Wacom MovinkPad Pro 14 Review: The $900 Sketchbook Designers Needed

PROS:


  • Minimalist design streamlined for focused work on the go

  • Paper-like experience when drawing or writing

  • Comes with Wacom Pro Pen 3 in the box

  • Large, bright, color-accurate OLED screen with anti-reflective surface


CONS:


  • Quite a significant investment

  • Uncertain software update roadmap

  • Instant Pen Display Mode is currently offered as a beta feature

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Wacom MovinkPad Pro 14 isn't another Android tablet. It's a sketchbook that happens to run one.
award-icon

For decades, Wacom has held an almost unchallenged grip on the drawing tablet and pen display market. Its products are so trusted that studios and design firms often keep them running for years, sometimes long after they’ve been discontinued. Lately, though, its rivals have been gaining a lot of attention, pushing increasingly attractive prices and expanding into new product categories.

That doesn’t mean Wacom has been idling. The company is finally wading into standalone Android tablet territory with the MovinkPad 11 and the more premium MovinkPad Pro 14, a proper portable drawing machine aimed squarely at working creatives. We’ve been spending time with the larger of the two, along with the new Wacom Art Pen 2, and the question is whether it’s worth every dollar of its price tag.

Designer: Wacom

Aesthetics

Right out of the box, the MovinkPad Pro 14 doesn’t dazzle the way other tablets in its price range tend to. There are no flashy colors, no ultra-thin borders, no polished surfaces. The bezels are noticeably wide, the default wallpaper is a solid, flat light gray, and the whole thing carries a stubbornly plain look that feels almost out of step with the competition.

It’s all very much by design. Wacom’s intent is to mimic the look and feel of a physical sketchbook, the kind artists, designers, and architects carry everywhere. The device comes in one color, light gray, which echoes the tone of most sketchbook paper. Its rectangular form, wide borders included, also closely mirrors the footprint of an A4 pad, binding and all.

The sides of the device carry that same restraint. One long edge holds the power button, volume rocker, and microSD slot, while the opposite edge features connectors for the optional cover accessory. The short edges house the speakers, and the bottom is reserved for branding, regulatory inscriptions, and four rubber feet. There’s nothing extraneous, nothing decorative, and nothing that distracts from the task you’re there to do.

The included Pro Pen 3 follows the same philosophy. It’s all black, slim, and cylindrical, with a body so uniform it almost looks like a high-end mechanical pencil. The three side buttons are barely raised, sitting nearly flush against the barrel for a cleaner look. Unscrewing the rear half reveals three replacement nibs tucked inside: a Carbon Shaft nib, a Felt nib, and a POM nib.

Wacom’s vision for the MovinkPad Pro 14 is to replicate the feeling of picking up a sketchbook, flipping to a fresh page, and getting straight to work. That intent comes through clearly because the tablet removes just about every visual, physical, and digital distraction it can. It doesn’t try to be the slickest-looking device in the room. It tries to be the one you reach for first.

Ergonomics

At 14 inches, the MovinkPad Pro 14 isn’t something you’d hold up one-handed for long, but at just 699 grams and 5.9mm thin, it slips easily into any bag. Resting it on your arm or lap doesn’t feel like a chore either. For creatives who move between locations throughout the day, that combination of size and lightness goes a long way toward making it a genuinely portable tool.

The four rubber feet on the underside keep the tablet from sliding around on a desk and slightly raise the back off the surface, which helps with airflow. There’s no built-in kickstand or angled stand, so if you prefer working at a tilt, you’ll need to source one separately, either from Wacom’s own accessory line or from a third-party option. It’s a small gap in an otherwise thoughtful package.

Those wide bezels, which might seem like a design quirk at first, actually earn their place here. They give you a comfortable inactive area to rest your palm or fingers when gripping the tablet from the sides, so your touch input doesn’t accidentally interfere with whatever you’re drawing. It’s the kind of practical thinking that tends to reveal itself only once you’re deep into a long session.

That said, the MovinkPad Pro 14’s footprint means it isn’t something you’d pull from a bag and start sketching on at a moment’s notice. For that kind of spontaneous work, the smaller MovinkPad 11 is probably the better fit. The Pro 14 is better suited to longer, more involved sessions away from the desk, as long as you’ve found a comfortable spot to settle in.

The Pro Pen 3 is well-balanced and comfortable enough in the hand, though your experience will vary depending on what you’re used to. Its slim, pencil-like build can lead to some cramping over long sessions for those accustomed to thicker tools. Official grips are available but aren’t cheap. The nearly-flushed buttons are also too easy to press accidentally. The Art Pen 2, which we’re also reviewing, offers a wider barrel as an alternative but is sold separately.

Performance

Under the hood, the MovinkPad Pro 14 runs on a Qualcomm Snapdragon 8s Gen 3 with 12GB of RAM and 256GB of storage, expandable via microSD up to 2TB. The processor isn’t the newest available, but it handles everything thrown at it with ease. Multitasking is smooth, app switching is fluid, and there’s no sense that the hardware is struggling to keep pace with anything.

The 14-inch OLED display runs at a 2880×1800 resolution with a 120Hz refresh rate, treated with anti-fingerprint, anti-reflective, and anti-glare textured glass. The wide rectangular aspect ratio works in favor of drawing apps that line their UI panels along the sides, something squarish iPad screens can’t accommodate as cleanly. The textured coating adds a satisfying scratchiness to each stroke, and pen accuracy is, naturally, exactly what you’d expect from Wacom.

There are no cameras on the MovinkPad Pro 14, front or back. That’s a deliberate choice. There’s no temptation to flip over to social media, no accidental video calls, nothing that pulls focus away from what you’re there to do. Passively watching a tutorial in a corner of the screen is about as off-task as it gets, which, honestly, isn’t a bad thing for anyone prone to distraction. Split-screen functionality makes it easy to have a reference off to the side while you work.

The software side is equally stripped down. Android 15 comes installed with zero bloatware and just three Wacom-made apps: Shelf for your gallery, Tips for settings, and Canvas, a quick sketching surface that wakes directly from sleep with a tap of the pen. It’s intentionally bare-bones for capturing fleeting ideas, though a few more brush options would genuinely be welcome. From Canvas, you can instantly send your sketch to an Android app, though it seems to be limited to Clip Studio Paint, iBisPaint, and Autodesk Sketchbook. Hoping it will offer some flexibility in the future.

Speaking of apps, desktop-grade drawing applications like Clip Studio Paint and Krita run without issue. The broader Android ecosystem opens up a decent range of options, though it’s worth remembering that anything exclusive to Windows or Mac won’t be available here. Customizing the pen buttons is also off the table, a limitation of the Android platform rather than any fault of the hardware itself.

The Instant Pen Display Mode is arguably the most intriguing feature here. It converts the tablet into a secondary display for a Windows or Mac computer, via USB or Wi-Fi, turning it into a portable, makeshift Cintiq. It’s part of Wacom Lab, an experimental creator community that lets users explore and provide feedback on new creative possibilities through beta features. As of this writing, the setup process involves quite a number of steps, and pen button support is currently limited to toggling a small side panel for common modifier keys. It definitely shows promise, so hopefully development will be quick.

Battery life is genuinely impressive. The 10,000mAh cell can sustain nearly five days on standby and supports 65W fast charging, though you’ll need to bring your own charger since none is included in the box. The USB-C port is only 2.0, so it doesn’t charge as quickly as the spec might suggest, but an hour or more of active drawing barely makes a dent in the battery.

Sustainability

Wacom doesn’t use recycled or notably sustainable materials in the MovinkPad Pro 14 itself, but the company does meet several other environmental benchmarks worth noting. Its packaging is compact, minimal, entirely plastic-free, and fully recyclable, while the device is built with the kind of durability Wacom products are known for, the sort that keeps them in active use long after most gadgets would have been binned.

That longevity argument holds well for Wacom’s drawing tablets and pen displays, which tend to outlast their useful lives many times over. A standalone Android tablet is a different matter, though. Apps like Clip Studio Paint have already dropped Android 12 support, making regular OS updates critical. Wacom has committed to keeping the MovinkPad Pro 14 current, but no clear update schedule or roadmap has been shared publicly yet.

Value

At $899.95, the MovinkPad Pro 14 isn’t an impulse buy, but it’s a reasonably grounded one. An equivalent iPad would require buying the Apple Pencil separately, while a comparable Samsung Galaxy Tab tends to run noticeably higher. For a tablet built specifically around the drawing experience, with Wacom’s pen technology at its core, the price lands in a range that’s genuinely difficult to argue against.

The large screen and capable hardware make it a compelling option for creatives who frequently work away from their desks. It doesn’t sacrifice quality for the sake of portability. With the right app installed, it functions as a capable mobile workstation wherever you happen to be. And when a PC or Mac app becomes unavoidable, Instant Pen Display Mode is there to bridge the gap.

There are caveats, of course. The beta status of Instant Pen Display Mode means it’s not quite ready to be a daily driver feature. You’ll also need to feel at home with Android’s drawing ecosystem for this workflow to really make sense. And the uncertainty around long-term Android updates is a concern that Wacom will need to address more concretely before most buyers can put it fully to rest.

Verdict

The MovinkPad Pro 14 isn’t Wacom’s first stab at a standalone portable device. Veterans will remember the Windows-based Cintiq Companions and the MobileStudio Pros. But this is by far the most portable and clearly focused version of that idea. It doesn’t try to cram Windows into a pen display. It’s a purpose-built mobile experience that happens to carry a Cintiq-like trick discreetly tucked away.

At the same time, it doesn’t operate like an Android tablet with a Wacom digitizer tacked on, which is essentially what Samsung’s Wacom-enabled slates are. Wacom has built something around a specific, coherent idea: a true digital sketchbook. Some software edges still need ironing out, but for artists and designers craving genuine creative freedom outside the studio, the MovinkPad Pro 14 offers something few tablets in its class can match.

The post Wacom MovinkPad Pro 14 Review: The $900 Sketchbook Designers Needed first appeared on Yanko Design.

Wacom Art Pen 2 Review: A Stylus That Finally Moves Like a Real Brush

PROS:


  • Ergonomic design with raised and angled buttons

  • 360-degree barrel rotation sensitivity

  • Iconic Wacom flared grip design

  • Accessible price point for a pro tool

CONS:


  • Limited compatibility with Wacom drawing tablets

  • No option for custom weight swapping


RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Wacom Art Pen 2 proves that sometimes one feature is all it takes to make a tool feel irreplaceable.

Digital drawing has matured to a point where the pen you use often defines the kind of work you’re capable of. Most tablets ship with a capable stylus included, and pressure sensitivity has become nearly standard. Where real differences emerge is in the finer details: tilt support, button placement, barrel thickness, and the nuanced control that separates a general sketching tool from something more professional.

Wacom knows this territory well, having refined its pen technology across decades of products. The Art Pen 2 is its latest attempt to push that nuance even further, reviving a feature from its predecessor that dedicated artists genuinely missed: 360-degree barrel rotation. It’s an accessory designed not for everyone, but for those who want their digital brushes to behave as closely as possible to the real thing.

Designer: Wacom

Aesthetics

The Art Pen 2 carries Wacom’s iconic flared grip design, widening toward the tip and tapering toward the back. It gives the pen more visual character than a plain cylinder, while the two raised side buttons, set at a slight angle, add a bit of intentional texture to an otherwise clean barrel. The shape looks distinctly professional without being flashy, which suits the kind of serious work it’s built for.

Unscrew the back half, and a small nib compartment is tucked inside, keeping replacement tips within arm’s reach during a session. It’s a detail borrowed from the Pro Pen 3 and one that makes swapping nibs far less disruptive mid-drawing. The pen comes in an all-black finish, which keeps things clean and consistent, and makes the angled buttons stand out just enough to locate them quickly by sight.

Ergonomics

The pen is well-balanced and feels substantial in the hand without being heavy. The wider barrel suits anyone who finds slimmer pens like the Pro Pen 3 a bit uncomfortable during long sessions, though that’s always a personal call. The three raised, angled buttons make accidental presses nearly impossible and are effortless to identify by feel, which matters when your eyes are glued to the canvas.

The flared shape does come with a trade-off. It won’t sit easily in most pen loop accessories or grip covers, and there’s no way to slim it down if the barrel feels too wide. That’s the opposite situation from the Pro Pen 3, where an aftermarket grip can always bulk things up. The Art Pen 2’s shape is fixed, and you work with it or find something else.

Performance

Pressure sensitivity sits at 8,192 levels with full tilt support, putting it on par with the best pens at any price. Accuracy and response are exactly what you’d expect from Wacom, meaning there’s nothing to second-guess. What sets the Art Pen 2 apart, though, is the 360-degree barrel rotation, which picks up precisely how much and in which direction the pen shaft is turned.

For tools like calligraphy brushes or natural-media simulations, barrel rotation is genuinely transformative. It’s worth noting, though, that it’s also a fairly niche feature and not many drawing apps currently support it. Casual users probably won’t miss it at all. Where it resonates most is as an upgrade path for those who owned and relied on the original Art Pen before it was discontinued.

Compatibility is currently limited to a specific set of devices: the Wacom MovinkPad Pro 14, select Cintiq models (DTK168, DTK246, DTH246), and three Intuos Pro variants (PTK470, PTK670, and PTK870). Wacom has said that support for additional Pro Pen 3-enabled devices will be added over time, but for now, buyers should double-check their tablet is on the list before committing.

Sustainability

Like most professional accessories, the Art Pen 2 is plastic and metal, with nothing notably sustainable about the materials themselves. There’s no recycled content or eco-conscious material choice to speak of. Packaging tells a different story, though. It’s minimal, plastic-free, and fully recyclable, which aligns with what Wacom has been doing across its more recent product releases. A small step, but a consistent one.

What does count in the pen’s favor is Wacom’s track record for longevity. The original Art Pen was in production and active support for close to 16 years, an almost unheard-of lifespan for a digital accessory. If the Art Pen 2 follows a similar path, the investment stretches well beyond what most accessories can promise, and that kind of durability is its own quiet form of sustainability.

Value

The barrel rotation feature does limit the Art Pen 2’s broader appeal. Plenty of artists won’t need it, and for those users, there’s still a reasonable case for sticking with the more standard Pro Pen 3. If rotation has never factored into your workflow, the Art Pen 2’s most distinctive selling point simply won’t move the needle for you, and that’s worth being honest about.

That said, there’s a hidden value worth considering. At $99.95, the Art Pen 2 is $30 cheaper than the Pro Pen 3, with nearly identical core performance and barrel rotation on top. For those who prefer a thicker grip, it also sidesteps the added cost of official grip accessories. As a package, it makes considerably more financial sense than it first appears.

Verdict

The Wacom Art Pen 2 is a well-considered accessory for a specific type of creative. It doesn’t try to replace the Pro Pen 3, and it’s clearly not aimed at casual sketchers. What it offers is a combination of pro-level pressure sensitivity, a comfortable and distinctive grip, and a rotation feature that no competing pen at this price comes close to matching.

The limited compatibility list is a real constraint, and Wacom should address it sooner rather than later. But for those drawing on a supported device, particularly the MovinkPad Pro 14, the Art Pen 2 is a genuinely valuable add-on that earns its asking price without much argument. Especially at $99.95, it delivers a kind of brush-like expressiveness through barrel rotation that no standard pen, regardless of price, can replicate.

The post Wacom Art Pen 2 Review: A Stylus That Finally Moves Like a Real Brush first appeared on Yanko Design.

Wacom Art Pen 2 Adds the One Input Every Digital Pen Has Ignored

Digital art tools have gotten remarkably good at reading pressure and tilt, two of the three physical inputs that define how traditional artists handle a pen or brush. What’s remained elusive is the third one. The way a calligrapher twists a brush mid-stroke, or how a flat marker rotates to shift from wide edge to fine tip, hasn’t had a reliable digital equivalent for most current drawing hardware until now.

Wacom’s new Art Pen 2 addresses that directly. It’s the successor to the original Art Pen (KP701E) from 2010, a pen that already had a devoted following specifically for its 360° barrel rotation. The Art Pen 2 brings that same capability into Wacom’s current pen technology, combining rotation sensing with modern pressure and tilt detection in a tool built for serious digital drawing.

Designer: Wacom

Rotating the pen in your hand, a motion letterers and calligraphers rely on instinctively, now translates into the software canvas when used with compatible applications. The Art Pen 2 reads that rotational angle and adjusts brush behavior accordingly, so thickening a stroke or softening an edge becomes a matter of how the pen sits in your grip, not which menu you reached for last.

The technical foundation behind all that expressiveness is solid. The Art Pen 2 runs on Wacom’s battery-free EMR technology, so there’s no charge to manage mid-session. Three pen buttons handle workflow shortcuts, and up to 8,192 levels of pressure sensitivity cover everything from whisper-light gesture lines to heavy, decisive marks. A nib holder built into the barrel stores three spare tips for quick swaps.

Nib choice is also part of the picture. The pen ships with a Carbon Shaft POM (Polyoxymethylene) nib installed, a denser option suited to detailed, controlled work. Two additional types, standard POM Nibs and Felt Nibs, are available separately, each offering a different surface response that can shift the drawing experience considerably. All three nib types are exclusive to the Art Pen 2 and aren’t interchangeable with Pro Pen 3 nibs.

The Art Pen 2 sits alongside the Wacom Pro Pen 3 rather than replacing it. Where the Pro Pen 3 caters to artists who want physical customization, with interchangeable button plates, grips, and balance weights to fine-tune grip feel and center of gravity, the Art Pen 2 is built around expressive, rotation-sensitive drawing first. It’s a deliberately focused tool for a different kind of creative priority.

Compatibility covers a healthy range of current Wacom hardware. The Art Pen 2 works with the Wacom MovinkPad Pro 14, Wacom Intuos Pro (PTK470, PTK670, and PTK870), Wacom Cintiq 16 (DTK168), Wacom Cintiq 24 (DTK246), and Wacom Cintiq 24 touch (DTH246), with support for the Wacom Cintiq Pro lineup (DTH172, DTH227, and DTH271) arriving later this year.

Artists who’ve been using the original Art Pen for its rotation capability and waiting for it to work with current-generation Wacom devices finally have that option. The jump from the older KP701E to the Art Pen 2 also brings the full pressure sensitivity and EMR advances of today’s lineup, giving longtime fans of that rotation-based workflow a genuinely modern upgrade without giving up the expressiveness they’ve relied on.

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The new Apple Pencil Pro is a death-sentence for Wacom

Wacom was once an industry leader in the sketching tablet PC market. However, it’s no match for the deadly combo of the new iPad Pro M4 and the Apple Pencil Pro. Announced at the iPad keynote yesterday, the new Pencil Pro packs features so unique, it makes regular capacitive styluses look like tools from the Stone Age. The new Pencil Pro has a new squeeze gesture to activate quick menus, can track rotation to have objects and brushes rotate in real-time (known as barrel roll), and even has a haptic motor for feedback – while still packing features from previous models like the hover feature, pressure and tilt sensitivity, and low-latency. If all that wasn’t enough, the Pencil Pro even has Find My support, allowing you to locate your stylus if it ever gets lost. The Wacom Pro Pen 3 on the other hand, has buttons.

Styluses have existed for decades at this point, and if you asked anyone ten years back which was the most well-designed stylus and tablet combo for creatives, the answer would invariably be something from Wacom’s lineup. The company had three options back in the day, the budget Wacom Bamboo, the mid-range Wacom Intuos, and the flagship Wacom Cintiq. Apart from the Cintiq, none of the other tablets had screens – they were just massive trackpads that you could only draw on with styluses. The Cintiq was the closest thing to an iPad – it had a screen, allowed multi-touch gestures, and came with controls galore… the only problem was that it didn’t work independently, it needed to be tethered to a desktop or laptop to work. The Cintiq, along with the Intuos and Bamboo, came with a stylus that featured a pressure and tilt-sensitive tip, along with programable buttons that let you undo or redo tasks, and a stylus tip on the back of the pen also that activated the eraser, mimicking how most pencils come with erasers on their reverse tip. The styluses also operated without batteries, allowing for hours of sketching without needing to charge the pen periodically.

The Wacom Cintiq Pro is anywhere between 5-8 times thicker than the 2024 iPad Pro

Cut to yesterday when Apple dropped the iPad Pro M4 and the comparison is incredibly stark. For starters, whenever anyone asks me whether they should buy an iPad or a Wacom, the answer is almost always the former… because when you’re not sketching on the Wacom, it’s useless, but when you’re not sketching on the iPad, it’s still an iPad. The difference seems even greater with the new iPad Pro being Apple’s thinnest device yet at just 5.1mm thick, while the 16-inch Wacom Cintiq is a whopping 25mm thick – 5 times thicker than its competitor. Cut to the larger 22-inch Cintiq and it’s a staggering 40mm thick, or the equivalent of 8 iPad Pros stacked one on top of the other.

However, a hardware comparison between a trillion-dollar electronics giant and Wacom, that’s valued at just half a billion dollars doesn’t seem fair. What does seem fair, however, is to just look at one singular product to see how far Apple’s outpaced its competition – the humble stylus. Wacom played a critical role in perfecting its EMR stylus technology, which was game-changing a decade or so ago. The pens ran without batteries, could sense pressure and tilt with stunning accuracy, and an eraser on the rear, becoming the creative industry’s go-to for digital sketching. When Apple debuted the Pencil, it had the same features except without any buttons. The Pencil 2, on the other hand, got a tap feature that let you swap between brush and eraser, and a unique charging mechanism that allowed you to charge your stylus simply by snapping it to the side of an iPad (it subsequently also got a hover function with newer iPad models). Apple’s newly announced Pencil Pro, which dropped yesterday, however, is an entirely different beast.

The new Pencil Pro has the hover function, lets you squeeze to activate a quick menu, and even supports barrel rolls that allow you to rotate brushes or objects simply by rotating your stylus. In true Apple fashion, it doesn’t have any buttons on it, but you can still tap to alternate between brush and eraser, and you even get a brush preview when your stylus is near the screen, letting you know how your brush is oriented. If all that wasn’t enough, the new Pencil Pro even packs Apple’s Find My feature, letting you locate a lost pencil through your iPad or iPhone.

The Pencil Pro can be squeezed to activate a quick menu

A great stylus on the iPad Pro, which already comes with an industry-leading chip, laptop-grade performance, a brilliant camera setup and LiDAR sensor, and an app store, basically makes the iPad or Wacom question moot. The only true advantage Wacom’s tablets have at this point is that they’re bigger than iPads, starting at 16 inches and maxing out at 27 inches diagonally. They also cost MUCH more than the iPad Pros, with the Cintiq Pro 16″ starting at $1599, and the Cintiq Pro 27″ having an eye-watering $3499 price tag. That’s Vision Pro territory for a sketching tablet.

The haptic motor gives you feedback when you squeeze the Pencil Pro

There still is a market for Wacom products. They’re massive, preferred by the hardcore animation and visual industries, and are platform-agnostic, which means you can easily run Windows or Linux programs on them, which most power users will appreciate over being limited to the iPadOS. But for the most part, the iPad Pro and Pencil Pro are so far ahead of their competition at this point, that they’ve made Wacom’s tablets (an already niche creative-focused gadget) even more niche… almost to the point of obscure.

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Wacom Movink pen display ventures into the world of portable OLED monitors

Inspiration can strike when you least expect it, but there are often places and events that can help get the creative juices flowing. The chatter of a lightly crowded cafe, the pause after attending a convention, or even simply moving from your desk to the couch can sometimes make you want to reach out for a sketchbook or even a digital canvas. The latter is fine if you have a tablet like an iPad, but if you prefer doing your designs on a computer, you’re a bit out of luck. Designers and artists these days need a certain degree of freedom and mobility, and Wacom is attempting to fill that need with a new product that isn’t just a screen you can draw on but also a beautiful computer monitor you can take anywhere you go.

Designer: Wacom

Wacom is like the Apple of the digital creative world, making products that let artists, designers, and engineers bring their ideas to life. Its Cintiq brand, in particular, has been the household name for years when it came to “pen displays” or screens you can draw on with a stylus. These have traditionally been as large as computer monitors, though there are now smaller options within the 13 to 16-inch range. While you can definitely shove the smallest Wacom Cintiq or One 12 inside a bag, their designs clearly shout that they’re really meant to be drawing tools more than anything else.

Wacom Movink’s biggest change might be technical, but it’s a technology that is allowing the brand to move in a slightly different direction from the rest of its pen displays. In a nutshell, it is Wacom’s first-ever OLED pen display, immediately setting itself apart from the LCDs of the rest of its portfolio. This gives it the advantage of being able to display richer and deeper blacks as well as a wider range of colors, which will help designs pop out better and be more color-accurate.

This OLED technology, however, also brings the advantage of making the Movink the thinnest and lightest of Wacom’s pen displays. It also has a sleeker design that looks more in line with portable monitors in the market today. Given that it does perform exactly like a portable OLED touch display, that’s not an inaccurate assessment. It still has thick bezels, but not as wide and egregious as on the Cintiq line. There’s also no rubber “bumper” around the edges, resulting in a simpler and more minimalist appearance.

Aside from the display upgrade, the Wacom Movink is functionally on par with the company’s other products. Where it really shines, however, is the newer and more modern design that makes it not only more portable but also more presentable. It’s not only a design tool made for designers but also one that designers will be proud to pull out of their bag and show off in public, empowering them to work on the go, whenever and wherever their muse calls.

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Forget the iPad Pro… This Windows Tablet with a 13″ 2K screen and a Wacom Stylus is perfect for digital creators

Under most normal circumstances, I wouldn’t be talking smack about the iPad Pro like this… but the LincStudio S1 Tablet offers some distinct advantages over its Apple-based counterpart. It’s bigger, has a 2K touchscreen with multitouch input, also comes with a highly precise Wacom stylus, runs Windows on a 4-core Intel i7 processor, and lets you use a whole slew of desktop-based software and apps to create content. That means you can carry your existing PC workflow onto the LincStudio S1, use AI-based programs with your workflow, and even rely on the 12 customizable shortcut keys on either side to cruise through work. When all’s said and done, 65W charging comes in exceptionally handy, letting you quickly juice your tablet for another round of design iterations… because creativity never takes a holiday, right?

Designers: Xiaohui Li and Bernhard Geisen

Click Here to Buy Now: $895 $1,279 (30% off). Hurry, only a few left!

Can’t use my favorite drawing software on iPad? Try LincStudio!

The perfect hybrid between a tablet and a laptop, the LincStudio S1 was designed keeping artists, 3D modelers, animators, designers, architects, or anyone in the creative profession in mind. Slim enough to fit into most laptop bags and weighing a paltry 1.1 kilograms, the LincStudio S1 comes with its own kickstand that lets you prop it up, giving you the freedom to use it in a variety of angles based on the kind of work you’re doing. A companion Wacom Shinonome stylus gives you precise control over your workflow, whether you’re sketching, reviewing detailed blueprints, or just taking notes, but if you do want to switch to a more traditional laptop-inspired typing experience, a keyboard connector at the bottom lets you snap on any keyboard, turning the LincStudio S1 into a makeshift laptop.

Wacom EMR Shinonome Series Pen

The problem with current tablets is that they get one crucial thing wrong – the operating system. A tablet isn’t supposed to be an enlarged phone, so the fact that it runs a version of a smartphone OS like Android or iPadOS just doesn’t make any sense. Where the LincStudio S1 differs is in recognizing this and giving creators the familiar Windows OS but in the avatar of a touchscreen tablet. The LincStudio S1’s 13-inch screen is perfect for sketching, editing, modeling, post-production, or any creative workflow, with support for multitouch that lets you interact with the Windows interface in a new way.

However, a tablet is only as good as the stylus it comes with, and the LincStudio S1 packs Wacom’s cutting-edge Shinonome EMR stylus. The stylus runs on electromagnetic resonance technology instead of capacitive technology, which gives it a winning combination of precision, responsiveness, and resolution over most standard styluses. Designed to be just as precise as Apple’s own Pencil, the Wacom Shinonome has 10-millisecond instant input (without parallax), comes with 4096 pressure levels, 450PPS resolution, and even has tilt support, making it a game-changer in illustration or sculpting apps.

Meanwhile, the tablet sports dedicated shortcut buttons on its sides, allowing you to assign macros/functions to them that are specific to each program. Sort of like a Wacom tablet, you can use these shortcuts to perform certain tasks, toggle between brushes (in Photoshop), and play with parameters like brush size, opacity, screen brightness, volume, etc. The shortcuts are laid out on both the left and right side, allowing for ambidextrous use along with the stylus.

The LincStudio S1 itself comes with a sizeable 13-inch display boasting a resolution of 2160×1440, a 100% sRGB gamut, 16.7 million colors, and a wide 178° viewing angle. It’s powered by an 11th-gen Intel i7 processor, has 16GB RAM and 512GB storage, and comes running Windows 11 Pro right out of the box. In keeping with the ambidextrous design, the tablet has dual speakers, along with thunderbolt USB-C ports on both the left and right side. There’s also a USB-A port on one side for plugging in wireless peripherals or flash storage, and a 3.5mm jack for good measure, letting you connect speakers or headphones to your S1.

The tablet starts at a heavily discounted $895, which includes the Wacom stylus along with a Windows 11 Pro subscription (and is also significantly larger than most other tablets). In contrast, Microsoft’s Surface Pro 9 has similar specs, but with a whopping $1700 price tag (and the Surface Slip Pen sold separately). Apple’s no different, with a sizeable $1200 price tag for the 256GB 12.9-inch model, but an extra $79 for the pencil, $299 for the Magic Keyboard, and the inability to run desktop programs. The iPad Pro also famously lacks a kickstand, which the LincStudio S1 proudly includes in its design, and while the iPad Pro maxes out at 20W of charging, the LincStudio offers 65W charging capabilities, letting you juice your battery much faster than the competition. Perfect for creatives looking to get more hands-on with their workflows, the LincStudio offers the best of both laptop and tablet worlds.

Click Here to Buy Now: $895 $1,279 (30% off). Hurry, only a few left!

The post Forget the iPad Pro… This Windows Tablet with a 13″ 2K screen and a Wacom Stylus is perfect for digital creators first appeared on Yanko Design.