out. The bottle’s design is derived from the curved lines of the female figure, possibly as an ode to the ancient Egyptian Queen Nefertiti. It sports an incredibly intricate ornate exterior that could only be made through 3D printing, and while the exterior’s job is to captivate, a slim internal chamber holds the fragrant perfume within… like a beautiful soul within a beautiful body.

Zippo Constellation Packaging by Sunhwa Lee and Wenyuan Chen


I’m not one to buy lighters at all, but the best way to get me to buy a whole bunch of them is to arrange them in a packaging as alluring as this! The Zippo Constellation Box Set by Sunhwa Lee and Wenyuan Chen is a complete collection of 12 Zippo limited edition lighters with artwork depicting the 12 zodiac signs (also known as sun signs). The overall circular package has almost a cosmic-calendar-meets-ancient-sundial vibe to it, and it even lights up from the inside, bringing the constellation artwork in the center to life. The packaging is aimed at being a box set, although the designers envisioned that people would want to display it as a collectible too – which is why the circular box comes with a pop-out stand at the back. The lighters dock into the packaging via magnets, and can be popped out whenever you want to use or admire them. Only 100 such box sets are ever going to be made.

Regeneration Flower Tea Packaging by JieLong Wu and Lu Yi


This rather alluring box of teabags actually has more to it than you’d expect. Sure, it’s incredibly pretty to look at, and comes with 6 pyramid-shaped teabags… although the packaging’s also designed in a way to make discarding your teabag easier. Each individual teabag comes enclosed in a tetrahedral handmade paper box, and once you’ve opened the box, taken the bag out, and brewed your tea, you can put the used teabag back inside its paper box and discard it anywhere. Aside from being biodegradable, the handmade paper actually has flower seeds embedded between the paper fibers, and when introduced into soil, uses the tea leaves as fertilizer to grow. In the end, your discarded teabag ends up decomposing and becoming fertilizer for a flowering plant!

Fousu Sock Packing by GaoWei Xin


Modern anti-bacterial socks require modern-looking packaging! The Fousu socks come packaged in a rather sci-fi looking capsule made from recycled paper pulp. The pulp’s formed into the capsule shape using a set of molds (just like how an egg carton is made), although its overall design has a much better finish, which allows you to then print information onto the exterior. Designed to be discarded, each capsule comes with 3 pairs of rolled socks inside. I say discarded, but I’d probably just hold onto the box and use it to efficiently store my socks in the wardrobe!

Mingluye Baijiu Packaging by Wen Liu, Bo Zheng and Weijie Kang


While the alcoholic baijiu is often prepared using fermented sorghum, rice, or even wheat, Mingluye uses fermented mung beans, giving the traditional spirit a distinct flavor and aroma. The Mingluye bottle celebrates its origin by actually resembling the mung bean. The bottle’s overall shape and color bear a close resemblance to the bean, while the label on the front takes after the white germ of the sprouted mung bean! It’s an incredibly beautiful-looking bottle, isn’t it?

Alpine Ancient Trees Tea Packaging by Xiaobin Li, Xingguo Li and Shilin Huang


The Alpine Ancient Trees tea packaging pays respect to the hilly terrain on which tea plantations grow. The incredibly premium box set opens up to reveal two spherical packages of tea leaves nested inside mountains made out of corrugated paper. Once you take the spherical packages of tea out, the box can then be repurposed into a holder for tiny bonsai planters, giving it a new purpose and preventing it from going to waste.

Marshall’s new ANC earphones are straight-up designed for absolute audiophiles

The renowned amp and audio gear-making company unveiled two new TWS models – the Marshall Minor III and Marshall Motif A.N.C. sporting a uniquely recognizable aesthetic that all audiophiles will absolutely love!

Both models (shown below) come in the unmistakable black finish, and come in a faux-leather finish case that’s complete with Marshall’s branding. The cases (which really looks like a mini amplifier at this point) open up to reveal the earphones inside, which are branded with the Marshall monogram too. Another pretty neat design detail is the diamond knurled patterns on the stems of both the earphones, reminiscent of the texture seen on high-end audio cables and jacks. The Minor III earbuds even come with a gold-tipped base, tying in with the gold-plating found on premium audio jacks.

Both earphones offer a commendable 20-25 hours of playback (along with the charging case), and sport intuitive touch controls.

The Minor III is Marshall’s most entry-level TWS earphone, at just $129. It features an AirPod-inspired open-fit design, is intuitive to use, and is easy to set up.

The Motif A.N.C. on the other hand is Marshall’s flagship TWS offering. Priced at $199, it features a sealed-fit design (thanks to silicone ear-tips) and sports active noise cancellation (which can be toggled using the button on the charging case). Being the higher-end of the two earphones, the Motif A.N.C. even comes with support for Marshall’s own Bluetooth-enabled smartphone app, which lets you access a bunch of other features, including a customizable EQ.

The Minor III will be available for $129 starting today (September 15th), while the Motif A.N.C. will be available for pre-orders at $199, with shipping starting September 30th.

Designer: Marshall

Paris Design Week 2021 Recap: Here are our top favorite designs from this year’s physical Maison et Objet event!

After having to host a strictly online-only version of their trade fair last year because of the global pandemic, Maison&Objet made a grand comeback to their in-person physical event this year. The event saw an overwhelming response, with as many as 1476 participants and over 80,000 attendees getting together to help propel the design industry forward, and allow design businesses to thrive. The event was spread out among 7 halls, covering multiple different themes, spotlighting thousands of businesses and design studios, and showcasing a dizzying variety of new and classic products. Here in this list, we handpick a few standout designs that we absolutely loved at the Maison&Objet fair held at the 2021 Paris Design Week.

a.bsolument Vintage-inspired Bluetooth Radios


Didn’t you know retro is back? Well, if you’re going to be listening to retro throwback music, what better device to listen to it on than an a.bsolument radio? The France-based company takes antique radios from the 60s and 70s, and upgrades them with more modern innards, like better speakers and even Bluetooth capability. It isn’t easy sourcing these radios from more than 50 years ago, but a.bsolument’s somehow managed to get their hands on a MASSIVE bunch of small transistors, pocket radios, home radios, and many more, and they’re all being refurbished to give them a new lease of life. Most of them still look incredibly classy, if you ask me.

koziol Pascal Lunch Box Cultery Set

The Pascal is a nifty, all-in-one lunchbox with its own snap-on cutlery set that lets you grab a quick bite anywhere. Made from environmentally friendly materials, the lunchbox is food-safe, modular, and can suit a variety of cuisines. It comes with 3 containers and koziol’s KLIKK cutlery set, and can be infinitely reused, so you never have to worry about single-use takeout containers or cutlery ever again!

Horl Rolling Knife Sharpener

The key to grinding your kitchen blades perfectly lies in a number of factors, two of the most important ones being A. angle, and B. directional consistency… both of which the Horl Knife Sharpener take into careful consideration. Designed to be easy enough for amateurs to use, Horl’s foolproof process results in knives so perfectly whetted, they look like they were sharpened by experts. The setup comes with a sharpening stone mounted on a rolling barrel design, and a unique jig that holds your knife at an exact 15° angle as the roller grinds the blade. This way, both the angle and directional consistency are taken care of and all you need to do is mount your knife on the magnetic jig and roll the sharpener up and down a few times.

Wunderkey Key Organizer

A standing example of German efficiency, the Wunderkey is a functional bit of EDC that organizes your keys into a small, Swiss Knife-inspired stick that’s slim enough to fit in your pocket. The Wunderkey makes it easy to organize and access your keys, and if the sound of jangling keychains annoys you, the tightly packed design ensures you don’t sound like a one-man Mariachi band. The Wunderkey comes in a choice of materials, including a modern aluminum body, a classic leather exterior, and if you’re feeling fancy, carbon fiber!

Prêt à Pousser Nano Modular Indoor Planter


If you remember the Nano Garden from back in May, Prêt à Pousser has now expanded their ecosystem to make the Nano even more modular and suitable for households. Instead of opting for individual Nano planters, you can now get stacks of 3 and even modules of 4, allowing you to expand your home garden with a selection of floral plants, purifying plants, and even kitchen greens! The planters still come with the self-watering feature, the soil-free design, and the sun-mimicking lamp that nourishes your plant!

Kreafunk Bluetooth Speakers


With a wonderfully contemporary Danish design, Kreafunk’s speakers look as beautiful as they sound. The way they’re designed makes them blend beautifully into home interiors, with their use of metal, plastic, fabric, and occasionally leather, all combined together to make something that rivals even the best smart speakers. Shown above is the aCOUSTIC, a pretty slick-looking wireless speaker that pumps out a good 30 hours of music on a full charge. It comes with a handle that makes it easy to carry around the house, sports an IP55 dust and water repellent design which means you can carry it outdoors too, and here’s the best part – it supports wireless charging, so you can easily place the speaker on a charging pad when the battery runs low!

Lexon Oblio Wireless Charger + UV Sanitizer


Put your phone right into the Oblio’s slot and it immediately begins sanitizing as well as wirelessly charging your device. A 10W wireless charger at the back juices your phone in just 20 minutes, giving the Oblio enough time to use a front-facing UV-C lamp to sterilize your phone’s screen. The Oblio’s unique form factor not only makes it look like a chic little planter around your house but also cleverly hides your phone from view, so you’re less likely to constantly fiddle with it during the charging/sanitation cycle. It’s a clever bit of design, tech, and a behavioral-change solution all wrapped in one!

Kikkerland Crab Multitool


Most crustaceans belong in the sea, some in the kitchen, but the Crab Multi-Tool by Kikkerland definitely belongs in the latter! The Crab comes with a beechwood body and 6 multitools, comprising a pair of scissors, a bottle opener, a 3/16 flat head screwdriver, a can opener, a mini knife, and a rope saw. Fold them up to make the multi-tool look compact, like a meditating crab. The minute you need a helping hand (or claw), unfold the crab’s many arms and it’ll show you just how useful it is!

Why the BMW i Vision Circular Concept looks so unique and attractive, and what automotive designers can learn from it

BMW i Vision Circular Concept

Nobody ever designed anything iconic by following the rules. The BMW i Vision Circular Concept works on the same principle – it has an appearance that’s car-like enough to not be mistaken for anything else, yet the design team takes deliberate decisions to deviate from certain norms, creating a car that looks and feels really refreshing. Here are a couple of my takeaways that could become design lessons in the future… and yes, I’ll be bringing up the Tesla Cybertruck.

Just to cover the basics, the i Vision Circular Concept debuted at the Munich Auto Show as BMW’s first-ever ‘100% recyclable’ car. Designed for the year 2040, the i Vision Circular Concept comes with a design featuring parts that are completely detachable (thanks to the use of intelligent fasteners like cords and press-fit joints instead of glue and welding) and easy to fix/repair. The car’s body is made from recycled aluminum, its interiors use fabric made from recycled plastic, and even the tires are made from a “sustainably cultivated” natural rubber. As one would expect with any eco-conscious automobile, the i Vision Circular Concept runs on an electric powertrain too… and while managing to balance all those bits of innovation, the i Vision Circular Concept looks like an absolute stunner. It’s unconventionally shaped, looks decidedly modern, makes incredible use of volumes, surfaces, edges, continuity, and lighting, while still ensuring that the car follows BMW’s brand DNA and retains its iconic design language… and if that wasn’t impressive enough, the car also doesn’t use a single drop of paint.

BMW i Vision Circular Concept

A futuristic form that’s edgy, but friendly.

Angular straight lines play a dominant role in visual futurism – a theory that the Cybertruck has pushed to its very limits. Straight lines can never be found in nature, so the use of them automatically makes something look artificial or man-made. Play with those parameters enough and you’ll arrive at something that looks so artificial it feels like it’s from the future. While that may have played to the Cybertruck’s strength (because the ultimate consensus, whether you liked the pickup truck’s design or not, was that it looked hyper-futuristic), it isn’t necessarily what the i Vision Circular Concept is going for. Sure, the use of sharp edges and angular lines play a major part in allowing the car to look futuristic, but the gentle use of curves give it a more friendly, relatable appeal, making it look appealing and warm instead of robotic and cold.

As far as form and surface treatment goes, the i Vision Circular Concept doesn’t really go by the book. For starters, it has a panoramic windshield that extends all the way from the front to the top and the back, and even to the sides. The front is a continuous curve too, highly reminiscent of Lamborghinis, and gives the car a wedge-shaped silhouette that’s wider than the kind seen in Lambos, but is still unmistakably different from almost every other car. It even comes with a chasm or a valley running down the bonnet, creating that bit of drama by breaking the surface, while providing a neat area to house the BMW logo. There’s also an incredibly low overhang over the front and rear wheels, resulting in a car that looks incredibly tight, yet with curves in the right places.

BMW i Vision Circular Concept

BMW i Vision Circular Concept

Eyes so pretty, you can’t stop staring at them.

Chances are that the first thing you noticed about the BMW i Vision Circular Concept was its headlights. Over time, cars have anthropomorphized to form faces, where the headlights look like eyes – a feature that’s allowed car brands to give their automobiles character and emotions, which is why the slim headlights of an Audi make it look aggressive, and the round headlights of a VW Beetle make it look fun and friendly. The i Vision Circular Concept’s eyes rely on an incredible contrast created by angular white lines on a black background. The angular lines give the car a discerning appearance without necessarily looking mean or angry, and the headlights aren’t simply relegated to a bulb and reflector located on either side of the car’s front… instead, the angular lines travel all the way across the front from left to right. BMW’s designers even used this genius move to turn the headlights into a makeshift kidney grille, fulfilling a design detail that can be found on every single BMW car from the very beginning. Since the i Vision Circular Concept doesn’t have a gas-powered engine (and therefore doesn’t need a grille on the front), the angular lines take its place, making the car concept equal parts path-breaking yet true to BMW’s legacy.

BMW i Vision Circular Concept

BMW i Vision Circular Concept

BMW i Vision Circular Concept

Not a drop of paint.

Easily one of the most wasteful processes in a car’s manufacturing, the paint-job needs to be conducted in a highly controlled environment by specialized robots with highly expensive equipment. The process can take days at an end, result in a massive amount of wasted resources and paint, and if gone even fractionally wrong, needs to be done all over again from scratch. Cleverly enough, the i Vision Circular Concept dodges this process entirely, saving resources and energy, but also potentially millions of dollars in the process.

The car’s eye-catching matte gold finish is the result of a process called anodizing, which involves electro-chemically layering a thin film of color on top of the car’s metal body. It’s time-saving, foolproof, and adds a thin layer of color over the metal, as opposed to multiple layers of paint. The gold color transitions to a wonderful blue-ish hue at the back that’s achieved through heat-treatment, a process often employed with steel. BMW wasn’t clear about how laborious or expensive these processes are, but just on paper, they seem quicker and more cost-effective than spraying on 7-8 layers of automotive paint onto an entire car.

BMW i Vision Circular Concept

The i Vision Circular Concept ultimately aims at showcasing BMW’s vision for the future, while also giving us a glimpse of what technologies they’re developing to make that future a reality. It’s pretty likely that BMW won’t ever release this car, because its purpose is more demonstrative in nature than anything else – which just makes it a perfect example of what trends automotive designers can expect to see moving forward in the industry. There’s a fair bit to learn from the i Vision Concept – from its different design decisions to how it manages to perfectly balance sustainability with style. More importantly, the fact that BMW’s designing recyclable cars is, in itself, a massive flex for the company and is definitely a direction that more automotive companies should be taking in the future.

Designer: BMW

BMW i Vision Circular Concept

The post Why the BMW i Vision Circular Concept looks so unique and attractive, and what automotive designers can learn from it first appeared on Yanko Design.

James Dyson Award-winning chair was designed to hug people with autism to help relieve their stress

James Dyson Award-Winner OTO Chair for Autistic People

Created to help people on the autistic spectrum overcome stress, the Dyson Award-winning OTO chair uses a set of inflatable cushions to hug the person sitting in the chair. The cushions expand from the sides, emulating the feeling of being body-hugged and helping people with special needs overcome sensory overload.

The OTO chair was designed by Alexia Audrain, who learned more about the special needs of people on the autistic spectrum while she studied cabinetmaking and designing. “Noise, light, or physical contact can be a real challenge in everyday life [for people with autism]”, says Audrain. “To compensate for this sensory disorder, autistic people regularly feel the need to be held very tightly or to be hugged.” This form of deep pressure therapy can have a calming effect and reduce anxiety while improving the person’s sense of body awareness.

James Dyson Award-Winner OTO Chair for Autistic People

James Dyson Award-Winner OTO Chair for Autistic People

Sensory overloads are caused when the brain is overwhelmed by the amount of input it receives in a given time (if you’ve ever felt fatigued or stressed after a few hours of doomscrolling, that’s what it is). This neurological ‘traffic jam’ causes people to suffer bouts of stress or panic attacks – something that can be a common occurrence for people on the spectrum. The OTO Chair’s isolating design gives them a ‘cocoon’ to sink into, while the contracting walls on the side help their brain to forget everything and focus on just their body being gently compressed by the soft cushions. Once the overwhelming feeling passes, the cushions can be deflated back to their original shape.

James Dyson Award-Winner OTO Chair for Autistic People

James Dyson Award-Winner OTO Chair for Autistic People

The OTO Chair comes with a footrest (that also serves as an Ottoman stool), a textured panel on the side to help people through tactile therapy, and a simple remote with pictograms that helps the person seated to control the chair’s inflating walls. The cushions on the side are designed to expand when unzipped, and will sit flat against the chair when zipped back.

James Dyson Award-Winner OTO Chair for Autistic People

James Dyson Award-Winner OTO Chair for Autistic People

James Dyson Award-Winner OTO Chair for Autistic People

Thanks to its cocoon shape, OTO offers privacy and gives a reassuring effect and a feeling of safety for the user, while the upholstery of the chair helps dampen audio, creating a quiet safe space.

James Dyson Award-Winner OTO Chair for Autistic People

James Dyson Award-Winner OTO Chair for Autistic People

A National Winner of the James Dyson Award, OTO now progresses to the international leg of the award program, with the results being announced on October 13th.

Designer: Alexia Audrain

James Dyson Award-Winner OTO Chair for Autistic People

James Dyson Award-Winner OTO Chair for Autistic People

The post James Dyson Award-winning chair was designed to hug people with autism to help relieve their stress first appeared on Yanko Design.

Maybe a circular Apple iPod isn’t such a crazy idea after all…

Apple has had its fair share of product successes, but none have been as impactful as the iPod. The iPod truly made Apple a consumer tech company, taking it out of its little box of being a niche computer manufacturer. It practically changed the music industry overnight, ostensibly killing the CD and the Walkman while simultaneously pushing a generation towards digital downloads. It also singlehandedly forced the entire music industry to pivot from selling entire albums to selling singles. As the iPod rapidly became a household device, it also spawned an entire industry of tech-accessory manufacturers who made speakers and docks specifically for the iPod… but most importantly, it allowed tech and fashion to collide in a way that nobody had ever experienced before… fundamentally changing how Apple would make products in the future. Andrea Copellino’s iPod Nano concept captures that very spirit of the iPod in a fresh new design that breaks the mold all over again.

Nostalgia can be an incredibly powerful emotion (case in point, the 2019 Moto RAZR), although Copellino’s redesign doesn’t capitalize on the old iPod’s iconic design. Instead, it challenges it with a fresh relook at what a music player from Apple could look like – and I’ll be honest. I like it for a bunch of reasons.

Apple iPod Nano Circular Concept by Andrea Copellino

As Apple gradually began phasing out the iPod, it increasingly began looking like the iPhone (in fact the iPod Touch was almost indistinguishable from earlier models of the iPhone). Copellino sidesteps this problem by giving the iPod a complete refresh and making it circular. The new iPod Nano paves its own path forward with a fresh new design that’s instantly distinguishable from the iPhone. It sports a circular UI that Copellino designed from scratch too, borrowing elements from the Apple Watch. It also comes with a circular display that looks just marginally smaller than the one used on the HomePod Mini.

Apple iPod Nano Circular Concept by Andrea Copellino

What I really enjoy about the new iPod Nano is that it looks different but feels the same. Classic iPods came with round jog-wheels that established a circular interaction, and the new iPod Nano’s circular display just carries that forward. Its puck-like design is comfortable to hold and comes with a clip on the back that makes it easy to secure your music player around your pocket.

Apple iPod Nano Circular Concept by Andrea Copellino

Apple iPod Nano Circular Concept by Andrea Copellino

The iPod Nano concept has a bunch in common with the iPhone (although its drastic design change really sets it apart)- it runs Apple Music, Podcasts, Siri, among a bunch of other apps. It’s entirely portless too, working seamlessly with the AirPods, Pro, and Max, and charges wirelessly. Ingeniously enough, the iPod Nano is exactly the same width as Apple’s MagSafe charger, allowing it to line up perfectly while charging. Magnets on the back of the iPod let it snap to the charger perfectly, ensuring alignment every time.

Apple iPod Nano Circular Concept by Andrea Copellino

Apple iPod Nano Circular Concept by Andrea Copellino

Is Apple going to relaunch the iPod? Probably not, although Copellino’s earlier concept looks a lot like something Apple WOULD launch. This circular iPod Nano is more of a design exercise or a fan-concept, although there’s definitely a dramatic appeal to it. I could totally imagine an alternate universe with colorful billboards of human silhouettes holding circular touch-sensitive iPod Nanos, and people lining up outside Apple stores to buy them!

Designer: Andrea Copellino

Apple iPod Nano Circular Concept by Andrea Copellino

The post Maybe a circular Apple iPod isn’t such a crazy idea after all… first appeared on Yanko Design.

LG’s Rollable TV was just the beginning. Here’s a crazy new concept of a rolling screen that can change sizes and aspect ratios

Let’s get our terminology straight right at the very beginning – the SHIFT is an adaptive rollable TV, not just a regular rollable one. That’s just a fancy way of saying that instead of having a scroll-shaped display that sits hidden inside a small chamber and unrolls to reveal itself (like LG’s Rollable TV), the SHIFT is ‘adaptive’, which means it shifts or adapts between two formats – a smaller monitor-sized display, and a larger television-sized one.

The common justification of a rolling display is to have a television that can ‘disappear’ when you don’t need it, but the SHIFT creates a new sort of format. Instead of disappearing when you don’t need it, the SHIFT’s format explores an A vs B arrangement, where you can alternate between two screen sizes, choosing a smaller one while working at your desk, and a larger one for sitting back and watching a movie. To manage this, the SHIFT uses a display that extends sideways while rotating too (the GIF above should really explain how it works), effectively being able to expand in BOTH directions. The expanded display isn’t just wider, it’s taller too because the entire display rotates 90° while rolling open (so the horizontal width of the smaller screen becomes the vertical height of the larger screen).

The justification for this ‘adaptive rolling display’ is less of a cosmetic one and more of a functional one. While LG’s Rollable TV was designed to disappear into its base so you’re not left with an ugly black rectangle on your wall when the TV’s switched off, the SWITCH doesn’t really focus on the aesthetics of a disappearing TV, but rather tries to be dually functional, as a smaller work monitor, and as a larger television/entertainment system.

In serving its work purpose, the SHIFT comes with a rather interesting design detail concealed within its form. One of the rolling elements on the SHIFT’s bezel features a swiveling webcam that can rotate to face outwards when in use, and back into its dark void when not needed. When you’re working, or even joining large video conferences, the webcam swivels out and captures you while the screen itself shape-shifts to accommodate the web layout.

A notable feature of the SHIFT’s design is also its ability to change aspect ratio. The rolling screen is natively 21:9 in its smallest and largest formats, but it fills in a lot of intermediary aspect ratios too, going to 16:9 when you’re watching widescreen content, or even 4:3 for older shows or applications that run in 4:3. If you’re using the SHIFT to run an emulation of content on your phone, the rotating display can be used in portrait mode too, and can expand ever so slightly to mimic a tablet’s aspect ratio if needed.

For all that innovation packed in a somewhat utilitarian format that aims to ‘have your cake and eat it too’, the SHIFT isn’t a utilitarian-looking appliance. On the contrary, it’s incredibly well designed, sleek, and can shapeshift between the monitor and TV mode while looking ever so classy. The screen is backed by a fabric-clad panel that houses all the electronics and elements like the SHIFT’s speakers. The backside of the fabric panel even has a cable concealer that lets you hide all the ports, so no matter whether you look at the front, the side, or the back of the SHIFT, it looks incredibly clean and sophisticated, almost with the air of Samsung’s Serif TV.

Ultimately though, the SHIFT balances multiple roles and is designed to be used in different parts of the house. Unlike its LG counterpart, which focuses solely on using the rollable technology to make the TV as sleek and nonexistent as possible, SHIFT wants to be the TV that you also use in your WFH setup as well as for binge-watching Money Heist in the living room. The TV features a wheeled easel-style base that can conveniently be pushed around the house (just avoid the carpets), and the fabric clads on the back sport a palette of home-decor-friendly colors that should easily fit into most contemporary homes or office spaces.

Designers: Seungho Ro & Junha Kam

KeyShot and Yanko Design team up for a Design Challenge. Participate for a chance to win an Apple iPad & AirPods Pro

We’re thrilled to announce our partnership with KeyShot over our first ever Design Challenge! The premier YDxKeyShot Design Challenge has a broad brief and some exciting prizes! Your mission, should you choose, is to add your own spin to the ENVOY Helmet to make it safer. You can find images of the ENVOY Helmet below, and use this link to download the ENVOY Helmet 3D file for free.

Click Here to Participate Now! Hurry, Contest Closes on 19th September 2021, 11:59 pm PST.

The ENVOY Helmet by KeyShot’s design team, comes with 3 standout features – a hard-shell design, a detachable visor on the front, and a dynamic LED panel on the back that helps alert riders/drivers of your presence. The redesign could be as simple as creating new patterns for the LED matrix and experimenting with different CMF for higher visibility and better safety, or you could add your own features too, like a HUD, an inflatable life-vest, the sky is quite literally the limit.

To participate in the YDxKeyShot Design Challenge, upload your renders/animations/designs to Instagram and tag + follow the @yankodesign and @keyshot3d accounts while also using the #YDxKeyShot hashtag. You can get your hands on a free trial of the latest KeyShot 10 rendering software by downloading the software on KeyShot’s website and using the Trial Licence Code KSYANKO21 while installing the software to unlock all the features. Participants in the KeyShot x Yanko Design Challenge must be above the age of 18.

The Design Challenge will be judged by Ti Chang – Designer and Founder of Crave, Reid Schlegel – Educator and Designer at Aruliden, and Sarang Sheth – Editor in Chief at Yanko Design. The challenge will see three winners who will receive licenses to KeyShot, along with a 10.2-inch Apple iPad (first prize), Apple AirPods Pro (second prize), and an Apple HomePod Mini (third prize). The deadline to submit your designs is 19th September 2021, 12:00 PST. Hurry!

Here’s all the information you need:

The Design Brief
How can you make the ENVOY Helmet safer?

How to Participate
Step 1: Download the ENVOY Helmet 3D assets
Step 2: Upload your design to Instagram + Follow @yankodesign and @keyshot3d
Step 3: Tag @yankodesign and use the hashtag #YDxKeyShot in the caption.

Contest Opens: 6th September 2021, 12:00 am PST
Contest Closes: 19th September 2021, 11:59 pm PST

First Prize: 10.2-inch Apple iPad + KeyShot Pro License
Runner Up 1: Apple AirPods Pro + KeyShot HD License
Runner Up 2: Apple HomePod Mini + KeyShot HD License

You Have to Use KeyShot to create your renders.

Click Here to Download the ENVOY Helmet 3D Assets

Click Here to Download a free trial of KeyShot 10 (Use the Trial Code KSYANKO21 after installation)

Click Here to Participate Now! Hurry, Contest Closes on 19th September 2021, 11:59 pm PST.

We might not have flying cars yet, but this company is turning vintage automobiles into electric motorboats





While every sci-fi movie and book has seduced humanity with the promise of flying cars, the guys at Floating Motors are building out a different kind of future – sailing cars.

The brainchild of Pierpaolo Lazzarini, Floating Motors takes vintage cars and turns them into electric motorboats that are a delightful combination of confusing and cool. Dubbed as “resto-floating”, the technique involves restoring a vintage car, but not with car parts. Instead, the car’s mounted either on a twin-hull, a catamaran, or a hydrofoil base, and is outfitted with electric motors for propulsion. Here’s an interesting philosophical question though… is it still a car? Considering it was a car, and still looks like a car, but clearly functions as a boat… what IS it?? Why not drop us a mail and tell us what you think.

Floating Motors’ current offerings are a star-studded lineup of restored classics, including the VW Microbus, Fiat 500, Mini Cooper, Porsche 550 Spyder, and Jaguar E-Type. Depending on the model, the carboats come outfitted with anywhere from a 40 horsepower to a 135 horsepower electric motor, with speeds going up to 55 knots. The restoration is carried out by Lazzarini’s design studio along with Jet Capsule S.r.L., an Italian watercraft builder. While clearly the idea behind owning a classic vintage car that drives on water sounds like a bit of a vanity/enthusiast thing, Floating Motors says you can use the crafts for various purposes, including as a taxi; which adds yet another layer of philosophical conundrums to the mix. If it’s a car that drives on water, is it a taxi?? Or a ferry?? This has the potential of being the internet’s latest “is the dress white and gold or is it black and blue” debate.

Designer: Floating Motors

8 Magnificent Architecture and Urban-Space Designs from the iF Design Award global community

The iF Design Award has been consistently hand-picking the best, most innovative designs since 1953, honoring top-class achievements in categories spanning Product Design, Transportation Design, Communication Design, Packaging, Service Design, Architecture, Interior Architecture, Professional Concepts, and UI and UX for 67 years in a row. The entire iF Design Award program saw as many as 10,000 submissions this year, which were evaluated by 98 international design experts from 21 countries, on the iF Jury.

Just this year alone, 1,744 designs received the iF Design Award for their creative accomplishments across various categories, while an additional 75 designs went on to win the highly-coveted iF gold award for their outstanding work. The iF Design Award always culminates in a grand ceremony in Berlin, although owing to the pandemic and global travel restrictions, award-winning products and projects this year are being celebrated digitally with an international content campaign encapsulated by the slogan “The CreatiFe Power of Design” in cooperation with popular design platforms and seven renowned design museums.

Over the course of the next few months, Yanko Design will be curating and featuring winning designs from this year’s program too – we’ve hand-picked eight award-winning designs from the ‘Architecture and Urban Spaces’ category below (the list even features TWO iF Gold Award winners)! All the iF Design Award winners can also be viewed on the newly-launched iF Design App that gives you access to a grand database of award-winning design projects and their creators, right at your fingertips!

To view all these designs and many more, visit the website of the iF DESIGN AWARD.

Click Here to download the brand new iF Design App – a new experience in discovering outstanding designs


Award-Winning Architecture and Urban-Space Designs from the iF Design Award 2021

OSOL Art Pavilion by SOAP Design Studio for Gyeonggi Cultural Foundation (iF Gold Award Winner)

The OSOL Pavilion is a symbol of renewed beginnings and of friendship, as it stands at a place that was once littered with military fences. Built on the west coast of South Korea, the permanent exhibit marks the relaxing of military tension between North and South Korea, and sits among a forest of pine-trees facing the tranquil Yellow Sea. Inspired by the reflection of light on the sea, OSOL, the pine forest-like structure made from anodized aluminum, reflects the surrounding colors and allows visitors to gain a new perspective on the relationship between man and nature, encouraging them to develop a deeper appreciation of nature.

Traits Video Sketching App by Wolf In Motion (iF Gold Award Winner)

A sketching app with a difference, Traits lets you build architectural plans directly by drawing on videos. Paired along with drone footage, it’s the ultimate architecture and urban planning tool, providing a simple and inclusive way to plan out buildings without being too intrusive and requiring expensive filming crews and design-visualization teams. The app performs complex object tracking and lets you draw literally in a point in space, allowing you to easily make architectural plans and sketches directly onto video footage of the land, for quicker decision-taking.

Seoul Botanic Park by Samoo Architects & Engineers, and THE_SYSTEM LAB

Seoul Botanic Park was built in Magok, on the southwestern side of the Han River in Seoul, to create an urban public space that can introduce flora and cultures of 12 global cities and enhance ecological sensitivity. While most greenhouses come with a geodesic dome-shaped design, the Seoul Botanic Park flips this notion with its uniquely recognizable 100m wide concave roof. The rim of the greenhouse is higher than its center, giving it the resemblance of a flower – a feature that’s further highlighted by the petal-shaped pillars around the outer edge of the park.

The Future Of Us Pavilion by Thomas Schroepfer – Advanced Architecture Laboratory SUTD

The inspiration for The Future Of Us Pavilion was the visually beautiful experience of walking under the foliage of lush trees in the tropics. This idea was translated into a design with a clear mathematical logic that was determined by extensive environmental simulations and structural optimizations, resulting in an artificial canopy that still felt natural as you walked underneath it. Light filtered through the canopy’s perforated design – a phenomenon the Japanese call Komorebi – and as the canopy cut out a major chunk of sunlight, the area underneath was naturally cooled by the shade. Located in Gardens by the Bay Singapore, The Future Of Us Pavilion (also known as the Bayfront Pavilion) follows the tradition of architectural structures that evoke a dialogue with nature by blending an intricate form made of a perforated skin fluidly with the adjacent environments. For visitors, the building offers a climatically comfortable outdoor environment and a visual experience akin to walking under the foliage of lush tropical trees.

A House by Clearspace Design & Research

Adopting the rather traditional-looking A-Frame format, the simply named ‘A House’ is a combination of old but new and technical but naturally green. The building’s brick exterior is punctuated by transparent glass ‘curtains’ that not only give the exterior a uniquely memorable look, but even help illuminate the house’s interiors too. Although it’s titled ‘A House’, the building actually serves as a workplace, offering a close relationship between people and the natural environment. The designers also mention that it was refurbished following the 3Rs: Reduce, Reuse, and Recycle.

Cloister of Green Light by CYS.ADSO for Newland Developers Group

At this sales center, visitors can quietly experience the environment with their own senses instead of through text or speech. The amoeba-shaped building weaves through trees, coexisting with the flora without influencing or disturbing it. In order to achieve this, the designers thought of breaking the singular building mass into smaller scattered building units. These units are arranged randomly like satellites around the original trees, connected by the winding cloister and encircling the old tree at the center of the site.

V-Plaza by 3deluxe architecture for SBA Group

Yet another example of organic architectural design, the V-Plaza is a visionary plaza that is a celebration of contemporary mobility. Cyclists and scooters cruise along organically curved levels, between them oases of tranquility, water features, cafes, and restaurants. This hybrid of a skatepark, playground, and urban living room provides the perfect congregating point for the young, dynamic public of Lithuania.

DISC (Descente Innovation Studio Complex) by cre-te

Designed to be a sports R&D lab, the circular shape of the building is a reference to the circular tracks that runners dash around. It’s also characterized by an artificial hill in the form of a spiraling lawn that surrounds the building, creating a rather unusual blend of greenery and architecture. “Through this winding artificial hill, DISC achieves harmony with the urban context while maintaining an eco-friendly design”, mention the designers. The building’s design draws the viewers’ eyes to its center, which exists almost like a crater. Within this center is the building’s courtyard, its green heart, an open space for creative communication.

To view all these designs and many more, visit the website of the iF DESIGN AWARD.