Tag Archives: houses

Hand-Built Through Nine Storms: Remote Scottish Home Wins RIBA House of the Year 2025

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On a rocky outcrop in Scotland’s Outer Hebrides, where Atlantic winds batter the coastline and ancient Lewisian Gneiss stone shapes the landscape, sits Caochan na Creige. This modest one-bedroom home has just been crowned RIBA House of the Year 2025, Britain’s most prestigious residential architecture award. Perched in a sheltered inlet in the Bay of Harris with panoramic views across the Minch to Skye, the house represents a remarkable achievement in contemporary residential design, celebrated for its sensitivity to place, exceptional craftsmanship, and resilience in one of Europe’s most challenging environments.

The name translates as “little quiet one by the rock,” a poetic description developed with landscape architect John Murray, author of ‘Reading The Gaelic Landscape.’ It’s a fitting moniker for a house that seems to grow organically from its surroundings. The house’s irregular, angled plan emerged from a philosophy of “working with the landscape rather than against it.” The foundations carefully avoided areas of incredibly hard rock, allowing the building to settle naturally into its site. This approach created a sculptural form that appears to be part of the landscape itself, with an enigmatic presence that recalls defensive structures and castles while maintaining an intimate scale.

Designer: Izat Arundell

Eilidh Izat and Jack Arundell, co-founders of architectural practice Izat Arundell, designed and built their own home entirely by hand. Working alongside Eilidh’s brother Alasdair Izat, a furniture maker, and their friend Dan Macaulay, a stonemason, they broke ground in January 2022. The build took 18 months, during which the small team battled through nine named storms in one of Europe’s most unforgiving environments. This extraordinary feat of ambition and resilience transformed a tight budget and challenging conditions into opportunities for innovation and craftsmanship.

The sculptural form is clad in the same Lewisian Gneiss rock on which it sits, sourced from a quarry less than five miles away. This ancient stone, billions of years old, gives the house a timeless quality that connects it deeply to its surroundings. A concrete parapet with exposed Lewisian Gneiss aggregate caps the stone walls, creating a contemporary counterpoint to the traditional material. The stone is used full thickness as exterior cladding, demonstrating a commitment to authenticity and durability. Together with hardwood windows, these material choices create a contemporary air to the design while respecting the vernacular traditions of the island.

Inside, soft angles weave throughout the home, creating spaces that flow into one another while remaining defined, inspired by the gently shaped blackhouses’ vernacular to the island. An entrance porch, utility area, and skylit bathroom occupy the center of the plan, with a bedroom protruding to the northwest and a living room and kitchen filling the eastern half, maximizing those dramatic sea views. Despite its modest size, the house feels luxurious in its connection to the surrounding landscape, with every spatial decision carefully considered to enhance the experience of living in this remote and spectacular location.

The project represents a growing movement of ultra-contemporary homes in Scotland’s remote landscapes, following RIBA House of the Year 2018 winner Lochside House and the RIAS Andrew Doolan Best Building in Scotland Award winner Cuddymoss. David Kohn, chair of the RIBA House of the Year Award 2025 jury, praised the unanimous decision: “It addressed every issue – challenging climatic conditions, the relationship to vernacular architecture and a tight budget – with a rare mixture of sensitivity and boldness.” Caochan na Creige has also won the Laurence McIntosh Interior Design Award at the 2025 RIAS ceremony and features on the cover of ‘New Scottish Houses: Contemporary Architecture and Living in the Landscape’ by Isabelle Priest. It proves that exceptional architecture doesn’t require vast resources, just vision, determination, and a deep respect for place.

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This Fukasawa Residence Honors Japanese Timber Traditions on a Narrow Plot

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In the quiet residential enclave of Fukasawa, south-west Tokyo, narrow plots and intimate streetscapes create an architectural character that feels worlds away from the metropolitan sprawl surrounding it. This area, bearing the name of renowned designer Naoto Fukasawa, who made it his home, carries a quaint charm reminiscent of older Japanese shopping streets. Within this context, architecture firm MIDW has completed a striking residence that reinterprets traditional building methods for contemporary living.

The house occupies a slender plot measuring just 2.73 metres in width and 13.65 metres in depth. Rather than viewing these proportions as limitations, MIDW embraced them as design opportunities. The structure is defined by six truss-shaped load-bearing walls, their beams spanning gracefully between evenly spaced columns to create a rhythmic structural language that anchors the entire composition.

Designer: MIDW

Daisuke Hattori, co-chairman and managing architect of MIDW, explains the conceptual foundation. The firm frequently draws from local construction techniques, particularly the traditional Japanese timber post-and-beam system. This method, built through the assembly of linear wooden members, offers both structural integrity and visual refinement. It remains among Japan’s most enduring building approaches, balancing flexibility with aesthetic clarity. The Fukasawa residence presents a contemporary dialogue with this heritage. The structural framework isn’t hidden behind finishes or treated as mere utility. Instead, it takes centre stage as a defining architectural element, echoing the exposed timber construction found in historic shrines and temples across Japan. This approach transforms structural necessity into spatial poetry.

Entering the home, visitors encounter a slightly sunken floor plane that marks the transition from street to sanctuary. From this entry point, a carefully choreographed sequence of spaces begins to reveal itself. Light and shadow play across surfaces as one moves through the narrow depth of the plot. A straight staircase draws the eye upward, leading to the upper level where the spatial experience opens considerably.

The upper floor presents a broad, generous volume animated by the repetitive cadence of exposed timber beams. These structural elements create a calming visual rhythm that organizes the space while celebrating the material honesty of wood construction. The beams don’t merely support; they define the character and atmosphere of the interior.

Working within Tokyo’s dense urban fabric presented challenges beyond just dimensional constraints. Material choices and design gestures required careful consideration. Yet MIDW approached the project not as a problem to solve but as an opportunity to develop universal design principles rooted in specific site conditions. The result is a home that feels both distinctly of its place and timelessly resonant, proving that constraint often breeds the most compelling creativity.

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This Hollywood Hills House Channels Medieval Castles with a Modern Industrial Twist

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Perched atop a challenging 45-percent slope in the Hollywood Hills, this striking residence by Kristen Becker of Mutuus Studio reimagines what luxury living can look like within a modest footprint. Completed in 2016, the house was commissioned by an actor-director couple who wanted their Los Angeles home to feel as intimate and carefully curated as their New York City penthouse loft. The steep, oak-dotted hillside presented serious design challenges, but Becker transformed these constraints into architectural opportunities that give the home its distinctive character.

Becker drew inspiration from the clients’ travels through Ireland and their fascination with European castles, creating a sequence of spaces that unfold with theatrical drama. Visitors enter through a wooden, steel, and concrete bridge that spans a secret garden before arriving at an imposing bronze door. The garden connects to a courtyard where sunlight filters through floor-to-ceiling windows into the bathroom below, evoking the atmospheric quality of ancient fortresses. Medieval castles and industrial buildings both influenced the aesthetic, resulting in a design that feels simultaneously raw and refined.

Designer: Kristen Becker of Mutuus Studio

The multi-storey structure steps down the hillside rather than fighting against it, allowing each level to capture different views of the surrounding landscape dotted with shrubs, cacti, and mature oak trees. Natural light floods the interiors through expansive glazing, while a garage-style door in the main living area lifts upward to dissolve the boundary between inside and out. This connection to the terrace extends the living space and takes full advantage of California’s temperate climate. The steel and concrete structure provides the industrial backbone that supports the home’s open, flowing layout.

Interior design played an equally important role in the project, with Becker collaborating closely with the clients on furnishings that reflect their globetrotting lifestyle and eclectic taste. The living room showcases caramel leather sofas alongside leopard-print stools and a bronze and glass coffee table by Willy Daro. African artwork hangs near pieces from Brian Henson’s childhood collection. The dining area features a Finn Juhl teak table surrounded by Peter Moos chairs, all illuminated by a custom Facaro bicycle chain chandelier that adds unexpected whimsy.

Throughout the home, vintage pieces from different eras and continents sit comfortably together. Ricardo Fasanello’s Anel chair shares space with Bruno Mathsson’s Pernilla Lounge Chair, antique Chinese sideboards, vintage Japanese benches, and a Norman Cherner swivel chair from the 1960s. An Arc dome pendant by Allied Maker illuminates a vintage Warren Bacon saddle stool. Every element received thoughtful consideration, with the design team and owners collaborating to ensure each piece contributed to a seamless experience of place.

The Hollywood Hills House stands as proof that luxury and modesty can coexist. Becker’s background in dance informed the seamless flow through the rooms, where movement feels intuitive and natural. The residence delivers a sophisticated California lifestyle while maintaining efficiency in both space and resources. Photography by Kevin Scott captures how this modern castle commands its hilltop position, offering a fresh interpretation of the iconic Case Study Houses while establishing its own contemporary presence in the Los Angeles architectural landscape.

The post This Hollywood Hills House Channels Medieval Castles with a Modern Industrial Twist first appeared on Yanko Design.

What If Houses Were Spheres and AR Glasses Showed the Facade?

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Buildings consume massive amounts of resources just to look a certain way. Houses could function perfectly well as simple, efficient structures that keep us warm, dry, and comfortable, but we demand gables, columns, brick facades, and decorative trim because we want them to look appealing. The materials and energy required to build and maintain those aesthetic choices far outweigh what’s actually needed for shelter. If we were all blind, the argument goes, our houses would be optimized spheres or domes with minimal material use and maximum efficiency.

The Virtual Reality Veneer proposes a radical split between what a house is and what it looks like. The physical structure would always be a simple white sphere, built from the most environmentally friendly materials available and outfitted with efficient energy systems. The appearance, however, would be entirely digital, generated by a computer inside the sphere and broadcast to special AR glasses worn by anyone nearby. Look at the sphere through those glasses and you’d see whatever aesthetic the owner chose, from a traditional suburban home to an abstract sculpture.

Designer: Michael Jantzen

The concept is illustrated through a series of renderings showing the same spherical structure in a green landscape. The base condition is just a plain white sphere on supports, accessed by a simple staircase. The other images show that same sphere with a virtual skin unfurling to cover it, transforming into a classic American house complete with gables, shutters, and landscaping. This isn’t a different building but just a digital veneer unfolding over the same unchanging physical form.

The system would work both inside and outside. When you approach the sphere wearing the glasses, you’d see the chosen exterior facade overlaid on the plain structure. Step inside, and the glasses would switch to a different set of images, replacing the minimal interior with virtual walls, furniture, and even window views showing landscapes that don’t physically exist. The owner could change everything on a whim without touching a single material.

Of course, this raises plenty of questions. What happens when different people want to see different aesthetics for the same building? Do non-wearers just see plain spheres dotting the landscape while everyone else experiences virtual variety? The concept assumes widespread adoption of AR glasses or possibly future retinal implants, which is a big leap from where we are now, even with mixed reality headsets becoming more common.

What makes the Virtual Reality Veneer interesting is how current technology is catching up to the idea. AR glasses, spatial computing, and AI image generation already let us overlay digital content onto the real world. The concept simply pushes that logic further, asking whether we could satisfy our desire for beautiful homes without actually building beautiful homes, using light and computation instead of lumber and stone.

The proposal works best as a provocation rather than a blueprint. It forces you to consider how much waste comes from wanting things to look a certain way, and whether we’d trade physical aesthetics for virtual ones if it meant reducing our environmental footprint. That’s a question without an easy answer, but worth asking as AR technology continues blurring the line between what’s real and what’s projected.

The post What If Houses Were Spheres and AR Glasses Showed the Facade? first appeared on Yanko Design.

Summer house in Denmark is inspired by fisherman’s houses in the area

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One of my ultimate dreams is to be able to own a summer or vacation house in an area surrounded by nature. At the rate my life plans are going that will remain a dream but it doesn’t hurt to look at all the well-designed summer houses, specifically the ones in Europe. Most of these use sustainable materials and are built to be part of the natural landscape so those are major plus points.

Designer: Jesper Kusk Arkitekter

At Følle Strand in Denmark, they built the Strandvejen 35 Summer House, a “tiny” space measuring just 46 square meters and inspired by the fisherman’s houses that you can find in the area. Well, of course, a more expensive and spacious version. It’s actually made up of three small buildings that are overlooking the bay of Kalø and with all the spaces optimized so that 7 guests will be able to sleep there. You get all the basic spaces that you need in a house like sleeping areas, a kitchen, and of course a beautifully designed shower area.

The windows and walkways located around the house have also been turned into loving areas and they used sliding doors to separate the various interior spaces. Since the location is surrounded by nature, they have incorporated it into the over-all design. You have skylights and high ceilings to ensure a healthy indoor climate while the large windows show off the beauty of the surroundings which you can enjoy while sitting on the built-in benches and sofas.

The house was built using locally sourced materials, mostly wood and then using Danish oak to clad the facades and roof. This way the overall CO2 footprint is reduced and in fact, they are placed in the Danish voluntary low-emission category. The Strandvejen 35 Summer House lets you commune with nature while inside the comfort of your sustainably built space.

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