In case you missed it, we’re officially getting a Jaws Lego set this summer. The company unveiled the upcoming 1497-piece set this week alongside a 90-second mini-movie that reimagines the film in Lego brick form. The Jaws set includes the boat (the Orca), the shark, and minifigures of the protagonists Martin Brody, Matt Hooper and Sam Quint, plus a number of key items from their hunt, like a harpoon and a few bright yellow barrels.
Lego
It’ll be available to the general public on August 6 for $150, but anyone enrolled in the Lego Insiders loyalty program will be able to purchase it earlier, starting August 3. You’ll have the option to build the set on top of a base that’s intended to serve as the ocean for the scene, so you can mount the shark in just the right position to make it look as though it’s attacking the boat. Or, you can display the shark and the boat as separate pieces, with a stand for the former. One of the tiles in the water set will be printed with the line: “You’re gonna need a bigger boat.”
The intense showdown between a haphazard group of shark hunters and a great white that devours humans has never looked so family friendly. Check out Lego's “Jaws in a Jiffy” to really get into the spirit of things.
This article originally appeared on Engadget at https://www.engadget.com/lego-is-releasing-a-jaws-set-in-august-that-recreates-the-final-showdown-on-quints-boat-214504555.html?src=rss
After 378 days inside a mock Mars habitat, the four volunteers for NASA’s yearlong simulation of a stay on the red planet are coming home. The crew — Kelly Haston, Anca Selariu, Ross Brockwell and Nathan Jones — is scheduled to exit the 3D-printed habitat in Houston this evening. You can watch the livestream of their return on NASA TV (below) starting at 5PM ET.
This marks the end of NASA’s first Crew Health and Performance Exploration Analog (CHAPEA) mission. There are plans already for two more one-year missions, one of which NASA recently accepted applications for.
The Mission 1 crew entered the 1700-square-foot habitat at the Johnson Space Center on June 25 of last year and has spent the months since conducting simulated Marswalks, growing vegetables and performing other tasks designed to support life and work in that environment, like habitat maintenance. No exact dates for the second CHAPEA mission have been set yet, but it’s expected to begin in spring 2025.
This article originally appeared on Engadget at https://www.engadget.com/volunteers-who-lived-in-nasas-mars-simulation-for-over-a-year-will-finally-emerge-today-192522497.html?src=rss
After 378 days inside a mock Mars habitat, the four volunteers for NASA’s yearlong simulation of a stay on the red planet are coming home. The crew — Kelly Haston, Anca Selariu, Ross Brockwell and Nathan Jones — is scheduled to exit the 3D-printed habitat in Houston this evening. You can watch the livestream of their return on NASA TV (below) starting at 5PM ET.
This marks the end of NASA’s first Crew Health and Performance Exploration Analog (CHAPEA) mission. There are plans already for two more one-year missions, one of which NASA recently accepted applications for.
The Mission 1 crew entered the 1700-square-foot habitat at the Johnson Space Center on June 25 of last year and has spent the months since conducting simulated Marswalks, growing vegetables and performing other tasks designed to support life and work in that environment, like habitat maintenance. No exact dates for the second CHAPEA mission have been set yet, but it’s expected to begin in spring 2025.
This article originally appeared on Engadget at https://www.engadget.com/volunteers-who-lived-in-nasas-mars-simulation-for-over-a-year-will-finally-emerge-today-192522497.html?src=rss
It pains me to say this, but it’s been 20 years since David Firth’s Salad Fingers made its debut and irrevocably altered the humor of the internet. The first episode of the web series hit Newgrounds on July 1, 2004. To mark this milestone birthday, Firth dropped a 20th anniversary special earlier this week that sees the titular Salad Fingers taking a walk down memory lane, bringing us all the way back to those early moments that seared the phrase “I like rusty spoons” into the collective consciousness of an entire generation of internet users.
Things won’t be exactly as you remember them, though. This is how it all went down according to Salad Fingers and, well, are we really expecting Salad Fingers to be a reliable narrator? The 7-minute video expands the lore a bit and revisits characters like the shrieking “young child” (who has some clarifications to make regarding their identity) and the disturbing finger puppet friends Hubert Cumberdale, Marjory Stewart-Baxter and Jeremy Fisher. If you’ve followed the series over the years and made it all the way to 2023’s “Harvest,” you’ll also recognize the absolutely horrifying Melvin Wishcake, who Salad Fingers refers to this time as “Manky Melvin, the stinky reject.”
I’ve got a soft spot in my heart for this deranged cartoon, as I’m sure many of you do, and this was a real treat. I might just have to dive back in and rewatch the whole series now, which is up to 13 episodes not counting this latest special. Thanks for the (cursed) memories, Salad Gregory Stuart Fingers.
This article originally appeared on Engadget at https://www.engadget.com/salad-fingers-turned-20-this-week-and-theres-a-new-episode-out-to-commemorate-it-163230203.html?src=rss
It pains me to say this, but it’s been 20 years since David Firth’s Salad Fingers made its debut and irrevocably altered the humor of the internet. The first episode of the web series hit Newgrounds on July 1, 2004. To mark this milestone birthday, Firth dropped a 20th anniversary special earlier this week that sees the titular Salad Fingers taking a walk down memory lane, bringing us all the way back to those early moments that seared the phrase “I like rusty spoons” into the collective consciousness of an entire generation of internet users.
Things won’t be exactly as you remember them, though. This is how it all went down according to Salad Fingers and, well, are we really expecting Salad Fingers to be a reliable narrator? The 7-minute video expands the lore a bit and revisits characters like the shrieking “young child” (who has some clarifications to make regarding their identity) and the disturbing finger puppet friends Hubert Cumberdale, Marjory Stewart-Baxter and Jeremy Fisher. If you’ve followed the series over the years and made it all the way to 2023’s “Harvest,” you’ll also recognize the absolutely horrifying Melvin Wishcake, who Salad Fingers refers to this time as “Manky Melvin, the stinky reject.”
I’ve got a soft spot in my heart for this deranged cartoon, as I’m sure many of you do, and this was a real treat. I might just have to dive back in and rewatch the whole series now, which is up to 13 episodes not counting this latest special. Thanks for the (cursed) memories, Salad Gregory Stuart Fingers.
This article originally appeared on Engadget at https://www.engadget.com/salad-fingers-turned-20-this-week-and-theres-a-new-episode-out-to-commemorate-it-163230203.html?src=rss
Update, July 5, 5:25PM ET: The same day it posting a tweet thread about Apple's app submission processes, Epic now says its game store has been accepted by Apple. The company offered no further commentary beyond a single tweet noting that “Apple has informed us that our previously rejected Epic Games Store notarization submission has now been accepted.”
Thirty minutes later, Epic CEO Tim Sweeney said "Apple is now telling reporters that this approval is temporary and are demanding we change the buttons in the next version - which would make our store less standard and harder to use. We'll fight this."
Guess this saga's got more legs to run.
The original story chronicling Epic's moody tweets follows unedited.
Epic says that Apple has once again rejected its submission for a third-party app store, according to a series of posts on X. The company says that Apple rejected the latest submission over the design and position of the “install” button on the app store, claiming that it too closely resembles Apple's own “get” button. Apple also allegedly said that Epic’s “in-app purchases” label is too similar to its own label, used for the same reason.
The maker of Fortnite suggests that this is just another salvo in the long-running dispute between the two companies. Epic says that it’s using the same “install” and “in-app purchases” naming conventions found “across popular app stores on multiple platforms.” As for the design language, the company states that it's “following standard conventions for buttons in iOS apps” and that they’re “just trying to build a store that mobile users can easily understand.”
1/3 Apple has rejected our Epic Games Store notarization submission twice now, claiming the design and position of Epic’s “Install” button is too similar to Apple's "Get" button and that our "In-app purchases" label is too similar to the App Store's "In-App Purchases" label.
— Epic Games Newsroom (@EpicNewsroom) July 5, 2024
Epic has called the rejection “arbitrary, obstructive and in violation of the DMA.” To that end, it has shared concerns with the European Commission in charge of tracking potential Digital Markets Act (DMA) violations. The company still says it's ready to launch both the Epic Games Store and Fortnite on iOS in the EU in “the next couple of months” so long as Apple doesn’t put up “further roadblocks.”
This is just the latest news from a rivalry that goes back years. The two companies have been sparring ever since Epic started using its own in-app payment option in the iOS version of Fortnite, keeping Apple away from its 30 percent cut.
This led to a lengthy legal battle in the US about Apple’s walled-garden approach to its app store. Epic sued Apple and Apple banned Epic. A judge issued a permanent injunction as a way to allow developers to avoid Apple’s 30 percent cut of sales. This didn’t satisfy anyone. Apple wasn’t happy, for obvious reasons, and Epic contested the language of the injunction, which didn’t call out Apple for having a monopoly. Both companies appealed, eventually making its way to the Supreme Court. The court decided not to hear the case. The justices must have had other things to do.
This article originally appeared on Engadget at https://www.engadget.com/epic-says-that-apple-rejected-its-third-party-app-store-for-the-second-time-183914413.html?src=rss
Update, July 5, 5:25PM ET: The same day it posting a tweet thread about Apple's app submission processes, Epic now says its game store has been accepted by Apple. The company offered no further commentary beyond a single tweet noting that “Apple has informed us that our previously rejected Epic Games Store notarization submission has now been accepted.”
Thirty minutes later, Epic CEO Tim Sweeney said "Apple is now telling reporters that this approval is temporary and are demanding we change the buttons in the next version - which would make our store less standard and harder to use. We'll fight this."
Guess this saga's got more legs to run.
The original story chronicling Epic's moody tweets follows unedited.
Epic says that Apple has once again rejected its submission for a third-party app store, according to a series of posts on X. The company says that Apple rejected the latest submission over the design and position of the “install” button on the app store, claiming that it too closely resembles Apple's own “get” button. Apple also allegedly said that Epic’s “in-app purchases” label is too similar to its own label, used for the same reason.
The maker of Fortnite suggests that this is just another salvo in the long-running dispute between the two companies. Epic says that it’s using the same “install” and “in-app purchases” naming conventions found “across popular app stores on multiple platforms.” As for the design language, the company states that it's “following standard conventions for buttons in iOS apps” and that they’re “just trying to build a store that mobile users can easily understand.”
1/3 Apple has rejected our Epic Games Store notarization submission twice now, claiming the design and position of Epic’s “Install” button is too similar to Apple's "Get" button and that our "In-app purchases" label is too similar to the App Store's "In-App Purchases" label.
— Epic Games Newsroom (@EpicNewsroom) July 5, 2024
Epic has called the rejection “arbitrary, obstructive and in violation of the DMA.” To that end, it has shared concerns with the European Commission in charge of tracking potential Digital Markets Act (DMA) violations. The company still says it's ready to launch both the Epic Games Store and Fortnite on iOS in the EU in “the next couple of months” so long as Apple doesn’t put up “further roadblocks.”
This is just the latest news from a rivalry that goes back years. The two companies have been sparring ever since Epic started using its own in-app payment option in the iOS version of Fortnite, keeping Apple away from its 30 percent cut.
This led to a lengthy legal battle in the US about Apple’s walled-garden approach to its app store. Epic sued Apple and Apple banned Epic. A judge issued a permanent injunction as a way to allow developers to avoid Apple’s 30 percent cut of sales. This didn’t satisfy anyone. Apple wasn’t happy, for obvious reasons, and Epic contested the language of the injunction, which didn’t call out Apple for having a monopoly. Both companies appealed, eventually making its way to the Supreme Court. The court decided not to hear the case. The justices must have had other things to do.
This article originally appeared on Engadget at https://www.engadget.com/epic-says-that-apple-rejected-its-third-party-app-store-for-the-second-time-183914413.html?src=rss
Waves the size of skyscrapers explode beneath me as I creep across a busted metal beam in the middle of the North Sea, suspended at the base of an oil rig that’s in the process of collapsing. I’m crawling swiftly but carefully, knees sliding on the wet metal and eyes locked on the platform in front of me. Don’t look down.
I look down. The cold sea is boiling just inches from my beam, white spray reaching up, threatening to pull me under miles of suffocating darkness and pressure. Fuck.
The Chinese Room
In Still Wakes the Deep, horror comes in multiple forms. Violent creatures stalk the walkways on thin, too-long limbs that burst from their bodies like snapping bungee cords. Human-sized pustules and bloody ribbons grow along the corridors, emitting a sickly cosmic glow. The ocean is an unrelenting threat, wailing beneath every step. And then there’s the Beira D oil rig itself, a massive and mazelike industrial platform supported by slender tension legs in the middle of a raging sea, groaning and tilting as it’s ripped apart from the inside. Each of these elements is deadly; each one manifests a unique brand of terror.
Still Wakes the Deep is a first-person horror game from The Chinese Room, the studio behind Amnesia: A Machine for Pigs, Dear Esther and Everybody’s Gone to the Rapture. The game is set in the winter of 1975 and its action is contained to the Beira D, a hulking metal maze that offers mystery, a growing familiarity and death at every turn. The rig is filled with a rich cast of characters from the British Isles, most of them Scottish. Players assume the role of Caz, an electrician on the rig whose best friend is Roy, the cook.
The Chinese Room
Still Wakes the Deep feels like a hit from the PS3 and Xbox 360 era, devoid of modern AAA bloat. It’s restrained like the original Dead Space, with a core loop that serves the narrative and vice versa. The mechanics steadily evolve without becoming repetitive or cumbersome. Its monsters are murderous but not overplayed. In Still Wakes the Deep, the horror is unrelenting but its source is constantly shifting — vicious eldritch beasts, the crumbling rig, the angry North Sea — and this diversity infuses the game with a buzzing tension until the breathtaking final scene.
The game is fully voice acted and its crew members are incredibly charming. An undercurrent of good-natured ribbing belies every interaction, and the dialogue is earnest and legitimately funny, even in life-or-death situations. This skillful sense of character development only makes the carnage more disturbing once the monsters board the Beira D.
After the oil rig drills through a mysterious substance deep in the North Sea, a giant eldritch organism takes over the structure, crunching its metal corridors and infesting the bodies of some crew members. Caz is on a mission to survive the creatures and escape the rig — and help save Roy, whose body is fading fast because he can’t get to his insulin.
The Chinese Room
Gameplay in Still Wakes the Deep is traditional first-person horror fare, executed with elegance and expertise. The action involves leaping across broken platforms, balancing on thin ledges, running down corridors, climbing ladders, swimming through claustrophobic holes and hiding from monsters in vents and lockers. There are no guns on the Beira D, and Caz has just a screwdriver to help him break open locks and unscrew metal panels, placing the focus on pure survival rather than combat. Interactive materials tend to be highlighted in yellow, so it’s never a question of what to do or where to go, but rather how to get there without falling prey to the monsters, the sea or the rig.
Each input feels perfectly precise and responsive. Climbing a ladder, for instance, requires holding RT and pressing the analog stick in the proper direction — but if Caz slips, players need to suddenly press and hold LT as well, so he can regain his grasp in a quicktime event. In these moments of sudden panic, squeezing both triggers feels like the natural thing to do. It’s deeply satisfying to clasp the gamepad as tightly as Caz is holding the rungs of the ladder, player and character completely in sync in the aftermath of a sudden scare. Still Wakes the Deep is a prime example of intuitive game design.
The Chinese Room
It’s also just a gorgeous game. I stopped short multiple times while playing Still Wakes the Deep simply to admire the crisp lines, complex lighting and photorealism of specific scenes, but every frame is dense with thoughtful and well-rendered details. The otherworldly structures littering the rig cause Caz’s vision to bubble like a melting film reel, and multicolored circles overtake the screen every time he passes too close to a pustule — it’s disorienting and eerily pretty, much like the rest of the game.
Still Wakes the Deep is an instant horror classic. It’s filled with heart-pounding terror and laugh-out-loud dialogue, and it all takes place in a setting that’s rarely explored in interactive media. Amid the sneaking, swimming, running and climbing on the Beira D, Still Wakes the Deep manages to tell a heartfelt and powerful story about relationships and sacrifice. Caz and Roy have a special friendship, but they also have family back on shore and returning to these people — alive, ideally — is a constant driving force.
The Chinese Room
Still Wakes the Deep is available now on PC, PS5 and Xbox Series X/S, and it’s included in Game Pass. It’s developed by The Chinese Room and published by Secret Mode.
This article originally appeared on Engadget at https://www.engadget.com/still-wakes-the-deep-is-a-modern-horror-classic-175304800.html?src=rss
Waves the size of skyscrapers explode beneath me as I creep across a busted metal beam in the middle of the North Sea, suspended at the base of an oil rig that’s in the process of collapsing. I’m crawling swiftly but carefully, knees sliding on the wet metal and eyes locked on the platform in front of me. Don’t look down.
I look down. The cold sea is boiling just inches from my beam, white spray reaching up, threatening to pull me under miles of suffocating darkness and pressure. Fuck.
The Chinese Room
In Still Wakes the Deep, horror comes in multiple forms. Violent creatures stalk the walkways on thin, too-long limbs that burst from their bodies like snapping bungee cords. Human-sized pustules and bloody ribbons grow along the corridors, emitting a sickly cosmic glow. The ocean is an unrelenting threat, wailing beneath every step. And then there’s the Beira D oil rig itself, a massive and mazelike industrial platform supported by slender tension legs in the middle of a raging sea, groaning and tilting as it’s ripped apart from the inside. Each of these elements is deadly; each one manifests a unique brand of terror.
Still Wakes the Deep is a first-person horror game from The Chinese Room, the studio behind Amnesia: A Machine for Pigs, Dear Esther and Everybody’s Gone to the Rapture. The game is set in the winter of 1975 and its action is contained to the Beira D, a hulking metal maze that offers mystery, a growing familiarity and death at every turn. The rig is filled with a rich cast of characters from the British Isles, most of them Scottish. Players assume the role of Caz, an electrician on the rig whose best friend is Roy, the cook.
The Chinese Room
Still Wakes the Deep feels like a hit from the PS3 and Xbox 360 era, devoid of modern AAA bloat. It’s restrained like the original Dead Space, with a core loop that serves the narrative and vice versa. The mechanics steadily evolve without becoming repetitive or cumbersome. Its monsters are murderous but not overplayed. In Still Wakes the Deep, the horror is unrelenting but its source is constantly shifting — vicious eldritch beasts, the crumbling rig, the angry North Sea — and this diversity infuses the game with a buzzing tension until the breathtaking final scene.
The game is fully voice acted and its crew members are incredibly charming. An undercurrent of good-natured ribbing belies every interaction, and the dialogue is earnest and legitimately funny, even in life-or-death situations. This skillful sense of character development only makes the carnage more disturbing once the monsters board the Beira D.
After the oil rig drills through a mysterious substance deep in the North Sea, a giant eldritch organism takes over the structure, crunching its metal corridors and infesting the bodies of some crew members. Caz is on a mission to survive the creatures and escape the rig — and help save Roy, whose body is fading fast because he can’t get to his insulin.
The Chinese Room
Gameplay in Still Wakes the Deep is traditional first-person horror fare, executed with elegance and expertise. The action involves leaping across broken platforms, balancing on thin ledges, running down corridors, climbing ladders, swimming through claustrophobic holes and hiding from monsters in vents and lockers. There are no guns on the Beira D, and Caz has just a screwdriver to help him break open locks and unscrew metal panels, placing the focus on pure survival rather than combat. Interactive materials tend to be highlighted in yellow, so it’s never a question of what to do or where to go, but rather how to get there without falling prey to the monsters, the sea or the rig.
Each input feels perfectly precise and responsive. Climbing a ladder, for instance, requires holding RT and pressing the analog stick in the proper direction — but if Caz slips, players need to suddenly press and hold LT as well, so he can regain his grasp in a quicktime event. In these moments of sudden panic, squeezing both triggers feels like the natural thing to do. It’s deeply satisfying to clasp the gamepad as tightly as Caz is holding the rungs of the ladder, player and character completely in sync in the aftermath of a sudden scare. Still Wakes the Deep is a prime example of intuitive game design.
The Chinese Room
It’s also just a gorgeous game. I stopped short multiple times while playing Still Wakes the Deep simply to admire the crisp lines, complex lighting and photorealism of specific scenes, but every frame is dense with thoughtful and well-rendered details. The otherworldly structures littering the rig cause Caz’s vision to bubble like a melting film reel, and multicolored circles overtake the screen every time he passes too close to a pustule — it’s disorienting and eerily pretty, much like the rest of the game.
Still Wakes the Deep is an instant horror classic. It’s filled with heart-pounding terror and laugh-out-loud dialogue, and it all takes place in a setting that’s rarely explored in interactive media. Amid the sneaking, swimming, running and climbing on the Beira D, Still Wakes the Deep manages to tell a heartfelt and powerful story about relationships and sacrifice. Caz and Roy have a special friendship, but they also have family back on shore and returning to these people — alive, ideally — is a constant driving force.
The Chinese Room
Still Wakes the Deep is available now on PC, PS5 and Xbox Series X/S, and it’s included in Game Pass. It’s developed by The Chinese Room and published by Secret Mode.
This article originally appeared on Engadget at https://www.engadget.com/still-wakes-the-deep-is-a-modern-horror-classic-175304800.html?src=rss
YouTube is trying to make it easy for its creators to remove songs from their videos and resolve copyright claims. In a new Creator Insider video, the website has announced that it has released an upgraded "erase song" tool that has the capability to remove music from video segments without deleting other audio, such as conversations, as well.
When creators get a copyright claim for music, YouTube gives them the option to trim out the affected segment or to replace the song with an approved one in its audio library. Creators can't monetize that particular video until they resolve the claim. The website has been testing its "erase song" tool for a while, but in the video, the company says it hasn't been as accurate as it would like. To solve that problem, it redesigned the tool so that it now uses an AI-powered algorithm to accurately detect and remove copyrighted music from videos.
Still, YouTube admits that the tool might not always work. If a song is particularly hard to remove, presumably due to audio quality or the presence of other sounds while it's playing, creators may have to resort to other options. In addition to being able to trim out the offending segment or to replace its song, creators will also be able to mute that part of their video through the new erase tool.
The website's upgraded erase song tool will be available in YouTube Studio in the coming weeks.
This article originally appeared on Engadget at https://www.engadget.com/youtube-upgrades-its-erase-song-tool-to-remove-copyrighted-music-only-140032261.html?src=rss