The Crypto.com guy bought AI.com (and a Super Bowl ad)

Kris Marszalek, CEO and co-founder of crypto and stock trading platform Crypto.com, has bought an expensive website. In this case it's AI.com, valued at one point at $100 million, which will serve as the online home for his new company of the same name. The website launch is being paired with a Super Bowl ad that will air this Sunday.

AI.com's main offering is an AI agent that "operates on the user’s behalf — organizing work, sending messages, executing actions across apps, building projects, and more." It's a similar concept to what companies like OpenAI, Anthropic and Google are promising with their own agents and agentic features, and notably lacking in hard details. Users can make multiple agents with AI.com and have them do a variety of tasks — the company's press release mentions trading stocks and updating a dating profile, for example — while remaining permission-based and private. It's not clear if AI.com is offering its own AI models or licensing those offered by other companies, but clearly whatever it offers, both for free and via a planned paid subscription, will be flexible.

Like Crypto.com's big push into the mainstream during late 2021 and early 2022, AI.com is arriving at a particularly hype-filled time in the AI industry. Anthropic's Claude Code and Claude Cowork tools have been taken up as evidence that AI might actually make people more productive, so AI.com's decision to push an agent of its own is timely. 

Of course, after Crypto.com's big Matt Damon ad in 2021, and Super Bowl ad in 2022, Bitcoin prices hit an all-time low in June 2022. Ironically, Marszalek's AI.com is also launching during a particularly nasty "crypto winter" which has lowered the price of Bitcoin to under $66,000, a steep drop from the $127,000 it cost in October 2025. That's not to suggest the AI.com CEO is a groundhog for deflating hype balloons. More likely, it's a sign that the future of AI could be as unpredictable and volatile as cryptocurrency. 

This article originally appeared on Engadget at https://www.engadget.com/ai/the-cryptocom-guy-bought-aicom-and-a-super-bowl-ad-234325394.html?src=rss

The new trailer for The Super Mario Galaxy Movie shows Yoshi absolutely devouring a Magikoopa

The long wait for The Super Mario Galaxy Movie is nearly over, as the film hits theaters on April 1. To keep the hype train rolling, Illumination and Universal Pictures have dropped a short new teaser. It's exactly 30 seconds long, so you'll probably be seeing it again on TV this Sunday during the Super Bowl.

It does feature some nifty footage that we haven't seen before, including a hungry Yoshi absolutely devouring a Magikoopa. There are also shots highlighting the star cannons from The Super Mario Galaxy games and one shot that shows Rosalina bodying Bowser Jr.

There seems to be a plot point in which Princess Peach and Toad head to some sort of sci-fi mega-city, which should be fun. There's an Octoomba living there, another shout-out to the OG Wii game.

As previously stated, the hotly-anticipated sequel arrives on April 1. The Super Mario Bros. Movie was a total smash, grossing nearly $1.4 billion and becoming one of the most successful animated films ever made. We found the original to be a fun, but safe, trip to the Mushroom Kingdom.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-new-trailer-for-the-super-mario-galaxy-movie-shows-yoshi-absolutely-devouring-a-magikoopa-191807037.html?src=rss

Spotify now lets you swipe on songs to learn more about them

Spotify is rolling out a feature called About the Song which lets fans learn a bit more about their favorite tunes. This "brings stories and context" into the listening experience, sort of like that old VH1 show Pop Up Video.

How does it work? The Now Playing View houses short, swipeable story cards that "explore the meaning" behind the music. This information is sourced from third parties and the company promises "interesting details and behind-the-scenes moments." All you have to do is scroll down until you see the card and then swipe.

This is rolling out right now to Premium users on both iOS and Android, but it's not everywhere just yet. The beta tool is currently available in the US, UK, Canada, Ireland, New Zealand and Australia.

Spotify has been busy lately, as this is just the latest new feature. The platform recently introduced a group messaging feature and prompt-based playlists.

This article originally appeared on Engadget at https://www.engadget.com/audio/spotify-now-lets-you-swipe-on-songs-to-learn-more-about-them-164558366.html?src=rss

Engadget Podcast: So there’s a social network for AI agents now

If you haven't heard, there's now a social network for AI: Moltbook, a site that purportedly features AI agents talking to each other. That includes OpenClaw, a personal AI agent (formerly called Clawdbot and Moltbot) that's open source and free for anyone to run on their systems. In this episode, Devindra and Senior Reporter Karissa Bell discuss the rise of these services, and the potential future that AI agents may have for all of us.

  • What is Moltbook and OpenClaw? – 1:31

  • Anthropic reinforces its commitment against ads with Super Bowl ad spots – 19:32

  • SpaceX acquires xAI and plans for a mega IPO – 27:08

  • Alexa + rolls out free for all Amazon Prime subscribers – 33:36

  • Around Engadget: Reviews of the New AirTag and Switch Virtual Boy – 44:12

  • Working on – 46:34

  • Pop culture picks – 49:24

Hosts: Devindra Hardawar and Karissa Bell
Producer: Ben Ellman
Music: Dale North and Terrence O’Brien

This article originally appeared on Engadget at https://www.engadget.com/ai/engadget-podcast-so-theres-a-social-network-for-ai-agents-now-133000813.html?src=rss

HBO is making a Baldur’s Gate 3 TV show

The Last of Us series co-creator Craig Mazin is teaming with Hasbro Entertainment to create an HBO series based on the popular (and spicy) Baldur’s Gate 3 game, Deadline reported. The show will be simply be called Baldur’s Gate and the story will resume where Baldur’s Gate 3 left off. Mazin will reportedly have full creative control and act as co-creator, writer, executive producer and showrunner.

"It is a dream come true to be able to continue the story that [Baldur’s Gate 3 developer] Larian and Wizards of The Coast created," Mazin said in a statement. "I am a devoted fan of DnD and the brilliant way that Swen Vincke and his gifted team adapted it. I can’t wait to help bring Baldur’s Gate and all of its incredible characters to life with as much respect and love as we can.”

Larian, which won’t be making the Baldur’s Gate 3 sequel, said it wasn’t involved in the creation of the show. However, Larian CEO Swen Vincke said that to his knowledge, Mazin is a “big fan” of the game and even requested to visit the studio (Mazin told Deadline that he has put about 1,000 hours into the game).

Mazin is best known for co-creating the Emmy-winning limited series Chernobyl as well as The Last of Us. The latter was widely praised for its first season but critics and fans were mixed on season 2, which deviated a bit more from the corresponding game.

The show will reportedly feature familiar and new characters, but no other details have been released. A Baldur’s Gate 4 game is not currently in development, so the series creators will have no source material to draw from. That gives them a lot of freedom, but also puts the storytelling onus fully on Mazin and his team of writers. Wizards of the Coast story head Chris Perkins will reportedly act as a consultant on the show to ensure it doesn’t stray from its DnD origins.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/hbo-is-making-a-baldurs-gate-3-tv-show-130000864.html?src=rss

Project Hail Mary is getting its own LEGO set

The upcoming science fiction film Project Hail Mary is getting a LEGO set. This is fascinating because LEGO typically makes sets based on long-standing franchises like Star Wars and Harry Potter. Project Hail Mary doesn't even hit theaters until March 20.

It's not an entirely new IP. The movie is based on a 2021 book written by Andy Weir, the same author behind The Martian. It's cool to see a LEGO set based on something more contemporary than its usual fare.

The 830-piece set looks pretty nifty. It includes a replica of The Hail Mary spaceship in all of its glory, complete with minifigures of teacher-turned-astronaut Ryland Grace and his ultra-cute alien buddy that the whole world will likely fall in love with once the film hits.

Two minifigures.
LEGO

The set also comes with a functional display stand and a crank that moves the components around to simulate centrifugal gravity. The minifigures can even be arranged to recreate an iconic scene from the book and, likely, the movie.

LEGO's Project Hail Mary set is available for preorder right now and costs $100. It ships on March 1, giving fans around 20 days to build it before the movie hits theaters.

The film involves a reluctant astronaut attempting to solve a mystery as to why the sun is dying. It stars Ryan Gosling and is directed by Phil Lord and Chris Miller, the duo behind the Spiderverse films and, incidentally, The LEGO Movie.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/project-hail-mary-is-getting-its-own-lego-set-191106809.html?src=rss

The Switch 2-exclusive co-op adventure Orbitals launches this summer

Nintendo capped off today’s partner-focused Nintendo Direct with a flurry of Bethesda-related announcements, but arguably the most interesting game of the showcase appeared right at the start.

First announced at the beginning of the year, Orbitals is a two-player puzzle adventure game in which you and your co-op partner play as the intergalactic explorers Maki and Omura, on a mission to save their home in the stars from an incoming cosmic storm. Gameplay-wise, Orbitals looks like it’s at least partly inspired by the likes of It Takes Two and Split Fiction, but really what really stands out here is the 90s anime-inspired visuals.

The game is absolutely dripping in style, and somehow looks just as good in motion as it does in cutscenes. Describing it as a playable Saturday morning cartoon is getting into cliche territory, but Orbitals really nails its aesthetic.

It will be a tall order for any game like this to clear the impossibly high bar for creative co-op gameplay that Josef Fares’ Hazelight Studios has set in recent years, but Orbitals looks like it could be worth experiencing for its visuals alone.

Nintendo has managed to nab this one as a Switch 2 exclusive, which you can either play locally or online, and thanks to the console's GameShare feature, only one person needs to own the game for the latter.   

Orbitals arrives at some point during summer 2026.

This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/the-switch-2-exclusive-co-op-adventure-orbitals-launches-this-summer-180657892.html?src=rss

Spotify’s Page Match seamlessly swaps between real books and audiobooks

I have a love-hate relationship with Spotify that might just be leaning more towards love today. While I struggle with some of the company's choices about the type of content it allows on its platform, I have always had a soft spot for its Wrapped roundups and the monthly audiobook hours included with my Premium subscription. For those like me, Spotify’s news today will likely enhance the appeal of its audiobook offerings. It’s announcing a partnership with Bookshop.org — which lets indie bookstores sell their wares online through a unified platform — allowing users to buy physical books from within its app, and launching a new Page Match feature that helps sync your progress across the physical books you read and the audiobooks in Spotify’s catalog. Also, the audiobook recap feature that summarizes the plot so far is expanding to Android this spring, following its iOS debut (in beta form) last fall.

Page Match is coming to all places where Spotify’s audiobooks are available, starting with the English language titles in its 500,000-strong library. Meanwhile, you can access Bookshop within the Spotify app in the US and the UK, where Bookshop operates. 

Though I’m thrilled that this will mean easier and greater support of independent bookstores in those areas, I’m more excited by the prospect of Page Match, which I previewed at a recent launch event in the company’s offices in New York. I’m the sort of person who reads the same title in its ebook, physical and audio forms. (I often wish that a purchase of a physical book came with free ebook and audio versions, but that’s besides the point.) 

While Kindles currently do a decent job of getting you to your latest page read across various devices, switching between, say, Martha Wells’ All Systems Red on Spotify and the paperback copy is not quite as easy. With Page Match, though, that should get a lot easier.

When you get access to the feature (which is rolling out today), you’ll find the Page Match button under the title of each audiobook. You’ll have to first look up the book on Spotify and tap into its full chapter list to find this, which means the book you want to use has to be one of the hundreds of thousands in the company’s library. Then, tap the green “Scan to listen” button if you’re looking to move over to the audio version or “Scan to read” below it if you’re switching over to a hard copy instead.

Whichever you pick, you’ll need to enable access to your device’s camera and then scan the page of the book you’re on. This should work on ereaders as well, and appears to be using some form of optical character recognition to match the part of the book to its audio counterpart.

If you’re scanning to listen, the process is fairly straightforward. Once you’ve placed the page in the viewfinder, the app will quickly jump to that very spot in the chapter track. I’ll note that it was hard for me to confirm whether this actually worked during my first demo, since I never felt like I found the words being spoken on the page I was looking at. In this case, it was Lights Out: An Into Darkness novel by Navessa Allen, and I mostly felt like the narration had simply gone past the page I was on, rather than a complete failure. Subsequent attempts with other books, like Stephen King’s It, were more effective.

Things get a bit trickier when you’re trying to move from audio book to the paper (or ereader). After pressing “Scan to read,” you’ll need to place a page in front of the camera and wait for it to tell you to move forward or backward. Ideally, you’d already know more or less where you were, so you won’t have to flip too many pages.

In my demo, because we were a few chapters too far from where we paused in the early part of It, there was a lot more page-turning required to get to the right spot. What I found helpful was the progress bar at the bottom of the screen, which highlighted the correct location and how far away we were from it. The instructions “Move forward” and “Move back” were clear and came up in a timely manner. When we finally landed on the right page, the screen highlighted the specific lines on the page to start from, too.

I have to caveat this with the observation that there were a few starts and stops during my demo, which were resolved once I established a solid internet connection. And though “Scan to read” did eventually work as promised, there was a bit of flipping around that seemed to be part of the process, which might be tedious and not quite the magical experience some might expect.

The good news is that Spotify seems to already be working on even more features to make it easier to read physical books in tandem with listening to audiobooks. The company said it sees “the future of reading as one that’s personalized, flexible, and built to move fluidly across formats and moments. Page Match is an early example of how Spotify is helping shape that future at scale. “

This article originally appeared on Engadget at https://www.engadget.com/entertainment/spotifys-page-match-seamlessly-swaps-between-real-books-and-audiobooks-120000819.html?src=rss

X’s ‘open source’ algorithm isn’t a win for transparency, researchers say

When X's engineering team published the code that powers the platform's "for you" algorithm last month, Elon Musk said the move was a victory for transparency. "We know the algorithm is dumb and needs massive improvements, but at least you can see us struggle to make it better in real-time and with transparency," Musk wrote. "No other social media companies do this." 

While it's true that X is the only major social network to make elements of its recommendation algorithm open source, researchers say that what the company has published doesn't offer the kind of transparency that would actually be useful for anyone trying to understand how X works in 2026. 

The code, much like an earlier version published in 2023, is a "redacted" version of X's algorithm, according to John Thickstun, an assistant professor of computer science at Cornell University. "What troubles me about these releases is that they give you a pretense that they're being transparent for releasing code and the sense that someone might be able to use this release to do some kind of auditing work or oversight work," Thickstun told Engadget. "And the fact is that that's not really possible at all."

Predictably, as soon as the code was released, users on X began posting lengthy threads about what it means for creators hoping to boost their visibility on the platform. For example, one post that was viewed more than 350,000 times advises users that X "will reward people who conversate" and "raise the vibrations of X." Another post with more than 20,000 views claims that posting video is the answer. Another post says that users should stick to their "niche" because "topic switching hurts your reach." But Thickstun cautioned against reading too much into supposed strategies for going viral. "They can't possibly draw those conclusions from what was released," he says. 

While there are some small details that shed light on how X recommends posts — for example, it filters out content that's more than a day old — Thickstun says that much of it is "not actionable" for content creators. 

Structurally, one of the biggest differences between the current algorithm and the version released in 2023 is that the new system relies on a Grok-like large language model to rank posts. "In the previous version, this was hard coded: you took how many times something was liked, how many times something was shared, how many times something was replied … and then based on that you calculate a score, and then you rank the post based on the score," explains Ruggero Lazzaroni, a pHD researcher at the University of Graz. "Now the score is derived not by the real amounts of likes and shares, but by how likely Grok thinks that you would like and share a post."

That also makes the algorithm even more opaque than it was before, says Thickstun. "So much more of the decisionmaking … is happening within black box neural networks that they're training on their data," he says. "More and more of the decisionmaking power of these algorithms is shifting not just out of public view, but actually really out of view or understanding of even the internal engineers that are working on these systems, because they're being shifted into these neural networks."

The release has even less detail about some aspects of the algorithm that were made public in 2023. At the time, the company included information about how it weighted various interactions to determine which posts should rank higher. For example, a reply was "worth" 27 retweets and a reply that generated a response from the original author was worth 75 retweets. But X has now redacted information about how it's weighing these factors, saying that this information was excluded "for security reasons." 

The code also doesn't include any information about the data the algorithm was trained on, which could help researchers and others understand it or conduct audits. "One of the things I would really want to see is, what is the training data that they're using for this model," says Mohsen Foroughifar, an assistant professor of business technologies at Carnegie Mellon University. "if the data that is used for training this model is inherently biased, then the model might actually end up still being biased, regardless of what kind of things that you consider within the model." 

Being able to conduct research on the X recommendation algorithm would be extremely valuable, says Lazzaroni, who is working on an EU-funded project exploring alternative recommendation algorithms for social media platforms. Much of Lazzaroni's work involves simulating real-world social media platforms to test different approaches. But he says the code released by X doesn't have enough information to actually reproduce its recommendation algorithm. 

"We have the code to run the algorithm, but we don't have the model that you need to run the algorithm," he says.

If researchers were able to study the X algorithm, it could yield insights that could impact more than just social media platforms. Many of the same questions and concerns that have been raised about how social media algorithms behave are likely to re-emerge in the context of AI chatbots."A lot of these challenges that we're seeing on social media platforms and the recommendation [systems] appear in a very similar way with these generative systems as well," Thickstun said. "So you can kind of extrapolate forward the kinds of challenges that we've seen with social media platforms to the kind of challenges that we'll see with interaction with GenAI platforms."

Lazzaroni, who spends a lot of time simulating some of the most toxic behavior on social media, is even more blunt. "AI companies, to maximize profit, optimize the large language models for user engagement and not for telling the truth or caring about the mental health of the users. And this is the same exact problem: they make more profit, but the users get a worse society, or they get worse mental health out of it."

This article originally appeared on Engadget at https://www.engadget.com/social-media/xs-open-source-algorithm-isnt-a-win-for-transparency-researchers-say-181836233.html?src=rss

The first BTS concert in over three years will stream live on Netflix in March

Netflix is back with another livestream production guaranteed to excite K-POP fans worldwide. The streamer has announced that BTS will be performing live on Netflix. It marks the band's first performance after almost four years — the members took a hiatus to complete South Korea's mandatory military service. 

The live concert will air on Saturday, March 21, one day after BTS releases their new album Arirang and will be aptly titled BTS The Comeback Live | Arirang. The show will physically take place in Seoul's Gwanghwamun Square and stream live at 8PM KST/7 AM ET/4 AM ET. Yes, viewers in the US will have to choose between a really early Saturday or a very late Friday night. Alternatively, you can skip out on any potential livestream glitches and likely watch it later (or catch the K-Pop group on their upcoming world tour). 

Plus, come Friday, March 27, Netflix will be releasing BTS: The Return, a documentary all about the making of Arirang. As Netflix puts it: "The film offers rare behind-the-scenes access as the group comes back together and charts an unprecedented path forward together after a nearly four-year hiatus."

Netflix has leaned further into livestreaming over the last few years — though the BTS concert is arguably their biggest coup. Livestreams have included everything from reality shows to sports, with some serious infrastructure issues along the way. Here's hoping the BTS concert goes off without a hitch. 

This article originally appeared on Engadget at https://www.engadget.com/entertainment/the-first-bts-concert-in-over-three-years-will-stream-live-on-netflix-in-march-155428505.html?src=rss