This Budget Swiss Villa Looks Like It Costs Millions

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In Geneva’s exclusive Zone 5 district, where pristine villas typically command premium budgets, Lacroix Chessex Architectes has achieved something remarkable: a stunning concrete residence that embraces bold brutalist aesthetics while working within strict financial constraints. The newly completed villa in Pregny-Chambésy challenges preconceptions about both budget architecture and the warmth potential of raw concrete.

Geneva’s Zone 5 regulations presented the architects with a complex puzzle. Distance requirements from property boundaries, strict limits on built square meters as a percentage of plot area, and environmental mandates governing everything from permeable surfaces to solar panel quotas could have stifled creativity. Instead, the team found freedom within these parameters.

Designer: Lacroix Chessex

“In terms of the proposed architecture, we had quite a lot of freedom,” explains practice partner Virginie Fürst. “It was not complicated to propose this type of architecture for the permission.” This freedom manifested in a neo-brutalist exterior where vertical shuttering marks create dramatic texture across the facade, paired with polished concrete floors and exposed interior walls that maintain visual continuity between inside and outside.

The economic constraint became the design’s greatest strength. Rather than viewing the tight budget as a limitation, the architects embraced raw concrete construction paired with interior insulation as an “unbeatable” combination. Their innovative approach involved pouring solid concrete walls without window openings, then creating floor-to-ceiling gaps for doors and windows between structural elements. This method eliminated costly structural complications while achieving dramatic visual impact.

Perhaps the villa’s most ingenious feature lies in its “fragmentation of cascading volumes.” The ground floor features numerous step-backs and angled elements that create an illusion of expansiveness far beyond the actual square footage. Long axial views contrast beautifully with diagonal sightlines between angled walls, niches, and full-length windows. The architects carefully avoided large spans that would require expensive structural solutions, yet never compromised the sense of openness.

The interior layout flows seamlessly from the entrance hall through the kitchen and dining areas to the living room, while private spaces like the study and bathroom occupy more intimate corners of the idiosyncratic floor plan. Stone edging adds material warmth and textural contrast to the concrete surfaces, preventing the interior from feeling cold or institutional.

Practical considerations shaped the program thoughtfully. A self-contained one-bedroom flat provides independent living space for an older relative, while the traditional Swiss basement houses storage alongside a media and games room. These functional elements integrate seamlessly into the overall design narrative. The villa demonstrates that architectural sophistication doesn’t require unlimited budgets.

By embracing material honesty and working creatively within regulatory frameworks, Lacroix Chessex Architectes has created a residence that feels both contemporary and timeless. The exposed concrete surfaces, rather than appearing harsh, develop character through natural light and shadow play across the textured surfaces. This Geneva villa proves that constraints often breed the most innovative solutions. When budget limitations meet thoughtful design, the result can be architecture that’s both economically sensible and aesthetically compelling, challenging assumptions about what makes a luxury home.

The post This Budget Swiss Villa Looks Like It Costs Millions first appeared on Yanko Design.

Apple’s App Store website is actually an app store website now

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For those of us living in the Apple ecosystem, the App Store is second nature. It's a core part of the Apple experience and the go-to spot for any applications you might want for your device. So I was fairly shocked to learn that up until today, the link apps.apple.com would send you to a page with information about the App Store, but not actually take you to said digital storefront. 

That's right, it took until the year 2025 for Apple to create a browser version of the App Store. 

Maybe it never seemed necessary since the App Store is pre-loaded on any Apple device. I don't foresee many edge cases where I'd want to look in a browser rather than actually use the App Store on one of my machines, although I'm sure now that I've said so, I'll wind up doing exactly that within a week. But still, the first App Store debuted 17 years ago. Which, particularly in tech years, is a really, really long time.

In any case, the browser App Store lets you pick your hardware platform from a dropdown on the far left, so you can peruse software for different platforms wherever you're on the web. There's also a search field as well as a list of app categories that you can sift through. All the stuff you'd expect from the actual App Store, just in a browser. Entries for specific applications will prompt you to open the listing in the device’s App Store where the button would normally let you buy the software. Which leaves me once again surprised this took so long to create and also questioning who will actually use it.

This article originally appeared on Engadget at https://www.engadget.com/apps/apples-app-store-website-is-actually-an-app-store-website-now-233841960.html?src=rss

Louis Erard Brings Astro Boy to Swiss Watchmaking

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Manuel Emch still remembers rushing home from school to catch the latest Astro Boy episode. That childhood ritual, shared by millions across generations, now finds its way onto your wrist through Louis Erard’s latest collaboration with Tezuka Productions. This isn’t just another licensed character watch. It’s a thoughtful exploration of how nostalgia, craftsmanship, and cultural heritage can coexist on a 40mm canvas.

Designer: Louis Erard x Tezuka Productions

The Dial: Layered Storytelling in Metal and Color

The dial construction here deserves your attention. Louis Erard didn’t simply print Astro Boy’s image and call it done. Instead, the brand created a multi-layered stage where each element exists in three-dimensional space. The base dial carries Metro City’s vertical satin-brushed finish, stamped with the iconic urban backdrop that defined Osamu Tezuka’s futuristic vision. Those parallel lines create texture and depth while staying subtle enough that Astro Boy and the villain read clearly. The stamped buildings and urban elements provide context without becoming busy. This textured foundation provides depth before you even notice the characters.

Astro Boy himself appears as a fully applied element, not a flat print. He bursts from the six o’clock position in full color, captured mid-flight with his signature red boots and determined expression. Behind him, a monochrome robot villain looms in black, creating visual tension between hero and threat. The satin-brushed finish on these applied elements creates distinct shadow lines that change with wrist angle. This isn’t decorative layering for its own sake. Louis Erard built genuine depth into the dial architecture, with the Metro City backdrop recessed, the robot villain raised slightly, and Astro Boy’s appliqué sitting highest. The hands float above all of it without visual interference.

The artwork comes from Tezuka Productions’ archives, based on early illustrations by the manga master himself. A raised circular rehaut frames the scene, printed with a white minutes track and filled with Super-LumiNova C1 for blue nighttime glow.

What makes this dial work is restraint. There are no indexes cluttering the composition. No date window interrupting the narrative. The rhodium-plated hands with diamond-cut edges float above the scene without competing for attention. With Super-LumiNova C1 on just the hands and minutes track, the watch remains legible at night while Astro Boy stays visible in color against the dark dial. If they’d added lume plots or traditional indexes, this balance would collapse into visual noise. The blue glow complements rather than competes with the manga artwork. Louis Erard understood that when your dial tells a story, everything else should step back and let it speak.

The Case: 2340 Architecture Meets Hybrid Materials

The 2340 case represents Louis Erard’s first integrated bracelet design, and it brings legitimate technical interest to the table. The case body uses brushed titanium, keeping weight down to levels that disappear on your wrist. The crown, bezel, and lugs switch to polished steel, creating contrast without the flashy two-tone look that dominated the 1980s.

At 40mm in diameter and 8.95mm thick, the proportions work for most wrists without making compromises. The case shape follows the integrated bracelet design language that’s dominated sports watch design since the Royal Oak rewrote the rules. Louis Erard’s interpretation doesn’t reinvent this formula, but the execution is clean. The transitions from case to bracelet flow smoothly, and the finishing quality on the alternating brushed and polished surfaces shows attention to detail.

The sapphire crystal carries anti-reflective treatment on both sides, which matters more than most people realize. When your dial features this much visual information, glare becomes your enemy. Louis Erard addressed this properly. The caseback features a custom Astro Boy engraving showing him in his classic flying pose with the Louis Erard collaboration text. The engraving quality shows crisp detail with good depth, a nice touch for collectors even if you won’t see it during normal wear.

Water resistance sits at 5 bar (50 meters), which translates to splash resistance in practical terms. This isn’t a dive watch, and the hybrid titanium-steel construction makes that clear. It’s designed for daily wear with careful handling near water.

The Bracelet: Three Years of Development Shows

Louis Erard spent three years developing this integrated bracelet, and that investment shows in the details. The links combine brushed titanium and polished steel in a pattern that mirrors the case treatment. The 2340 case handles the integrated bracelet challenge by echoing the case angles without copying Genta’s Royal Oak geometry. The alternating brushed and polished surfaces on both titanium and steel create visual rhythm down the bracelet, and the link width taper from 28mm at the case to 20mm at the clasp looks proportional rather than forced.

Each link tapers from 28mm at the case to 20mm at the clasp, following the gradual taper that helps a watch hug your wrist naturally. The butterfly folding clasp uses a spring-blade mechanism rather than traditional push-button deployment. This approach provides smoother operation and reduces the number of moving parts that could wear over time. Torx screws handle the bracelet attachment points, signaling serious intent about secure attachment over easy adjustment. You’ll need the proper tool for sizing, but you also get more secure connections than traditional spring bars.

The bracelet length measures 220mm total, accommodating most wrist sizes with proper link removal. The titanium construction keeps overall weight down despite the integrated design’s typically chunky appearance. When you pick up the watch, the lightness surprises you given the visual mass.

What This Collaboration Actually Means

Louis Erard positions this release as more than a one-off character watch. Manuel Emch frames it as the first step in a long-term creative direction, working with cultural references that shaped his generation. The 2340 case becomes a canvas for these collaborations, with Astro Boy leading a planned series that will include video games and other cult icons from collective memory.

The limited production of 178 pieces ties to Astro Boy’s atomic power level in the original manga (100,000 horsepower, which somehow equals 178 pieces in collaboration logic). At CHF 3,990 before taxes, the pricing sits below the CHF 4,000 threshold while delivering legitimate watchmaking through the Sellita SW300-1 élaboré grade movement. That automatic caliber provides 56 hours of power reserve and runs at 28,800 vibrations per hour, which translates to reliable daily performance.

The Design Verdict

This collaboration succeeds because it respects both the source material and the craft of watchmaking. Louis Erard understood that dial storytelling requires hierarchy, contrast, and negative space. They resisted the temptation to fill every millimeter with manga references, keeping the composition focused on Astro Boy’s dynamic pose against a thoughtfully detailed backdrop. Tezuka Productions provided original artwork rather than generic licensing assets. Louis Erard invested in three-dimensional dial construction rather than taking the easier print-and-forget route. The 2340 case architecture provides a solid foundation that could support future collaborations without feeling like a gimmick.

The watch will connect most strongly with the generation that grew up watching Astro Boy, the same people who now have the disposable income to spend four thousand Swiss francs on nostalgia. But even without that emotional connection, the technical execution and finishing quality deliver enough substance to justify the price. The dial craftsmanship alone demonstrates why Swiss watchmaking maintains its reputation, even in an entry-level collaboration piece.

Louis Erard x Astro Boy Ref. 35123TA23.BMT12 arrives as a 178-piece limited edition at CHF 3,990. It launches with the 2340 integrated case in brushed titanium and polished steel, housing a Sellita SW300-1 automatic movement. The applied dial elements create three-dimensional storytelling depth, while the three-year-developed bracelet proves that even character collaborations can demonstrate legitimate horological craft.

The post Louis Erard Brings Astro Boy to Swiss Watchmaking first appeared on Yanko Design.

iOS, iPadOS and macOS now let you frost Apple’s Liquid Glass

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As expected, iOS 26.1 is out now for all Apple smartphone users today, and it includes what is sure to be a popular feature from the beta. Once installed, this update lets people opt to give the Liquid Glass look a frostier, more opaque appearance. You can find the option to tint the screen behind notifications and tab bars within the Settings menu. It's under Display & Brightness, then the Liquid Glass section. The feature is also present in iPadOS 26.1 and macOS 26.1, both of which also dropped today.

Ever since Apple unveiled the Liquid Glass design it had planned for the next versions of iOS, the aesthetic has been divisive. (We at Engadget have been pretty well split down the middle about it from the start.) The tinting of the newest operating systems joins a growing roster of accessibility and visibility options to customize how Liquid Glass looks, from the full-on transparent mode to a higher-contrast and higher-opacity approach. 

One other standout from the 26.1 OS releases is for the iPad users. Those of you who wanted the return of Slide Over for multitasking can breathe a sigh of relief: after appearing in the beta last month, the feature is back. Many iPad owners appreciated how Slide Over let them control screen real estate without constant rearranging of windows. The feature has been reimagined for the tablet's current capabilities, essentially letting you pin a window to the top of your screen and hide it when you want. This window can also be resized and given your aspect ratio of choice.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/ios-ipados-and-macos-now-let-you-frost-apples-liquid-glass-225513425.html?src=rss

This $100 Alarm Clock Finally Wakes You Up Without the Rage

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There are people who set their alarms every 15 minutes to make sure that they actually wake up but oftentimes they still hit the snooze button several times. I am one of those people. When I still lived with other people, it became a joke that the whole house wakes up from my alarms except me. And even now, this abrupt disruption to my beauty sleep doesn’t really help me adjust to a morning routine. What if there was a device, aside from a clock and my mobile phone, that can help me wake up better and healthier?

That’s the idea behind the Sunrise 1 device by Dreamegg. Not only does it look so much better than regular alarm clocks, but it is actually a 4-in-1 multifunctional device that serves as your sunrise alarm, sound machine, bedside light, and dimmable clock. The most important feature of this is that it is able to simulate a natural sunrise glow so that your circadian rhythm is not so abruptly interrupted and you wake up naturally and gently. We are not meant to be jarred out of our sleep and so this device is a wonderful option to get a more restful morning routine.

Designer: Dreamegg

The Sunrise 1 is able to simulate the sunrise so you can gradually wake up over 15, 30, 45, or 60 minutes. The light emitted from the device goes from 0% to 100% brightness before your scheduled alarm goes off. And even when you’re supposed to wake up, you can choose other sounds rather than the annoying sounds that break through our slumber. There are 29 soothing sounds to choose from: 8 nature sounds, 5 baby sounds, 2 meditation sounds, 2 brown noise, 2 white noise, 3 pink noise, and 7 fan sounds. You can also choose from 15, 30, 45, or 60 minute timer options. The sounds can also be used to help you sleep at night, to relax in the middle of the day, or to drown out unwanted noise.

The device can also serve as your dimmable night light as you get 9 color options that range from warm amber tones to cooler shades. You can independently control it if you don’t want to use it as a sound machine at the same time. It also serves as an actual clock with an easy-to-read clock face and adjustable brightness as well. Setting it up is pretty easy as you don’t need to connect it to your phone or another gadget. You are also able to customize both your morning wake-up routine and your night sleep routine just the way you want it.

Design-wise, it’s also an aesthetic bedside piece that beats your typical plastic gadgets. It is crafted with cotton-linen fabric which is pretty soft and gentle on the skin, in keeping with its gentle wake-up call. The sleek, rounded design can fit in with the usual bedroom decor. Because it is only 2.87 inches thick and 5.91 inches in diameter, which is around the size of an adult palm, you can actually bring it with you when you travel so you can still wake up and sleep the way you want to even outside of your house.

The way that the Sunrise 1 is designed and the features that come with it will make you feel like you’re on vacation every day and not always in a hurry to start work, school, or your chores. Our usual jarring wake up routines may be a reason why we start off our day grumpy or already tired. Having a device like this may slowly turn you into a morning person if you aren’t already. I mean, sure, you may still wake up reluctantly, but at least not angrily.

The post This $100 Alarm Clock Finally Wakes You Up Without the Rage first appeared on Yanko Design.

These Custom LEGO Pacific Rim Jaegers Are Low-Key Better Than Most LEGO Builds

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“Today we cancel the apocalypse.” With just five words, Idris Elba’s Stacker Pentecost became the rallying cry of a generation – the gruff, determined voice that turned Guillermo del Toro’s Pacific Rim from a spectacular mecha-vs-kaiju brawl into something more: a tribute to human resilience, teamwork, and the unyielding belief that we’re stronger together. His speech before the final assault on the Breach remains one of the most quoted moments in modern sci-fi cinema, right up there with the Jaegers themselves – those towering mechanical defenders that became instant icons the moment they lit up the screen in 2013.

Now, nearly a decade later, one passionate LEGO builder is bringing the Jaeger program home. Din0Bricks’ stunning fan-made tribute to the film’s most iconic mechs – Gipsy Danger, Crimson Typhoon, and Cherno Alpha – has earned a coveted Staff Pick on LEGO Ideas, and with 661 supporters already rallied to the cause, these titans of engineering might just march onto store shelves. Featuring 2,218 pieces of screen-accurate detail, from retractable swords to rotating saw blades and support helicopters, this isn’t just a fan project – it’s a love letter to del Toro’s iconic film as well as the power of LEGO creativity. The question is: are you ready to suit up (or brick up) and help make it a reality?

Designer: Din0bricks

At first we’ve got Gipsy Danger, a personal favorite because honestly, if you’re going to lead with anything, it’s the Mark-3 American Jaeger that punched a Category 4 kaiju with a cargo ship. At 807 pieces and standing 8.8 inches tall, this blue beast captures everything that made the hero mech memorable. The broad shoulders, that distinctive head design with the yellow visor, the nuclear reactor core prominently displayed on the chest – Din0Bricks nailed the proportions.

It comes with its iconic retractable sword (which becomes a chain whip of sorts when expanded), but you could ditch the sword for the aforementioned cargo ship, which does come included in this MOC (My Own Creation!). The articulation appears robust too, with visible ball joints at the shoulders, elbows, hips, and knees. This thing can actually pose, which matters more than most people realize when you’re displaying an 800-piece mecha on your shelf.

Next meet the Crimson Typhoon. The Chinese Jaeger’s triple-arm configuration was always going to be the toughest to pull off in LEGO form, and at 630 pieces, this is actually the smallest of the three builds. That makes sense when you consider the original design philosophy: Crimson was built for speed and agility, not brute force. The red and black color blocking works beautifully here, and those rotating saw blade hands are exactly the kind of detail that separates a good fan build from something worth producing. The regular pincer hands are included too, and you can merely swap out weapons, which I personally love.

What impresses me most is how Din0Bricks managed to engineer three functional arms while maintaining structural integrity. Anyone who’s built complex LEGO mechanics knows that adding a third articulated limb to a bipedal figure is asking for stability problems. The fact that this thing can stand at 7.6 inches tall without looking like it’s about to collapse tells me the internal skeleton is solid.

Then there’s Cherno Alpha, the true underdog in the series. The Russian Jaeger always had that brutalist, Cold War aesthetic that screamed “Soviet engineering will outlast your fancy technology,” and this 781-piece build captures that perfectly. Standing 10.5 inches tall, it’s the biggest of the three, which tracks given Cherno’s status as the oldest and most heavily armored Mark-1 still in active service. The olive green and grey color palette gives it that military hardware vibe, and the boxy, industrial frame looks like something that was built to take a beating and keep swinging.

While the Cherno Alpha doesn’t come with external weapons (this thing was a spring-loaded punching machine), it does have optional helicopters that attach to its shoulders, as a call-back to how these jaegers were deployed on the battlefield. Sure, a jaeger could merely walk to the scene of the crime, but it’s faster (and honestly safer for the city) to have these massive bots deployed via air. Each jaeger would be carried by at least two copters, and unleashed into the waters (or on land) to exact revenge on the kaijus.

The beauty of this project existing on LEGO Ideas is that it actually has a shot at becoming real. For those unfamiliar with the platform, LEGO Ideas is basically crowdfunding meets product development. Fans submit their original designs, other fans vote by supporting the project, and if a submission hits 10,000 supporters, LEGO’s review board considers it for official production. Din0Bricks currently sits at 661 supporters with 405 days remaining to hit that 10K threshold. Given that the film’s been criminally underserved in the collectibles market compared to other genre properties, this feels like the moment to actually make something happen. If you’ve ever wanted to own a piece of the Jaeger program, head over to the LEGO Ideas website and throw your support behind this thing. Sometimes the apocalypse doesn’t cancel itself; sometimes you need 10,000 people and a lot of Danish plastic to get the job done.

The post These Custom LEGO Pacific Rim Jaegers Are Low-Key Better Than Most LEGO Builds first appeared on Yanko Design.

A Playdate showcase is set for November 6

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Panic is ready to show off some new games for its delightful Playdate. The company will run a Playdate Update showcase on November 6 at 1PM ET on its YouTube channel and website. The stream will include a look at some upcoming games for the system as well as highlights from this year that are included in the Playdate Catalog Fall Sale, which runs until November 13 at 1PM ET.

One of the items that’s on sale is Playdate Season 2, a run of weekly drops of neat games, including Fulcrum Defender (from Into The Breach developer Subset Games), puzzle platformer Taria & Como and roguelike CatchaDiablos. The wonderfully strange cable TV simulator Blippo+ is part of Season 2 as well. The season is on sale for the first time at $31. It typically costs $39. 

Panic noted that Season 2 has sold more than 15,000 units, which surpassed the company's expectations. Here's hoping Panic announces Season 3 during the showcase. I have my fingers crossed that the company will reveal a version of the tragicomic adventure Time Flies (which it brought to Steam and PS5 this year) for the Playdate as well.

Meanwhile, Panic said the Playdate is in stock and available to buy for the holidays. Anyone in the US who snaps up the $229 console before November 30 will get free shipping, while tariff fees will be waived — the teeny yellow console should arrive in time for Christmas too.

This article originally appeared on Engadget at https://www.engadget.com/gaming/a-playdate-showcase-is-set-for-november-6-210034162.html?src=rss

AirPods Max 2 Concept Brings The Vision Pro’s Comfy Band Into The Mix

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The AirPods Max dropped in 2020, that’s 5 years ago, making it one of the oldest products to not see a single design iteration in a significant time. Yes, sure, Apple upgraded its Lightning-powered models to USB-C recently, and gave the AirPods Max some fresh new colors, but other than that, there’s been absolutely no change to the product in half a decade. It’s time we saw a few upgrades.

Not that there’s anything broken with the AirPods Max, but it could use a few key upgrades. Users complain often that it’s heavy, can often get uncomfortable, and early adopters noticed some weird condensate on the inside after sustained listening. While Apple hasn’t officially fixed any of these problems, Parker Ortolani decided to give the AirPods Max a refresh – with a few key visual changes that all lead to a better product (except for one detail which I personally dislike).

Designer: Parker Ortolani

Ortolani’s design retains the iconic shape of the AirPods Max earcups, but transforms a major part of its otherwise memorable silhouette. Most importantly, the band on top gets a revision, ditching the metal and  tensile fabric for something more familiar. The new band gets made from the same material used on the Vision Pro, giving it flexibility within a much more lightweight and comfortable design. Sure, there has to be something inside providing structure, but the chances of it being stainless steel is low. That instantly cuts the AirPods Max 2’s headband weight while providing a wider surface for it to rest on the cranium, so you can wear the cups for longer without that strain.

A knob on the side lets you easily adjust the band’s design, lowering or raising the earcups so that they sit higher or lower (depending on how big your head is). The crown stays exactly where it is, but Ortolani adds buttons to the mix too, just to make intuitive control easier. The padded cups get upgraded to a cushion-like material, and for that weird condensation issue, vents at the bottom promote breathability, so you can worry about sweat accumulating inside the cups from listening for too long.

My only significant gripe is that Ortolani ditched the Lightning/USB-C port for a proprietary snap-on connector like the one found on the Vision Pro. To be fair, Ortolani did design this concept before the USB-C AirPods Max dropped, so it’s certainly an upgrade over the lightning port, but otherwise seems like bit of a drag. I’d personally change that, but barring this tiny little oversight, the AirPods Max 2 concept truly feels like an iterative improvement on its predecessor. The plastic bands flex so you can actually curl the headphones for easy carrying (and no more using that weird handbag).

Ortolani debuted his concept in a variety of subtle colors (barring that electric Project RED version), but I wouldn’t mind seeing a few vibrant options too. Hopefully Apple has plans to upgrade its flagship audio wearable next year, along with the AirTag, which has remained entirely unchanged in 4 full years!

The post AirPods Max 2 Concept Brings The Vision Pro’s Comfy Band Into The Mix first appeared on Yanko Design.

TikTok announces its first-ever awards show in the US

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TikTok just announced that it will be hosting its first-ever awards show in the US. The appropriately-named TikTok Awards will take place on December 18, starting at 9PM ET. It's a live event that will be held at the Hollywood Palladium in Los Angeles. Of course, it'll be livestreamed on TikTok. The platform Tubi will begin streaming the event on the next day.

Awards will include stuff like "Creator of the Year" and "Video of the Year." There will also be awards given for "Breakthrough Artist of the Year" and "Muse of the Year." I'm not sure what that last one means, but Paris Hilton grabbed a nomination for some reason.

Most nominees are influencers of some sort. There are no traditional journalists in the mix, likely because the entire event seems to be apolitical. One of the clips nominated for "Video of the Year" features a fashion influencer holding up some unique finds. Another is a recipe for "Homemade Dubai Chocolate" that did make me pretty hungry, so there's that.

Users will be able to vote for their favorite creators beginning on November 18. TikTok is launching a voting portal that'll be available on the platform.

The ceremony itself has all the trappings of a gala event. There's a red carpet, live performances, a live audience and more. This is in direct contrast to the recently-announced Instagram Ring awards. There's no live event for that one and the awards will be sent in the mail.

TikTok is no stranger to awards shows. It just hasn't been hosting them in the US. The social media app has created similar events in Germany, Mexico, Korea and other locations in the past several years.

This article originally appeared on Engadget at https://www.engadget.com/social-media/tiktok-announces-its-first-ever-awards-show-in-the-us-183711867.html?src=rss

Waymo is launching in three new cities next year

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Waymo has announced the launch of its robotaxi services in three new cities. San Diego, Las Vegas and Detroit will play home to the driverless cars as the company continues its aggressive expansion.

In a series of blog posts, the Alphabet subsidiary said Detroit residents can expect to "soon" see Waymo vehicles on the streets, mapping out the service areas before launching to the public. Timing for San Diego was more vague, with "plans to begin serving the city next year."

Waymo's service area in Las Vegas will include the Strip, with plans to expand to the airport "eventually." The company currently operates in Los Angeles, Phoenix, San Francisco, Atlanta and Austin. It also recently announced expansion to Miami and Washington, DC.

Waymo also has its sights set on international expansion with a planned London launch next spring. This comes as the UK's Automated Vehicles Act of 2024 begins to take effect, allowing autonomous vehicles to operate in the country for the first time. The company also recently announced it would be partnering with DoorDash to conduct food deliveries in Phoenix.

The autonomous taxi market has been heating up lately with Tesla's Robotaxi expanding in Austin and San Francisco. Uber and Lucid will also be launching an autonomous taxi partnership in the Bay Area next year using the automaker's Lucid Gravity SUV.

This article originally appeared on Engadget at https://www.engadget.com/transportation/waymo-is-launching-in-three-new-cities-next-year-182515034.html?src=rss