Tag Archives: Display

LG’s World-First 1Hz Panel Gives the Dell XPS 48% More Battery

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Battery life has been one of the laptop industry’s most persistent design headaches, especially among Windows notebooks. Despite significant gains in chip efficiency, the display consistently ranks among the biggest power consumers in any portable computer. Most laptop screens refresh at a fixed rate regardless of what’s actually on them, which means the panel keeps drawing full power even when you’re sitting completely still, reading a document with nothing on screen changing at all.

LG Display’s new Oxide 1Hz panel is the first mass-produced LCD laptop screen that doesn’t work that way. Rather than holding a fixed rate, it reads what’s on screen and drops to 1 Hz when the content is static, then scales back up to 120 Hz for video or gaming. LG began mass production on March 22, 2026, claiming the first-ever achievement of this at scale.

Designer: LG, Dell

The technology relies on custom circuit algorithms and a new oxide material applied to the panel’s thin-film transistor. That oxide holds an electric charge longer than conventional LCD materials, letting the screen maintain a still image without continuously refreshing it. LG claims the result is up to 48% more use on a single charge versus existing solutions, which is a significant number if it holds up in everyday use.

In practice, this matters most during the parts of a workday you spend the bulk of your time in. Checking emails, reading through documents, and sitting on a static slide during a meeting are all moments where a 60 Hz or 120 Hz screen burns power for no real benefit. The Oxide 1Hz panel handles those scenarios at a fraction of the usual draw without any visible difference.

When you do pull up a video or launch something that demands smooth motion, the panel doesn’t hesitate. It detects the change and jumps back up to 120 Hz automatically. There’s no mode to switch into, no setting to toggle, and no trade-off to manage. It just adjusts based on what’s happening on screen, which is how this kind of feature should work in the first place.

The first laptops to ship with this panel are the Dell XPS 14 and Dell XPS 16 for 2026, both unveiled at CES 2026 in January. The LCD option on both models runs at 1920 x 1200 pixels and 500 nits of brightness. Dell’s OLED option only drops as low as 20 Hz, which means the more affordable LCD configuration actually wins on low-power behavior.

Here’s where it gets interesting from a design standpoint. The display is one of the biggest power consumers in any laptop, so a screen drawing significantly less power during typical use creates real headroom for designers. They can use that headroom to maintain battery size and gain extra runtime, or to trim the battery slightly for a lighter, thinner chassis without giving up the battery life buyers already expect.

Of course, LG is already planning a 1 Hz OLED version of this technology for 2027, which is when things could get more interesting. OLED handles contrast and color in ways LCD can’t match, and pairing that quality with proper low-refresh-rate behavior could push portable laptop design further than it’s been able to go. For now, the Oxide 1Hz LCD is in something you can actually go out and buy.

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XPPen’s 4K Display Fixes the One Thing That Ruins Digital Art: Color

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Finishing a piece of digital artwork only to discover that the colors on your client’s monitor look nothing like what you spent hours calibrating is a particular kind of frustration. It’s not dramatic. It just quietly drains trust in your tools and your process. The XPPen Artist Pro 27 (Gen 2) is a drawing display built around the premise that color accuracy, at a professional level, should be the starting point rather than an expensive add-on you negotiate into a purchase.

At 26.9 inches with a 3840×2160 resolution and a 120Hz refresh rate, the display gives designers, artists, and digital content creators sufficient room to work at a scale that feels genuinely close to physical media. That kind of canvas matters when you’re sketching compositions or reviewing color grading frame-by-frame on an animation timeline, where pixel-level decisions compound quickly, and a cramped workspace turns into a liability.

Designer: XPPen

The color story is where XPPen is making the most aggressive claims. The 10-bit panel covers 99% of Adobe RGB and sRGB, and 97% of Display P3, all with a Delta E of less than 1, independently verified through Calman. For designers working across print, digital, and video deliverables simultaneously, that breadth matters more than any single gamut number. One device that holds accurate across three standards removes a class of color-management guesswork from the workflow entirely.

Getting there does require some setup. Activating the full 10-bit depth means going into display settings manually, and advanced color calibration through the bundled XPPen ColorMaster software requires a Calman colorimeter purchased separately. The hardware is capable; the software is ready. What XPPen doesn’t hand you automatically is the calibrated result itself, so buyers expecting out-of-the-box perfection should factor in that extra step and cost.

The display surface uses a new-gen luminous etched glass panel 0.7 mm thick, which XPPen claims offers 30% more light transmittance than its predecessor while keeping the anti-glare, paper-like texture. That texture is what keeps pen-on-glass from feeling clinical, and the thinner glass reduces the gap between pen tip and cursor, a physical detail that sounds minor until you’ve spent a session fighting it. Brightness is 350 nit, which positions this squarely as a studio tool.

Two styli ship with the unit: the X3 Pro Smart Chip Stylus with a standard silicone grip, and the narrower X3 Pro Slim Stylus, tapered at 26° to keep the tip in view during detailed line work. Both operate at 16,384 pressure levels with 3g activation force and 60-degree tilt sensitivity. A wireless shortcut remote with a 10 × 4 grid of programmable keys and a dial is also included, covering most of what keeps artists reaching for the keyboard mid-session.

The X-Touch multitouch system handles ten simultaneous touch points with native gesture support on Windows and macOS, customizable touch zones, and a floating shortcut menu accessible by gesture or button. Pen-priority mode suppresses accidental inputs while drawing. That last feature is the one that separates a touch-enabled display that genuinely fits a drawing workflow from one that just adds friction to it.

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TCL’s new NXTPAPER 3200-Nit AMOLED Display Feels Like Paper and Won’t Hurt Your Eyes

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While other OEMs are working hard at smoothening software and hardware compatibility or fine-tuning camera array, TCL is quietly working on NXTPAPER display technology, to make sure users don’t have to choose between eye comfort and capability when picking up their next mobile device.

The Chinese corporation has some interesting devices already featuring NXTPAPER display on the market. Whether it’s the TCL NXTPAPER phones or the Note A1 tablet, the idea is simple: A device that has a high-performance display focused on eye-comfort and offers a paper-like reading experience. Now building this tech to the next level, TCL has taken to MWC 2026 to unveil a new NXTPAPER screen based on an AMOLED panel.

Designer: TCL

First launched in the year 2021, TCL’s NXTPAPER display technology has been ahead of the curve as a solution to screen fatigue, which we are becoming accustomed to. The earlier versions of the tech have appeared chiefly on LCD-based mobile devices. But with the introduction of the new, eye-protective experience built on AMOLED, TCL is setting new standards for the mobile industry.

The comfortable, paper-like, full-color display based on an AMOLED panel, according to TCL, is likely to find its way into the first AMOLED NXTPAPER smartphone soon. If the reports are correct, we are looking at a time frame as early as the end of 2026. The display, still in the works, is designed to deliver rich colors and contrast that’s expected from AMOLED displays. Of course, while still maintaining a paper-like, eye-friendly viewing comfort.

According to the information shared with the press, the new AMOLED-based NXTPAPER display can reach peak brightness levels of up to 3200 nits. It boasts a 120Hz refresh rate and supports 100% coverage of the P3 color gamut, which is comparable to some of the flagship phones on the market. Despite the capabilities of everything AMOLED with a layer of comfort, the upgraded display, TCL says, remains easy on the eyes for long reading, viewing, or playing sessions as compared to other smartphones with a plain AMOLED display.

To achieve this comfort and paper-like visual texture, TCL has layered the AMOLED panel with an anti-glare coating and a light-homogenizing film. This helps the display upgrade at three levels. One, the screen can reach 90% circular polarization rate to reduce eye-glare; it can have lowered blue light emissions of 2.9%; and automatically adjust screen brightness and color according to the surrounding lighting conditions.

TCL has already created a concept phone based on the new NXTPAPER paneled AMOLED display, and it’s turning heads at the MWC. The company is hopeful to launch a phone with the technology by the end of the year, and when it does, I am sure I am going to be in the queue to get my hands on it.

 

The post TCL’s new NXTPAPER 3200-Nit AMOLED Display Feels Like Paper and Won’t Hurt Your Eyes first appeared on Yanko Design.

This $219 Screen Runs 6 Months Per Charge and Wants Nothing From You

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Most of the screens that you encounter everyday is always fighting for your attention, always buzzing, glowing, pulsing with red notification badges designed to hijack your focus. The TRMNL X, a 10.3-inch e-ink smart display priced at $219, takes the opposite approach entirely. It just sits there, calm and papery, waiting for you to glance over when you’re ready. And that restraint might be the most radical design choice in consumer tech right now.

TRMNL’s original model was deliberately lo-fi, a smaller 7.5-inch 1-bit screen with no touchscreen and no backlight. It was almost stubbornly analog in spirit. It appealed to developers, minimalists, and those of us tired of all the bright screens. The TRMNL X is the company’s answer to users who loved the philosophy but wanted more screen real estate and polish. And it delivers on both counts without losing what made the original special.

Designer: TRMNL

The display itself is gorgeous in the understated way that only e-ink can be. At 1872 x 1404 resolution with 16 shades of gray, it renders calendars, weather dashboards, news headlines, and artwork with a crispness that feels more like a printed page than a screen. Partial refreshes happen in under 200 milliseconds, which is fast enough that the display doesn’t feel sluggish when cycling through your content. It’s the kind of screen you can stare at for hours without your eyes complaining, which is something no LCD or OLED can honestly claim.

What I find most compelling about the TRMNL X is how much it trusts you. There’s no algorithm deciding what you should see. You configure your own dashboard with plugins pulled from a library of over 850 options, everything from Google Calendar and Reddit feeds to ChatGPT summaries and YouTube subscriber counts. You arrange them in one of eight layout templates, set your refresh interval, and walk away. The device wakes up periodically, pulls a new image from the server, displays it, and goes back to sleep. That’s it. No infinite scroll. No dopamine trap. No dark patterns. Just information you asked for, presented when you want it.

The hardware reflects this same philosophy of quiet confidence. The frame comes in six finishes, from black and white to sage and faux wood, and the front is completely clean with no visible branding. There’s a magnetic USB-C charging connector, a built-in accelerometer for auto-rotation, and a touch gesture bar for quick navigation. Battery life stretches anywhere from two to six months depending on your refresh rate, which means you can genuinely forget it needs power at all. The enclosure is also waterproof and dust-proof, so it can live in a bathroom or a workshop without issue.

But the real personality of the TRMNL X shows in its hacker-friendly DNA. The firmware is fully open source. The case has actual screws, not glue, so you can open it up, swap components, and tinker to your heart’s content. There’s a Qwiic connector for attaching external sensors, and the community on Discord has already built custom integrations for Home Assistant and all sorts of niche projects. In an era when most gadgets are sealed shut and locked down, this level of openness feels almost rebellious.

At $219, the TRMNL X isn’t an impulse buy. But it’s also not competing with tablets or smart home hubs. It occupies a category that barely existed a few years ago: the passive information display. Something you put on your desk or mount on a wall that keeps you informed without pulling you into a screen-time spiral. The fact that it runs for months on a charge and requires almost zero maintenance makes it feel less like a gadget and more like a piece of furniture.

There’s a growing appetite for technology that respects boundaries, that does its job and then gets out of the way. The TRMNL X is a beautifully considered expression of that idea, a screen that proves sometimes the most powerful design choice is simply knowing when to stay quiet.

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This 1080×1080 Round Touchscreen Saves Designers From Faking Circles

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Circular interfaces keep showing up in design. Thermostats, smart speakers, automotive dials, wearable-inspired dashboards, the circle feels friendly and “instrument-like” in a way that rectangles don’t, especially when the goal is a glanceable, ambient piece of hardware rather than something you stare at for hours. The problem is that most prototyping hardware is rectangular, so designers either fake a round interface on a square screen or spend weeks sourcing a custom circular panel.

Waveshare’s 7-inch round touch display tries to remove that bottleneck. It’s a 1080×1080 IPS panel with 10-point capacitive touch, optical bonding, and toughened glass, all in a circular form factor that connects to a host device over HDMI with a separate USB-C cable for touch data. The premise is simple: treat it like a normal monitor and touchscreen, then build whatever circular UI you want on top of it.

Designer: Waveshare

The spec choices that matter for actual design work are mostly about reducing friction. HDMI video input and USB-C touch make the display behave like a standard external monitor to any device that supports it, so you’re not writing drivers or fighting kernel modules before you can see your UI on screen. Waveshare claims driver-free operation on Windows 11 down to Windows 7, plus Raspberry Pi OS with full 10-point touch, and Ubuntu and Kali with single-point, which is more than enough for early-stage prototyping.

Brightness is rated at 800 cd/m², with a 160-degree viewing angle from the IPS panel. For a prototype that’s going on a wall, into a vehicle mock-up, or onto a demo table for a client presentation, that combination means the display stays legible from reasonable distances and off-angle views. The optical bonding also closes the air gap between the glass and the LCD, so it reads more like a laminated consumer screen than a development board display, which makes a quiet difference when you’re showing work to someone who doesn’t build hardware for a living.

The small onboard controller adds a few practical tools: a physical touch rotation button for flipping between portrait and landscape without touching software, and a backlight adjustment that can be controlled via software. There’s also a 3.5mm audio jack and a 4PIN speaker header if you want to add sound to the build. None of these are headline features, but they’re the kind of things that accelerate iteration without requiring extra components or hacks.

Platform support stretches from Raspberry Pi 3 all the way through Pi 5, plus NVIDIA Jetson boards for more compute-intensive builds, and standard Windows PCs for larger installations or kiosk-style demos. That breadth means the same display can serve a lightweight Pi-based smart-home prototype one week and a Jetson-powered vision demo the next.

A circular screen goes beyond novelty into a very different product personality. Having an off-the-shelf option that handles touch, connects over standard cables, and doesn’t require driver work means designers can spend time on the actual interaction and enclosure instead of fighting the hardware stack to get a circle on screen.

The post This 1080×1080 Round Touchscreen Saves Designers From Faking Circles first appeared on Yanko Design.

Samsung Just Made Those Viral 3D Billboards Fit on Any Wall

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Walking through a mall means passing bright rectangles looping 2D video, occasionally interrupted by a viral 3D billboard that makes people stop and film it. Those 3D moments usually feel like one-off stunts with custom hardware and bespoke content, not something you can bolt to a wall like normal signage and manage alongside the rest of your screens without rebuilding your entire workflow from scratch.

Samsung’s Spatial Signage tries to make that volumetric effect practical. The first global product is an 85-inch 4K portrait display that uses a patented 3D Plate behind the LCD to create depth you perceive behind the glass, without glasses or headsets. It is still wall-mounted, but it behaves more like a window where products and scenes sit in real space instead of just flickering on a surface.

Designer: Samsung

Picture a flagship store or museum lobby where a life-size figure or product appears to stand just behind the glass, rotating to show front, back, and side views. The 9:16 portrait format and 4K resolution let brands run 360-degree spins or full-height characters that feel more like installations than ads. Samsung’s Quantum Processor handles upscaling, color mapping, and HDR tweaks so older assets stay sharp, and an anti-glare panel keeps the illusion working under bright retail lighting.

The 85-inch unit is only 52mm thick and weighs 49kg, so it mounts with a Slim Fit Wall Mount like regular signage instead of needing a deep box enclosure. That means it can integrate into compact or design-sensitive locations without construction overhauls. Samsung is launching smaller 32-inch and 55-inch versions later, making it easier to repeat the same 3D language in window displays or feature walls across a retail chain.

Of course, the content side matters as much as the hardware. AI Studio, the new app inside Samsung’s VXT cloud platform, can take static images and automatically turn them into signage-ready video, adjusting shadows, margins, and backgrounds specifically for Spatial Signage. That means brands without dedicated 3D pipelines can still get depth-friendly motion from existing imagery instead of hiring specialized studios for every campaign.

Spatial Signage launches alongside other supersized displays, like a 130-inch Micro RGB signage and a 108-inch The Wall All-in-One that simplifies LED installs, plus Cisco and Logitech partnerships for meeting rooms. The point is that this 3D panel is not a toy but one piece of a lineup meant to cover storefronts, lobbies, and boardrooms with different flavors of immersive screens that plug into the same management stack.

Samsung’s Spatial Signage hints at a future where digital signage is less about flat loops and more about volumetric storytelling that fits into normal walls and workflows. It does not ask passersby to put on glasses or download an app; it just quietly makes content feel like it occupies space. Brands and venues that live or die by how long people stop and stare will see this, pun intended, as the logical next step after everyone got bored with rectangles running the same video on repeat.

The post Samsung Just Made Those Viral 3D Billboards Fit on Any Wall first appeared on Yanko Design.

This $18,000 Holographic Display Needs No Glasses to See 3D Videos

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Do you remember that scene from Minority Report when Tom Cruise’s character was walking around and there were 3D hologram ads being served to him after scanning his eyeballs? You might think we’re decades away from this, but the technology is actually already being developed. Well, we still won’t get that kind of personalized marketing just yet, but the holographic structure of these displays may already be here sooner than we thought.

The Hololuminescent™ Display (HLD) is a revolutionary razor-thin holographic display that transforms standard 2D video content into three-dimensional, spatial experiences. Basically, it can display virtual space from your ordinary videos to make it seem like the people, products, and characters in them are floating in mid-air on the display screen. So those scenes from sci-fi movies with hologram videos in public spaces won’t be sci-fi anymore in the very near future.

Designer: Looking Glass

The HLD has a built-in holographic layer inside the LCD/OLED panels that creates what they call a “holographic volume.” There’s a 16″ model that is perfect for your desktop or counter, and there’s an 86″ model that can be used in retail stores, public installations, and as signage. It has an ultra-slim design, so you can display it anywhere you could put a regular 2D screen. It uses patented technology (with some patents still pending) for both the hardware and software, with worldwide protection.

Unlike some of the VR/AR devices out there, this one doesn’t need any glasses or additional devices. Viewers can experience these 3D holograms with just their naked eyes, making it completely accessible and barrier-free. What’s more, it can transform standard 2D videos into holographic displays, so you don’t need to pay for expensive 3D modeling or complex production pipelines. Of course, there may probably still be some expense involved in optimizing these videos, but it will likely not be as expensive as the usual methods.

There are many uses for this kind of device. For retail stores, it can be used to catch passersby’s attention without blocking sightlines. Imagine walking past a storefront and seeing a gorgeous piece of jewelry or a designer handbag floating in the air, rotating to show every exquisite detail. Point-of-sale displays can also now be more dynamic if you have this holographic display, potentially increasing customer engagement and dwell time.

For collectors, this opens up fascinating possibilities. Imagine showcasing your most prized collectibles, whether it’s limited edition art, rare figurines, or vintage fashion pieces, in holographic format. You could create a digital gallery that brings your collection to life in ways traditional display cases never could. The technology could revolutionize how we preserve and share precious memories too, transforming video messages from loved ones into immersive, lifelike experiences.

This display is also incredibly useful for remote presentations, brand experiences, and entertainment venues. Since it works under normal lighting conditions (no dark rooms required), it’s also perfect for outdoor public spaces like bus shelters, museum installations, and trade show booths.

The 86″ model is currently priced at $18,000 (down from $20,000) and is set to ship in Spring 2026. While that might seem steep for individual consumers right now, early adoption by businesses and institutions will likely drive innovation and eventually make smaller, more affordable versions available for home use.

What’s truly exciting is that we’re witnessing the birth of an entirely new display category. The Hololuminescent™ Display bridges the gap between our current flat-screen world and the immersive future we’ve only seen in movies. As the technology matures and becomes more accessible, we might soon find ourselves surrounded by holographic displays in our daily lives, from shopping malls to our living rooms. The future of visual communication is literally taking shape before our eyes, and it’s more tangible than we ever imagined.

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This 55-Inch Smart Calendar Has Wheels and Runs Your Entire Home

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As I get older, smaller screens and fonts are becoming my enemy as my eyesight is visibly strained. I’m actually scared that someday I would need a humongous screen to do all my work and tasks, or at least something that can enlarge the font to something I can comfortably read. We’ve seen huge screens like the Amazon Echo Show 21 and the Skylight Calendar Max for those who need larger displays, but this new one from Cozyla takes the cake. Or rather, takes the screen.

The Calendar Plus Max is a massive 55-inch 4K touchscreen that serves as a smart home command center, a calendar for your entire household, and even as a smart TV so you can watch together. Cozyla announced this at the ongoing CES 2026 and it’s considered to be the largest smart calendar display on the market right now. I don’t have a household to manage and I don’t have the space, but the idea of having this huge screen in my place seems like a dream.

Designer: Cozyla

This huge display comes with a wheeled stand for portability, so you can bring it around your house wherever you need it. It’s Wi-Fi enabled, so you get seamless connectivity as well. Imagine wheeling it into the kitchen during the morning rush when everyone’s trying to figure out their day, then moving it to the living room for family planning sessions, or even into your bedroom for a movie night. The mobility factor is something most smart displays don’t offer, and it’s honestly a game-changer.

Instead of having different devices to manage your home or various sticky notes if you’re still analog, you can use this display so that everything’s in just one huge place. It has a large touchscreen, so kids, adults, and grandparents can all easily manage it without squinting or fumbling. You also get a sleek, contemporary design that makes it look like premium tech and not just a utility device. At 55 inches, it’s the same size as a standard household TV, which means it commands attention without looking out of place in a modern home.

Since “calendar” is in its name, one of the main features of this device is its CalendarOS Smart System. You can create up to 8 family member profiles, and you can even personalize the color coding for each person. You can sync calendars from various services like Apple, Google, Outlook, and others, so you get one unified view instead of checking multiple apps across different devices. No more “I didn’t see that on my phone” excuses from the family. You can also create a customizable dashboard with widgets, shortcuts, and lists that make sense for your specific household needs.

As your “home mission control” device, you can add meal planning features to prep your weekly menus, create chore charts so everyone knows their responsibilities, manage to-do lists, and keep shopping lists updated in real-time. It centralizes all the tiny organizational tasks that usually get scattered across phones, refrigerator magnets, and forgotten notebook pages. Since the display runs on full Android OS, you can also use it as a smart TV for family movie nights, play YouTube videos as you cook or do chores, play games with the kids, and basically do any other thing that you use Android features and apps for.

It’s a device that can be used for both productivity and entertainment, whatever your family needs at the moment. The 4K resolution means whether you’re viewing your calendar details or watching your favorite show, everything looks crisp and clear. For those of us with aging eyes, being able to see text and images clearly from across the room is an absolute blessing. The Cozyla Calendar Plus Max represents a new category of home technology, one that acknowledges that families need centralized, visible, and accessible information hubs. It’s not trying to be another device you check occasionally; it’s meant to be the family communication center that everyone naturally gravitates toward.

While Cozyla hasn’t announced official pricing for the Max model yet, their smaller calendar displays typically range from around $165 to $400 and up, so expect this premium 55-inch version to be positioned as an investment piece. But for families drowning in scheduling chaos, or for anyone who appreciates having technology that actually simplifies life rather than complicating it, this could be worth every penny.

The post This 55-Inch Smart Calendar Has Wheels and Runs Your Entire Home first appeared on Yanko Design.

Samsung unveils foldable 140-inch TV with extended display bezel around the corners at CES 2026

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Samsung is going big on Micro RGB and Micro LED TVs for the CES 2026 event. They’ve already revealed the enormous 130-inch micro-RGB TV that we’re keenly looking forward to being bettered by other major players. But where is the biggest Micro LED TV going to sway? Samsung looks to have that one covered too, with the 140-inch Micro LED TV that elevates cinematic viewing to another level.

If that’s not enough, the South Korean giant is taking things a notch higher with display innovation that’s unparalleled, at least for now. Just like some of the smartphones with a waterfall design that extends beyond the horizontal plane of the phone, Samsung is bringing a whole new tech to the event. On the sides, the TV’s screen extends beyond the watchable area, extending as a continuation of the screen.

Designer: Samsung

Samsung is calling it the Mirror Bezel, creating a more immersive 3D effect that we’ve not seen before. For instance, the side panels can display the in-game score during live sports, commentary text,  or show the news headlines. The side panels can be turned on independently to show customizable patterns. The possibilities are endless, and Samsung will put the hardware to good use for an extended experience beyond the flat display.

Other than this innovation, they have designed the TV to fold into two for displaying artwork. The display has a hinge system at the center, which should be half the size to 70 inches of display for your artwork. This apparently makes it the world’s first TV that folds in half. This puts it flush against the LG Gallery TV and their own Frame TV. The design makes it well-suited for your living room or even a sizeable bedroom.

The AI in the display is used to analyse the content being displayed and extend the picture, or show other elements depending on the content being viewed. More information is expected to seep in about this exciting display tech at the event. For now, there’s no word on the detailed specifications, availability, or the price.

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This $200 Display Finally Brings Album Art Back to Your Home

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For most musicians and artists, the album artwork of their albums or EPs is serious business. In the days of cassette tapes, CDs, LPs, and other physical forms of media, they also served as part of your space’s display, especially if you’re a collector. But when streaming came along, you could only display these works of musical art on your smartphone or music player. But what if you really love your favorite albums’ cover art and wanted to show them off while listening to them?

That’s the idea behind the Tuneshine Album Art Display, which may become your newest favorite piece of technology. Created by Tobias Butler and lovingly assembled by hand in the USA, this charming little display brings a touch of vintage record store vibes into the streaming age. It basically shows off the album artwork of the song or album that’s currently playing. But if you’re not using it, it can also serve as an image display device.

Designer: Tobias Butler

At its heart, Tuneshine is a 6.3″ x 6.3″ square LED display that’s about 1.57″ thick (or 16cm x 16cm x 4cm if you prefer metric). Don’t let the compact size fool you, as this beauty packs 64 x 64 extra-bright pixels that make your album artwork pop with vibrant colors and impressive clarity. Plus, you have brightness control, so whether you’re setting the mood for a dinner party or jamming out in broad daylight, you can adjust it to perfection.

You can connect it to your music service of choice, including Spotify, Apple Music, Sonos, and last.fm. As long as your albums or playlists live in these services (no idea if YouTube Music will eventually be added), their album covers will be displayed in Tuneshine. You can also use Shazam to display artwork from other sources like vinyl records, CDs, radios, etc., and capture the magic of the art that the artists put effort into. You just need an iOS or Android device and a Wi-Fi connection to do the initial setup.

For those times when you’re not using the device to play music, you can actually customize it to display the image of your choice, whether it’s a favorite photo, a work of art, or a motivational quote. When it comes to the design, the Tuneshine comes in light and dark wood options like Beechwood + Walnut in a solid wood case. You can also get it in a solid anodized aluminum case with five options: Sapphire (a rich blue), Onyx (deep black), Obsidian (dramatic dark tones), Pearl (elegant and light), and Ruby (bold red).

You have to note that Tuneshine doesn’t include an internal or external speaker, so you have to use it alongside an existing speaker or sound system. For collectors, there’s an extra special touch: each Tuneshine unit is assembled, signed, and numbered inside the case by creator Tobias Butler himself, making it a genuine piece of functional art. The wooden versions are fulfilled quickly in 1-2 business days, while the Gems collection takes 1-2 weeks, but the wait is worth it for something this unique.

In our streaming age, we’ve gained incredible convenience but lost some of the tangible magic that came with physical music collections. Remember the ritual of carefully placing a record on the turntable, admiring the cover art before the first note played? Or displaying your favorite albums on your shelf like the treasures they were? Tuneshine bridges that gap beautifully, letting us reclaim that visual connection to our music without sacrificing modern convenience.

Whether you’re a longtime collector missing the days of physical media or simply someone who appreciates beautiful design and wants to celebrate the artistry behind your favorite music, the Tuneshine Album Art Display transforms any space into a personal gallery. It’s not just a gadget; it’s a love letter to album art, a conversation starter, and a daily reminder that music is meant to be experienced with all our senses.

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