6th-Gen iPod Nano powers triple-display workstation, and it actually works

Move away from the largest computer case mod for a moment and give the 6th-generation iPod Nano a moment of fame again. Before you start thinking what that even means, check out the video above, where a creator from the YouTube channel Will It Work has given the tiny MP3 player a new lease of life with a well-orchestrated triple-display workstation powered entirely by the iPod Nano.

I am writing this on a two-display setup installed on my workstation. But there is no denying the fact that three-display setups are really a craze these days. The setups are not reserved for PC and monitor combos. Even laptops with three screens are keeping up with the trend. This is exactly why the idea of hooking up a tiny iPod Nano to three separate screens really grabbed my attention.

Designer: Will It Work (YT)

The 6th-generation iPod Nano was released in 2010 with a capacitive multitouch screen. It was the last iPod device released by Steve Jobs and was really easy to carry around with its clip-on design. Instead of being carried in the pocket, the device could be clipped to your gear and go where you wanted it to go. Now, the interesting device is put to more use than just playing music.

By connecting the iPod Nano to a 30-pin Apple Keyboard Dock, the DIYer was able to rely on composite video signals from the iPod to three connected Sharp flat screen monitors from the early 2000s. The Keyboard Dock was essentially made for the iPad, but the video shows that it has been tweaked to work with the iPad Nano using a 30-pin spacer adapter. In the video, the creator says he was hopeful that the media controls on the keyboard would be able to control the iPod, but eventually found out that no key on the keyboard actually works with his contraption. It just sits there to finish the workstation setup: the highlight of which of course, is the triple-display connected to the iPod Nano.

While the iPod Nano cannot connect output video and audio directly to the displays (or connected speakers), the creator has used a 3.5mm four-pole jack, which handles audio input and output. With some other adaptors and cables involved, the iPod is hooked to the three Sharp LCD models for visual display as well. A set of Apple Pro speakers has been used for audio output and a stylus interacts with the iPod. Both audio (the music) and video (a picture slideshow) can work simultaneously. Will It Work has been able to establish that in the video.

In addition to playing music and running a slideshow on the three connected LCDs, the iPod Nano-based triple-monitor workstation can also be used to record voice memos. To be able to record memos in podcast-level clarity, the DIYer has hooked up the iPod to a desktop microphone. In the video, he shows how efficiently it can record a voice note and how good the playback quality is.

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DSLR Quality? iPhone 18 Pro Max to Feature First Variable Aperture Lens

DSLR Quality? iPhone 18 Pro Max to Feature First Variable Aperture Lens Close-up render highlighting 512GB and 1TB storage options, with arrows pointing to higher upgrade pricing.

The iPhone 18 Pro and Pro Max are set to make waves in the smartphone industry, combining technological advancements with a carefully considered pricing strategy. As Apple celebrates the 20th anniversary of the iPhone, the company is poised to deliver a lineup that balances innovative features with market competitiveness. While base prices are expected to […]

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This Rotating Solar House Grows Fish and Plants Entirely on Its Own

Aquaponic gardening has been getting a lot of attention as a more sustainable way to grow food, especially in urban settings where arable land isn’t exactly plentiful. The concept pairs fish and plants in a closed-loop system where each supports the other, cutting out synthetic fertilizers and reducing water waste. Most implementations, though, tend to be utilitarian and aren’t built to handle seasonal changes without significant supplemental energy input.

That’s the problem Michael Jantzen’s Eco-Aquaponic House was designed to tackle. Built as a public exhibit for a botanical garden, it functions more like a machine than a greenhouse, engineered to grow fish and plants together in an energy-efficient and largely self-sustaining way. Jantzen, whose work merges art, architecture, technology, and sustainable design, has been experimenting with this kind of thinking for over 50 years.

Designer: Michael Jantzen

The system works on a simple but elegant biological loop. Fish waste is cycled through the roots of the surrounding plants as a natural fertilizer. The plants filter the water, which then returns to the fish tank. The cycle repeats continuously with minimal outside input, keeping both fish and plants alive. It’s the kind of closed-loop food production that makes conventional growing methods look rather wasteful by comparison.

What makes the structure particularly clever is how it manages growing conditions year-round without demanding much energy. Six sections rotate around a central pivot point, each serving a different climate function. Two insulated panels wrap around the interior during cold nights to retain heat. Two shade screen sections shield the plants on hot days. Two glass sections open to let in outside air when conditions allow.

The passive thermal management doesn’t stop there. Built around the perimeter of the stationary base are large tubes filled with a heat-retention material that absorbs solar energy during the day and releases it slowly at night, helping keep the fish and plants warm through winter without relying on active heating systems. Those same tubes also moderate daytime temperatures, preventing the interior from overheating when the sun is strong.

On top sits a sun-tracking solar cell array that follows the sun throughout the day, supplying most of the structure’s electrical needs, including the large lamp hung over the central fish tank. Small windows built into the glass sections allow for additional ventilation control when the glass is in the closed position, letting you fine-tune interior conditions depending on what the fish and plants need at any given time.

Inside, plant trays are built into the perimeter of the structure, forming a ring of greenery around the central cylindrical fish tank. Visitors to the botanical garden can get a sense of the system from the outside, or arrange private tours for a closer look from inside through the rear entry door. As a public exhibit, it’s designed as much to teach people about aquaponic gardening as it is to actually grow. It’s a growing facility that takes care of itself season after season, with very little outside intervention required.

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Samsung’s Boldest Move: Why the Galaxy S27 Ultra is Getting a Radical Rear Redesign

Samsung’s Boldest Move: Why the Galaxy S27 Ultra is Getting a Radical Rear Redesign Phone case mockup showing magnetic accessory placement near the S27 Ultra camera area and charging coil.

The Samsung Galaxy S27 Ultra is poised to represent a significant evolution in the company’s flagship smartphone lineup. With notable changes such as the removal of the 3x zoom camera, a redesigned horizontal rear camera layout and substantial advancements in camera technology, Samsung is signaling its intent to refine both design and functionality. These updates […]

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Why Stanford Researchers Say AI Architecture Isn’t the Real Key to Performance

Why Stanford Researchers Say AI Architecture Isn’t the Real Key to Performance Chart showing a six-fold performance increase from optimized AI harness structures.

Stanford University’s recent research, conducted in collaboration with Tsinghua University, has revealed a surprising shift in how we evaluate the performance of large language models (LLMs). Rather than focusing solely on the architecture of these models, the study emphasizes the importance of the orchestration layer, or “harness,” which coordinates how the model interacts with external […]

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This Lamp Finally Belongs on a Bookshelf Because It Looks Like a Book

Reading lamps have always had a tension with the spaces they occupy. The ones bright enough to actually read by tend to be too harsh for any other use, while the softer ones look nicer but force you to squint by page two. Neither type fits particularly well on a bookshelf, which is where most people want light when they’re reading. That’s a surprisingly overlooked problem for something so common.

That’s the gap Eunsu Lee fills with Folio, a lamp concept that looks exactly like a book and lives exactly where books do. The idea starts from a simple question: if books give us light metaphorically, why shouldn’t that light be given back physically? The answer is a stainless steel lamp sized to stand upright between volumes on a shelf, glowing warmly from between two flat metal panels.

Designer: Eunsu Lee

The form is deliberately stripped down to its most recognizable elements: a rectangle, a spine, a gap. Two stainless steel panels form the covers, with a 3D-printed cap sitting between them to house the LED pin lamp. The LED targets the cap directly without a socket, letting the whole spine glow evenly. The warm amber light it produces is the kind that’s easy to stay beside for hours.

The gap at the base has a more interesting purpose than it might seem. Depending on which way you face the lamp, the character of the light changes entirely. Facing forward, it casts direct light for reading or task work. Turned around, it becomes a soft ambient source, washing the wall behind it. One rotation is all it takes to go from a focused reading lamp to a mood light.

What makes Folio particularly clever is how well it disappears into its surroundings. Slide it onto a bookshelf between a few paperbacks, and it reads as just another volume until it’s on. Set it on a bedside table, and it’s the right size, the right warmth, and exactly dim enough not to disturb anyone who’s already asleep while you finish the last few pages of a chapter.

It works just as well away from the bedroom. On a coffee table, it casts enough light to read by on a sofa without flooding the whole room. On a kitchen shelf, it turns into accent lighting for a corner that usually doesn’t get any. The compact footprint and book-like proportions mean it doesn’t claim much space or demand much attention when it’s not the focus.

The construction behind Folio is deliberately minimal. Lee relied on stainless steel bending for the body and 3D printing for the cap, skipping the need for molds and keeping production straightforward for small batches. The light color is warm, calibrated for the hours around sleep, dim enough to rest beside and bright enough to actually read by. It’s the kind of balance most lamps never quite get right, and it makes you wonder why no one made a lamp that lives on a bookshelf before.

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