This Adaptable Studio Apartment In Japan Is Designed As “One Big Room” For Living & Working

Dubbed the Building Frame of the House, this home in Tokyo is a unique adaptable space for both living and working. It features stepped living areas framed by boardmarked concrete walls. It is designed by IGArchitects to function as “one big room”.

“[The clients] have a vague boundary between their private and work life, they were imagining a house where they can work anywhere and where they can sense the presence of each other wherever in the house,” said founder Masato Igarashi. “With such lifestyle, rather than have small spaces for compact living, the house was designed to have a large volume and scale that makes various interactions between inside and outside space,” he added.

Designer: IGArchitects

The home’s central space is designed to be as open as possible, with the studio organizing the home’s floors as irregularly stepped mezzanine layers. The various floors are connected via a black-metal staircase and a ladder. At the rear of the home, there is a ground-floor kitchen and first-floor bathroom. The bedrooms and the living spaces are located at the front. A massive bookcase is nestled against the southern wall.

The side walls of the home have been left quite blank, with sections of full-height glazing located at the front of the home, which offer a generous amount of natural light. “The floors are divided to make it difficult to see the interior from the outside, which is treated like a wall,” said Igarashi. “The way the space is used overlaps, responding to the residents’ lifestyle,” he continued. “The floors can turn into a seat, table, shelf, ceiling, or bed.”

The boardmarked concrete structures within the home are exposed, which are teamed up with wooden floors and shelving, and metal countertops in the kitchen, creating an interesting contrast. “We selected materials that would develop their own flavor as they age, and we wanted to bring out the texture and strength of the materials and their shades in the space,” said Igarashi. “Since the site is too small to create a garden, the interior and exterior are treated equally, and the materials are unified inside and out.”

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This Undulating Villa With A Green Rooftop On A Japanese Island Is Currently For Sale If Any Millionares Are Looking

Nestled on the stunning Ishigaki Island in Okinawa, this impressive green villa is called the Ishigaki Earth and was designed by architect Sou Fujimoto. It’s been a year since its debut, and startup hospitality brand Not a Hotel has recently put it up for sale. The expansive retreat occupies 9900 square meters and is located along the island’s pretty southwestern coast. It has a unique circular design topped by a lush green roof which eradicates the typical concept of a front and back, instead, it allows the villa to effortlessly merge with the surrounding nature.

Designer: Sou Fujimoto

The villa’s expansive roof is marked with large openings that provide stunning views of the sky, inadvertently masking the lines between the structure and nature. Fujimoto had a specific vision for the project which involved creating a serene connection between the villa and nature. He wanted to harmonize them and make them one. The circular structure and concave design are inspired by the undulations of the rolling hills, in turn, offering the residents unobstructed views, and allowing the island’s pretty greenery to merge with the ocean panoramas.

The relaxing retreat is amped with multiple amenities such as an infinity pool that merges with the sea, spacious living and dining rooms with beautiful views, a fully equipped gym, and an underwater sauna. The pool is a beauty to look at, as the sky and water meet there, building a fusion of the horizons. It is truly the perfect place to unwind and relax! The living area of the home extends towards the outside and is equipped with full-height glazing, allowing the surrounding landscapes to be connected to the home.

The retreat accommodates four bedrooms which can comfortably house up to ten people. Each bedroom in the house has been designed to provide a calming and tranquil experience. The bedroom on the waterside offers serene views of the sea, with a bathroom that allows the residents to catch glimpses of the horizon. The rooftop garden also accommodates a pool for kids to play in, as well as a fireplace to gather around and warm up.

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This inflatable factory for prefab building will reduce project timelines & costs + revolutionize construction

A notable fact about the construction industry is that it’s always been consistent, – consistent with its techniques, technologies, and practices. Consistency can be a good trait to possess in most scenarios, but it doesn’t stand true for this one. In the construction industry, it could be considered a deteriorating one. After all, construction is responsible for 13% of the global economic output but has faced a productivity increase of only 1.0% annually for the past 20 years. But despite these depressing numbers, a revolution has been slowly encroaching on the world of construction, and that is – Prefabrication.

Off-site construction has been proven to reduce cost, time, waste, and risk, and in turn construction professionals are moving towards factory-based construction more and more. After all, according to a survey of over  800 architecture, engineering, and contracting (AEC) pros conducted by the SmartMarket Report from Dodge Data and Analytics – 66% report that prefabrication reduces project schedules, with 35% of them stating reductions of four weeks or more, whereas 65% report a reduction in project budgets, with 41% citing a reduction of 6% or more.  Yes, factory-based construction is revolutionizing the construction industry, but what if we revolutionize the very factories in which we construct prefabricated structures and homes? And, that’s where the construction startup Cuby steps in. 

Designer: Cuby

Now, let’s make it clear, what Cuby is actually offering isn’t the prefab buildings that are constructed in factories, but rather the factories themselves. Backed by the climate tech venture capital fund ‘At One Ventures’, Cuby’s vision is simple – inflatable factories. Inflatable architecture seems to be on a rising curve nowadays. We recently saw New York-based startup Automatic Construction invent a new technique called Inflatable Flexible Factory Formwork (IFFF), which utilizes an air pump and processor to construct homes by pumping concrete into an inflatable balloon-like structure. You could say Cuby’s inflatable factories are similar to it, but not quite. Cuby’s aim is to develop and operate turnkey, transportable factories that look like large pop-up huts!  The factory is basically a massive arched plastic shed, with lines of machines, workstations, and robotics arranged within it. The entire inflatable factory can be packed into 20 shipping containers, transferred to a new site, and assembled in a span of days. The plan is to set up these inflatable factories on or close to the construction site, to create a powerhouse that can produce multiple kits of parts to build multiple types of buildings at a high output capacity. What the Cuby intends to do is pick up what would traditionally be built on a construction site, and instead build it within the factories, allowing the construction process to be streamlined, quick, and efficient. Cuby is also building the tools and machines these factories will require for prefabrication and modular building.

Designed to be transportable and portable, Cuby’s factories will employ lean manufacturing techniques on or near the construction site itself. This innovative methodology will eliminate the risk of human error, reduce project timelines, and completely wipe out the logistical dilemma of shipping building components over vast distances. Cuby claims that the costs will be 30 to 40% less as compared to the conventional construction of a home. The evergrowing issue of the skilled labor shortage we are facing today will be tackled by the Cuby factories as well since they’ve been designed to be operated by relatively unskilled laborers. This basically means, the laborers require a certain level of skill, but they will also be able to operate machinery well above their skill levels. For example – a laborer who would be hitting nails on a conventional construction site can operate a laser cutter in the factory. These are Cuby’s USPs, and what they claim will set them apart from the other factory-based construction startups.

Now how do the inflatable factories actually construct homes? Much like most of the factory-based construction startups in the market, Cuby manufactures building components in the form of a ‘set kit of parts’. The kits include the typical and commonly used building components such as wall panels, and floor slabs. Cuby co-founder Aleks Gampel says that the building elements aren’t really groundbreaking, the kits are what you would usually find on a traditional construction site. But this was intentional on Cuby’s part. It is a commendable effort to streamline production, which in turn will reduce labor and construction costs, as well as project timelines.

Now, what is future plan of action for Cuby’s factories? It’s simple. The startup isn’t planning to compete against any of the construction giants, because that would be a foolish and expensive goal, instead, it will sell its factories to major developers for $5 to 7 million, who will in turn use them for their own big prefabrication projects. It’s a wise POA that will allow the Cuby factories to slowly but surely gain a monopoly in the arena of factory-based construction. The risk is less, the reward is high, and profits are even higher. It’s profitable not only for Cuby, but also for the builders who buy from them, and it will provide end-users with homes that they love, and are delivered excellently to them. Cuby will have its first two factories up and about soon enough. If the factories are a success, we could easily watch them connect together to build streamlined, efficient, dynamic, and precise systems for the construction industry.

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Tencent’s New Headquarter Building looks like an Architectural Vortex of Metal and Glass

With a captivating design that would put most other tech parks to shame, Tencent’s latest headquarters is shaping up rather wonderfully. Located in China’s tech capital of Shenzhen with an opening date of 2028, this architectural marvel from Berlin-based Büro Ole Scheeren models itself on the shape of a vortex with a swirling quartet of intertwined towers that visually embody the dynamism of the company’s growth and the city’s burgeoning tech district.

Designer: Büro Ole Scheeren

The design, in philosophy too, is quite similar to Amazon’s Virginia headquarters which also boasts of a helical shape. Multiple twisting elements create pockets of greenery in between, allowing employees to relax and unwind during work breaks. Büro Ole Scheeren, the architectural firm behind the design, sees it as a symbol of the company’s rapid growth and a testament to the evolving nature of global headquarters. “Its well-structured social ecosystem is a testament to the evolving nature of global headquarters into a complex and interactive ensemble where functionality, sustainability, and community come together,” Ole Scheeren mentions.

Tencent Helix’s design is nothing short of revolutionary. Comprising four towers of varying heights, with the tallest reaching a height of 153 meters (501 feet), the complex is a structural ballet of curves and gradients. Its exteriors, clad with prismatic glazed panels, invite a flood of natural light, enhancing the workspaces within. The towers are thoughtfully arranged around the ‘Vortex Garden’ – a verdant, central area offering an oasis of greenery and fresh air amidst the urban landscape. This garden is not merely decorative; it’s a functional space, integral to the design, fostering a sense of community and well-being among the employees.

The Vortex Incubator stands as the collective heart of the headquarters. It is a dynamic space, seamlessly connecting the four office towers. This space is designed to be more than just a physical connector; it’s a social ecosystem, fostering interaction and collaboration among staff. Housing Tencent’s academy, recreational spaces, a health club, a conference center, and collaborative offices, the Incubator encourages cross-sector communication and teamwork. This area is crafted for interactive use, emphasizing three-dimensional connectivity and large-scale floors, providing an ideal environment for innovation and creativity.

Comprising four towers of varying heights, with the tallest reaching a height of 153 meters (501 feet), the complex is a structural ballet of curves and gradients. Its exteriors, adorned with prismatic glazed panels, invite a flood of natural light, enhancing the workspaces within. The towers are thoughtfully arranged around the ‘Vortex Garden’ – a verdant, central area offering an oasis of greenery and fresh air amidst the urban landscape. This garden acts as a functional space too, fostering a sense of community and well-being among the employees.

Founded in 1998, the Chinese conglomerate Tencent has grown to become one of the highest-grossing multimedia companies in the world, primarily due to the smashing success of its ‘everything’ chatting app WeChat. The headquarters, slated to open in 2028, will serve as a working space for the company’s 23,000 employees in the region.

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Floating Home In Ecuador Is Designed To Preserve The Community Of A Centuries-Old Floating Village

Dubbed La Balsanera, this floating house is nestled along the Babahoyo River in Ecuador. Designed by architecture studio Natura Futura Arquitectura and architect Juan Carlos Bamba, this home is located inside a centuries-old floating village that suffers from the risk of disappearing for good! La Balsanera is an effort to preserve the community and to serve as a prime specimen of sustainable redevelopment.

Designer: Natura Futura Arquitectura and Juan Carlos Bamba

The river is closed presently as a commercial fluvial route, and hence the number of floating structures has gone down from two hundred to twenty-five. La Balsanera was designed in an effort to bring back “the tradition of living on the river” according to the architects. The home occupies 70 square meters and is built for a family of three. The family sells food to the community and repairs wooden boats, signifying the socio-economic utility of the river.

La Balsanera features a two-meter-wide extension to a platform that function as terraces for the family to utilize as “productive environments” – for example, a cafe seating area, anchor point, or tourist boat. “La Balsanera explores possible floating solutions that recover local artisan techniques while promoting the active and productive participation of the occupants in vulnerable communities,” said Bamba.

The floating home is constructed from wooden porticos that are built every two meters to build a gabled truss structure. This structure is topped by a corrugated roof that provides shelter to the outdoor terraces, as well as a colorful hammock. The home includes a central space that accommodates a shared living room, kitchen, and dining area, as well as two bedrooms. Two external strips at either end of the space provide a shower, toilet, laundry space, and boat workshop. The space is also equipped with “chazas” which are slatted openings that have been made from recycled wood. These “chazas” help ventilate the space and maintain a cool environment indoors. A bridge functions as an efficient walkway between the mainland and the floating home. It is made using bamboo and various planks of wood. Shutter doors have been incorporated throughout the space, connecting the living spaces to the terraces.

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The Sakura Tiny House With An Ingenious Transforming Interior Is A Game Changer In The Architecture World

Dubbed the Sakura Tiny home, and designed by Canada-based Acorn Tiny Homes, this quaint little house is designed to be a game-changer as compared to typical homes. It breaks the norm of traditional tiny homes, and although it doesn’t feature wheels, it is equipped with an innovative space-saving interior consisting of a transforming kitchen and bedroom. In an era, where tiny homes are the most popular housing style out there, the Sakura tiny home takes this genre to a whole new and interesting level.

Designer: Acorn Tiny Homes 

The Sakura tiny home is inspired by popular Japanese design trends. Sakura means cherry blossom in Japanese, showcasing an overall Japanese influence on the structure. The roof is built from metal, and the siding is available in varied finishes such as wood, metal, and faux stone. The home will occupy 21.5 x 10.5 ft, and it isn’t as large as North American tiny homes and is quite similar to European models. The interior has a floorspace of 225 square feet and can accommodate two people, as well as a pair of guests, although it may be a tight fit.

The layout and interior of this home are quite unlike other homes. As you enter the home, you are welcomed by a flexible multipurpose space that occupies a lot of the floor space. This main living space transforms into a bedroom, when you slide out the double bed from underneath the nearby living room floor. The cabinetry conceals a fully functional kitchen, and it consists of an induction stove, microwave, oven, fridge/freezer, dishwasher, and a washer/dryer/. The kitchen also features a pull-out kitchen counter that provides some extra prep space.

This multipurpose kitchen/entrance/bedroom is connected to other rooms in the house. One room is the bathroom, which will hold a wet room, shower, skylight, and a novel toilet with an integrated sink that is supplied by greywater. The other room is the living room, which will be elevated to make space for the sliding bed, and will include a pull-out desk area, sofa bed, and a massive entertainment center.

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This Lexus Showroom in Melbourne has over 1,000 native Australian plants on its facade

Unveiled at the Melbourne Cup Carnival at the Flemington Racecourse in Australia, this new Lexus showroom/pavilion takes ‘Green Design’ to new heights! Designed by Koichi Takada Architects, the three-floor modular structure is quite literally a living entity, adorned with over 1,000 native Australian plants and flowers on its façade, creating a breathtaking visual dialogue with the Australian landscape. Dubbed “LANDMARK by Lexus”, the pavilion is the result of an ongoing partnership with Victoria Racing Club, with this year’s theme being ‘Close to the Source’. The beauty of the pavilion lies in its modular, repurposable design that will alter from year to year as the themes change. While the building highlights Australian flora this year, its sustainably-built structure can entirely be disassembled and rearranged for next year’s theme, allowing the building to pretty much metamorphose each year with minimal impact.

Designer: Koichi Takada Architects

Koichi Takada, the visionary behind this project, views his architecture as a “living billboard,” a medium to demonstrate the potential of integrating nature into our built environments. His approach is a reminder of the joy and importance of reconnecting with nature, especially in urban settings. In his words, the pavilion is an opportunity to showcase what can be achieved when we blend architecture with the natural world, emphasizing the emotional and psychological benefits of this union.

Guests are encouraged to engage with the plantings that adorn its façade, which include edible native flora like native pepper, saltbush, and lemon myrtle. This interactive element is designed to stimulate the senses, inviting guests to touch, smell, and taste the vegetation, a feature that brilliantly encapsulates the essence of Australian bush tucker.

The design of the pavilion is a marvel of modern engineering, with a focus on sustainability and adaptability. Its modular nature allows for easy assembly, disassembly, and reuse, catering to a future where environmental consciousness is paramount. The integration of prefabricated awnings, which interlock with the modular framework, introduces natural curves that beautifully contrast with the gridded, man-made structure. These curves not only add an aesthetic softness but also play a crucial role in supporting the lush greenery that envelops the building.

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The Raven Is A Sleek All-Black Tiny Home That Supports a Full Off-Grid Flexible Lifestyle

The Raven is a striking and impressive tiny home designed by Canada’s Rewild Homes. It features an eye-catching all-black finish while boasting off-grid flexibility amped with a solar panel and a generator setup. The interiors of the Raven are beautifully designed, flaunting a U-shaped kitchen, and a cozy loft-based home library. It measures 30 feet in length and is supported by a triple-axle trailer with a sleek metallic finish.

Designer: Rewild Homes

As you enter the tiny home, you are welcomed by the living room, which has a generous amount of space for a sofa, storage cabinet, and some shelving. The home is powered by Philips Hue’s smart lighting, which illuminates the space quite effectively. Adjacent to the living is a U-shaped kitchen which is planned around a central oven with a four-burner propane-powered stove. The kitchen contains a breakfast bar with stool seating, a fridge/freezer, and a sink, as well as a generous amount of cabinetry.

The other end of the home features the bathroom, which is quite large and spacious for a tiny home. The bathroom includes a composting toilet, shower, and sink. There is a washer/dryer as well as some cabinetry in there. The walls have been finished in a lovely Shou Sugi Ban-treated wood, which is the Japanese technique of charring wood to preserve it.

The Raven tiny home is equipped with two lofts, the master bedroom is located in one, and it can be accessed via a storage-integrated staircase. This kind of space is quite commonly seen in tiny homes, and are usually outfitted with a low ceiling, and space for a double bed. The second loft also features a low ceiling, and it can be utilized as a home library. You can access this space via a sliding ladder that can be stowed to one side.

The tiny home is powered via an EcoFlow solar panel array and a battery setup that were added by the owners. These are also accompanied by a dual-fuel generator by EcoFlow, which runs using propane or gasoline, allowing the lights to always be on irrespective of the weather.

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Unique Wooden Retail Store On A Japanese Island Is Clad In Zinc Panels

The Japanese architectural studio VUILD recently finished Shodoshima the Gate Lounge, which is intended to be a unique and innovative wooden retail store located on the Shodoshima Island in western Japan. The retail store is designed with the objective to challenge the conventional and typical designer-client relationship, and to create a retail experience that is unlike any other.

Designer: VUILD

The client for the project is involved in olive cultivation and their requirement was for a physical space that supports direct sales and allows them to interact and engage with customers. One of the major challenges faced by the architectural studio was that they needed to create a wooden structure on an island that didn’t have the appropriate drying and processing facilities. They also had to propose the conversion of a plastic greenhouse into a drying machine and needed to use a small CNC processing machine. These steps took some effort to meet fruition. The client was also involved in material procurement and construction, which minimized the carbon footprint within a 5.5 km radius.

The architectural team at VUILD and the contractor partnered up to advise the client on which stones and wood to source for the foundation and also provided guidance in the intricate and meticulous process of peeling, milling, and painting the wood. The entire structure is quite carefully placed around a 1000-year-old olive tree and is covered in a bent zinc panel cladding, with three varied layers of slits for lighting and ventilation. A sustainability engineer also created a three-way spreading form which was inspired by simulations. This form was created to encourage airflow. Precisely and intricately CNC-cut elements were utilized for the accurate assembly of the building and the walls, hence making room for environmental consciousness while using digital fabrication technology.

The interiors of the retail store are quite open and spacious. They are defined by large arch windows which provide access to stunning views of the ocean. The frame artfully exposes the structural beams which have been constructed from local wood, creating an interior that is raw yet sophisticated, with a character and persona of its own.

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This Colorful Kindergarten gives young children the feeling of being inside a Kaleidoscope

If you were driving through the small provincial town of Tianshui, China, you wouldn’t be wrong to stop dead in your tracks as you passed the Tianshui Kindergarten, a school designed to capture and captivate the fancy and whimsy of its young occupants. Designed by SAKO Architects, the kindergarten stands out with its incredible kaleidoscope-inspired design that looks just as impressive on the inside as it does from the outside, boasting an impressive 438 pieces of colored glass that are sure to have children wanting to spend more time in school than ever before!

Designer: SAKO Architects

The kindergarten’s design philosophy revolves around stimulating children’s imagination and creativity. During the day, sunlight filters through the colored glass, casting a vibrant tapestry of lights and shadows across classrooms, invoking a sense of play and discovery. At night, the scene transforms as the building’s interior lights emit a beautiful glow, creating a stunning visual spectacle from the outside.

A central feature of the design is the three-story open atrium, crowned with a massive glass ceiling. This space is multifunctional, suitable for activities throughout the year, thanks to its floor heating and air conditioning systems. Moreover, windows around the atrium can be opened for ventilation during summer or closed to retain heat in the colder months​​​.

The heart of the building is its atrium, where sunlight, refracted by colored glass, dances across the interior, creating an ever-changing kaleidoscopic effect. The glass, applied to handrails and windows, forms colored shadows in various shapes that morph throughout the day as the sun’s angle changes. This dynamic interplay of light and color makes the space an engaging and stimulating environment for the young minds it nurtures​​​​.

Architecturally, the kindergarten pays homage to the local heritage. The use of arched openings throughout the building draws inspiration from the traditional cave-like dwellings of the Loess Plateau, on which Tianshui City is situated. These arched windows, varying in size and scattered across the building, give it a whimsical appearance, reminiscent of a birthday cake​​​.

The Tianshui Kindergarten’s architecture focuses on sustainability too, with the strategic use of natural light significantly reducing the reliance on artificial illumination. Additionally, the building’s design includes adaptive features like windows that can be opened for ventilation in summer or sealed to conserve heat in winter, demonstrating a keen awareness of the local climate. This thoughtful integration of sustainable practices ensures that the kindergarten’s architecture is a broader lesson for its occupants too, allowing them to appreciate how sustainability is seen less as a compromise and more as a wonderful design direction!

Lastly, the rooftop playground offers a safe and enjoyable space for children, providing panoramic views of Tianshui City. This feature ensures that as the children grow, they will carry with them memories of a unique and inspiring learning environment, fostering a deep sense of pride in their hometown.

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