Backcountry’s Scandi Inn Makes 270 Sq Ft Feel Generous

The tiny house movement has had its share of aesthetic whiplash over the years. One week it’s shiplap and barn doors, the next it’s industrial pipe fixtures and Edison bulbs. So when something comes along that actually commits to a visual language and carries it through consistently, it’s worth paying attention. The Scandi Inn by Backcountry Tiny Homes is one of those rare builds that knows exactly what it is.

At 270 square feet and 24 feet long, the Scandi Inn sits on a triple-axle trailer and borrows its design sensibility from Scandinavian interiors. Cedar tongue-and-groove siding on the exterior, paired with metal cladding, gives it that understated cabin quality that reads more European alpine than American backwoods. It doesn’t shout for attention, which is a deliberate choice, and the right one.

Designer: Backcountry Tiny Homes

Step inside, and the interior is finished entirely in tongue-and-groove pine. The effect is warm without being heavy, which is genuinely hard to pull off in a small space. Nordic design has always understood the relationship between wood and light, using natural materials to compensate for limited square footage and often-limited daylight. In the Scandi Inn, that same logic applies, and it translates surprisingly well to a 270-square-foot box on wheels. The overall atmosphere lands somewhere between a mountain cabin and a well-curated hotel room, which is a balance most interior designers wouldn’t attempt at full scale, let alone this one.

The layout makes serious use of every inch. The kitchen includes a breakfast bar that seats two, alongside a dining area, a living room, and a tiled shower bathroom. A loft bedroom sits above the main floor, and a reading nook tucks into the plan somewhere in between, which is the kind of detail that separates a thoughtful design from a merely functional one. A reading nook isn’t about space efficiency. It’s about acknowledging that people need places to exist quietly, even in small homes. Especially in small homes.

The Scandi Inn sleeps up to three people, which is ambitious for 270 square feet but not unrealistic. The loft configuration handles sleeping without eating into the main living space, a solution that tiny house designers have relied on for years. What makes it work here is that the loft doesn’t feel like an afterthought squeezed in at the last minute. It feels planned, proportional, and consistent with the rest of the interior.

Backcountry Tiny Homes has built a reputation for custom builds that take their design cues seriously, and the Scandi Inn reflects a clear maturity in that thinking. Earlier tiny house builds, from this maker and others, often suffered from the same problem: too many styles competing for attention in a space that couldn’t support the noise. The Scandi Inn has none of that. The palette is restrained, the material choices are cohesive, and the proportions feel considered rather than accidental.

The turnkey price lands at $77,800, which in the current housing market feels almost quaint. That’s not a dismissal of the cost. It’s a significant sum. But context matters. The average home price in the US continues to climb past the reach of a growing number of people, and builds like the Scandi Inn represent a legitimate alternative for those rethinking what homeownership can look like. It’s not a compromise so much as a reorientation of priorities.

The tiny house conversation used to center on sacrifice, on what you give up, what you do without, how you make peace with less. The Scandi Inn frames it differently. The quality of the materials, the cohesion of the design, and the genuine livability of the layout suggest that the goal was never to shrink a house. It was to build something intentional from the start. That distinction matters more than it might seem. Most spaces, regardless of size, feel the way they do because of decisions made about materials, light, layout, and proportion. The Scandi Inn makes good decisions throughout. At 270 square feet, that’s all it needs to do.

The post Backcountry’s Scandi Inn Makes 270 Sq Ft Feel Generous first appeared on Yanko Design.

Artemis II commander shares a remarkable video of Earth vanishing behind the Moon

We’ve seen some astonishing photos of an Earthset — the Earth setting behind the Moon — from the Artemis II crew’s history-making trip around our planet’s closest neighbor. Now, Reid Wiseman, the mission’s commander, has shared a remarkable video of that same phenomenon.

While mission specialist Christina Koch was using a Nikon camera to snap stunning still images of the Earthset, Wiseman used an iPhone 17 Pro Max to film the moment. “I could barely see the Moon through the docking hatch window but the iPhone was the perfect size to catch the view… This is uncropped, uncut with 8x zoom which is quite comparable to the view of the human eye,” he wrote on X.

This was the first time that human eyes had witnessed an Earthset in 54 years since the Apollo 17 mission. The Artemis II crew flew more than 5,000 miles beyond the Moon as they travelled more than a quarter of a million miles away from Earth — the furthest any humans have ever been from terra firma.

I, like many people, overuse the word “awesome.” It should only really be used when something actually inspires awe. This video absolutely meets that mark. It’s genuinely awesome.

This article originally appeared on Engadget at https://www.engadget.com/science/space/artemis-ii-commander-shares-a-remarkable-video-of-earth-vanishing-behind-the-moon-152036403.html?src=rss

Apple could be fined up to $38 billion by Indian antitrust regulator

Apple's refusal to provide financial data to an Indian regulatory agency as part of an antitrust case will culminate in a final hearing on May 21, as first reported by Reuters. According to the Competition Commission of India (CCI), Apple still hasn't submitted information about its financials and its views on an antitrust investigation that started in October 2024.

The case revolves around the CCI accusing Apple of exploiting its dominant position with the App Store, arguing that developers are forced to use Apple's proprietary system for in-app purchases. Apple countered that Android was the more dominant smartphone operating system in India and that iPhones held a smaller market share in India. However, Apple has slowly been gaining momentum with its share of the Indian smartphone market, hitting nine percent in 2025, according to data from Counterpoint Research.

Reuters reported that the latest CCI order said that Apple had plenty of opportunities to file objections or suggestions, but added that the company still hadn't submitted the "requisite financial information," which is used to determine the amount of a potential penalty. Apple argued that the penalties could be up to $38 billion and responded to the order by citing a separate case where the tech giant challenged the country's antitrust penalty law.

It's not the first time Apple has butted heads with the Indian government, as it previously refused to pre-install a state-owned app called Sanchar Saathi onto its smartphones. The Indian government later decided to withdraw its mandate requiring smartphone makers to install the app, but it's much less willing to budge on this antitrust case. According to Reuters, the CCI offered Apple two more weeks to file any responses before the final hearing date next month.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/apple-could-be-fined-up-to-38-billion-by-indian-antitrust-regulator-150821172.html?src=rss

The Mandalorian and Grogu director used Apple Vision Pro to preview the film in IMAX

Director Jon Favreau (Iron Man, The Jungle Book) hasn't been shy about embracing new technology for filmmaking. While producing The Mandalorian for Disney+, he was one of the first filmmakers to use ILM's massive LED screens, AKA "The Volume," to produce more realistic lighting and backgrounds on studio sets. For the feature film The Mandalorian and Grogu, which hits theaters May 22, Favreau recently revealed that he had Disney build an Apple Vision Pro app to preview its full IMAX scope during filming.

"So I'm making an IMAX movie, and I'm looking at a TV screen, and no matter how big your TV screen is it's not an IMAX screen," Favreau said in a recent episode of The Town podcast. "We built software so that I can pop on my Apple Vision Pro and be sitting in an IMAX movie theater and see the full aspect ratio when we're lining a shot up. And I can watch that take and see what people will see."

Favreau isn't the first director to use the Apple Vision Pro — Wicked filmmaker Jon Chu also used it to handle post-production work — but he's the first to specifically mention using the headset for IMAX production. That's still a relatively limited use case for the Apple Vision Pro, but it's one that could be useful to future filmmakers. With its large field of view and sharp micro-OLED screens, the Apple Vision Pro is one of the only ways to replicate the experience of watching a large IMAX screen at home. (The Meta Quest 3 comes in as a close second.)

In general, Favreau says he's more excited about using existing consumer technology in the filmmaking process than AI. He mentions using the Unreal Engine to previsualize special effects on The Mandalorian and his previous films, and he believes the quality from game engines could be good enough to make it into final productions down the line.

"This is what the animation industry has understood from the beginning," he said. "Get it right before you ever paint a cel."

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-mandalorian-and-grogu-director-used-apple-vision-pro-to-preview-the-film-in-imax-140331311.html?src=rss

Samsung Galaxy Z TriFold 2 Specs Leak: Snapdragon 8 Elite Gen 2 and a 10-Inch OLED Beast

Samsung Galaxy Z TriFold 2 Specs Leak: Snapdragon 8 Elite Gen 2 and a 10-Inch OLED Beast Chart summarizing the first Galaxy Z TriFold weight at 309 g and expected reductions in the next model.

Samsung is reportedly advancing its efforts in the foldable smartphone market with the development of the Galaxy Z TriFold 2. This second-generation device seeks to refine the bold yet imperfect design of its predecessor. The original Galaxy Z TriFold introduced a unique triple-folding mechanism that captured attention but fell short in areas such as bulkiness, […]

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A Designer Just Fixed Foundation’s Biggest Waste Problem

Most sustainable beauty products come with a visual apology. You know the look: matte recycled paper, utilitarian shapes, a general aesthetic that signals good intentions while quietly penalizing you for having taste. Designer Sanya Jain’s unsolicited concept for a Tata Harper foundation system refuses that trade-off entirely, and the result is one of those rare design exercises that feels more polished than half the things sitting on Sephora shelves right now.

Tata Harper, for anyone who hasn’t fallen into that particular rabbit hole, is the brand that built its entire identity on the idea that luxury and purity don’t have to be in conflict. Founded in 2010 and formulated on an organic farm in Vermont, the brand made its name in skincare with 100% natural, high-performance formulas free of synthetic chemicals, toxins, and fillers. It’s a rigorous philosophy, and one that its existing packaging already respects to a degree. But the color cosmetics side of things has always felt like an unfilled gap. Jain spotted that gap independently, and used it as the brief for something worth paying attention to.

Designer: Sanya Jain

The concept, which she calls PureDose Foundation, centers on a refillable, modular system. The product lives inside a Viomer pod, a material valued for being lightweight, durable, and designed for circular reuse. That pod slots cleanly into a polished, gold-toned dispenser that looks less like something from a drugstore and more like a small piece of modernist sculpture you’d display on purpose. Press the top button once, and the foundation dispenses in a controlled drop directly onto a detachable metal slate positioned at the base. You load your brush from there and go. No squeezing, no guesswork, no wasted product sitting in the cap.

That last part matters more than it sounds. Foundation is one of the more quietly wasteful categories in makeup. Products get dispensed in excess, oxidize before you can blend them, or sit in bottles that are technically not empty but practically impossible to finish. The PureDose concept sidesteps most of that friction by making the application point clean, controlled, and hygienic. The metal slate rinses under the tap. The pod refills. The dispenser stays on your vanity indefinitely. It’s a smarter loop, and the fact that it manages to look this refined while doing it is not accidental.

Jain pulled from biomimicry and clean geometry throughout the design. The rounded, organic silhouettes of both the pod and the dispenser echo the natural world that Tata Harper draws from as a brand, and that kind of visual consistency is harder to achieve than it appears. The colorway options, gold, rose gold, silver, and matte black, give the system range without diluting the identity. And the unboxing experience is worth noting: a velvet-lined jewelry box for the dispenser and a kraft-paper octagonal carton for refill pods. It’s one of the more layered packaging stories I’ve come across in concept work. It understands that luxury is at least partly emotional, and that the ritual of opening something should feel like it belongs to the rest of the experience.

What makes this project compelling beyond the aesthetics is how faithfully it mirrors the brand’s existing values without any official mandate to do so. Tata Harper already commits to FSC-certified paper, transparent ingredient sourcing, and eco-conscious material choices. Jain’s concept simply asks the next question: what would a color cosmetics line look like if it operated with the same level of rigor? The answer is something that sits on your vanity like a design object, performs with precision, and leaves significantly less behind when it’s done.

Concept work in industrial design usually lands in one of two places. It either solves a real problem with no aesthetic investment, or it produces something visually stunning that would fall apart after a week of actual use. This one manages to hold both ends of that tension together, which is the harder achievement. Jain didn’t find a way to make sustainability bearable. She found a way to make it worth wanting. Whether or not Tata Harper ever sees this, the question it raises is one the beauty industry should be sitting with.

The post A Designer Just Fixed Foundation’s Biggest Waste Problem first appeared on Yanko Design.

How Valve Finally Solved the Steam Machine’s Biggest Performance Bottleneck

How Valve Finally Solved the Steam Machine’s Biggest Performance Bottleneck Steam Machine console demonstrating improved VRAM allocation and frame pacing.

Valve has made significant strides in resolving the longstanding performance issues tied to the Steam Machine, particularly for systems constrained by limited VRAM. As highlighted by Deck Ready, the company’s latest update focuses on optimizing VRAM allocation, a critical step in reducing stuttering and improving frame pacing. By introducing kernel-level changes to the Linux operating […]

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GoPro’s Mission 1 camera series will start at $600

We heard all about GoPro's new action camera series last week, but the company is now unveiling the pricing across its Mission 1, Mission 1 Pro and Mission 1 Pro ILS cameras. The entry-level Mission 1 ($600) features GoPro's new 50-megapixel 1-inch sensor, which the company says will offer a major leap in image quality and low-light performance over the Hero 13 line. While largely looking the same as the Hero series (and still waterproof), the Mission 1 can record 8K video at 30fps and 4K at 120fps. It lacks the higher frame rates of the other Mission 1 cameras, but supports 10-bit GP-Log2 color and 32-bit float audio.

The Mission 1 Pro ($700) is the flagship fixed-lens model this year, aimed at the professional (or semi-pro) videographer. It has upgraded frame-rate capture to 8K at 60 fps and 4K at 240 fps, along with an extreme "burst" slow-motion mode that hits 960 fps at 1080p. It also captures 4:3 "Open Gate" recordings at 8K/30fps and 4K/120fps, covering the entire sensor area, enabling more versatile editing and cropping across different screen sizes, including vertical video.

GoPro Mission 1 camera series
Steve Dent for Engadget

Then there's the beastly Mission 1 Pro ILS (Interchangeable Lens System). It swaps the standard GoPro lens for a Micro Four Thirds (MFT) mount lens. It otherwise shares the same 1-inch sensor and high-speed 8K/60fps video specs as the Pro model. It also matches the Pro model's $700 price, with an additional $100 discount for GoPro subscribers. However, it won't be launching until Q3 2026.

All of the Mission 1 Series accessories will be available on a rolling basis beginning May 28, with GoPro's own wireless mic system (take note, Rode and DJI) priced at $160. If you preorder a Mission 1 or Mission 1 Pro directly from GoPro now, you'll get the point-and-shoot grip bundled for free. The company still doesn't have an official release date for the cameras.

This article originally appeared on Engadget at https://www.engadget.com/cameras/gopros-mission-1-camera-series-will-start-at-600-130044898.html?src=rss

M5 Mac Mini Leak: Why RAM Shortages Point to a June Launch

M5 Mac Mini Leak: Why RAM Shortages Point to a June Launch Apple Mac mini order page showing longer delivery dates for higher-RAM M4 configurations while base models ship sooner.

The highly anticipated M5 Mac Mini is generating excitement, with multiple signs pointing to its imminent release. Extended shipping delays for high-end configurations of the current M4 Mac Mini, combined with Apple’s historical production strategies, suggest the company is preparing for a significant transition. With the promise of enhanced performance, innovative architecture, and upgraded configurations, […]

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Even G2 Smart Glasses One Month Later : Notifications, Translation and Battery Life

Even G2 Smart Glasses One Month Later : Notifications, Translation and Battery Life Simulated view of the Even G2 teleprompter feature displaying text on the lens

Smart glasses are often associated with bold designs and immersive augmented reality, but the Even G2 takes a different approach. As reviewed by Tech with Spencer after a full month of use, these glasses focus on subtlety and practicality, making them a lightweight companion for everyday tasks. With features like discreet notifications and basic translation […]

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