Apple's new iPad Pro models are its most laptop-like tablets yet. They're the first devices powered by the company's M4 chip, which will deliver faster performance and more AI capabilities. And, for the first time outside of the iPhone and Apple Watch, both the new 11-inch and (slightly larger) 13-inch iPad Pros will sport OLED screens. That's a step up from the LCD and Mini-LED displays on the previous models, and it should lead to bolder colors, inky dark black levels and far better contrast.
Appole
These aren't your typical OLEDs, either: Apple says the new iPad Pros feature "tandem" OLED displays (branded as Ultra Display XDR) for 1,000 nits of SDR and HDR brightness, as well as 1,500 nits of peak brightness. That solves the brightness issues facing earlier OLED screens, and it means you likely won't miss the extreme brightness of Mini-LED. For an additional $100, you can also equip the 1TB and 2TB iPad Pro models with nano-texture glass, which helps to reduce screen glare.
Thanks to the OLED displays, Apple was also able to make the new iPad Pros far thinner and lighter than before. The 11-inch model is 5.3mm thick and "weighs less than a pound," according to the company, while the 13-inch is 5.1mm thick and is "nearly a quarter pound lighter than its predecessor." Notably, Apple says the bigger iPad Pro is the thinnest device it's ever made.
Appole
It's interesting to see Apple skip the M3 chip entirely and debut the M4 on the iPad Pro — that's a sign of just how important the company considers these new tablets. The M4 chip sports up to a 10-core CPU and 10-core GPU. (Oddly enough, you'll have to buy the iPad Pro with 1TB or 2TB of storage to get the fully-powered M4, the lower tier models are stuck with a 9-core CPU. Those storage tiers also come with 16GB of RAM, instead of 8GB) Apple claims the M4's CPU is up to 50 percent faster than the M2, and its GPU is four times as fast. It also features a Neural Engine that can reach 38 TOPS (tera operations per second) of AI performance. That's faster than any processor shipping today, and it's slightly below the upcoming Snapdragon X Elite chips, which feature a 45 TOPS NPU.
As for other new hardware, the iPad Pros feature a 12-megapixel rear camera that can capture Smart HDR images. It can also identify documents and scan them more easily thanks to a True Tone flash. Apple claims it can use AI to take multiple images and merge them into a clearer scanned image. Just like the recent 10th-gen iPad, Apple also moved the iPad Pro's webcam to the top of the tablet's landscape orientation, which will be helpful for wider video chats. (When it was at the top of the iPad's portrait view, it always felt like you were looking off to the side when you rotated it to landscape view.)
Apple
In addition to vastly better performance and premium OLED displays, Apple's new Magic Keyboard ($299 for the 11-inch and $349 for the 13-inch) goes a long way towards making the iPad Pro seem like a laptop. It features a metal wrist rest, function keys and a much larger trackpad. The company claims it will make using the iPad Pro feel more like a MacBook (let's just hope we see some iOS 18 multitasking updates to truly cement that). For the artists out there, Apple also unveiled a new $129 Pencil Pro with squeeze and rolling capabilities, as well as haptic feedback.
The new iPad Pro starts at $999 for the 11-inch model ($1,199 with 5G) and $1,299 for the 13-inch ($1,499 with 5G). Those prices are both $200 more than the previous models, yet another sign of Apple positioning these things more like notebooks.
Follow all of the news live from Apple's 'Let Loose' event right here.
This article originally appeared on Engadget at https://www.engadget.com/apples-thinner-new-ipad-pros-feature-the-m4-chip-and-tandem-oled-displays-142031520.html?src=rss
It's about dang time. During its Let Loose event, Apple announced it has updated the iPad Air for the first time in over two years. The latest model has an M2 chip, so it's not getting one of Apple's most recent chipsets, likely to keep costs down and differentiate it from the iPad Pro. Still, the M2 is about 50 percent faster than the M1, Apple says, and the tablet is about three times faster than the A14 Bionic-powered iPad Air from 2020.
Perhaps more significantly, the company has introduced an iPad Air with a 13-inch screen for the first time. That means there are two variants, as the 11-inch format is sticking around. As such, the iPad Air and iPad Pro effectively have the same display sizes. The 13-inch model has about 30 percent more screen real estate than the 11-inch, Apple says.
The smaller model starts at $599 (the same as the previous gen Air originally cost), while the 13-inch version is $799. You can add $150 to each of those prices if you want a cellular model. Both will be available on May 15, with pre-orders opening today.
In a welcome decision, Apple is also doubling the Air's base storage to 128GB. Storage maxes out at 1TB. There are two new finishes — blue and purple — to go with the starlight and space gray options.
Rumors initially suggested that the 13-inch model would have a mini-LED display. That turned out not to be the case as it has a liquid retina display, but analyst Ross Young says Apple may unveil an updated iPad Air later this year that does have such a display.
Another of the updates isn't quite as notable, but it should be a great quality-of-life change for many folks. Apple has moved the 12MP front-facing camera to the landscape edge of the display. That means you should be more centered in the frame when your iPad is docked and you're on a video call (the Center Stage feature will help with that too). The placement of the front-facing camera has been one of our biggest iPad bugbears for years, and it's great to see Apple finally seeing sense and repositioning it.
The wide 12MP camera on the rear supports 4K video capture at up to 240 fps. The new iPad Air has dual microphones that can minimize background audio, Apple says, while the stereo landscape speakers support spatial audio. The company claims that the 13-inch model offers double the bass output.
On the connectivity front, there's support for Wi-Fi 6E and 5G. The former should deliver up to twice the internet performance of the previous Air, according to Apple. As for 5G connectivity, the M2 iPad Air uses eSIM rather than a physical SIM.
Follow all of the news live from Apple's 'Let Loose' event right here.
This article originally appeared on Engadget at https://www.engadget.com/the-new-ipad-air-comes-in-two-sizes-including-a-13-inch-model-141005701.html?src=rss
Fujifilm’s X100 V became a surprising viral hit thanks to influencers who loved not only its performance but also its retro-chic cool factor. Now, the company has launched its successor, the similar-looking but more-capable X100 VI. It’s only been on sale a short time, but retailers are already reporting months-long waiting lists.
It features some key improvements over the previous model, including a much higher-resolution 40-megapixel sensor, in-body stabilization and better video. At the same time, it retains the looks and compact size people loved about the X100 V.
I couldn’t wait to get a hold of one to check out the performance for myself and see if it’s worth a purchase or upgrade. To test, I hopped on the Eurostar over to London with my French photographer friends to see if it’s worth the high price and considerable wait.
Body and handling
The X100 series is beloved in large part because of the vintage rangefinder camera styling, and Fujifilm didn’t mess with that. In addition to the near-identical looks, the X100 VI’s button and dial layout is unchanged. Fujifilm also kept the previous model’s 23mm f/2 lens.
To accommodate the in-body stabilization, the X100 VI is slightly chunkier and weighs 18.4 ounces, about 1.4 ounces more than before. That’s not much, but every bit counts for a camera designed to be carried around all day.
The control design with dedicated dials for ISO, shutter, aperture and exposure compensation is a bit old-fashioned compared to modern cameras. But it does serve a purpose, showing settings at a glance. That’s a must for shooting on the fly.
The X100 VI isn’t just cosplaying as a rangefinder, either. On top of the 3.69-million dot electronic viewfinder (same as the last model), it offers a rangefinder-style optical finder and a hybrid of the two with a picture-in-picture EVF. The last setting is for people who still want a digital security blanket, and it works very well.
Also unchanged is the rear display, allowing basic up and down tilting for high or low angle shooting. That’s not great for selfies or vlogging, but perfect for shooting from the hip.
The menu system is mostly the same, which is a good thing as it’s relatively easy to find key settings. To avoid diving in, though, you can use the quick menu and numerous buttons and dials for easier adjustments. It’s also customizable and I’d advise buyers to set it up to their preferences to avoid any shooting errors.
The X100 VI has a single slot that only supports slower UHS-I cards, unfortunately, along with a USB-C port for charging and data. The MicroHDMI port also lets you use external recorders, though the tiny camera looks awkward with one attached. Finally, the battery is the same smallish one as before, unfortunately — more on that in a bit.
Performance
Samuel Dejours for Engadget
Despite the higher resolution, the X100 VI still shoots at a decent 11 fps, with buffer space for about 17 uncompressed RAW frames. JPEG bursts are a bit faster at 13 fps in electronic shutter mode and the buffer size jumps to 37 frames in that case.
Unless you really need total silence, the mechanical shutter is your best bet. It’s very quiet, and you’ll see considerable rolling shutter in electronic mode.
Autofocus is much-improved compared to the V. It’s more reliable for subject tracking and adds new autofocus modes for animals, birds, cars, motorcycles, airplanes and trains. Fuji’s eye- and subject-detection are in separate modes though, forcing you to change settings.
Fujifilm’s AF system was already middling, lagging behind Sony and Canon. The X100 VI is even less effective than Fujifilm’s larger X-H2 and X-T5, due to the slowish motors on the fixed lens. That means focusing on moving subjects is a bit hit or miss. That said, burst shooting is not what this camera is for and the fact that it’s decent at all is a bonus.
Steve Dent for Engadget
In-body stabilization might be the biggest improvement to come to the X100 lineup. With six stops of shake reduction, you can get sharp photos down to about a quarter second. That lets you blur motion to make interesting, creative shots.
The optical finder takes some getting used to, as it’s not a direct view through the lens like with DSLRs. It’s off to the side of the lens, so this parallax means subjects that are close to the camera may not be framed the way you expect. That’s why the EVF insert mode is so handy as it supplies a second true view of the scene.
One issue is battery life, with only 450 shots on a charge or 310 if you use the EVF. I found that one battery wasn’t enough for a full day’s shooting, so factor extra ones into your buying decision. You may also want an external charger, as Fujifilm doesn’t supply one in the box.
Image quality
The 40MP sensor obviously delivers a big boost in resolution over the X100 V’s 26MP. The extra pixels are also handy if you need to crop in, which is a common requirement with a fixed wide-angle lens camera. And while the lens is the same as before, it’s sharp enough to resolve the extra detail.
If this sensor seems familiar, that’s because it’s the same as the one on the X-T5 and X-H2, so the image quality here is similar to those. In-camera treatment of JPEG and 10-bit HEIF files is handled well, with pleasant, accurate colors and a nice balance of noise reduction and detail. You can often share photos straight out of the camera, too, something that’s important to street photographers who do little to no post-processing.
The 14-bit RAW photos offer plenty of room for fine-tuning, even in bright or dark areas. However, if you underexpose shots and try to boost levels, noise can get out of hand compared to a full-frame camera.
The higher resolution doesn’t hurt image quality much at higher ISOs. Noise is well controlled up to ISO 6400, and you can go up to 12800 if exposure is set correctly. I was impressed with the quality when shooting in bars and other dark environments.
And of course, the X100 VI offers Fujifilm’s full array of film simulation modes. You can experiment with popular looks like Velvia, Eterna or Acros black and white, and still have a full-color RAW backup. As the only major camera company also selling 35mm film, Fuji’s simulations are the most pleasing and realistic.
Video
The X100 VI’s excellent video specs are another bonus. It has nearly the same feature set as the X-T5, so you can shoot 6.2K at 30 fps with a 1.23x crop, or 4K at up to 60 fps with line-skipping and a 1.14x crop. The camera also offers sub-sampled 4K at up to 30p using the full sensor width, or high-quality 4K 30p with a 1.23x crop. Fujifilm also introduced 10-bit and F-Log2.
Samuel Dejours for Engadget
It took me a while to get used to the different modes and cropping levels. At 6.2K and 4K HQ, rolling shutter is pronounced so you’ll need to be aware of that. At the same time, full-sensor sub-sampled 4K is noticeably more low-res than the HQ mode.
Video autofocus matches what I saw with photos, meaning it was decent but not super reliable for moving subjects. The AI-powered AF did lock onto subjects, but again, couldn’t always keep up to flying birds, animals or vehicles.
Handheld video is now a realistic option with in-body stabilization. It worked well as long as I didn’t move around much, and offers a “boost” mode that smooths out jiggles further. Digital stabilization is also an option, but isn’t supported with the 6K or HQ modes, and doesn’t really reduce jolts for walking or fast movements.
Video quality is solid for a small compact camera, offering the same accurate colors you see in JPEG photo modes. Shooting in 10-bit F-Log makes it possible to adjust footage considerably in post or get creative. You can also shoot video using the film simulation modes if you want a specific look straight out of the camera.
Wrap-up
Samuel Dejours for Engadget
Fujifilm has made all the right moves to keep the X100 VI’s popularity high by tucking a very competent street and travel camera into a beautiful retro-cute body. The extra resolution, in-body stabilization and new video features should be more than enough to tempt owners to upgrade.
At $1,600, the X100 VI doesn’t have a lot of competition — which is odd, given its success. Leica springs to mind with the Q3, though that costs a whopping $6,000. Another option is the $1,000 Ricoh GR IIIx, which also offers in-body stabilization and an ND filter. However, resolution is lower at 24MP and it lacks the X100 VI’s high-end video features.
Sony’s ZV-1 II is also in this compact category, but it’s mostly designed for video. Keep an eye on Panasonic, as it may release a new compact camera, according to recent rumors. In any case, if you’re in the market for a high-end compact and can afford the X100 VI, I wouldn’t hesitate — there’s a lot of camera inside that beautiful body.
This article originally appeared on Engadget at https://www.engadget.com/fujifilm-x100-vi-review-a-one-of-a-kind-camera-for-street-photography-and-travel-133004951.html?src=rss
Newsletter platform Substack is ramping up its video ambitions and trying to lure TikTok stars to its service. The company announced a new “creator studio” that will offer a group of creators free promotion and other services if they “ turn their TikTok channels into Substack shows and communities.”
The program is part of a larger effort by the newsletter company to expand beyond text newsletters. The timing also happens to come just weeks after a bill that could ban TikTok in the United States became law, though Substack claims its plans are unrelated to the measure. “We’re not introducing this fellowship because of panic over a TikTok bill or ever-changing algorithms,” Substack’s Austin Tedesco writes in a blog post. Instead, he says, it’s about finding a replacement for all “ad-based platforms” which he says are “unreliable partners” for creators.
It’s not clear how Substack intends to create a better home for creators, though the experience of participants in the creator studio will presumably inform its future plans. For now, the company is recruiting ten TikTok creators for the program. Those who are accepted will receive production help and PR services, as well as access to “exclusive features” and “white glove service” from Subsatck’s partnerships team.
The company says creators in the program can still post on TikTok, Instagram and other social channels but that Substack should be the “primary home base for free and premium content.” Creators will also be expected to engage with subscribers on Substack Chat.
Substack has been pushing video features for awhile, but the announcement is the clearest sign yet that it wants to expand its service to creators typically found on traditional social media platforms, rather than writers who may also dabble in video. The company also likely won’t be the last to try to take advantage of TikTok’s uncertain future in the United States. And while YouTube and Instagram may be better-positioned to scoop up TikTok’s talent, Substack may be able to carve out a space for creators looking to offer paywalled content.
This article originally appeared on Engadget at https://www.engadget.com/substack-is-trying-to-lure-tiktok-stars-to-its-platform-130052380.html?src=rss
China is accused of hacking the payroll system for the United Kingdom's Ministry of Defence. The BBC and Sky News report that the severe data breach exposed the personal information of active military personnel and veterans. The information mainly consists of full names and bank details, but in some cases, it might also include personal addresses.
Affected individuals are being notified, and Defence Secretary Grant Shapps should provide MPs with a more detailed update today. He is anticipated to outline a plan of action for protecting anyone whose data was compromised. All salaries are expected to be paid as usual this month.
In a statement, China's foreign minister said the country "firmly opposes and fights all forms of cyber attacks" and "rejects the use of this issue politically to smear other countries." However, this isn't the first time the UK and China have clashed over security concerns. In March, UK Deputy Prime Minister Oliver Dowden accused China of being behind an August 2021 hack of the Electoral Commission, as the BBC reported at the time. The UK also banned TikTok — owned by Chinese tech company ByteDance — from all government devices in March 2023, claiming protective measures.
This article originally appeared on Engadget at https://www.engadget.com/the-uks-ministry-of-defence-was-hacked-and-the-country-is-reportedly-blaming-china-121954779.html?src=rss
Apple is adding a bunch of new titles to its Arcade video game subscription service next month, including Return to Monkey Island. It's the first new entry in the franchise by series creator Ron Gilbert since Monkey Island 2: LeChuck's Revenge, which was released way back in 1991. The game still revolves around the pirate Guybrush Threepwood who's on a journey to unearth the secret of Monkey Island. You'll see some familiar locations from the older games in the new title, which also features Threepwood's wife Elaine Marley and his arch-enemy, the zombie pirate LeChuck. Return to Monkey Island is already available on the App Store, but it's coming to Apple Arcade on June 6 where subscribers can access the whole game, including the in-app purchases non-subscribers would have to buy.
Ubisoft's Rabbids: Legends of the Multiverse by Ubisoft is also arriving on the subscription service on the same date, along with Tomb of the Mask by Playgendary and Fabulous - Wedding Disaster by GameHouse. Before those games become available on Arcade, though, Where Cards Fall will make its way to the Apple Vision Pro first. The award-winning puzzle game with a coming-of-age narrative will feature tactile controls designed especially for the mixed reality headset. Players will have to use natural gestures to build bridges, pathways and other structures with a house of cards so that they can get around various landscapes. Where Cards Fall for the Apple Vision Pro will be available on May 30.
This article originally appeared on Engadget at https://www.engadget.com/return-to-monkey-island-comes-to-apple-arcade-in-june-120016947.html?src=rss
Google’s big developer showcase, encompassing software, hardware and all its consumer AI projects, is fast approaching. Google I/O’s opening keynote is on May 14, and we’ve got a good guess on what you can expect.
To begin, Android 15’s first beta is already out. We know there will be enhanced privacy features, partial screen sharing and system-level app archiving. But they’re not the most thrilling updates — hopefully, Google has some spicy features in its back pocket. Redesign something!
AI-wise, lots of stuff. Gemini AI is now firmly established, but what about an AI assistant? Reportedly, Pixie, as it’s currently called, could debut on the Pixel 9. We’re also expecting the company to ramp up its generative AI — but where will it start? More editing features in Google Photos? More text help in Google Docs? Something AI with Google Maps?
What about a new Pixel phone? Traditionally, those appear in the fall, but what about a Pixel 8a? Maybe.
Before all that, we’ve got an iPad event in just a few hours today. Make sure to watch and read along here on Engadget.
Hades II is in Early Access for PC players. The roguelike is out now for $30. Hades II builds on the themes and gameplay of the 2020 timesink original. We’re getting a new protagonist, and apparently, there’s no need to have played through Hades. (Confession: I never quite beat Hades…) The game will eventually land on PlayStation and Xbox too.
Sonos’s long-awaited debut headphones are dropping in June. That’s according to Dutch company Schuurman, which has published information and images of the headphones ahead of time. Schuurman listed the device for €403.58 ($435) with cushion replacements, which is pretty near the $449 pricing Bloomberg reported previously.
NASA’s Boeing Starliner crew flight test was meant to blast off to the International Space Station yesterday. Sadly, Boeing scrubbed the first Starliner crew fight test two hours after it was scheduled to launch. The launch control teams detected “anomalous behavior.” Astronauts were already onboard and had to exit the vehicle. The company has yet to announce a new launch schedule. It’s the latest delay of many previous delays.
Meta’s Oversight Board is taking up a new set of cases that touch on the commentary surrounding the Israel-Hamas conflict. The board says it will review three cases involving Facebook posts that used the phrase “from the river to the sea.”
Though use of the slogan predates the current conflict by several decades, it’s received renewed attention and scrutiny since the October 7 attacks. “On the one hand, the phrase has been used to advocate for the dignity and human rights of Palestinians,” the board writes in a statement. “On the other hand, it could have antisemitic implications, as claimed by the users who submitted the cases to the Board.”
The board notes that in all three cases, Meta found that the posts didn’t violate its policies around promoting violence, hate speech or terrorist content. The Oversight Board says it will “consider how Meta should moderate the use of the phrase given the resurgence in its use after October 7, 2023, and controversies around the phrase’s meaning.”
It's not the first time the Oversight Board has considered cases related to the Israel-Hamas conflict. The group previously took on a pair of cases on the removal of posts about the October 7 attacks and a subsequent airstrike in Gaza. In those cases, the group’s first-ever “expedited reviews,” the board blamed Meta’s automated moderation tools for mistakenly removing posts that should have been left up.
Notably, the board says all three posts in its latest cases were originally shared last November. And, unlike the earlier cases related to the conflict, the Oversight Board won’t be expediting its decisions. That means it could be several weeks before a decision is published. Meta will then have 60 days to respond to any policy recommendations that come out of the case.
This article originally appeared on Engadget at https://www.engadget.com/metas-oversight-board-will-rule-on-from-the-river-to-the-sea-100041727.html?src=rss
Nintendo will unveil a successor to the Switch sometime "within this fiscal year" ending March 2025, president Shuntaro Furukawa wrote in a post on X. That differs slightly from reports that the next-gen console would be announced this year, as it could also be revealed early in 2025.
The company added that it will not release any details on the Switch 2 (or whatever it'll be called) at its upcoming Nintendo Direct event in June, so we won't hear anything until at least the second half of 2024.
"It will have been over nine years since we announced the existence of Nintendo Switch back in March 2015," Furukawa wrote. "We will be holding a Nintendo Direct this June regarding the Nintendo Switch software lineup for the latter half of 2024, but please be aware that there will be no mention of the Nintendo Switch successor during that presentation."
This is Furukawa, President of Nintendo. We will make an announcement about the successor to Nintendo Switch within this fiscal year. It will have been over nine years since we announced the existence of Nintendo Switch back in March 2015. We will be holding a Nintendo Direct…
Nintendo also dropped its earnings report that contained both good and bad news. The company had already boosted its Switch sales forecast for the last fiscal year to 15.5 million units, but it bested that figure with 15.7 million units sold for the full year ending March 2024. While down compared to the previous year (17.97 million units), it helped Nintendo grow sales and operating profit by 4.4 and 4.9 percent, respectively, year over year.
Things won't be so rosy in fiscal 2025, though, as the company projects that Switch sales will drop to 13.5 million units for the year ending in March 2025. That will result in a 19.3 percent and 24.4 percent drop in net sales and operating profit, respectively.
Nintendo has done a good job maintaining Switch sales, considering that the console went on sale over seven years ago. That was helped in large part last year by games including bestsellers The Legend of Zelda: Tears of the Kingdom and Super Mario Bros. Wonder.
Now that Nintendo has given a timeframe for the launch of the new console, however, interest in buying the current Switch is bound to wane. The company no doubt hopes that several upcoming titles, including Paper Mario (May 23) and Luigi's Mansion 2 (June 27), will help juice sales.
This article originally appeared on Engadget at https://www.engadget.com/nintendo-to-announce-switch-successor-before-march-2025-091457457.html?src=rss
Bloomberg had reported back in February the Sonos' long-rumored and long-awaited headphones are dropping in June, a month later than the company originally intended due to a software issue. While Sonos itself has yet to release details about the device, its Dutch authorized dealer Schuurman seems to have published information and images of the headphones ahead of time. A Redditor in the Sonos group has discovered Schuurman's listings (via The Verge) after someone else found out that the wireless headphones will officially be called the Sonos Ace.
Sonos
Based on the images, the Ace device package will come with the headphones, some wires and a carrying case. It looks like the headphones themselves will have buttons and a toggle switch on the earphone parts of the device. The images are pretty low-quality, so we can't comment on how premium the model looks, but it does seem like the device is going to be a pair of over-ear headphones. Schuurman has listed the device package for €403.58 ($435), which is pretty near the $449 pricing Bloomberg mentioned in its previous report.
As the news organization said at the time, Sonos CEO Patrick Spence is hoping that launching the new device category can help fuel growth for the company known for its speakers and sound bars after years of sluggish sales. The upcoming Ace headphones were reportedly designed to work with the company's existing devices and can stream audio directly from TVs and music streaming services using its built-in Wi-Fi connection. Bloomberg said that Sonos is also looking into the possibility of releasing an in-ear model in the future to compete with Apple's AirPods and other similar products.
Schuurman
This article originally appeared on Engadget at https://www.engadget.com/heres-what-the-long-rumored-sonos-wireless-headphones-will-look-like-054450404.html?src=rss