Some of the biggest names in Hollywood, literature and music have issued a warning to the artificial intelligence industry. The Washington Post reports that more than 10,500 artists have signed an open protest letter objecting to AI developers’ “unlicensed use” of artists’ work to train their models.
“The unlicensed use of creative works for training generative AI is a major, unjust threat to the livelihoods of the people behind those works, and must not be permitted,” the one sentence letter reads.
The letter has support from some huge names across the film, television, music and publishing industries. Some of the more famous signatures include actors Julianne Moore, Rosario Dawson, Kevin Bacon and F. Murray Abraham, as well as former Saturday Night Live star Kate McKinnon, author James Patterson and Radiohead frontman Thom Yorke.
The unauthorized use of their work to train AI models has been an area of major concern among creatives. The SAG-AFTRA union and Writers Guild of America recently held industry-wide strikes demanding better protections for their work and livelihood against the use of AI in studio projects.
There are also several lawsuits currently in courts accusing some AI developers of using copyrighted content without permission or proper compensation.On Monday, The Wall Street Journal and The New York Postsued Perplexity AI for violating their copyright protections. Music labels like Universal, Warner and Sony sued the makers of the Suno and Uido AI music makers back in June for violating its copyright protections on a “massive scale.”
This article originally appeared on Engadget at https://www.engadget.com/ai/more-than-10500-artists-sign-open-letter-protesting-unlicensed-ai-training-174544491.html?src=rss
It's now harder to know where celebrities are flying to and their carbon emissions, with Meta shutting down Instagram and Threads accounts devoted to tracking private jets, TechCrunch reports. "Given the risk of physical harm to individuals, and in keeping with the independent Oversight Board’s recommendation, we’ve disabled these accounts for violating our privacy policy," Meta told the publication. Deleted accounts include those tracking the flights of Taylor Swift, Bill Gates and, the head of Meta himself, Mark Zuckerberg.
Jack Sweeney, a college student in his early 20s who runs the accounts, confirmed the news on his personal account. It's the latest in a line of pushback he has faced in the past. In Late 2022, Elon Musk suspended Sweeney's @ElonJet account — which tracked Musk's flights — on X (then Twitter). He soon made an account with the handle @ElonJetNextDay to post Musk's flights with a one day delay. Then, one year later, Taylor Swift's lawyers sent Sweeney a cease-and-desist letter stating, "While this may be a game to you, or an avenue that you hope will earn you wealth or fame, it is a life-or-death matter for our Client."
In May, Sweeney's job became a little bit harder, with the Biden administration allowing anyone with a private aircraft to keep their registration data anonymous. However, Sweeney said tips and other research make it still doable.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/meta-bans-private-jet-tracking-accounts-on-instagram-and-threads-140429820.html?src=rss
When Elon Musk introduced Tesla's robotaxi, the Cybercab, earlier this month, he showed a slide during his presentation that probably looked familiar to Blade Runner 2049 fans. It featured the back of a person wearing a trench coat against a desert-like landscape with high-rise buildings in the background. Now, a producer behind the movie is suing him for copyright infringement. According to The New York Times, Alcon Entertainment accused him of using "AI-created images mirroring scenes from Blade Runner 2049, including one featuring a Ryan Gosling look-alike." It said that it previously denied a request by Musk, Tesla and Warner Bros. Discovery to use imagery from the film as part of the Cybercab event. The companies were also named as defendants in the lawsuit.
Alcon called Tesla's use of AI to create images nearly identical to scenes from the movie an "intentionally malicious gambit." It argued that by connecting the product announcement to the movie, the automaker made the event "more attractive to a global audience" and misappropriated "the Blade Runner 2049 brand to help sell Teslas." In its lawsuit, Alcon said that the connection between Musk and its film has a financial impact on the company, even going so far as calling the defendants' actions as a "massive economic theft," because it's currently in talks with other potential automative partners for its upcoming Blade Runner 2099 television series.
"Any prudent brand considering any Tesla partnership has to take Musk's massively amplified, highly politicized, capricious and arbitrary behavior, which sometimes veers into hate speech, into account," it reportedly wrote in its complaint. It said it "adamantly objected" to being associated with Musk or any of his companies, and that Musk was personally aware that it refused his company's request. "He thus personally knew and understood that to incorporate ‘BR2049’ into the event presentation at all would be improper and an unauthorized misappropriation of ‘BR2049’ goodwill," the producer wrote. It's worth noting that Musk mentioned Blade Runner during the event, saying that he loves the franchise, but he doesn't "know if we want that future." Musk is one of the biggest supporters of Republican presidential nominee Donald Trump and is known for making divisive, controversial tweets. He had also been caught retweeting fake news in the past, including a doctored Kamala Harris video.
Alcon called the movie still that Tesla allegedly copied "one of the most iconic images" from Blade Runner 2049. We took the image above from Tesla's live stream, and you can see the still from the film below.
Warner Bros. Picture
This article originally appeared on Engadget at https://www.engadget.com/transportation/blade-runner-2049-producer-sues-elon-musk-for-image-used-in-cybercab-launch-120048345.html?src=rss
The single-player Squadron 42, set in the Star Citizen universe, has been delayed all the way to 2026. This is interesting because the developers said the game was “feature complete” last year. Squadron 42 was first announced in 2014 and has experienced numerous delays throughout the past decade.
The stated reason for the delay is to apply more polish. Cloud Imperium Games (CIG) boss Chris Roberts said at this weekend’s CitizenCon that he’s “confident” the title will make its 2026 release window. To sate eager fans, the developer dropped an hour-long gameplay video that chronicles the opening segments, seen below.
Roberts also told convention-goers that Squadron 42 would feature “30 to 40 hours of gameplay.” He went on to note that there’s still some work left to “bring the quality of the game up to” the level shown in the gameplay video.
Squadron 42 is a first-person action game that features on-foot exploration and combat, ship piloting and more. It has an absolutely stacked voice and mocap cast, many of whom are featured in the above gameplay video. The cast includes Gary Oldman, Henry Cavill, Mark Hamill, Gillian Anderson, Andy Serkis and Sophie Wu, among many others.
There’s also the matter of the parent game Star Citizen. It’s still not ready for a full release, after being a huge Kickstarter success story in 2012. However, the game has an active alpha community and is still racking up impressive crowdfunding numbers. All told, CIG has raised over $729 million for the title in the past 12 years.
This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/star-citizen-spinoff-squadron-42-has-been-delayed-again-until-2026-180946358.html?src=rss
It's been over half a decade since we first heard rumblings of a Section 31 spinoff, and now we finally have a release date. Star Trek: Section 31 will be exclusively available on Paramount+ starting Friday, January 25. The news came during a Star Trek universe panel at Comic Con over the weekend.
The movie stars Michelle Yeoh as Emperor Philippa Georgiou, a role she played in Star Trek: Discovery. She joins a "secret division of Starfleet" that must protect the United Federation of Planets while she faces the "sins of her past." Alongside Yeoh, Star Trek: Section 31 stars actors such as Sam Richardson and Omari Hardwick.
An adaptation focused solely on Section 31 and starring Yeoh has been in the works since 2019. At the time, CBS All Access (now Paramount+) announced it would be a TV show focused on her character, Captain Georgiou. Then, in 2023, the production officially got the green light but, instead, as a movie. The news came just one month after Yeoh won the Best Actress Oscar for her role in Everything Everywhere All At Once (lesson: winning prestigious awards can get things going).
Paramount+ released a teaser for Star Trek: Section 31 in July, which you can watch here.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/star-trek-section-31-will-premiere-on-january-25-123023747.html?src=rss
Sandfall Games just announced the voice cast for its forthcoming turn-based RPG Clair Obscur: Expedition 33, and it’s absolutely stacked. The actors include Andy Serkis and Charlie Cox, as a start. For the uninitiated, Serkis played a weird little guy named Gollum in some unknown movies about a magical ring. He also gave the iconic “one way out” monologue in Andor. Cox is best known for playing a masked vigilante called Daredevil.
The rest of the cast includes seasoned voice actors. There’s Ben Starr, who played a doctor in the TV show Jamestown but is perhaps best known for playing Clive in Final Fantasy XVI. Shala Nyx has plied her trade in plenty of recent games, including Cyberpunk 2077 and Diabolo IV. Other cast members include Jennifer English, who played Shadowheart in Baldur’s Gate 3, and Kirsty Rider.
For the uninitiated, Clair Obscur: Expedition 33 is a JRPG-inspired fantasy epic with turn-based battles and a unique take on Belle Époque-era France. We got to see it in action earlier this year and came away (mostly) impressed. We called the graphics and environments “gorgeous” but the story “clear as mud.” However, it’s tough to nail down the narrative of a fantasy RPG just by watching a demo for a few hours.
In any event, we don’t have that long to wait before the game launches. The developers say it’ll come out in Spring 2025. It’ll be available for PC via Steam, PS5 and Xbox Series X/S. It’s also a day one Game Pass title. If you simply can’t wait until then for a new game in the genre, we heartily recommend checking outMetaphor: ReFantazio.
This article originally appeared on Engadget at https://www.engadget.com/gaming/the-jrpg-inspired-clair-obscur-expedition-33-has-a-stacked-voice-cast-165228134.html?src=rss
The Airwave is basically a tall stand with a camera on top. This camera points downward to track the player’s finger movements on a connected MIDI keyboard. Movements are tracked in real time and beamed to a tablet, which then displays visuals to teach users how to correctly play a song and fix any mistakes they are making. It'll even try to fix bad playing posture.
The Airwave uses machine intelligence and computer vision to track the player’s hands and to offer its advice on where those hands should be placed. There’s some machine learning baked into this system when analyzing live footage to come up with accurate teaching methods.
The affiliated app also integrates with ChatGPT, allowing for natural language queries. For instance, users can ask relevant questions about the song being learned or general-use queries about music theory. Being as how a player’s hands would be occupied when in the midst of a piano tutorial, these questions can be asked by voice instead of by typing into a virtual keyboard. This won’t beat interacting with a real piano tutor, but it’ll likely be easier than hunting for a needle in the YouTube video haystack.
“Basically, 100 percent of your time when you practice, you're going to practice correctly now,” Roli’s CEO, Roland Lamb, told Wired. “So you'll be developing good habits over time.”
The Airwave isn’t just for students. The device is also being marketed as an outlet for experimental music-making. There are five inputs that adjust various parameters via hand movements. This means that players can use one to radically change the sound of the instrument being played.
“With the simple raise of their hands, creators can transform a piano into a full orchestra, just as a conductor would, or morph mellow synth pads into searing leads with a tilt of a wrist,” Roli wrote in a press release.
Now onto the caveats, and there are a few. This is nifty tech, of that there’s no doubt. However, there’s a significant barrier of entry. First of all, the Airwave itself will cost $300 when it releases in February. The device cannot be used on its own. It requires a pre-existing Roli keyboard, like the $1,400 Seaboard Rise 2 or the much cheaper Lumi (now called the Piano M.) Also, to access the teaching tools, users will need to bring in their own tablet. There are apps for both Android and Apple devices, but only newer iPad and Samsung Galaxy Tab models will be supported.
Finally, budding piano players will also have to fork out $15 a month to access the Roli Learn music education subscription service. If money’s no object, this looks like a fairly novel way to learn the piano.
Roli says the Airwave is just the first release in what it’s calling its Music Intelligence (MI) platform. The company writes that the “Roli MI platform will be the foundation of a roadmap of future intelligent products, starting with Airwave.” Preorders for the Airwave are available right now.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/the-roli-airwave-is-a-high-tech-keyboard-teaching-tool-inspired-by-the-theremin-172342147.html?src=rss
Paramount just announced that it's going ahead with a new video game based on Avatar: The Last Airbender, which will be developed by Saber Interactive. For the uninitiated, Saber is behind titles likeSnowrunner and Teardown. It also has plenty of experience making licensed content, as it published Evil Dead: The Game and World War Z: Aftermath, among others.
A new game in the Avatar-verse isn’t that notable on its own. After all, there have been plenty already. Paramount is already crowing about the title, though, calling it a “AAA RPG” and claiming it’ll be the “biggest video game in franchise history.” That’s not exactly a high bar, given the cartoon’s rocky history in gaming. There was that one good Bayonetta-like gamethat featured Avatar Korra, but everything else is pretty much trash.
This upcoming RPG won’t follow Aang or Korra. Players will control “an all-new, never-before-seen Avatar.” The game’s set “thousands of years” before the events of Avatar: The Last Airbender and The Legend of Korra. The story has been “developed in close collaboration with Avatar Studios”, though we don’t know if franchise creators Michael Dante DiMartino and Bryan Konietzko are involved in any way.
This looks to be an action RPG and not a turn-based affair, as a press release suggests “dynamic combat” and a quest to “master all four elements.” However, there’s no release date and no suggestion as to how far along the game is. Paramount says it’ll be available “soon”, but the company hasn't released a trailer or even artwork, so one person’s “soon” is another person’s “probably sometime in 2026.”
In any event, sign me up. I’m a big-time cabbage head, or honorary member of the Aang Gang or whatever fans are called. Saber Interactive has proven itself worthy with other pre-existing IPs, so why not this one? It could work.
The Avatar franchise has been relatively quiet lately, though the live-action Netflix show was renewed for two more seasons to finish up the story. Franchise creators DiMartino and Konietzko are making an animated film that follows an adult Aang and friends, but it’s been awhile since we’ve heard anything about that.
This article originally appeared on Engadget at https://www.engadget.com/gaming/saber-interactive-is-making-a-aaa-rpg-based-on-avatar-the-last-airbender-171655351.html?src=rss
In What We're Listening To, Engadget writers and editors discuss some of the recent music releases we've had on repeat. This installment has everything from jazz standards to The Jesus Lizard.
Lady Gaga - Harlequin
I wasn’t even a minute into Harlequin before I had the realization, Oh, I am going to become so annoying in my love for this. Unfortunately for everyone in my life (and doubly so because I’m singing along), I’ve had it blasting all weekend since the surprise drop on Friday.Gaga is a powerhouse, and as much as I adore her take on pop, I’m always blown away when I hear her do jazz. And Harlequin is brimming with it.
Harlequin is a companion album to a soon-to-be-released movie (Joker: Folie à Deux) and almost entirely comprises cover songs — a combination that might typically put me off. But Gaga’s breezy versions of classics like “World on a String” and “Smile” are almost chilling. Her energy in tracks like “Gonna Build a Mountain” is through the roof. I could have done without “Oh, When the Saints,” but I’m really just nit-picking now. There are only two original songs on the album and they are completely different beasts, each impactful in its own way. “Happy Mistake” is a clear standout, and I’ll be softly weeping to that one for years to come.
Babe Haven - Nuisance
On the exact opposite end of the spectrum, I’ve been really into punk band Babe Haven’s most recent album, Nuisance, lately. It’s 25-ish minutes of queer femme rage and I can't get enough of it. Check it out on Bandcamp.
— Cheyenne MacDonald, Weekend Editor
The Jesus Lizard - Rack
Even laudatory reviews of comeback albums lean on expectations tempered with preemptive apology or pity praise. A comparison to headier days of musical urgency is inevitable; it stings for the same reasons as hearing "you look great for your age." I wish there were some way to take stock of Rack without that baggage, because The Jesus Lizard doesn't merely sound better than a band which took three decades off has any right to, it simply does not sound as though time has passed at all.
Rack broods with baffling inconspicuousness amid their oeuvre. Sure, "What If?" doesn't reach the slash and sprawl of earlier meanderings like "Rodeo in Joliet," but "Lord Godiva" glides on the most Duane Denison of Duane Denison riffs, lightning and crude oil. The manic physicality of David Yow's voice is unaltered — neither more harried after 60+ years of swinging at ghosts, nor attenuated by the effort.
So many bands seemingly frozen in amber reemerge denuded, as though covering themselves. They'd be frantically recapturing their glory days, if they had the energy to do anything frantic anymore. Rack, through sheer ferocity, is instead a band continuing to do exactly what it always has, just as well as it always has, and sounding really fucking cool doing it.
— Avery Ellis, Deputy Editor, Reports
Sabrina Carpenter - Short n' Sweet
There's a part of me that hates keeping up with pop music, and that's the part of me that cringes when I realize the last few albums I've listened to have been the ones by pop princesses Ariana Grande, Billie Eilish, Taylor Swift and more. That's also the part of me that resisted listening to Sabrina Carpenter's latest album for months (and probably the part of me that refused to watch the incredible Schitt's Creek until this year).
I say all that only to explain why I'm so late to appreciate the goodness that is Short n' Sweet. And the non-self-judgy part of me has unabashedly loved Carpenter's new music and been asking all my friends if they've listened to her songs. When I talked to my various friend groups about her, what became clear is how there's something for everyone, regardless of the variety in our tastes.
I'm a fan of R&B, hip hop and basically anything I can dance or sing to. The tracks "bet u wanna," "Taste" and "Feather" have become highly repeated items on my playlist and yes, I did go back into her older discography for some of those titles. However, my current absolute favorite is "Espresso." It's got a catchy hook, clever lyrics and a groovy beat that delicately straddles the line between upbeat and lowkey. I love the wordplay and how, when woven with the rhythm and melody, it initially sounded to me like Carpenter was singing in a different language. And as someone who works in tech and is occasionally a gamer, I especially adored the use of the words "up down left right," "switch" and Nintendo. Truly, rhyming "espresso" with "Nintendo" wasn't something I would have expected to work, but work it did.
But back to the point I was making earlier: Even if that sort of chill dance club vibe isn't your thing, there's plenty in Short n' Sweet that might appeal to you. I wasn't as huge a fan of "Please please please," for example, but I know friends who love it. And while "Bed Chem" and "Good Graces" aren't hitting my feels the same way "Espresso" is, those two are among her highest played songs on Spotify. I'm also starting to warm up to "Juno."
All that is to say, we all have different tastes. Maybe you're more of a Chappell Roan fan. I like some of her latest tracks too, just not as much as I've enjoyed Carpenter's. I also really enjoy the brilliance that is "Die With a Smile" by Bruno Mars and Lady Gaga, which is something I'll be adding to my karaoke duet repertoire, but am already playing less frequently nowadays. If you have a preference for music from the likes of Ariana Grande, NewJeans and Doja Cat, you'll probably have a good time with Sabrina Carpenter. And since I'm so late to the party, you probably have already.
— Cherlynn Low,Deputy Editor, Reviews
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/what-were-listening-to-harlequin-or-lg-65-rack-and-more-003037241.html?src=rss
Update, September 30, 4:30PM ET: YouTube says it has reached a deal with SESAC, and that the affected songs will be returning to the platform soon. A spokesperson sent the following comment: "We're pleased that SESAC reconsidered our offer. We've reached a deal and content will come back up shortly. We appreciate everyone's patience during this time."
The original story, headlined "YouTube blocks songs from artists including Adele and Green Day amid licensing negotiations," follows unedited.
Songs from popular artists have begun to disappear from YouTube as the platform’s deal with the performing rights organization SESAC (Society of European Stage Authors and Composers) approaches its expiration date. As reported by Variety, certain songs by Adele, Green Day, Bob Dylan, R.E.M., Burna Boy and other artists have been blocked in the US, though their entire catalogs aren’t necessarily affected. Videos that have been pulled, like Adele’s “Rolling in the Deep,” now just show a black screen with the message: “This video contains content from SESAC. It is not available in your country.”
In a statement to Engadget, a YouTube spokesperson said the platform has been in talks with SESAC to renew the deal, but “despite our best efforts, we were unable to reach an equitable agreement before its expiration. We take copyright very seriously and as a result, content represented by SESAC is no longer available on YouTube in the US. We are in active conversations with SESAC and are hoping to reach a new deal as soon as possible.” According to a source that spoke to Variety, however, the deal hasn’t even expired yet — it’ll reportedly terminate sometime next week — and the move on YouTube’s part may be a negotiation tactic. SESAC has not yet released a statement.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/youtube/songs-from-adele-and-others-are-returning-to-youtube-as-sesac-agrees-to-a-new-deal-151741508.html?src=rss