Tag Archives: pavilion

192 Sliding Blocks Let Anyone Sculpt This Pavilion Into New Shapes

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Most architecture, even the wildest parametric forms, is fixed the day it opens and stays that way until it is renovated or demolished. Michael Jantzen points out that exciting spaces are often “fixed in time” while people’s needs and desires keep shifting. The Malleable Space Pavilion is a small, clear argument for buildings that can change as easily as furniture, where space becomes something you can push, pull, and rewrite whenever you want.

The Malleable Space Pavilion is an experimental interactive structure made from a very simple kit of parts. Two tall gray support columns anchor the design, and 192 white horizontal elements, 96 per side, are mounted on tracks between them. In the default state, they form two opposing blocks with a narrow canyon between them, a calm, almost minimalist object sitting in a field that reads more like land art than a building you can enter.

Designer: Michael Jantzen

Every white element can slide in and out independently, letting visitors pull pieces to create steps, ledges, and overhangs. Jantzen describes configurations ranging from symmetrical simplicity to chaotic complexity, and the same hardware can read as a tunnel, a grotto, or a solid bar depending on how far the elements are extended. Space is literally carved out of the blocks in real time, turning a static object into a responsive spatial machine.

One moment, you walk into a symmetrical canyon with terraced walls and a rectangular skylight, the next you find yourself in a jagged, pixelated chamber where light leaks through irregular gaps. The elements double as benches and low roofs, so you can pull out a seat or shade with the same gesture. The pavilion becomes a place to sit, play, and experiment rather than just pass through, with every configuration suggesting new ways to occupy the same footprint.

Pushing and pulling the elements is performative; visitors become visible agents of change. The stepped profiles feel like editing a low-resolution 3D model, but at a human scale and with your hands instead of a mouse. The pavilion records those actions as a temporary composition, so every group leaves behind a different spatial drawing until someone else comes along and rewrites it, turning the structure into a constantly evolving collaboration between architect and occupants.

Jantzen believes that a more advanced architecture is one that can be changed in time, and this pavilion sits within his series of transformable structures. Questions remain about full-scale mechanics, durability, and accessibility, but the value here is conceptual clarity. The project makes adaptability tangible and playful, turning a big conversation about flexible buildings into something you can push, pull, and sit on, rather than leaving it abstract and theoretical.

The Malleable Space Pavilion treats architecture less like a finished sculpture and more like an instrument waiting to be played. Instead of a single author deciding what the space should be, every visitor gets to compose their own version for a while. For a design culture used to talking about responsive environments in abstract terms, there is something refreshing about a pavilion that simply hands you the handles and lets you reshape it yourself, making change the default rather than the exception.

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This Amazon Rainforest Pavilion Uses Bamboo and Biomimicry to Reconnect Humans With Nature

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As technology accelerates and daily life becomes increasingly disconnected from the natural environment, the Amazon Immersion Pavilion offers a quiet counterpoint grounded in presence, atmosphere, and ecological respect. Conceived as a conceptual project for Iquitos, Peru, the pavilion proposes a gentle architectural intervention that allows visitors to experience the rainforest through sound, texture, light, and movement. It approaches the Amazon as a living partner rather than a backdrop, inviting visitors to rediscover a relationship with nature through deliberate sensory engagement.

The pavilion centers on the idea that architecture can heighten awareness when it blends into the rhythms of a landscape. The design seeks to create a space that listens to the environment and responds through form, materiality, and environmental intelligence.

Designer: Nathalia Cristina de Souza Vilela Telis

The project began with a desire to create deeper dialogue between humans and the forest. The Amazon provides constant motion and sound, and the design team wanted a structure that would reveal these qualities rather than compete with them. The result is an organically composed pavilion shaped by biomimicry, sustainable material thinking, and an understanding of local ecosystems. Bamboo was selected as the primary material because it is strong, flexible, and deeply rooted in regional construction traditions. Its use affirms the project’s commitment to low-impact building and ecological responsibility.

The sensory experience is structured as a gradual unfolding across two levels; the first floor establishes a calm and introspective atmosphere. The circular base, measuring 31,500 mm in diameter, creates a grounded platform for the structure. A partially enclosed volume captures natural light from an overhead opening, allowing soft illumination to guide the visitor. Water flows gently along the walls, creating a rhythmic soundscape similar to a small waterfall. Lush plantings soften the edges of the space, allowing architecture and vegetation to blend into one continuous environment. Humidity, aroma, and sound work together to create a cocoon-like experience.

As visitors move upward to the second floor, the atmosphere changes. The space opens outward and offers a wide view of the Amazon River as it stretches toward the horizon. The architecture recedes to make room for the scale of the landscape. The main body, with a diameter of 17,000 mm and a height of 14,000 mm, supports natural ventilation and introduces a sense of elevation within the forest canopy. The contrast between enclosure and openness creates a clear emotional arc: grounding, expansion, and renewed connection.

Sustainability shapes every design decision. The pavilion uses a biomimetic approach informed by natural growth patterns and the fluid movement of the river. Bamboo construction reduces environmental disruption and reflects local building culture. Passive ventilation works with the natural breezes of the rainforest, while carefully directed natural light reduces reliance on artificial systems. Low-impact assembly techniques help protect the forest floor and the delicate ecosystems surrounding the site. Together, these strategies allow the pavilion to behave like a companion to the landscape, quietly aligning itself with the rhythms of the forest.

The project draws from research on environmental design, indigenous construction knowledge, sensory behavior, and Amazonian ecology. The methodology included a bibliographic study, environmental impact evaluation, and an examination of the social context surrounding Iquitos. The goal was to create an architectural experience that supports ecological understanding and deepens a sense of environmental awareness.

Although the pavilion remains fictional, the design process revealed the challenges of creating architecture for remote natural settings. The limits of bamboo in large spans, the logistics of transporting sustainable materials, and the need for construction methods that respect ecological cycles were key considerations. Crafting an immersive sensory environment within such constraints required careful problem-solving and adaptation.

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This Bamboo Pavilion Turns a Beach Car Park Into a Carbon-Negative Community Hub

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BaleBio, a bamboo pavilion designed by Cave Urban for Bauhaus Earth’s ReBuilt initiative, pioneers a new paradigm of carbon-negative architecture in Bali. Rising gracefully above the sands of Mertasari Beach in Denpasar, the 84-square-meter structure transforms what was once a disused car park into a vibrant communal hub, an open meeting space that merges ecological innovation with social purpose.

In a landscape where coastal development is often driven by tourism and concrete infrastructure, BaleBio offers an alternate vision: a prototype for buildings that store carbon rather than emit it. Drawing inspiration from the Bale Banjar, the traditional Balinese village hall central to community life, the design reinterprets this open and inclusive layout through a contemporary lens of sustainability. It preserves the spirit of collective gathering while integrating the principles of environmental stewardship, positioning itself as both a cultural reinterpretation and a climate-responsive model.

Designer: Cave Urban and Bauhaus Earth

The pavilion’s sweeping barrel-vaulted roof, rising 8.5 meters above the beach, serves as both a visual statement and a functional marvel. Crafted from slender bamboo rafters and clad in pelupuh (flattened bamboo), the canopy promotes natural ventilation and passive cooling. Below this organic form lies a structural frame of laminated petung bamboo, locally sourced, resin-bonded, and compressed to deliver the strength and precision of steel or timber, yet without their heavy carbon cost.

Every element of BaleBio was grown, processed, and assembled within Indonesia, ensuring a circular, local supply chain that minimizes transportation emissions. Traditional joinery techniques blend seamlessly with precision-engineered fittings, while locally sourced volcanic rock, lime plaster, and repurposed terracotta tiles add thermal mass and textural warmth. Together, these materials form a coherent system that fuses bio-based, geo-based, and reused resources into one holistic construction.

A life cycle assessment by Eco Mantra verified BaleBio as carbon-negative from cradle to completion, documenting a 110% reduction in embodied carbon compared to conventional builds. The pavilion saves more than 53 tonnes of CO₂ emissions, the equivalent of planting over 2,400 trees. In measurable terms, its carbon balance stands at –5,907 kilograms of CO₂ equivalent, against a baseline of nearly 60,000 kg, an achievement that moves the project beyond symbolism into empirical proof.

Since its completion, BaleBio has evolved into a gathering space for residents, students, and travelers, reactivating civic participation through design. Its creation involved collaboration with Warmadewa University, local artisans, and community organizations, ensuring it remains grounded in Balinese cultural rhythms even as it experiments with global standards of circular construction.

In 2025, BaleBio’s achievements in material innovation, carbon performance, and social engagement earned it three major honors: the Australian Good Design Award for Social Impact, a commendation from the Built by Nature Prize, and Gold at the German Design Award in the Circular Design and Fair & Exhibition categories.

As part of Bauhaus Earth’s ReBuilt initiative, BaleBio is not merely a pavilion; it is a blueprint for systemic change. It demonstrates that architecture can regenerate rather than deplete, that communities can thrive in structures born of their own landscapes, and that good design in the age of climate urgency must be measured not only by form and function but by its contribution to the planet’s recovery.

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Garden Pavilion For Plant Conservation Is Made Using A Modified Softwood That Is As Good As Hardwood

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Designed by NU Architectuur Atelier, the Green Ark is located in the center of Belgium’s Meise Botanic Garden. The structure is an extremely sustainable visitor pavilion on the grounds of the Bouchout Castle in the Flemish Brabant. It is part of an impressive project that aims to extend 7600 sq m of greenhouses in the heart of the site. It is built from Kebony Clear wood, forming a lattice structure that is truly a wonder to look at. The rather dramatic and sophisticated-looking structure is located dead in the middle of the 92-hectare conservatory.

Designer: NU Architectuur Atelier

The Meise Botanic Garden is supposed to be one of the largest conservatories in the world that looks after endangered plant species. The project which is intended for restoration includes 22 of the Garden’s greenhouses. The greenhouses are focused on different environments and some of the activities on the site include education and conservation. With the Green Ark, the architectural firm has designed a dramatic and impressive pavilion in one of the newly resorted conservatories. It provides visitors with educational experiences, allowing them to learn more about the endangered plants.

The structure features a curved roof of Kebony wood shingles which look like scales! The shingles seem to gently cascade down the curved sides, creating quite an interesting visual. The interior of the pavilion features a wooden structure elevated on a concrete frame and paired up with a glazed ground floor. The glazed floor allows a glimpse into the surrounding glasshouses.

The Kebony wood was an integral part of the pavilion’s structure. The company is being acknowledged for its ‘modified wood’ process, which involves a faster growth rate of softwood and a special technique that merges wood with furan polymers to provide increased solidity and stability. Kebony’s softwood is a sustainable option when it comes to carbon capture and sourcing. The Green Ark is also designed to recycle rainwater through the shingled roof. The remaining portion of the roof serves as a flat structure that offers views into the surrounding greenhouses.

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The Volvo Circle Pavilion uses perforated Tyvek to mimic the feeling of sitting under a tree

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Located in South Korea, the Volvo Circle Pavilion presents a unique approach to outdoor spaces. Built on the principles of komorebi, or the phenomenon where light passes through the gaps in leaves, this pavilion allows people to gather in its shade, while using Tyvek facades with leaf-shaped holes that allow the sun to weave through, mimicking the feeling of basking under a tree!

Designer: Studio Heech

The Volvo Circle Pavilion’s most striking feature lies in its innovative use of materials. The pavilion is enveloped in a paper-thin and light Tyvek covering, a waterproof material with physical properties akin to paper. This Tyvek covering, far from being a mere aesthetic choice, serves as a canvas for intricate patterns. Crafted by cutting the material with precision, these patterns cast three-dimensional shadows reminiscent of dappled sunlight filtering through leaves in a forest—a captivating metaphor for the play of light, or “Komorebi.” (Japanese word for sunlight, which is filtered through the leaves of the trees.)

What sets this Pavilion apart is its commitment to a circular and sustainable material lifecycle. The Tyvek covering, after serving its purpose, is dismantled and repurposed into recycled plastic boards for public furniture. This innovative approach to recycling not only minimizes waste but also breathes new life into materials that would otherwise end up in landfills.

The creation of the Pavilion was a collaborative effort that brought together craftsmen, engineers, and makers from various fields, united by a shared ambition for sustainability. Front INC, renowned for its expertise in crafting minimal and lightweight structures, collaborated with DSLSM, known for its eco-friendly works using Tyvek material. Together, they orchestrated a symphony of sustainable design and material innovation.

A key strategy employed in the construction of the pavilion was prefabrication, where almost all elements were fabricated off-site and then assembled on location. This approach not only streamlined the construction process but also significantly reduced the environmental impact and carbon emissions associated with traditional on-site construction methods. This is an upcoming method of construction as the contemporary methods are the most significant contributors to GHG emissions, accounting for one-third of global carbon emissions, one-third of global resource consumption, and 40% of global energy consumption.

The commitment to sustainability doesn’t end with the pavilion’s construction. The minimal steel structure that supports the pavilion is disassembled and reused, ensuring that every element finds a new purpose. Puzzle benches, crafted from forged and neglected structural wood, are fully recycled and generously donated to elementary schools, daycare centers, and children’s libraries in the Seoul area. This goes beyond mere recycling; it’s a commitment to meaningful reuse that benefits the community. The modular design of these benches facilitates efficient stacking and transportation of larger pieces, contributing to a reduction in carbon emissions. Additionally, their water-resistant features and chamfered edges make them ideal for children.

The Volvo Circle Pavilion in South Korea stands as a beacon of sustainable architecture, showcasing that beauty and environmental responsibility can coexist harmoniously. From its lightweight Tyvek covering to the recycled plastic boards and donated puzzle benches, every element of this pavilion is a testament to a circular and eco-conscious approach to design and construction. As we celebrate the Volvo Circle Pavilion, we are reminded that the future of architecture lies not just in grand designs but in the thoughtful and sustainable use of materials that shape our built environment.

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LIN Architecture Upscales A Pumping Station Into A Panoramic Observatory In The Countryside Of China

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In the heart of Yunnan’s picturesque countryside, just outside Eryuan Botou Village, LIN Architecture has transformed a once-humble pumping station into a breathtaking observatory. The Concrete Pavilion, completed in November 2023, pays homage to its historical roots while embracing a contemporary design that seamlessly integrates with the surrounding natural beauty.

Designers: LIN Architecture and RAC studio

Originally serving as a vital pump house for water and electricity, the structure now stands as a symbol of transformation and resilience. The architects carefully examined the multifaceted roles of the pump house, extracting cultural elements from its surroundings and skillfully weaving them into the architectural fabric. The result is a harmonious dialogue between the pavilion and its natural setting, where sloping roofs, shadow walls, and diverse windows embody vernacular elements that resonate with the region’s heritage.

With a modest building area of 50 square meters on a 100 square meter site, the Concrete Pavilion offers a variety of observation experiences. The external facade serves as a static guide for villagers, evolving in different states as one travels through the landscape. Internally, the space is intentionally divided and centered around a large staircase. Suspended platforms, sloping sidewalls, half-arched ceilings, and low side windows provide distinct perspectives of the landscape, inviting visitors to immerse themselves in the ever-changing surroundings.

The design acknowledges the unpredictable weather of Yunnan, allowing natural elements to play a significant role in the building’s appearance. The choice of materials, including concrete, steel, and wooden planks, was deliberate, considering both functionality and the structure’s interaction with the environment. Thick clouds reflecting on the walls, radiant sunlight illuminating the material, and rain turning the skin of the structure into a canvas for the sky all contribute to the ever-evolving aesthetic of the Concrete Pavilion.

Symbolism played a key role in the synthesis of this architectural masterpiece. The angular design invites visitors to enjoy the surrounding landscapes, while suspended platforms bring them closer to nature. The carefully chosen materials ensure the structure’s resilience, allowing it to evolve with the weather conditions. The narrow skylights and geometrical openings provide captivating views of the sky and the surrounding countryside, making the Concrete Pavilion not only a physical structure but also a window to the region’s rich heritage.

LIN Architecture’s Concrete Pavilion in Yunnan’s countryside is a testament to the transformative power of architecture. By honoring the past while embracing modern design principles, the pumping station turned observatory stands as a symbol of harmony between human ingenuity and the beauty of the natural world. As visitors traverse its spaces, they are not only treated to breathtaking views but also to a profound connection with the heritage and landscape of this enchanting region.

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This Serene Pavilion-Style House Near A Lake Makes For The Perfect Fishing Escape On The Weekends

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When the weekend comes around, most of us want to head out for a weekend getaway, escaping from our hectic city lives, and immersing ourselves in nature. And graphic designer Bart Crosby is no different! He wanted a tranquil and relaxing fishing escape outside of the city on a lake in Northern Wisconsin, and Wheeler Kearns Architects provided him with just that. Dubbed the Clearwater Lake Retreat, this serene modernist home is located in a flat clearing, whilst being surrounded by 2.5 acres of lush woods.

Designer: Wheeler Kearns Architects

The Clearwater Lake Retreat is a pavilion-style house that has been oriented on the site to provide stunning views from both sides. The sides have been built with black-framed windows, which offer access to the surrounding vistas. The entire structure is marked by floor-to-ceiling glass walls, that are flanked by two heavy stone walls, which provide support to the rectangular home. It features a lovely butterfly-shaped roof that almost seems to float above it. The roof extends to shelter the porches, creating covered areas on either side, which serve as excellent chilling spots, while also functioning as a contemporary element of the home.

The interior of the home features an open-plan living space that is great for cooking, relaxation, and entertainment. The home features two private bedrooms and a central volume that accommodates all the important functional spaces as such two bathrooms, a mechanical room, and storage space. The Clearwater Lake Retreat is quite connected to nature, but it is also sustainable. The home is heated via hydronic floor heat, while radiant tubing is carried out within the three-foot thick stone walls. During summer, the surrounding trees provide natural ventilation and shade to the home, keeping the residents cool and cozy.

The home showcases a material palette of neutral colors and earthy textures, which perfectly complements the natural surroundings. On the other hand, the exterior is marked with sleek black metal-framed windows that complement the gray stone walls. The stone walls are also seen within the home, which beautifully match with the concrete floors, creating a cabin that is homely, cozy, and soothing.

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